Relevant bibliographies by topics / Memorial to the Murdered Jews of Europe

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Memorial to the Murdered Jews of Europe'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Memorial to the Murdered Jews of Europe"

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Neumärker, Uwe. "Germany’s memorial to the murdered Jews of Europe: Debates and reactions." Filozofija i drustvo 23, no. 4 (2012): 139–47. http://dx.doi.org/10.2298/fid1204139n.

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The article outlines the history of the Memorial to the Murdered Jews of Europe in Berlin as a very good example of how long any such procedure is, from idea to realization, as well as how strong the debate how and whom to commemorate. Federal Foundation Memorial to the Murdered Jews of Europe also supervised Memorial to the Murdered Sinti and Roma, Memorial to the Homosexuals Persecuted under the National Socialist Regime and the Memorial to mass murder of patients from mental hospitals. Besides that, the author analyzes the initiatives and sollutions for other monuments in Germany?s capital
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Olin, Margaret. "Overheard in the Memorial to the Murdered Jews of Europe." IMAGES 2, no. 1 (2008): 136–55. http://dx.doi.org/10.1163/187180008x408645.

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Benjamin, Andrew. "NOW STILL ABSENT: Eisenmans Memorial to the Murdered Jews of Europe." Architectural Theory Review 8, no. 1 (2003): 57–62. http://dx.doi.org/10.1080/13264820309478473.

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Pickford, Henry W. "Dialectical Reflections on Peter Eisenman's Memorial for the Murdered Jews of Europe." Architectural Theory Review 17, no. 2-3 (2012): 419–39. http://dx.doi.org/10.1080/13264826.2012.735636.

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Wysznacki, Karol. "Theory of Architectural, Social Participation and “Contact” by Robert Zemeckis." European Journal of Interdisciplinary Studies 2, no. 3 (2016): 92. http://dx.doi.org/10.26417/ejis.v2i3-92-94.

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The paper shows the importance of memory in architecture and how social participation influence the formation of cultural memory. The article examines the issue of the importance of memory and how the popular culture coexists with highly symbolic places. The research will be conducted on the case of the "Memorial to the Murdered Jews of Europe" in Berlin, built by architect Peter Eisenman. The aim of the paper is to show that architecture of memorials restores ideas and messages to protect the community from future mistakes. Social participation supports shaping public spaces and thus particip
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Wysznacki, Karol. "Theory of Architectural, Social Participation and “Contact” by Robert Zemeckis." European Journal of Interdisciplinary Studies 2, no. 3 (2016): 92. http://dx.doi.org/10.26417/ejis.v2i3.92-94.

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The paper shows the importance of memory in architecture and how social participation influence the formation of cultural memory. The article examines the issue of the importance of memory and how the popular culture coexists with highly symbolic places. The research will be conducted on the case of the "Memorial to the Murdered Jews of Europe" in Berlin, built by architect Peter Eisenman. The aim of the paper is to show that architecture of memorials restores ideas and messages to protect the community from future mistakes. Social participation supports shaping public spaces and thus particip
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Wysznacki, Karol. "Theory of Architectural, Social Participation and “Contact” by Robert Zemeckis." European Journal of Interdisciplinary Studies 2, no. 3 (2016): 92. http://dx.doi.org/10.26417/ejis.v2i3.p92-94.

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The paper shows the importance of memory in architecture and how social participation influence the formation of cultural memory. The article examines the issue of the importance of memory and how the popular culture coexists with highly symbolic places. The research will be conducted on the case of the "Memorial to the Murdered Jews of Europe" in Berlin, built by architect Peter Eisenman. The aim of the paper is to show that architecture of memorials restores ideas and messages to protect the community from future mistakes. Social participation supports shaping public spaces and thus particip
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Wysznacki, Karol. "Theory of Architectural, Social Participation and “Contact” by Robert Zemeckis." European Journal of Interdisciplinary Studies 5, no. 1 (2016): 92. http://dx.doi.org/10.26417/ejis.v5i1.p92-94.

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The paper shows the importance of memory in architecture and how social participation influence the formation of cultural memory. The article examines the issue of the importance of memory and how the popular culture coexists with highly symbolic places. The research will be conducted on the case of the "Memorial to the Murdered Jews of Europe" in Berlin, built by architect Peter Eisenman. The aim of the paper is to show that architecture of memorials restores ideas and messages to protect the community from future mistakes. Social participation supports shaping public spaces and thus particip
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Golańska, Dorota. "Bodily collisions: Toward a new materialist account of memorial art." Memory Studies 13, no. 1 (2017): 74–89. http://dx.doi.org/10.1177/1750698017741928.

