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Relevant bibliographies by topics / Memmingen (Germany) in art

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Academic literature on the topic 'Memmingen (Germany) in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Memmingen (Germany) in art"

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Dees, Robert. "Rising Rents in Sixteenth-Century Germany: A Case Study of Memmingen." Sixteenth Century Journal 56, no. 1 (2025): 23–53. https://doi.org/10.1086/733571.

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Kulling, Per E. J., and Henry Lorin. "KAMEDO — A Swedish Disaster Medicine Study Organization." Prehospital and Disaster Medicine 14, no. 1 (1999): 25–33. http://dx.doi.org/10.1017/s1049023x0002851x.

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AbstractKamedo is a Swedish Disaster Medicine study organization that sends observers to disaster areas anywhere in the world to study recent events, collect useful information, and identify problems relative to the practice of Disaster Medicine. The results of these investigations are published in the KAMEDO Reports, and the English versions will be published in Prehospital and Disaster Medicine.Three of the recent reports follow: 1) KAMEDO Report 69: Ebolus Virus Epidemic in Zaire, 1995; 2) KAMEDO Report 70: The German Rescue and Emergency Organizations: a) Industrial Chemical Fire, Memminge

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Evers, Bernd. "Art book publishing in Germany." Art Libraries Journal 17, no. 3 (1992): 47–48. http://dx.doi.org/10.1017/s0307472200007987.

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Publishing of art books in the former Federal Republic of Germany expanded after 1945, but with an ever-widening divergence between academic and popular titles. Important scholarship, even when published in the form of inexpensive but over-elaborate catalogues, is relatively inaccessible, whereas popular art books cover the same ground over and over again and leave vast areas of art untouched.

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Taškāne, Alise. "ENVIRONMENT AND ECOLOGY ISSUES IN WORKS OF GERMAN STREET ART." Culture Crossroads 13 (November 9, 2022): 48–64. http://dx.doi.org/10.55877/cc.vol13.114.

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This article deals with the development of environmental and ecological issues in Germany since the 1970s, and how these issues are represented in works of street art since the beginning of the development of modern graffiti, and later street art, in Germany. The purpose of this research is to identify differences in the ecological and environmental issues in works of graffiti and street art from the 1970s to present day in Germany. This has been done by examining general themes of environmental and ecological issues in graffiti and street art and by studying some of the specific examples of a

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Frank, Mitchell B. "New Romanticisms in Wilhelmine Germany." Romantik: Journal for the Study of Romanticisms 3, no. 1 (2016): 9. http://dx.doi.org/10.7146/rom.v3i1.23251.

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This essay examines and connects two related issues in the literature on the history of art of the Wilhelmine Period: the canonical shift in German romantic painting from the Nazarenes to Phillip Otto Runge and Caspar David Friedrich; and the attempt to position the work of contemporary German artists (often called new idealists) as a new romanticism. At this time, art historians like Richard Muther and Cornelius Gurlitt take on a romantic sensibility in their attempts to position contemporary German art on the international scene. With the development of new idealism in German artwriting, two

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Thom, Marco. "Arts entrepreneurship education in the UK and Germany." Education + Training 59, no. 4 (2017): 406–26. http://dx.doi.org/10.1108/et-05-2016-0089.

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Purpose The purpose of this paper is to report on the current state of arts entrepreneurship education at higher educational institutions (HEIs) in the UK and Germany. It is based on findings from questionnaire surveys among 210 lecturers in fine art at 89 HEIs in the UK and Germany. Design/methodology/approach This paper explores issues related to fine art curriculum in higher education in the UK and Germany via survey questionnaires among 210 fine art lecturers with focus on arts entrepreneurship. Findings The study shows evidence that an arts entrepreneurship education, although considered

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Cherry, Rachael I. "The Cult of Art in Nazi Germany." History: Reviews of New Books 33, no. 1 (2004): 25–26. http://dx.doi.org/10.1080/03612759.2004.10526413.

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Paret, Peter, and Beth Irwin Lewis. "Art, Society, and Politics in Wilhelmine Germany." Journal of Modern History 57, no. 4 (1985): 696–710. http://dx.doi.org/10.1086/242901.

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Maull, Hanns W. "Germany and the Art of Coalition Building." Journal of European Integration 30, no. 1 (2008): 131–52. http://dx.doi.org/10.1080/07036330801959531.

