Relevant bibliographies by topics / Memory monuments

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Memory monuments'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Memory monuments"

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Kurienė, Viktorija. "What Was Protected by the State in Vilnius and Nowogródek Voivodeships Between 1928 and 1939? Evaluation and Listing of Cultural Monuments." Lietuvos istorijos studijos 47 (July 14, 2021): 30–61. http://dx.doi.org/10.15388/lis.2021.47.2.

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This article focuses on the process of monument listing, done by conservators of Vilnius in interwar Poland and which provided the monuments state protection. Between 1931 and 1939, monument conservators made 202 decisions confirming monumental value to various objects of architecture, urbanistics, archeology and nature. In the text the listing and evaluation process is described by analyzing the register of monuments and the decisions it was based on. The documents from the archive of the Art Department of Vilnius voivodeship are used in the article. The analysis of the register of monuments is based on statistical methods. Interpretation and evaluation are based on analytical and comparative methods. The research leads to findings that monument listing was dominated by architecture. Objects of nature were announced monuments based on their cultural value. Officially the status of a monument was given on the grounds of its aesthetics, age or documental value. However, the inner motive was Polishness. Thus, the most frequent monuments were baroque Catholic churches. The patriotic context is also seen in nature protection. The process of monument listing was led by only one expert – a conservator of monuments. The monument status and state protection depended on their interests, expertise and power. The conservator cooperated only with a small group of Polish authority and intelligentsia, leaving the majority of society out of this heritage process. The decision confirming monumental value was a way to control and have an impact directly on the monument’s existence, indirectly – on the discourse of memory. The monument listing reveals values and identities of a Polish art historian working for the state. Consequently, these values and identities were projected for the whole society as universal. This type of discourse on heritage, conception and practice was common in Western countries in the 20th c.
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Faulkenbury, Evan. "“A Problem of Visibility”." Public Historian 41, no. 4 (2019): 83–99. http://dx.doi.org/10.1525/tph.2019.41.4.83.

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In 1876, officials in Cortland, New York unveiled a bronze and granite Union soldier monument to commemorate the county’s participation in the American Civil War. Over time, the monument’s meanings and importance changed, and in 2013, Cortland officials began an attempt to move it out of the way for a music stage. This case study illustrates how Union monuments (similarly to Confederate monuments) represented local pride, masculine ideals, racial beliefs, and community values. Over time, however, original purposes faded from memory. By debating whether or not the statue should stay or move, Cortland reimagined the monument’s significance to its past, present, and future.
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Vadimovich Griger, Maxim, Enzhe Midhatovna Dusaeva, and Igor Vladimirovich Vostrikov. "CREATING A MEMORY OF A SAINT: FRANCIS OF ASSISI IN ITALIAN MONUMENTAL PROPAGANDA OF THE 19TH-21ST CENTURIES." Humanities & Social Sciences Reviews 7, no. 5 (2019): 663–66. http://dx.doi.org/10.18510/hssr.2019.7578.

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Purpose: This article explores the mechanisms of constructing cultural memory in Italy in the 19th – 21st centuries on the example of the history of the erection of monuments dedicated to St. Francis of Assisi. They are interested only in the monuments placed in urban areas. This way they analyze “appropriation” of St. Francis by secular society. It is explained why this medieval saint became the hero of the national cultural pantheon of united Italy and in 1939 the holy Patron of Fascist Italy.
 Methodology: We studded the monuments putting them in historical and cultural context, searching for information about customers, funds, sculptors, placement, and meaning
 Result: There studded following questions: who was the customer of the monument, what was the main purpose of the customer(s), the historical and cultural context of monuments erection, the choice of the space for the monument, the composition of the monument, and others. Based on it step-by-step it is reconstructed the evolution of St. Francis’s monumental commemoration on the wide field of general changes in the cultural requests of Italian society and the state. The authors show the cultural aspects of commemorating.
 Applications: This research can be used for universities, teachers, and students.
 Novelty/Originality: In this research, the model of Creating a memory of a saint: Francis of Assisi in Italian Monumental Propaganda of the 19th-21st centuries is presented in a comprehensive and complete manner.
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Giguere, Joy M. "The (Im)Movable Monument." Public Historian 41, no. 4 (2019): 56–82. http://dx.doi.org/10.1525/tph.2019.41.4.56.