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The major objective of this article is to elaborate on the new materialist philosophical framework as a useful analytical perspective for approaching contemporary artistic memorials. The Memorial to the Murdered Jews of Europe (designed by Eisenman, 2005) and The Garden of Exile (designed by Libeskind, 2001), both situated in Berlin, serve as illustrative examples for theoretical investigations developed in this contribution. Relying on Deleuze and Guattari’s definition of art, the article argues that these sites heighten our awareness of materials, compositional structures, or the process of
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Bareither, Christoph. "Capture the feeling: Memory practices in between the emotional affordances of heritage sites and digital media." Memory Studies 14, no. 3 (2021): 578–91. http://dx.doi.org/10.1177/17506980211010695.

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This article develops the concept of emotional affordances, which is first used to describe the capacities of heritage sites to enable, prompt and restrict particular emotional experiences of their visitors. Secondly, the article asks how the emotional affordances of digital media, particularly those taking effect in digital photography and social media practices, allow visitors to mediate the emotional affordances of a particular heritage site. The argument builds on an ethnographic study of visitors’ digital image practices at the ‘Memorial to the Murdered Jews of Europe’ in Berlin and it de
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Dissertations / Theses on the topic "Memorial to the Murdered Jews of Europe"

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Kauffman, Karen C. "Re-Inventing German Collective Memory: The Debate over the Memorial for the Murdered Jews of Europe." Thesis, Boston College, 2008. http://hdl.handle.net/2345/557.

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Thesis advisor: Peter H. Weiler<br>Coming to terms with memory of the Nazi past has been a long and challenging task for the German nation. An important part of this process was the debate over building a national Holocaust memorial in Berlin, called the Memorial for the Murdered Jews of Europe. The debate began in 1989 and has arguably not yet ended. Occurring primarily in periodicals, political speeches and official colloquiums, the Denkmalstreit (memorial debate) was largely about German intellectuals developing a system of dealing with the Holocaust while redefining German identity in thei
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Rook-Koepsel, Megan. "The (Wrapped Reichstag) and (Memorial for the Murdered Jews of Europe) some difficulties with contemporary monuments in post-reunification Berlin ] /." College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/8225.

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Thesis (M.A.) -- University of Maryland, College Park, 2008.<br>Thesis research directed by: Dept. of Art History and Archaeology. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Magin, Michelle Anne. "Toward a globalised memory of the Holocaust : an exploration of the exhibition spaces and educational programmes at four sites of remembrance in post-unification Berlin." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/toward-a-globalised-memory-of-the-holocaust-an-exploration-of-the-exhibition-spaces-and-educational-programmes-at-four-sites-of-remembrance-in-postunification-berlin(c7547a80-3e71-48f9-9ee1-a35bfe6c4c09).html.

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Since unification the memorial landscape of Berlin and its surrounding territories has shifted and expanded exponentially. The majority of this change has occurred within the past ten years, as commemoration of the Holocaust and educational programmes on the National Socialist period have become not only prevalent, but a necessary and expected contribution to the shaping of German identity and memorial culture. In the past decade memorial museums and sites of remembrance, such as the House of the Wannsee Conference, the Memorial to the Murdered Jews of Europe, and the former Sachsenhausen and
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Lamb, Emily R. "Reactions to Holocaust Memorials: The Denkmal fur die ermordeten Juden Europas and the Stolpersteine." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592135188748722.

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Aviv, Lee. "The Classical Unconscious: A Critique of the Paradoxical Design Projects of Peter Eisenman." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367943654.

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Steinberg, Katharina. "Das Denkmal für die ermordeten Juden Europas und seine Wirkung auf die Besucher." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2014. http://dx.doi.org/10.18452/16943.

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In dieser Studie wird erstmals die Frage untersucht, wie das Denkmal für die ermordeten Juden Europas in Berlin auf die Besucher wirkt. Dafür wird eine quantitative Befragung von 500 Besuchern durchgeführt. Zunächst werden die Erinnerungskulturtheorien von Jan und Aleida Assmann und Horst-Alfred Heinrich vorgestellt. Anschließend wird das Denkmal für die ermordeten Juden Europas örtlich und zeitlich eingebunden, indem das Konzept des repräsentativen öffentlichen Raums eingeführt und die Erinnerung an die Opfer des Holocaust in der Bundesrepublik und der DDR beleuchtet werden. Es folgt die Dars
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Seager, Brenda Mary. "Memory Retrieved: The Memorial for the Murdered Jews of Europe." Thesis, 2004. http://hdl.handle.net/1805/5010.

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McKim, Joel. "Filling in the voids : Berlin's "Memorial for the Murdered Jews of Europe"." Thesis, 2003. http://spectrum.library.concordia.ca/2255/1/MQ83808.pdf.

