Academic literature on the topic 'Memory, Husserl, and Phenomenology'
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Journal articles on the topic "Memory, Husserl, and Phenomenology"
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Jonkus, Dalius. "ATMINTIES VISUMA IR KITYBĖ. FENOMENOLOGINIS POŽIŪRIS." Religija ir kultūra 6, no. 1-2 (January 1, 2009): 7–26. http://dx.doi.org/10.15388/relig.2009.1.2778.
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Šio straipsnio tikslas – parodyti, kad atmintis nėra tapati visiškam sąmoningumui. Atmintis yra susijusi su užmarštimi, tačiau negali būti redukuota į ją. Atminties klaidos ir iliuzijos jos nepaneigia, nes jas atrasti yra galima tik atminties visumos kontekste. Šia prasme visiškai sutinku su Pauliu Ricoeuru, kuris įspėja apie neleistiną atminties redukavimą į atminties patologijas. Edmundas Husserlis, analizuodamas atminties problemą, turi įveikti tradicinį nepasitikėjimą atmintimi, parodyti, kad atmintis nėra atvaizdų sąmonės forma, ir sukurti dinamišką atminties modelį. Pirma, atskleisiu, kaip veikia statiška atminties kaip kopijų rinkinio samprata, antra, išnagrinėsiu, kaip atminties samprata pakinta susiejant ją su reprodukuojančiu sudabartinimu, trečia, aptarsiu, kaip galima nustatyti klaidingus prisiminimus, ketvirta, analizuosiu, kaip prisiminimuose pasireiškia pasyvi asociacijų sintezė ir, penkta, pademonstruosiu, kaip atmintis yra susijusi su užmarštimi.Pagrindiniai žodžiai: fenomenologija, atmintis, užmarštis, vaizdinių sąmonė, Husserlis.The Entirety of Memory and its Otherness. Phenomenological ApproachDalius Jonkus SummaryThe aim of this article is to demonstrate that memory is not identical with full consciousness. Memory is related to forgetting, but memory cannot be reduced to it. The errors and illusions of memory do not negate it because they can be discovered only within the context of the entirety of memory. On this account I agree with Paul Ricoeur, who warns against the inadmissible reduction of memory to memory pathologies. When Husserl analyses the problem of memory, he has to overcome the traditional distrust in memory, to show that memory is not a form of image consciousness, and to create a dynamic model of memory. First, I will show how the static understanding of memory as a set of copies works. Second, I will analyse how the concept of memory changes when it is correlated with reproductive presentification. Third, I will elaborate on how it is possible to identify false memories. Fourth, I will analyse how passive synthesis of associations manifests itself in memories. And fifth, I will demonstrate how memory is related to forgetting.Keywords: phenomenology, memory, forgetting, image consciousness, Husserl.
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Serra, Alice Mara. "Zum Phänomen der Deckerinnerung: Eine Auseinandersetzung zwischen Freud und Husserl." Phänomenologische Forschungen 2008 2008, no. 1 (2008): 23–42. http://dx.doi.org/10.28937/1000107946.
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The concept Deckerinnerung (en. screen-memory), which appeared in Freud’s work in 1899, points towards the important epistemological question about the possibility of adequation or coincidence (Deckung) between past experience and the current act that is being presentified. This can take the form of remembering as such or be conceived as fantasy. In order to clarify the differences between fantasy and memory, or rather their interconnection in the Deckerinnerung, they need to be looked at phenomenologically, and in doing so various aspects should be analysed, such as: the character of positional and neutralised acts of presentification; the interference of conscious attention and the phenomenon of inhibition in the act of presentification; the state of memories in the unconscious and the possibilities of their association between themselves or modification by other current acts. While Freud introduces the subject without further analysing it, Husserl’s theories offer a valuable contribution here. In this context, there is first a need to outline the way in which Husserl’s investigations into memory come close to Freud’s discourse, in the sense that they lead to a “Phenomenology of the Unconscious” (Hua XI; Mat. VIII).
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Cheng, Chung-Ying. "Phenomenology and Onto-Generative Hermeneutics: Convergencies." Journal of Chinese Philosophy 42, no. 1-2 (March 3, 2015): 221–41. http://dx.doi.org/10.1163/15406253-0420102015.