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Jaskot, P. B. "Art and Politics in National Socialist Germany." Oxford Art Journal 22, no. 1 (1999): 176–84. http://dx.doi.org/10.1093/oxartj/22.1.176.

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Dissertations / Theses on the topic "Memmingen (Germany) in art"

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BRUHN, KATHERINE LENEE. "DEGENERATE ART AND NAZI GERMANY." Thesis, The University of Arizona, 2008. http://hdl.handle.net/10150/190433.

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Stonard, John-Paul. "Art and national reconstruction in Germany." Thesis, Courtauld Institute of Art (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412753.

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Neuenschwander, J. Brody. "The art history of Speyer." Thesis, Courtauld Institute of Art (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325778.

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Sterthaus, Kerstin. "Motion in architecture and the convergence of art and technology : Art center in Berlin, Germany." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1136709.

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"The essence of architecture is the power of adaptation to fresh facts.” Berthold LubetkinThis creative project was my way of exploring if a convergence of art and technology in architecture can exist today.This exploration involved two focus points: one was movement and the other was glass technology.Movement was used for the exploration of the spatial relationships within an interpretation of our society today: the movement on the site as well as the inner motion of the single building elements.Glass was my modern technology tool for translating artistic ideas within architecture. It acts a

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Rogan, Clare I. "Desiring women : constructing the lesbian and female homoeroticism in German art and visual culture, 1900-1933 /." View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174666.

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BARROS, ANA REBEL. "FROM FRIEDRICH TO NOSFERATU: ROMANTICS ASPECTS IN THE GERMANY MODERN ART." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=15486@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>Este trabalho se propõe a estudar o diálogo entre elementos da cultura romântica expressos no filme Nosferatu, de Friedrich Wilhelm Murnau - sem deixar de lado as influências do movimento Expressionista e do contexto sóciocultural da Alemanha pós-guerra, partindo da observação do historiador Robert Gerwarth (2006) acerca da predominância dos estudos culturais e históricos que ligam os acontecimentos da República de Weimar (1918-1933) ao passado imediato da Grande Guerra, obliterando influências anteriores a ela, e também levando

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Remond, Jaya Marie-Paule. "The Kunstbüchlein: Printed Artists' Manuals and the Transmission of Craft in Renaissance Germany." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11676.

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The dissertation studies sixteenth-century German artists' manuals (Kunstbüchlein), a new kind of book that addresses certain types of artistic practices. The Kunstbüchlein testify to and shape transformations of knowledge in early modern Europe. Disseminating practical knowledge in printed form, they endowed craft know-how with a form of authority until then reserved for the liberal arts. They aimed also to reconcile theoretical and practical knowledge, what Albrecht Dürer (the crucial forerunner to the authors of the Kunstbüchlein) termed respectively Kunst and Brauch. Authors Sebald Beham,

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Meyer, Anna R. "That wasn't funny! the critical humor of Otto Dix in Weimar Germany /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/6111.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on July 13, 2009) Includes bibliographical references.

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Lennox, Jordana Kay. "Envisioning the new woman : women and art in Weimar Germany 1918-1933 /." Title page, table of contents and introduction only, 2004. http://web4.library.adelaide.edu.au/theses/09AR/09arl568.pdf.

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Lim, Shan. "Intermedial art and cybernetic vision : Nam June Paik in Germany, 1956 - 63." Thesis, Lancaster University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.557302.

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This study traces Nam June Paik's intermedial art and cybernetic vision in his German period (1956-63) from the diverse activities as an Action Musician to the making of electronic media artwork. Most of the information was gathered from Paik's writings, correspondences and interviews. Much literature ofPaik extols the new possibilities offered by Video Art, but Paik's early days in Germany, and his intermedial practice and cybernetic strategy of the period have been little explored. This study attempts to examine Paik's German period based on the concepts of intermedia and Cybernetics. Part I

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Books on the topic "Memmingen (Germany) in art"

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Friedrichsen, Gisela. Abtreibung: Der Kreuzzug von Memmingen. Orell Füssli, 1989.

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Joachim, Gierlichs, and Hagedorn Annette, eds. Islamic art in Germany. Verlag Philipp von Zabern, 2004.

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(Firm), Babel Translations, ed. Germany. Prentice-Hall, 1985.

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(Hannover), Kestner-Gesellschaft. Made in Germany: [Kurzführer] = Made in Germany : [short guide]. Sprengel Museum Hannover, 2007.