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This thesis takes Peter Eisenman's soon to be built Holocaust memorial as a focal point for considerations of contemporary memory practices that test the limits of representation. It begins by situating the memorial within the spatial and discursive landscape of contemporary Berlin, one that is dominated by the mythology of former chancellor Helmut Kohl. The intended function of Eisenman's monument is then questioned through an examination of its relation to several central figures of deconstruction and trauma theory, such as the chora , the uncanny, and the witness. This thesis ultimately arg
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Lee, Tzu-Hui, and 李姿慧. "The meaning and functions of memorial facilities. The construction of Memorial to murdered Jews of Europe in Berlin." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/99908108426650934921.

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碩士<br>東吳大學<br>德國文化學系<br>100<br>There are five chapters in this thesis. In the introduction chapter, the tension, purpose, scope and method of the research were discussed. The other chapters were presented as follows. This thesis includes three large basic parts. The first part is about historical policy of murdered Jews in Germany after WWII. The second part talks about the historical division of the establishment of the Holocaust Memorial, and the last one concerns the controversial issues of the establishment of the Holocaust Memorial. Part One- historical policy of murdered Jews in Germany
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Burger, Lauren. "Striving for integrated commemoration : the presentation of the Holocaust and the Memorial to the Murdered Jews of Europe, Berlin." Thesis, 2006. http://spectrum.library.concordia.ca/9058/1/MR20668.pdf.

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This thesis investigates Holocaust commemoration at the Memorial to the Murdered Jews of Europe in Berlin, Germany. Completed in Mitte in May 2005, the Mahnmal has come to be understood as Germany's central Holocaust Memorial. It is, however, dedicated exclusively to the Jewish victims of Nazi crimes. During the Memorial's 17 year-long genesis, many criticized those responsible for the project for institutionalizing a hierarchy of the victims of National Socialism. Discontent about how a new memorial to the murdered Jews of Europe would centralize a diverse landscape of memory---both physicall
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Books on the topic "Memorial to the Murdered Jews of Europe"

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Eisenman, Peter. Memorial to the murdered Jews of Europe. Leo Baeck Institute, 2005.

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Jurgen, Hohmuth, ed. Denkmal für dir ermordeten Juden Europas, Berlin =: Memorial to the murdered Jews in Europe, Berlin. Prestel, 2005.

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Benjamin, Yigael. They were our friends: A memorial for the members of the hachsharot and the Hehalutz underground in Holland murdered in the Holocaust : monograph. Association of Former Members of the Hachsharot and the Hehalutz Underground in Holland-Westerweel Group included, 1990.

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Memorial books of Eastern European Jewry: Essays on the history and meanings of Yizker volumes. McFarland, 2011.

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Memorial to the Murdered Jews of Europe. Deutscher Kunstverlag, 2010.

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Memorial to the Murdered Jews in Europe (Museum Guides). Prestel Publishing, 2005.

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Stiftung Denkmal fur die Ermordeten Juden Europas., ed. Materials on the Memorial to the Murdered Jews of Europe. Nicolai, 2005.

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Schlor, Joachim. Memorial to the Murdered Jews in Europe / Denkmal Fur Die Emordenten Juden Europas (Museum Guides). Prestel Publishing, 2005.

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1959-, Megargee Geoffrey P., and United States Holocaust Memorial Museum., eds. The United States Holocaust Memorial Museum encyclopedia of camps and ghettos, 1933-1945. Indiana University Press, 2009.

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The United States Holocaust Memorial Museum encyclopedia of camps and ghettos, 1933-1945. Indiana University Press, 2009.

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Book chapters on the topic "Memorial to the Murdered Jews of Europe"

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Sion, Brigitte. "Affective Memory, Ineffective Functionality: Experiencing Berlin’s Memorial to the Murdered Jews of Europe." In Memorialization in Germany since 1945. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230248502_23.

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Marsoobian, Armen T. "How Do We Memorialize Genocide? The Case of the German Memorial to the Murdered Jews of Europe." In Multidisciplinary Perspectives on Genocide and Memory. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-65513-0_10.

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"Memorial to the Murdered Jews of Europe (Memorial, 2005): Is There an End to Holocaust Memory?" In Holocaust Representations in History: An Introduction. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781350091849.ch-018.

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"Spaces of Memory – Reflections on Social Transformation at the Memorial for the Murdered Jews of Europe." In Contemporary Jewish Reality in Germany and Its Reflection in Film. De Gruyter, 2012. http://dx.doi.org/10.1515/9783110265132.231.

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Young, James E. "8. Peter Eisenman’s Design for Berlin’s Memorial for the Murdered Jews of Europe: A Juror’s Report in Three Parts." In (Re)Visualizing National History. University of Toronto Press, 2008. http://dx.doi.org/10.3138/9781442687257-010.