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In examining phenomenology as a base onto-generative hermeneutics (onto-hermeneutics) I find the gradual movement from pure phenomenology in Husserl to an ontological phenomenology in Merleau-Ponty through Heidegger and Gadamer. I argue thus that there is an implicit connection between the phenomenological and the ontological. In order to bring out the desirable connection between the two we must have hermeneutic interpretation of one in terms of the other. This leads to the idea of onto-hermeneutic circle of phenomenology and ontology based on the integration of the four phenomenologies which represent a wider comprehension and deeper intuition. It is in terms of this wider comprehension and deeper intuition of reality I introduce the Chinese notion “ben-ti 本體” (root-body) as “onto-generative” as well as onto-phenomenological. I suggest five principles as constituting the basic formulation of such a hermeneutic system as both theory and methodology: (i) Principle of comprehensive observation (guan 观) (the Yijing); (ii) Principle of objective reference (wu 物) (the Yijing); (iii) Principle of perception, reflection, and memory (gan 感) (the Yijing and the Confucian); (iv) Principle of intersubjective understanding and interpretation based on (ren 仁) (the Confucian); and (v) Principle of practical end and action (xing 行) (the Confucian).
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Timoshchuk, E. A. "PETER BERGER AND HIS SOCIOCULTURAL-PHENOMENOLOGICAL RESEARCH." Intelligence. Innovations. Investment, no. 5 (2020): 146–51. http://dx.doi.org/10.25198/2077-7175-2020-5-146.
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The phenomenological paradigm in sociocultural research is the relay race of Husserl — Schütz — Luckmann and Berger. Despite the first difference between sociology and phenomenology, the emphasis on design, biography, historical context, subjectivity and experience only complement quantitative research with the necessary quality of humanism. Today, when technocratic line is becoming a leading trend, when people talk about neuro-turnaround in science and social practices, phenomenology must be given credit for its courage in sociocultural subjectivity and the actualization of the philosophy of consciousness. Scientometric absorption of the subject is a dangerous way of deflation of philosophy, its reduction to the functional support of the brain-machine interface. The sociocultural phenomenologist Peter Berger (1929–2017) died a year after the demise of his and co-author Thomas Luckmann. Last year there was also jubilee of the founder of phenomenology, Edmund Husserl, who turned 160 years old. The scientometric absorption of the subject is a dangerous way of deflation of philosophy, its reduction to the functional support of the brain-machine interface. The study of the heritage of P. Berger in this regard allows us to proceed to the efficient processing of Husserl’s ideas in the field of describing the valuesemantic world of society and culture. The author proceeds with the study of the model of the socio-cultural and anthropological world, constructed by Peter Ludwig Berger. The subject of the research is the theoretical framework of the phenomenology of society and culture. The main provisions of Berger’s sociocultural phenomenology are: 1) secularization has a heterogeneous porous structure, 2) under capitalism, transcendence is possible as a personal spiritual practice; 3) pluralism of social orders and globalization are the basis for restrained forecasts regarding the society of the future; 4) the clash of bureaucracy and the private is removed by the daily routine of meaning generation. Pursuing issues of the privatization of religion, the theory of modernization, the sociology of knowledge, Berger’s sociocultural phenomenology turns everyday life into a fascinating scientific quest. He easily moves from concrete to abstract and vice versa, but does not throw the reader into the abyss of lifeless ideas. At the same time, the sociologist makes it clear that he is ready to change his mind, he does not close us in a rigid configuration of ideas, yet places the reader in the bootstrap reality. Berger remained in phenomenological position, describing social structures in terms of construction, typification, collective understanding, legitimization of social memory, horizons of reality, habitualization of meanings, reification of meanings, objectification of the lifeworld of utopias. Main conclusions. The sociocultural phenomenology of P. Berger allows you to value-correlate the sacrifices made by capitalism and communism to build a social order. His phenomenology is the method of contextual correlation of different social worlds — science and religion, secular and transcendental, personal and collective. Bergerian sociocultural subjectivism opposes the reduction of philosophy to the information support of a technogenic society and the maintenance of science.
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López Sáenz, María Del Carmen. "De la intersubjetividad a los fenómenos que dejan ir al mundo. Fenomenología y literatura." Investigaciones Fenomenológicas, no. 6 (February 22, 2021): 153. http://dx.doi.org/10.5944/rif.6.2015.29837.
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En este artículo interpretamos textos neurálgicos de Husserl y Merleau-Ponty siguiendo la obra de Iribarne, principalmente Fenomenología y Literatura, articulando la diversidad de sus temas en torno a la explicitación de la intersubjetividad trascendental, sobre la cual la filósofa nunca dejó de pensar. Paralelamente a nuestros propios estudios de las relaciones intersubjetivas, la temporalidad vivida, la identidad y la diferenciación, la dialéctica entre la memoria y el olvido, la esperanza y la finitud o el sueño, continuamos pensando estos fenómenos-límite desde la fenomenología genética y generativa, concebida como una investigación retrospectiva que considera esencial para la constitución tanto la relación entre actividad y pasividad como entre el yo y los otros. El estudio de estos fenómenos, relegados generalmente a la literatura, desvelará finalmente el sentido de la reflexión fenomenológica literaria en clave intersubjetiva y repercutirá en una fenomenología de la alteridad.This article interprets crucial texts of Husserl and Merleau-Ponty by following to Iribarne, mainly Phenomenology and Literature, articulating the diversity of its issues around the explication of transcendental intersubjectivity, on which she never stopped thinking. In parallel to our own studies of the inter-relationships between the lived temporality, identity and differentiation, the dialectic between memory and forgetting, hope and finitude or the dream, I continue to think about these phenomena-limit from genetic and generative phenomenology conceived as a retrospective research that considers essential to constitution both the relationship between activity and passivity as between self and other. The study of these phenomena, usually relegated to literature, will reveal the phenomenological meaning of literary reflection as central to intersubjectivity and it will have implications for a phenomenology of alterity.