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Madlener, Josef. Josef Madleners Schattentheater. Franz Brack Verlag, 2008.

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Gallery, Saatchi, ed. Gesamtkunstwerk: New art from Germany. Saatchi Gallery, 2011.

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Quoika-Stanka, Wanda. Jugendstil in Austria and Germany. Vance Bibliographies, 1987.

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8

Powell, Cecilia. Turner in Germany. Tate Gallery Publications, 1995.

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Kestner-Gesellschaft, Kunstverein Hannover, and Sprengel Museum Hannover, eds. Produktion: Made in Germany drei. Snoeck, 2017.

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10

T, Paoletti John, and Ezra and Cecile Zilkha Gallery., eds. Kunst als Kultur =: Art as culture : recent art from Germany. Wesleyan University, 1986.

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Book chapters on the topic "Memmingen (Germany) in art"

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Mühlenfeld, Daniel. "Cinema, Art, and Music." In A Companion to Nazi Germany. John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118936894.ch23.

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Smith, Dana. "Epilogue." In Jewish Art in Nazi Germany. Routledge, 2022. http://dx.doi.org/10.4324/9781003160311-12.

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Smith, Dana. "The Final Curtain." In Jewish Art in Nazi Germany. Routledge, 2022. http://dx.doi.org/10.4324/9781003160311-11.

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Smith, Dana. "A Bavarian Musical Department without Bavarian Musicians." In Jewish Art in Nazi Germany. Routledge, 2022. http://dx.doi.org/10.4324/9781003160311-9.

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Smith, Dana. "Jewish Music and ‘the Most German of the Arts'." In Jewish Art in Nazi Germany. Routledge, 2022. http://dx.doi.org/10.4324/9781003160311-5.

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Smith, Dana. "The ‘Kulturbund’ and the ‘Kunststadt’." In Jewish Art in Nazi Germany. Routledge, 2022. http://dx.doi.org/10.4324/9781003160311-6.

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Smith, Dana. "From Munich to Berlin." In Jewish Art in Nazi Germany. Routledge, 2022. http://dx.doi.org/10.4324/9781003160311-8.

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Smith, Dana. "Introduction." In Jewish Art in Nazi Germany. Routledge, 2022. http://dx.doi.org/10.4324/9781003160311-1.

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Smith, Dana. "Jewish Exclusion from the ‘German’ Cultural Sphere." In Jewish Art in Nazi Germany. Routledge, 2022. http://dx.doi.org/10.4324/9781003160311-3.

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Smith, Dana. "Kultur and Bund." In Jewish Art in Nazi Germany. Routledge, 2022. http://dx.doi.org/10.4324/9781003160311-4.

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Conference papers on the topic "Memmingen (Germany) in art"

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Heinrich, Hermann. "Thermography in Germany: state of the art." In AeroSense 2000, edited by Ralph B. Dinwiddie and Dennis H. LeMieux. SPIE, 2000. http://dx.doi.org/10.1117/12.381563.

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Sulejmanova, G. M., and E. A. A. Rudyak. "Social prerequisites for the emergence of expressionism in Germany." In Scientific trends: Philology, Culturology, Art history. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-26-06-2020-03.

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Plotnikov, Max. "Logistics of EV Batteries in Germany - State of the Art." In 14th International Conference on Industrial Engineering and Operations Management. IEOM Society International, 2024. http://dx.doi.org/10.46254/an14.20240134.

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Poppy, Wolfgang. "Automation and Robotics in Construction - State of the Art in Germany." In 8th International Symposium on Automation and Robotics in Construction. International Association for Automation and Robotics in Construction (IAARC), 1991. http://dx.doi.org/10.22260/isarc1991/0002.

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Jockel, Wolfgang. "Requirements and state of the art of monitoring systems in Germany." In Optical Sensing for Environmental and Process Monitoring, edited by Orman A. Simpson. SPIE, 1995. http://dx.doi.org/10.1117/12.210813.

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Pettenpaul, E. "State-of-the Art of MMIC Technology and Design in West Germany." In MTT-S International Microwave Symposium Digest. MTT005, 1987. http://dx.doi.org/10.1109/mwsym.1987.1132525.

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Wanner, M. C. "Robotics in Construction: State of the Art in the Federal Republic of Germany." In Colloque CAO et Robotique en Architecture et BTP (3rd International Symposium on Automation and Robotics in Construction). Hermes, 1986. http://dx.doi.org/10.22260/isarc1986/0037.