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Bemporad, Elissa. "Introduction." In Legacy of Blood. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190466459.003.0001.

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The genocidal impulses that erupted during the pogroms of the Russian Civil War (1917–21), together with the recurring claim of Jewish ritual murder and its multiple permutations, became necessary components for the events that unraveled in the so-called Bloodlands. The persistence, the permutation, andthe responses to anti-Jewish violence and memories of violence suggest that Jews (and non-Jews alike) cohabited with a legacy of blood that did not vanish. It is in fact difficult to fully grasp thedynamics of violence unleashed during World War II in the region of Eastern Europe, which comprised present-day Ukraine, Belarus, and Russia, without integrating the historical violence and memories of violence that earmarked Jews. The blood legacies played a central role in the carnage of European Jewry and made the Bloodlands likely. Under the Soviets, who from the beginning outlawed antisemitism, violence against Jews did not supersede entirely, and even when it was forbidden (like in the case of the pogroms), it was not forgotten. There is an unexplored history of antisemitism in the Soviet lands that sheds light on the complicated experience of concurrent Jewish empowerment and vulnerability in Soviet society.
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"14. Deconstructivism and the Holocaust: Peter Eisenman’s Memorial to the Murdered Jews of Eu rope." In Probing the Ethics of Holocaust Culture. Harvard University Press, 2016. http://dx.doi.org/10.4159/9780674973244-015.

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Frühauf, Tina. "Remembering the Holocaust." In Transcending Dystopia. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197532973.003.0006.

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Having survived the Nazi atrocities, Jewish communities offered different spaces for collective mourning and remembrance. Among the earliest commemorative events were reburial ceremonies, presided over by American military chaplains and cantors. There were also memorials for those murdered in the Holocaust. Memorial days firmly instituted in the first months after liberation would have a lasting presence in Germany’s culture of remembrance. From early on, the communities’ commemorative efforts included music, which served as an agent to help with emotional hardship and to create an atmosphere of dignity, respect, and compassion. In parallel to the somber memorials, euphoric celebrations of liberation took place as well, which defined the Jewish population as survivors, rather than victims. Beginning in 1948, celebrations dedicated to the newly founded State of Israel had a massive impact on the self-image, political consciousness, and culture of Jews in post-Holocaust Germany.
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Radonić, Ljiljana. "From “Double Genocide” to “the New Jews”: Holocaust, Genocide and Mass Violence in Post-Communist Memorial Museums." In The Holocaust/Genocide Template in Eastern Europe. Routledge, 2020. http://dx.doi.org/10.4324/9780429356407-2.

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Polonsky, Antony. "War and Genocide 1939–1945." In Jews in Poland and Russia: A Short History. Liverpool University Press, 2013. http://dx.doi.org/10.3828/liverpool/9781906764395.003.0010.

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This chapter explores how the outbreak of the Second World War initiated a new and tragic period in the history of the Jews of north-eastern Europe. The Polish defeat by Nazi Germany in the unequal campaign that began in September of 1939 led to a new partition of the country by Germany and the Soviet Union. Though Hitler had been relatively slow to put the more extreme aspects of Nazi antisemitism into practice, by the time the war broke out, the Nazi regime was set in its deep-seated hatred of the Jews. Following the brutal violence of Kristallnacht on November 9–10, 1938, when up to a hundred Jews were murdered in Germany and Austria and over 400 synagogues burnt down, Hitler, disconcerted by the domestic and foreign unease which this provoked, decided to entrust policy on the Jews to the ideologues of the SS. They were determined at this stage to enforce a ‘total separation’ between Jews and Germans, but wanted to do so in an ‘orderly and disciplined’ manner, perhaps by compelling most Jews to emigrate. The Nazis did not act immediately on the genocidal threat of ‘the annihilation of the Jews as a race in Europe’, but during the first months of the war, a dual process took place: the barbarization of Nazi policy generally and a hardening of policy towards Jews.
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Conference papers on the topic "Memorial to the Murdered Jews of Europe"

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Azulay Tapiero, Marilda. "Arquitectura, dispositivo de experiencia memorial. *** Architecture: a drive of memorial experience ." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7604.

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La arquitectura puede introducirnos en la experiencia de la memoria; memoria como reflexión, y arquitectura como dispositivo para la experiencia memorial a la vez que contenedor de la información. Cada objeto es definido en un proceso en el que considerar diversos actores, sus voluntades, opciones y experiencias. Es el caso de las obras que aborda este trabajo, en las que evidenciar e interrogarnos sobre el gesto arquitectónico, la memoria evocada y su interpretación social. Obras que han alcanzado notoriedad por diferentes motivos: como la Sala del Recuerdo, de Arieh Elhanani, Arieh Sharon y
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