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Waldenfels, Bernhard. "Paul Ricœur: Raconter, se souvenir et oublier." Études Ricoeuriennes / Ricoeur Studies 10, no. 1 (September 16, 2019): 10–26. http://dx.doi.org/10.5195/errs.2019.470.
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This excerpt by Bernhard Waldenfels is from the second part of his book, Sociality and Otherness – Modes of Social Experience (Sozialität und Alterität – Modi sozialer Erfahrung (Berlin, Suhrkamp, 2015), 363-85), where he tests and further pursues his theory of responsiveness through a series of debates with Husserl, Schütz and Gurwitsch, Searle, Castoriadis, Foucault, and Ricœur. In his discussion of the latter’s work, he focuses on the themes of memory and forgetting, primarily in Time and Narrative and Memory, History, Forgetting. The text is divided into four sections. In the first two, Waldenfels revisits Ricœur’s arguments which he insists did not sufficiently attend to the importance of forgetting in narratives. In the last two, the author proposes a revision of the Ricœurian philosophy of forgetting under the heading of a responsive phenomenology. Both with and against Ricœur, Waldenfels considers forgetting as a pathos that forces us to respond.
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Somphong Unyo, Phramaha. "An Analytical Study of Ideally Inherent Operative Transformation of the Original Mental Process in Edmund Husserl’s Phenomenology." Psychology and Education Journal 58, no. 1 (January 15, 2021): 4410–16. http://dx.doi.org/10.17762/pae.v58i1.1521.
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This research paper entitled “An Analytical Study of Ideally inherent Operative Transformations of the Original Mental Process in Edmund Husserl’s Phenomenology” has three objectives: 1) to study the mental process of reflection and modification in which that mind is directed towards the intended object including the mental objects regarding Western philosophical thought, Edmund Husserl, 2) to study of the way to operative transformation of original mental process and, 3) to analyze various forms of transformed reproduction and a problem of the reproduction. It is found that the transformation of the original mental process in Edmund Husserl’s phenomenology is the ideally inherent process of reproduction of mental process in which the mental process passed through the modificative process together with its contents so as to produce a novel knowledge. The transformative process as such is systematically operated with main following aspects: (1) The mode of giveness (the immanent essence of a concrete sensation-content such as a visual sensation-content in the field of visual sensation-Data that is continually adumbrated from the visual physical objects), (2) the temporal mental processes are to be unified as one stream of mental process, (3) the phase or the temporal horizon which is cosmic time in other ways such as horizon of Now, horizon of Before, and horizon of After, and (4) pure ego, the function of which is to direct its regards to the temporal modes of giveness (immanent essences). By its transformative operation, it is effectively proceeded with three steps. The first is a step of a physical perception of the mental process in which the perceived physical things is used as an essential content for all mental process as they are kept in a memory. The second step is succeeded from the first step which is called a retention or a primary memory; the process of a modification using the immanent object kept in a retention as the initial part of the constitution of an identical object. Then, comes the third step which is the step of a recollection or a second memory; it is to recall the remembered or represented for the perception again. After the whole process has fully accomplished, the remembered or represented is afresh reproduced. However, the reproduction of the remembered or the represented can emerge with two possibilities; one is the vague-reproduced information as without repeating while looking at the reproduced flash; other is afresh one as it is repeated resulting in further perception. However, the reproduction of the remembered can be accurate and perfect depending on two conditions; one is the condition of the perception of physical things and the condition of either clarity or obscurity of the whole object that is re-presented with the mode of mental process.
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Titarenko, S. D. "Visual image in the aesthetics of Alexander Blok: phenomenology problems." Solov’evskie issledovaniya, no. 3 (September 30, 2020): 93–106. http://dx.doi.org/10.17588/2076-9210.2020.3.093-106.