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Despite Kentucky’s status as a Union state during the Civil War, the Louisville Confederate Soldiers’ Monument, erected in 1895 by the Kentucky Confederate Women’s Monument Association, is a representative example of Confederate memorialization in the South. Its history through the twentieth century, culminating in the creation of the nearby Freedom Park to counterbalance the monument’s symbolism and its ultimate removal and relocation to nearby Brandenburg, Kentucky, in 2017, reveals the relationship between such monuments and the Lost Cause, urban development, public history, and public memory. Using the Louisville Confederate Monument as a case study, this essay considers the ways in which Confederate monuments not only reflect the values of the people who erected them, but ultimately shape and are shaped by their environments.
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Osborne, James F. "Counter-monumentality and the vulnerability of memory." Journal of Social Archaeology 17, no. 2 (2017): 163–87. http://dx.doi.org/10.1177/1469605317705445.

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Monuments have been a staple of archaeology since the beginning of the discipline and have been used as case-studies for a diverse range of topics. In recent years, monuments have been considered particularly often in studies of social memory. By materializing memorial ambitions, however, the creation of monuments provides a venue for collective memories to be challenged. Despite their outward appearance of strength and permanence, monuments additionally render the memory of their creators vulnerable and open to contestation. In particular, the practice of counter-monumentality, or active and deliberate interventions in traditional monuments, illustrates how the erection of monuments exposes the inherent fragility of memory. Examples from the present and the past demonstrate these points: a statue of Confederate generals Robert E. Lee and Thomas “Stonewall” Jackson in Baltimore, Maryland, and a corpus of monumental statues from southeastern Anatolian and northern Syria during the Iron Age.
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Ravvin, Norman. "Placed Upon the Landscape, Casting Shadows: Jewish Canadian Monuments and Other Forms of Memory." Canadian Jewish Studies / Études juives canadiennes 31 (May 18, 2021): 104–14. http://dx.doi.org/10.25071/1916-0925.40212.

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This essay explores monuments, including the National Holocaust Monument in Ottawa, and gravestones in Jewish cemeteries in Montreal and Vancouver. Alongside these sites it considers how Canadian Jewish literature presents possibilities for Jewish history and language to mark the Canadian landscape though a consideration of Leonard Cohen and Eli Mandel. A discussion of Canadian monuments is relevant in light of recent demonstrations focused on removing statues and monuments from parks and government buildings. The essay contrasts community-inspired projects like Vancouver’s Holocaust memorial with Ottawa’s “National”monument, whose unveiling prompted a discussion about appropriate ways to represent history.Cet essai explore les monuments, y compris le monument national de l’Holocauste à Ottawa, et les pierres tombales des cimetières juifs de Montréal et de Vancouver. Parallèlement à ces sites, il examine comment la littérature juive canadienne, notamment les écrits de Leonard Cohen et Eli Mandel, offre des opportunités pour l’histoire et la langue juives de marquer le paysage canadien. Une discussion sur les monuments canadiens est pertinente à la lumière des récentes manifestations visant à retirer les statues et les monuments des parcs et des édifices gouvernementaux. L’essai met en contraste des projets d’inspiration communautaire comme le mémorial de l’Holocauste de Vancouver et le monument « national » d’Ottawa, dont le dévoilement a suscité une discussion sur les moyens appropriés de représenter l’histoire.
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Hamilton, Annette. "Monuments and memory." Continuum 3, no. 1 (1990): 101–14. http://dx.doi.org/10.1080/10304319009388152.

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Thorstensen, Erik. "The Places of Memory in a Square of Monuments: Conceptions of Past, Freedom and History at Szabadság Tér." Hungarian Cultural Studies 5 (January 1, 2012): 94–128. http://dx.doi.org/10.5195/ahea.2012.71.