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Yang, Hao. "Is Germany a Leader in EU? An Examination Trough Its Environmental Policies and Actions." In 2021 International Conference on Public Art and Human Development ( ICPAHD 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220110.069.

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Zimina, T. M., V. V. Luchinin, N. O. Sitkov, Yu A. Gvozdev, V. E. Lemoserskii, and Yu D. Orekhov. "Hybrid-integrated lab-on-a-chip for total express-microbiological analysis: State of the art and the nearest perspectives." In XIV RUSSIAN-GERMANY CONFERENCE ON BIOMEDICAL ENGINEERING (RGC-2019). AIP Publishing, 2019. http://dx.doi.org/10.1063/1.5122009.

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Ferran, Yana. "Study on the Formation of Copyright in Music in Germany and in Russia." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.141.

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Reports on the topic "Memmingen (Germany) in art"

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Needham, David. Multidisciplinary teaching cruise MNF-bioc-301 Plankton along the Baltic Sea salinity gradient, Cruise No. AL618, August 18th – August 30th 2024, Kiel (Germany) – Kiel (Germany), MNF-bioc-301. GEOMAR Helmholtz Centre for Ocean Research Kiel, Germany, 2025. https://doi.org/10.3289/cr_al618.

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The multidisciplinary teaching cruise AL618 was part of the curriculum of the master “Biological Oceanography” at the Christian-Albrechts-University Kiel and the GEOMAR Helmholtz Centre for Ocean Research. During this mandatory part of the MNF-bioc-301 module the students were able to gain hands-on experience of the scientific operation on-board a modern multidisciplinary research vessel. Methods in physical, biological and chemical oceanography were taught based on biodiversity changes in several functional plankton groups along the Baltic Sea salinity gradient as a main subject. The students

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Mittermayer, Felix. Multidisciplinary teaching cruise MNF-bioc-301 Plankton along the Baltic Sea salinity gradient Cruise No. AL580, August 30th – September 9th 2022 Kiel (Germany) – Kiel (Germany), MNF-bioc-301. GEOMAR Helmholtz Centre for Ocean Research Kiel, Germany, 2022. https://doi.org/10.3289/cr_al580.

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The multidisciplinary teaching cruise AL580 was part of the curriculum of the master “Biological Oceanography” at the Christian-Albrechts-University Kiel and the GEOMAR Helmholtz Centre for Ocean Research. During this mandatory part of the MNF-bioc-301 module the students were able to gain hands-on experience of the scientific operation on-board a modern multidisciplinary research vessel. Methods in physical, biological and chemical oceanography were taught based on biodiversity changes in several functional plankton groups along the Baltic Sea salinity gradient as a main subject. The students

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Mittermayer, Felix. Multidisciplinary teaching cruise MNF-bioc-301 Plankton along the Baltic Sea salinity gradient, Cruise No. AL563, August 31st – September 11th 2021, Kiel (Germany) – Kiel (Germany), MNF-bioc-301. GEOMAR Helmholtz Centre for Ocean Research Kiel, 2022. https://doi.org/10.3289/cr_al563.

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The multidisciplinary teaching cruise AL563 was part of the curriculum of the master “Biological Oceanography” at the Christian-Albrechts-University Kiel and the GEOMAR Helmholtz Centre for Ocean Research. During this mandatory part of the MNF-bioc-301 module the students were able to gain hands-on experience of the scientific operation on-board a modern multidisciplinary research vessel. Methods in physical, biological and chemical oceanography were taught based on biodiversity changes in several functional plankton groups along the Baltic Sea salinity gradient as a main subject. The students

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Demuynck, Méryl, Anna-Maria Andreeva, and George Kefford. A Practitioner’s Guide to Working with Children in VE-Affiliated Families: Protecting the Rights of the Child. ICCT, 2023. http://dx.doi.org/10.19165/2022.3.03.

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The PREPARE (Promoting collaborative policies of inclusion relating to children of far right and Islamist parents in Western Europe) project aims to identify vulnerabilities and stigmas that children may face when their parents are involved in violent extremist (VE) networks, and how frontline practitioners can best address them through a collaborative approach centred on the needs of the child. It aims to support these children by supporting frontline practitioners working with these children and their families in six European countries (the Netherlands, Spain, France, Sweden, Germany and Kos

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