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The article is dedicated to the insufficiently studied problem of the visual image that was formed in the creative aesthetical discourse of Alexander Blok. His articles “Colours and Words” (1905), “Works of Vyacheslav Ivanov” (1905), “About the Present Condition of the Russian Symbolism” (1910), “In Memory of Vrubel” (1910) and also exhibition overviews are considered in the article. The main task of the research is to reveal that the visual image is a way to represent thoughts of symbolist poet, and it is also a model of visual perception, which is characteristic for the modernist culture. The analysis methods are receptive criticism, intermediality and phenomenology of E. Husserl and M. Merleau-Ponty. The reasons why Alexander Blok paid close attention to the works of such painters as A. Böcklin, M. Vrubel, V. Kandinsky and others are analysed in the article. The examples demonstrate how the principles of Italian painters (Fra Angelico, Giovanni Bellini, Leonardo da Vinci) reflected in his aesthetics. It is indicated that the visual image in Blok’s articles is symbolic and metaphysical representation of the aesthetic idea. Blok uses various types of unclassical ecphrasis that have a function of visual codes. Moreover, he creates a type of “fictitious” ecphrasis as a “landscape of consciousness” and uses linguistic contamination. The conclusion is made that the new understanding of art emerges in Blok’s aesthetics, which was characteristic for modernist poetics of the beginning of the XX century. The function of the visual image is representation of symbolic forms (space, colour, composition, things, nature, body dynamics) as phenomena of consciousness and ways to express ideas.
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Podoroga, Boris V. "Logos and Prosthesis: Bernard Stiegler’s Theory of Tertiary Memory." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 6 (December 15, 2020): 90–99. http://dx.doi.org/10.37482/2687-1505-v067.
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This article discusses the relationship between the concepts of writing and tertiary memory in Bernard Stiegler’s philosophy of technology. It is demonstrated that tertiary memory, being a process of sensuality exteriorization (espacement) that defines the specifics of human existence, is almost identical to Derrida’s writing. Tertiary memory is expressed in everything that falls under the rubric “record”, from the most primitive tools to socio-political institutions and cybernetic technologies. Unlike Derrida, Stiegler believed that tertiary memory is most clearly expressed in material and technical objects. As an example the paper takes Stiegler’s critical analysis of Husserl’s phenomenology and Martin Heidegger’s existential ontology. Stiegler shows that in Husserl’s phenomenology, tertiary memory is represented by tertiary retention (determining a set of symbols, signs and images that implicitly constitute phenomenological experience), while in Heidegger’s philosophy, by the world-historical, determining the objective historical heritage of humankind, without which, as Stiegler demonstrates, there can be no existential experience. Further, the article discusses Stiegler’s thesis about historical and ontological duality of tertiary memory, containing both creative and destructive potential. Referring to Derrida, Stiegler shows that technics should be understood as what Plato called pharmakon, meaning a substance that can be both poison and remedy. This thesis defines the contemporary problem of lacking reflexion of the above-mentioned structural technical duality, which leads to excessive instrumentalization of the technics and its destructive effect on humans, similar to that during the time of Greek sophists.
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Feyles, Martino. "Recollection and phantasy: The problem of the truth of memory in Husserl’s phenomenology." Phenomenology and the Cognitive Sciences 12, no. 4 (September 20, 2012): 727–46. http://dx.doi.org/10.1007/s11097-012-9283-x.
Full textDissertations / Theses on the topic "Memory, Husserl, and Phenomenology"
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Katz, Russo Azul Tamina. "Phénoménologie de la fantaisie. Le chemin husserlien vers la fantaisie productrice." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL172.
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La présente recherche vise à analyser l’essence de la fantaisie considérée comme un vécu intentionnel à partir de la phénoménologie de Husserl. En quel sens pouvons-nous affirmer que la fantaisie, généralement associée à la liberté et à la création, est en effet productrice ? Il nous faut remarquer que la question de la fantaisie s’inscrit parmi les problématiques qui ont contribué à la consolidation du répertoire thématique de la phénoménologie naissante. Cependant, la définition de la fantaisie à laquelle Husserl aboutit à partir de 1904/1905 ne tient pas compte de son aspect libre et productif, mais la considère comme fantaisie re-productrice. Pour arriver à une définition plus large et précise de l’essence morphologique de la fantaisie, sans abandonner la phénoménologie de Husserl, cette recherche propose les objectifs suivants. En premier lieu, montrer les explications que Husserl met à l'épreuve et pourquoi il les rejette. Parmi celles-ci, en plus des explications propres, il faut souligner celles de Brentano et de Twardowski. Deuxièmement, expliciter comment les analyses de la conscience interne du temps et du souvenir ont conduit à la définition canonique de la fantaisie en tant que modification de neutralité appliquée au souvenir. Ensuite, une critique de cette définition est effectuée. Enfin, il est proposé de surmonter les difficultés soulignées à partir d’éléments de la phénoménologie de Husserl, tels que les fonctions que la fantaisie remplit, entre autres dans l’intuition des essences, l’expérience d’autrui et l’expérience esthétique, où la fantaisie opère par la production d’analogues qui ont un effet « harmonisant » sur l’expérienceThe present research is framed in the Phenomenology of Edmund Husserl, and aims to analyse the essence of phantasy considered as an intentional experience. In what sense can it be sustained that phantasy, generally associated with freedom and creation, is indeed productive? It should be noted that the question of phantasy appears among the issues that contributed to the consolidation of the thematic agenda of nascent phenomenology. However, Husserl’s definition of phantasy, which is attained in1904/05, does not take into account its free and productive aspect, but rather regards it in a re-productive way. To arrive at a broader, yet precise, definition of the morphological essence of phantasy, without leaving Husserl’s phenomenology, the following objectives are pursued. Firs, I present the possible explanations of phantasy that Husserl puts to the test (among which those of Brentano and Twardowski must be highlighted) as well as the reasons why he rejects them. Second, I explain how the analyses of the internal time consciousness and memory led to the canonical definition of phantasy as a neutrality modification applied to memory. A critique of this definition is subsequently established. Finally, I propose that those difficulties may be overcome by considering other elements of Husserl’s phenomenology, such as the functions that phantasy fulfills, for instance in the intuition of essences, in the experience of others and in the aesthetic experience i.a., where phantasy operates by the producing of analogues which have a “harmonizing” effect on experience
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Stamos, Yannis. "Speech, writing and phenomenology : Derrida's reading of Husserl." Thesis, University of Warwick, 2008. http://wrap.warwick.ac.uk/35513/.