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In this paper I try to approach contemporary Hungarian political culture through an analysis of the history of changing monuments at Szabadság Tér in Budapest. The paper has as its point of origin a protest/irredentist monument facing the present Soviet liberation monument. In order to understand this irredentist monument, I look into the meaning of the earlier irredentist monuments under Horthy and try to see what monuments were torn down under Communism and which ones remained. I further argue that changes in the other monuments also affect the meaning of the others. From this background I enter into a brief interpretation of changes in memory culture in relation to changes in political culture. The conclusions point toward the fact that Hungary is actively pursuing a cleansing of its past in public spaces, and that this process is reflected in an increased acceptance of political authoritarianism.
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Mikhailova, J. J. "Discussions on representation of ancient monuments: «Vetusta Monumenta»." Vestnik of Saint Petersburg State University of Culture, no. 2 (31) (June 2017): 143–46. http://dx.doi.org/10.30725/2619-0303-2017-2-143-146.

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Tradition of preserving memory of the ancient monuments having been formed throughout the 18th century by the Society of Antiquaries of London, raises issues of representation of ancient artifacts. Using the Vetusta Monumenta series as an example the features of the manner of execution of drawings and engravings included in a series, their functions, and transformation of these features during the 18th are under discussion
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Ahiska, Meltem. "Monsters that remember: Tracing the story of the Workers' Monument in Tophane, İstanbul." New Perspectives on Turkey 45 (2011): 9–47. http://dx.doi.org/10.1017/s0896634600001291.

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AbstractThis article focuses on a particular monument in Tophane, the Workers' Monument, which has been subjected to destructions ever since the time it was put in place in 1973 and which still stands in the same place as a crippled and unidentifiable body. Many people have referred to it as a “monster.” The term “monster” points to unacceptable forms of life, cast aside as “abnormal,” and can be of use in tracing how certain memories are crushed or abandoned and become aberrant. Thus, I argue that the story of the destruction of the Workers' Monument cannot be read independently of the performative command of the state, best observed in erecting Atatürk monuments all over the country as visual embodiments of power and furthermore securing and protecting them against destruction by the force of law. Monuments contribute to the closure of the past as a dead body. However, they also forge a regime of memory and desire that serves power. I dwell on the issue of monuments in Turkey in that interstice between life and death, that is, in their “monstrosity,” so as to reflect on what remainsunrepresentablewithin the complex history—in other words, to reflect on the problem of power, history, and memory/counter-memory.
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Dissertations / Theses on the topic "Memory monuments"

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DelGenio, Kathryn A. "Meaning and Monuments: Morality, Racial Ideology, and Nationalism in Confederate Monument Removal Storytelling." Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7778.

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In this thesis I examine the reproduction of nationalism and white supremacy within Confederate monument removal (CMR) storytelling, and the ways collective identity and emotions are implicated within these reproductions. Using reader generated CMR narratives published in a Southern newspaper, the Augusta Chronicle, I conduct narrative analysis in order to identify key story elements, moral arguments, and cultural codes present in the public CMR debate. Findings indicate that two sharply contested narratives emerge during this debate, one calling for the protection of Confederate monuments and one calling for the removal of Confederate monuments. Further, though these contested stories produce opposing moral value judgements of Confederate monuments, they rely on similar cultural and emotion codes, frames, and rhetorical moves which reproduce nationalism and white supremacy. Through reifying national mythologies, constructing individuals as citizens, rhetorically isolating racism and slavery, and reproducing racialized capitalism, CMR narratives on both sides of the debate become sites where nationalism and white supremacy are perpetuated. These findings indicate that there is an important relationship between collective memory and cultural meaning-making processes related to identity and emotions. Further, findings also suggest that collective memory narratives, particularly contested or oppositional narratives, are important sites facilitating continuity in hegemonic systems. Because of their key role in perpetuating nationalism and white supremacy, it is possible that collective memory narratives may also be spaces where the interruption of hegemonic systems can also be facilitated.
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Duffy, Xavier Sean. "Monuments, memory and place : commemorations of the Persian Wars." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/6727/.