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This thesis is a study of the two major texts of Derrida on Husserl's phenomenology. Engaging in a close reading of Introduction to the Origin of Geometry (1962) and Speech and Phenomena (1967), this thesis tries to bring together, and reconstruct, under the title of speech and writing, those Husserlian questions which never stop occuping, motivating and intriguing Derrida's thought, from his student studies and the Introduction to Rogues (2003) These were the questions or themes of origin and of historicity, of scientific objectivity and truth, of reason and responsibility, as well as of the living present, of living speech, of egological subjectivity and the alter ego. The question that this thesis raises is the following: why are these Husserlian themes of historicity, of the idea of the infinite task, of the living speech, etc., not simply the first objects or targets, subsequently to be abandoned, of Derridean deconstruction? Why is deconstruction, the event, the advent or invention of deconstruction, irreducible to some methodical or theoretical procedure, or to an operation of problematization or delegitimation of transcendental questioning? As we show in the first part of the thesis, these questions were investigated and developed by Husserl as a "responsible" response to the Crisis of the European sciences and humanity. Our investigation into Husserl's teleological discourse of history and responsibility shows that this crisis, which is anything but an empirical accident, threatens the very thing that Husserl wants to keep safe and sound (or to immunize, as Derrida writes in Rogues): the transcendental freedom of an egological subjectivity. For Husserl the possibility of crisis (of the subject) remains linked with the moment of truth, i.e., with the production and tradition of scientific objectitivities, and in fact has an essential link to writing. Husserl's teleological determination of writing as phonetic writing is an attempt to limit, tame and economize the essential ambiguity of writing: it threatens with passivity, forgetfulness and irresponsibility the very thing that makes possible, i.e., the transcendental and ideal community of a we-human-subjects- investigators-responsible-for-the-history-of-truth/reason. In the second part of the thesis, following Derrida's reading of Husserl in Speech and Phenomena, in Form and Meaning, Signature Event Context, and Eating Well, we show that Husserl's phenomenology of language and of phone is also a great philosophy of the transcendental subject. The essential and phenomenological distinctions between nonlinguistic and linguistic signs, sense and meaning, expression and indication, which are at the centre of Husserl's doctrine of signification, have also a teleological character: they are destined to define the limit, the arche and telos of language, as human language or human (i.e., phonetic) writing. In our reading we give great emphasis to Derrida's phenomenological analysis and deconstruction of this unique experience of auto-affection, the experience of hearing oneself speak. This is the experience of the human subject, the experience of a free, voluntary, auto-affecting egological subjectivity conscious of its voice, its speech and its humanity. Denying the possibility of phonic auto-affection of the human subject, in favour of the hetero-affection of writing was never the point of Derridean deconstruction. Deconstruction, the concept of writing or arche-writing, the graphics of differance, of iterability, are not imposed from the outside on Husserl's discourse on the human subject, the zoon logon echon. Rather, phenomenology itself interrupts or deconstructs itself, according to Derrida, as soon as it addresses the question of time and of the other, of the alter ego. Deconstruction was never only a thcoretico-philosophical, or academic affair. In our conclusion, we argue for the right of deconstruction, i.e., the right or demand to deconstruction. This right or demand to deconstruction, to ask questions about truth, consciousness, language, responsibility and so forth - so many powers, capacities or possibilities of which the animal is said to be deprived and poor - and the right or demand to do so performatively, by writing, by transforming and producing new analyses, new events and texts, new events of thought in the history of the concepts of man, of truth, of the subject and of human rights, is according to Derrida, an ethical and political demand.
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DeRoo, Neal. "Futurity in Phenomenology." Thesis, Boston College, 2009. http://hdl.handle.net/2345/3696.
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Thesis advisor: Richard KearneyThe argument of this dissertation is that futurity is a central theme of phenomenology, because it is central to a proper understanding of two pillars of the phenomenological method, namely, constituting consciousness and intentionality. The centrality of futurity to phenomenology first manifests itself in all three levels of Husserl's constituting consciousness via the three-fold distinction within futurity between protention, expectation, and anticipation. This analysis of futurity within constituting consciousness reveals that the object of futurity must bear a necessary relation to our horizons of constitution, but an analysis of anticipation itself suggests that futurity cannot be solely contained within those horizons. In turning to that which opens the subject to what is beyond its own horizons of constitution, we see that futurity enables Levinas to insert a level of passive-ication into intentionality, and thereby into ethics and constituting consciousness as well. The consequences of this for phenomenology manifest themselves most clearly in Derrida's parallel analyses of futurity (via the notions of differance and the messianic) and the promise. Through this latter we see the fundamental necessity of both constituting consciousness and intentionality for the phenomenological subject. The dissertation concludes with a brief examination of how these conclusions might apply to the philosophy of religion via an analysis of the question of the possibility or impossibility of the divine
Thesis (PhD) — Boston College, 2009
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Philosophy
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Gmainer-Pranzl, Franz. "Heterotopie der Vernunft : Skizze einer Methodologie interkulturellen Philosophierens auf dem Hintergrund der Phänomenologie Edmund Husserls /." Münster [u.a.] : LIT, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015591880&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
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Sandowsky, Louis N. "After Derrida before Husserl : the spacing between phenomenology and deconstruction." Thesis, University of Warwick, 1995. http://wrap.warwick.ac.uk/4121/.
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This Ph.D. thesis is, in large part, a deepening of my M. A. dissertation, entitled: "Différance Beyond Phenomenological Reduction (Epoché)?" - an edited version of which was published in The Warwick Journal of Philosophy, Vol. 2, Issue 2, 1989. The M. A. dissertation explores the development of the various phases of the movement of epoché in Edmund Husserl's phenomenology and its relevance for Jacques Derrida's project of deconstruction. The analyses not only attend to the need for an effective propaedeutic to an understanding of phenomenology as method, they also serve to demystify the logics of Derridean non-teleological strategy by explaining the sense of such a manoeuvre - as a kind of maieutic response to the Husserlian project - which operates within the horizon of a radical epoché. According to this orientation, Derrida's deconstruction of phenomenology is permitted to open itself up to a phenomenology of deconstruction. This doctoral thesis develops these analyses and utilizes a form of critique that points the way to the possibility of a phenomenological-deconstruction of the limits of Derrida's project of deconstruction through the themes of epoché, play, dialogue, spacing, and temporalization. In order to trace the resources from which he draws throughout the early development of deconstruction, this study confines itself to a discussion on the texts published between 1962 and 1968. This subjection of deconstruction to a historical de-sedimentation of its motivational, methodological, theoretical, and strategic moments, involves a certain kind of transformational return to the spacing between phenomenology and deconstruction that urgently puts into question the alleged supercession of phenomenology by deconstruction. The expression of such a 'beyond' is already deeply sedimented in contemporary deconstructive writing to the point at which it is now rarely even noticed, let alone thematized and brought into question. This conviction (regarding the transgression of phenomenology by deconstruction) traces itself out in the form of an attitude to reading which is, in fact and in principle, counter to D6rrida's own call for care. The meaning and limits of the very terms, transgression, beyond, supercession, etc., must be continually subjected to deconstruction. The notions of play, dissemination and supplementarity - with the concomitant sense of transformational repetition that defines them - do not function as a mere excuse for lack of scholarly rigour. Deconstruction is a movement of critical return, which must insert itself (with a sense of irony) within the margins and intersections of that which gives itself up to this practice of textual unbuilding. The strategy of play encourages the structural matrix of that with which it is engaged to turn in upon itself, exposing its limits and fissures in a kind of textual analogue to a psychoanalysis. To be sure, this does involve a certain kind of violence -a violation of the ( system's' own sense of propriety (what is proper [propre] and closest to itself) -but in no sense is this an anarchical celebration of pure destruction. We speak rather of irony, parody, satire, metaphor, double-reading and other tactical devices, which permit a reorganization of the deconstructed's (textual analysand's) self-relation and the possibility of playful speculation. Such play demands care and vigilance in regard to the appropriation of the logics of the system with which it is in a relation of negotiation. In order to play well, one must learn the game-rules.