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This thesis is concerned with how the Greek peoples, of primarily the classical period, collectively commemorated the Persian Wars. The data studied within this project are public monuments, which include both physical and behavioural commemorations. A quantitative methodology is employed within this thesis and is a novel approach by which to study Persian War public monuments. This method of analysis allows for a more holistic approach to the data. Through analysing commemorative monuments quantitatively this project, figuratively, re-joins object and context. Studies on Persian War commemoration tend to focus on singular monument types, individual commemorative places, a particular commemorating group, or a specific battle. To think plurally about the ancient Greek commemorative tradition is to refocus attention on the whole incorporating all known commemorative monuments, places, and groups. What emerges from this study is a varied commemorative tradition expressed over space and time. Commemoration of conflict is presented here as a process of exchange, a dialogue between the past and the present. This thesis challenges the idea that a unified pan-Hellenic memory of the Persian Wars existed from the culmination of the conflict and illustrates the varied collective memories and narratives that could be created about the past.
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Sherlock, Peter David. "Funeral monuments : piety, honour and memory in Early Modern England." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342738.

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Gordon, Alan. "Contested terrain, the politics of public memory in Montreal, 1891-1930." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq20561.pdf.

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Koopmans, William T. "Memorializing covenant identity a study of Old Testament memorials and monuments /." Theological Research Exchange Network (TREN), 1985. http://www.tren.com.

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Matthews, Amy Michelle. "From memory to honor stories of South Carolina's World War monuments /." Connect to this title online, 2008. http://etd.lib.clemson.edu/documents/1219852344/.

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Genia, Erin(Erin M. ). "Wokiksuye : the politics of memory in Indigenous art, monuments, and public space." Thesis, Massachusetts Institute of Technology, 2019. https://hdl.handle.net/1721.1/123559.

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This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, 2019<br>Cataloged from student-submitted PDF version of thesis.<br>Includes bibliographical references (pages 121-135).<br>The powers of creativity and symbolism that art draws upon have been used in the public realm to uplift and also to oppress. Within this context, art, from Indigenous perspectives, can positively influence the collective imaginations and wokiksuye (memory) of society. Indigenous intervention into the practice of public art can powerfully contribute to the process of decolonization and Indigenization in America. Considerations embedded in notions of public space within a settler colonial society, such as the attempted erasure of Indigenous peoples and histories, and the supplanting of Western doctrines over Indigenous cultures, influence the production and reception of this work. Erin Genia, a Dakota artist, analyzes the politics of memory in public space by scrutinizing monuments celebrating the American colonial project and describes the impacts of Western imperialism on Indigenous arts and cultures. By presenting her own artwork, as well as that of prominent Indigenous artists working in the public sphere, she shows how understandings of place and relationship underpin Dakota/Indigenous methods, and argues that public art is an arena where an evolution of thought and practice in approaches to the world can come to fruition.<br>"Support of the Sisseton Wahpeton Higher Education Department, the American Indian Graduate Center, the Cobell Scholarship and Eloise Cobell, the MIT Program in Art, Culture and Technology, the MIT School of Architecture and Planning, the First Peoples Fund, the American Austrian Foundation, the Potlatch Fund, and the Longhouse Education and Cultural Center"--Page 5<br>by Erin Genia.<br>S.M. in Art, Culture and Technology<br>S.M.inArt,CultureandTechnology Massachusetts Institute of Technology, Department of Architecture
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Graaf, Jenny. "After the expulsions : the lost German Heimat in memory, monuments and museums." Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/14478/.

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This comparative thesis explores how museums and monuments in postwar east and west Germany commemorate the eastern territories that were lost after 1945. I focus on the concept of Heimat which spans aesthetics and politics, psychological and political identity and emerges from a condition of loss, thus it features highly in my attempt to understand the development and current state of memorialisation. The centrality of the notion of Heimat in expellee memorialisation is a field as yet little explored in research on the expulsions, particularly in east Germany. Following chapters on the historical context, Heimat, and cultural memory, Chapter Three discusses monuments erected between 1947 and 1989 by expellees who resettled in West Germany which are used to mourn, replace, reflect on and revere the old Heimat. I compare post-unification west and east German memorials, discussing key differences resulting from the former taboo on expellee commemoration in East Germany. I additionally examine changing sites of memory, memorials that illustrate a shifting integration process and investigate the use of symbolism. Chapter Four considers the interaction between eyewitnesses, historians and curators in the portrayal of history in museums and Heimatstuben at Görlitz, Greifswald, Lüneburg, Regensburg, Molfsee, Gehren, Rendsburg and Altenburg, in addition to the Altvaterturm in Thuringia. Chapter Five discusses the contentious Berlin Stiftung Flucht Vertreibung Versöhnung Centre, first mooted in 1999 by the Bund der Vertriebenen as a Centre against Expulsions. The tension between ‘German victims’ and ‘victims of the Germans’ is a recurring theme in this thesis. My conclusions highlight how memorialisation is framed clearly within the contemporary socio-political context, demonstrate the durability and flexibility of the term Heimat and illustrate the resilience of the regard for the lost territories, not only for expellees; the idea of the German East persists in German cultural memory.
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Myers, Isabella. "The book as monument." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6817.