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Brossala, Diddy Kondjo. "The Missing Profiles and Co‐Presencing : Finding a Horizon of Mutuality and Intersubjectivity for a Democratic Political Society in Husserl’s Phenomenology." Thesis, Boston College, 2009. http://hdl.handle.net/2345/974.
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Birnbaum, Daniel. "The Hospitality of Presence : Problems of Otherness in Husserl´s Phenomenology." Doctoral thesis, Stockholms universitet, Filosofiska institutionen, 1998. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62255.
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Bjarkö, Fredrik. "Husserl och subjektets självständighet : En undersökning av medvetandets relation till världen i Ideer I och Fenomenologins grundproblem." Thesis, Södertörns högskola, Filosofi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-31708.
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In a famous passage in Ideas I, Husserl claims that the pure consciousness is to be understood as independent of anything apart from itself in order to constitute itself, and that it therefore is able exist without a world at all. This notion seems to be contradicted in many of Husserl’s other works as well as stand in conflict with the core of phenomenology itself as a descriptive science of intentional consciousness. Three years before the publication of Ideas I, Husserl held a series of lectures that were later published with the title The Basic Problems of Phenomenology. Here, in stark contrast to Ideas I, the inquiry culminates in stepping beyond the subject as self-given and immanent by instead focusing on intersbjectivity and phenomenological time-consciousness. This essay sets out to examine the relation between the transcendental subject in these two works. It is argued that, while the phenomenological epoché indeed establishes a subject that is prior to the world in the sense that it does not need to suppose the world to guarantee its own existence, Husserl’s philosophical project in The Basic Problems of Phenomenology shows the importance of going beyond such an immanent subject to uncover the full phenomenological field.
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Rizzo, Julio B. De. "Sobre a influência de C. Stumpf para a terceira investigação lógica de E. Husserl e seu significado para a fenomenologia nascente." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-27032015-152152/.
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A pesquisa pretende investigar o significado e a origem da influência de Carl Stumpf na terceira investigação lógica intitulada Sobre a teoria dos todos e das partes(Zur Lehre von den Ganzen und Teilen), publicada em 1901, buscando relacioná-la ao desenvolvimento anterior do pensamento de Husserl. Serão abordados o surgimento dos conceitos de auto-suficiência (Selbständigkeit) e não auto-suficiência (Unselbständigkeit) no contexto do problema da origem da representação de espaço e da obra de Stumpf referida ao tema; a interpretação de Husserl destes conceitos; e seu papel sistemático do ponto de vista da evolução da filosofia husserliana em seu período inicialThis research intends to investigate the meaning and origin of the influence of Carl Stumpf on the third logical investigation, entitled On the theory of Wholes and Parts(Zur Lehre von den Ganzen und Teilen), published in 1901, trying to relate it do the former development of Husserls thought. It will be taken into account the birth of the concepts of independence (Selbständigkeit) and dependence (Unselbständigkeit) in the context of the problem of the origin of the representation of space and Stumpfs work related to this theme; the interpretation Husserl gives to these concepts; and their systematic role from the point of view of the evolution of the husserlian philosophy on its initial period
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Bachyrycz, David John. "The epistemological foundation of transcendental phenomenology Husserl and the problem of knowledge /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/642698939/viewonline.
Full textBooks on the topic "Memory, Husserl, and Phenomenology"
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Archäologie des (Un)bewussten: Freuds frühe Untersuchung der Erinnerungsschichtung und Husserls Phänomenologie des Unbewussten. Würzburg: Ergon Verlag, 2010.
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Merleau-Ponty, Maurice. Husserl at the limits of phenomenology: Including texts by Edmund Husserl. Evanston, Ill: Northwestern University Press, 2002.
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Höfliger, Jean-Claude. Jacques Derridas Husserl-Lektüren. Würzburg, Germany: Königshausen & Neumann, 1995.
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Santos, Urbano Ferrer. La trayectoria fenomenológica de Husserl. Pamplona: Ediciones Universidad de Navarra, 2008.
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Rinofner-Kreidl, Sonja. Edmund Husserl: Zeitlichkeit und Intentionalität. Freiburg: Verlag K. Alber, 2000.
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Calı̀, Carmelo. Husserl e l'immagine. Palermo: Centro internazionale studi di estetica, 2002.
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Husserl e Aristotele: Coscienza, immaginazione, mondo. Milano, Italy: FrancoAngeli, 2011.
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Tinaburri, Egidio. Husserl e Aristotele: Coscienza, immaginazione, mondo. Milano, Italy: FrancoAngeli, 2011.
Find full textBook chapters on the topic "Memory, Husserl, and Phenomenology"
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Soueltzis, Nikos. "Retention or Primary Memory." In Protention in Husserl’s Phenomenology, 31–60. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69521-7_3.
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Ferri, Michela Beatrice. "The History of the Husserl Archives Established in Memory of Alfred Schutz at the New School for Social Research." In Contributions To Phenomenology, 227–38. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-99185-6_13.
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Buckley, R. Philip. "Edmund Husserl." In Contributions to Phenomenology, 326–33. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-5344-9_74.
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Bergo, Bettina. "Husserl and the Political." In Political Phenomenology, 121–51. New York : Routledge, 2019. | Series: Routledge research in phenomenology; 14: Routledge, 2019. http://dx.doi.org/10.4324/9780429259852-7.
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Dillon, M. C. "Perception After Husserl." In Contributions to Phenomenology, 513–17. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-5344-9_115.
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McKenna, William R. "Perception In Husserl." In Contributions to Phenomenology, 517–22. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-5344-9_116.
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Melle, Ullrich. "Ethics In Husserl." In Contributions to Phenomenology, 180–84. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-5344-9_41.
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Kisiel, Theodore. "Husserl And Heidegger." In Contributions to Phenomenology, 333–39. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-5344-9_75.
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Kelkel, Arion L. "Language After Husserl." In Contributions to Phenomenology, 394–401. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-5344-9_90.
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Kelkel, Arion L. "Language In Husserl." In Contributions to Phenomenology, 401–7. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-5344-9_91.
Full textConference papers on the topic "Memory, Husserl, and Phenomenology"
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Daly, Samantha, Kaushik Bhattacharya, and Guruswami Ravichandran. "Deformation Behavior of a Shape Memory Alloy: Nitinol." In ASME 2008 9th Biennial Conference on Engineering Systems Design and Analysis. ASMEDC, 2008. http://dx.doi.org/10.1115/esda2008-59187.
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Nickel-Titanium, commonly referred to as Nitinol, is a shape-memory alloy with numerous applications due to its superelastic nature and its ability to revert to a previously defined shape when deformed and then heated past a set transformation temperature. While the crystallography and the overall phenomenology are reasonably well understood, much remains unknown about the deformation and failure mechanisms of these materials. These latter issues are becoming critically important as Nitinol is being increasingly used in medical devices and space applications. The talk will describe the investigation of the deformation and failure of Nitinol using an in-situ optical technique called Digital Image Correlation (DIC). With this technique, full-field quantitative maps of strain localization are obtained for the first time in thin sheets of Nitinol under tension. These experiments provide new information connecting previous observations on the micro- and macro-scale. They show that martensitic transformation initiates before the formation of localized bands, and that the strain inside the bands does not saturate when the bands nucleate. The effect of rolling texture, the validity of the widely used resolved stress transformation criterion, and the role of geometric defects are examined.
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Coda, Alberto, Andrea Cadelli, and Francesco Butera. "Recent Advances in Materials Development for Emerging SMA Applications." In ASME 2014 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/smasis2014-7441.
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Shape Memory Alloys (SMAs) are active metallic materials classified as “smart” or “intelligent” materials along with piezoelectric ceramic and polymers, electro-active plastics, electro-rheological and magneto-rheological fluids and others. SMAs show a multitude of different and dependent properties interesting for technological applications. These properties depend on the peculiar deformation mechanisms, accounting for the so-called shape memory effect. SMAs are nowadays used in quite different fields, like thermo-mechanical devices, anti-loosening systems, biomedical applications, mechanical damping systems, in some cases employed for large scale civil engineering structures. These multifunctional materials can be naturally considered as sensor-actuator elements demonstrating large possibilities for applications in high-tech smart systems. The use of SMAs in actuators offers an excellent technological opportunity to develop reliable, robust, simple and lightweight elements within structures or as stand-alone components that can represent an alternative to electro-magnetic actuators commonly used in several fields of industrial applications, such as automotive, appliances, consumer electronics and aerospace. NiTi-based SMAs demonstrated to have the best combination of properties, especially in terms of the amount of work output per material volume and the large amount of recoverable stress and strain. However, there are several limiting factors to a widespread diffusion of SMAs to technological fields. For instance, SMAs display a critical dependence of the shape-memory related properties, like transition temperatures, on their actual composition. For this reason, a great care in the production steps, mainly based on casting processes, is required. Another critical aspect, that is to be considered when dealing with SMAs, is the strong influence of their thermo-mechanical history on their properties. This may disclose interesting perspectives of application to smart devices in which different aspects of the shape memory phenomenology, like one and two way shape memory effect, pseudoelasticity, damping capacity, etc., are used. Last, but not least, one of the most debated aspects around NiTi alloys is microcleanliness. This concept is becoming increasingly important as the industrial market moves to smaller, lower profile devices with thinner structures. In this work a general overview about the peculiar behavior of NiTi alloys along with their main issues, the shape memory components under development, and the main efforts and directions for materials improvement will be presented and discussed. A bird’s-eye view on the future opportunities of NiTi-based shape memory actuators for industrial applications will also be given.