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Uhle, Ana Rita 1978. "De casaca ao pe da estação : historia do monumento a Campos Sales." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281360.

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Orientador: Cristina Meneguello<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-06T03:19:30Z (GMT). No. of bitstreams: 1 Uhle_AnaRita_M.pdf: 5382950 bytes, checksum: e445bd24e82d79a94dae5f06b43ffc5b (MD5) Previous issue date: 2006<br>Resumo: Inaugurado em Campinas no ano de 1934, o Monumento a Campos Sales permaneceu por quase trinta anos na principal praça da cidade de Campinas, o Largo do Rosário. No final da década de 1950 a cidade sofreu uma reforma na região central e a obra terminou sendo transferida para uma estreita praça próxima a estação de trem. Este estudo esmiúça o processo de construção póstuma da imagem do republicano Campos Sales e a relação que esse tipo de arte (personalista e celebrativa) estabeleceu com a cidade ao longo do tempo. Analisa também a construção de um debate acerca da integridade da obra de arte e de questões de autoria sugeridas em decorrência da retirada da base do monumento em seu deslocamento. Pretende-se com esta pesquisa guarnecer a produção de estudos sobre a cidade, considerando o Monumento a Campos Sales um protagonista da história urbana<br>Abstract: Inaugurated in 1934 at Campinas, the Campos Sales Monument stood for almost three decades at Largo do Rosario, Campinas¿ Main Square. In the end of the 1950¿s, the city¿s downtown area went through an urban renewal/reform and the monument was transferred to a small, narrow square next to the main railway station. This study analyzes the process of the republican Campos Sales¿ posthumous image-building and the relationship established through time between this kind of art (personalist and celebrative) and the city. It also analyzes the debate over the artwork's integrity and the issue of authorship brought up by the withdrawal of the monument base in order to relocate it to its new site. This research intends to provide elements for further studies on the city, considering the Campos Sales Monument an agent of urban history<br>Mestrado<br>Politica, Memoria e Cidade<br>Mestre em História
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Books on the topic "Memory monuments"

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Monuments help us remember. Carolrhoda Books, 2000.

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Monument and memory. Lit, 2015.

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Monuments: America's history in art and memory. Random House, 2007.

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Sherlock, Peter. Monuments and memory in early modern England. Ashgate, 2008.

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Mohen, Jean-Pierre. Megaliths: Stones of memory. Harry N. Abrams, 1999.

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Oestreicher, Christine. Art & memory in the churchyard. Memorials Arts Charity, 2010.

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Neal, Priestland, and Priestland Pamela, eds. In memory of Eleanor: The story of the Eleanor crosses. Ashbracken, 1990.

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Archaeologies of the Greek past: Landscape, monuments, and memories. Cambridge University Press, 2002.

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Ewart, Peter. Monuments to memory: The story of Rye's war memorials. Ewart Publications, 1988.

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Ancestral geographies of the Neolithic: Landscapes, monuments, and memory. Routledge, 1999.

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Book chapters on the topic "Memory monuments"

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Jezernik, Božidar. "No Monuments, No History, No Past: Monuments and Memory." In After Yugoslavia. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230305137_12.

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Wohl, Hellmut. "Memory, Oblivion, and the “Invisibility” of Monuments." In Memory & Oblivion. Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_109.

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Lloyd, Christopher. "Memories of Slavery: Museums, Monuments, Novels." In Rooting Memory, Rooting Place. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137499882_2.

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Miłobedzki, Adam. "Monuments, Politics and Society: Polish Experiences (1945–1995)." In Memory & Oblivion. Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_42.

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Kirn, Gal. "Anti-totalitarian monuments in Ljubljana and Brussels." In European Memory in Populism. Routledge, 2019. http://dx.doi.org/10.4324/9780429454813-3.

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Carroll, Noël. "Churches as Memory Machines." In Philosophical Perspectives on Ruins, Monuments, and Memorials. Routledge, 2019. http://dx.doi.org/10.4324/9781315146133-6.

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Sherlock, Peter. "Patriarchal Memory: Monuments in Early-Modern England." In Practices of Gender in Late Medieval and Early Modern Europe. Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.lmems-eb.3.761.

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Houlton, Thomas. "The monument and the arts of memory." In Monuments as Cultural and Critical Objects. Routledge, 2021. http://dx.doi.org/10.4324/9780429197550-3.

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Hurley, Cecilia. "Laugier’s Plans for Saint-Denis: A Forerunner to Lenoir’s Musée des Monuments Français?" In Memory & Oblivion. Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_62.

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Bajec, Manca. "Effects of Europeanised Memory in “Artworks as Monuments”." In Europeanisation and Memory Politics in the Western Balkans. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-54700-4_6.

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Conference papers on the topic "Memory monuments"

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Dodkhudoeva, Larisa N. "Historical monuments of Wakhan from cameraman V.V. Kuzin collection." In International scientific conference " Readings in memory of B.B. Lashkarbekov dedicated to the 70th anniversary of his birth". Yazyki Narodov Mira, 2020. http://dx.doi.org/10.37892/978-5-89191-092-8-2020-0-0-333-341.

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Kabakchieva, Dora. "MEMORIAL TOURIST RESOURCES - MATERIALIZED PLACES OF THE COLLECTIVE MEMORY." In TOURISM AND CONNECTIVITY 2020. University publishing house "Science and Economics", University of Economics - Varna, 2020. http://dx.doi.org/10.36997/tc2020.157.

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Memorial tourist resources indicate historical facts and events so that they would not be forgotten and ensure their presentation to the interested parties. They are material sites created by people to serve as evidence of significant events from the past: monuments, memorials, pantheons, tombs, mausoleums, charnel houses, places of death, memorial complexes, battlefields, historical exhibitions, alleys of commemoration, birthplaces, etc. They are important markers in creating tourist routes or they have become symbols of particular tourist destinations.
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Grishkin, Valery, Alexander Kovshov, Stanislav Schigorec, Dmitry Vlasov, Aleksey Zhabko, and Oleg Iakushkin. "A system for the recognition of biofouling on the surface of the monuments of cultural heritage." In 2015 International Conference "Stability and Control Processes" in Memory of V.I. Zubov (SCP). IEEE, 2015. http://dx.doi.org/10.1109/scp.2015.7342244.

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Devlet, Ekarerina, and Marianna Devlet. "Petroglyphs from the left bank of the Chinge River. Mt. Ustyu-Mozaga." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-104-112.

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Pshenitsyna, Margarita. "Gold ornaments from the barrow 2 in the cemetery of Novomikhaylovka I in southern Khakassia." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-113-116.

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Khavrin, Sergej. "Composition of the alloy of gold ornaments from kurgan 2 at the cemetery of Novomikhaylovka I (Khakassia)." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-117-119.

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Kisel', Vladimir. "Female ritual costume in the ancient nomadic culture of Tuva." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-120-127.

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Krasnienko, Sergej. "Geography of archaeological sites in the Nazarov Depression." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-128-131.

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Pankova, Svetlana. "Plaits from burial 4 at the Oglakhtynsky cemetery." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-132-139.

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Sadykov, Timur. "New evidence on the fortified site of Katylyg 5 of the Kokel culture in Tuva." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-140-144.

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Reports on the topic "Memory monuments"

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Bineham, Michael L. Special Operations Commemoration: Monuments, Memory & Memorialization Practices of Elite Organizations. Defense Technical Information Center, 2013. http://dx.doi.org/10.21236/ada592740.

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