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Relevant bibliographies by topics / Memory palace

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Academic literature on the topic 'Memory palace'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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Journal articles on the topic "Memory palace"

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Hamilton, Colin. "The Memory Palace." Missouri Review 20, no. 2 (1997): 154–58. http://dx.doi.org/10.1353/mis.1997.0045.

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Mungello, David E., and Jonathan D. Spence. "The Memory Palace of Matteo Ricci." American Historical Review 91, no. 2 (April 1986): 444. http://dx.doi.org/10.2307/1858259.

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Momchedjikova, Blagovesta. "The Miniature Metropolis as Memory Palace." Journal of American & Comparative Cultures 25, no. 3‐4 (September 2002): 312–15. http://dx.doi.org/10.1111/1542-734x.00045.

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Ferris, Iain M. "Invisible Architecture: Inside the Roman Memory Palace." Theoretical Roman Archaeology Journal, no. 1993 (April 16, 1999): 191. http://dx.doi.org/10.16995/trac1993_191_199.

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Ghirardo, Diane Yvonne. "Lucrezia Borgia's Palace in Renaissance Ferrara." Journal of the Society of Architectural Historians 64, no. 4 (December 1, 2005): 474–97. http://dx.doi.org/10.2307/25068201.

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Lucrezia Borgia, duchess of Ferrara, constructed a palace in Ferrara between 1515 and 1518 adjacent to the convent of San Bernardino, which she had founded in 1509. Following her death in 1519, most of the palace was turned over to the nuns of San Silvestro for their new convent, and all historical memory of the palace disappeared. She did not intend the palace as a suburban residence or as a spectacular retreat, but as the head-quarters of her burgeoning agricultural and reclamation enterprises, activities also forgotten over the centuries. This study strips away the additions that were erected between 1520 and 1809 to arrive at a projected reconstruction of the palace as commissioned by Lucrezia, and explores the evidence for how she intended to use it.

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Wolska, Dorota. "Garden Palace rozebrany do kości. Sztuka jako anamneza." Prace Kulturoznawcze 21, no. 4 (October 30, 2018): 69–78. http://dx.doi.org/10.19195/0860-6668.21.4.4.

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Garden Palace stripped to the bone. Art as anamnesisLondon’s Crystal Palace, the site of the first international exhibition in 1851 and the architectural symbol of modernity, was widely imitated not only in Europe. Sydney also had its crystal palace. The Australian Garden Palace, similarly to the ones in London, New York and Munich, burnt to the ground in 1882. In 2016 aboriginal artist Jonathan Jones tried to restore it in Australia’s collective memory. However, Jones’ project, barrangal dyara skin and bones, introduces a postcolonial perspective and recoveres the narratives that were repressed in White Australia, with the hope of working through the common past.

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羅秀美, 羅秀美. "文化記憶的追尋與再現：以「故宮文學家」作品中的「北溝故宮」書寫為主." 中正漢學研究 34, no. 34 (December 2019): 149–84. http://dx.doi.org/10.53106/2306036020191200340006.

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<p>1949年後北京故宮輾轉播遷至臺灣，落腳於臺中霧峰北溝(1950-1965)十六年。守護者莊嚴全家也落腳於此，此地乃當時臺中最重要的文化及旅遊勝地。然1965年北溝故宮北遷後，空餘庫房山洞供人憑弔。當時曾出現一批「故宮文學家」，他們與「北溝故宮」有或深或淺的關係，曾留下相關記憶的書寫，這些文本正是本論文考察的對象。職是，本論文以文化空間與文學記憶為論述概念，首論偏安北溝的「回憶空間」，莊嚴父子大半生與故宮文物流離至北溝所構建的回憶空間。其次則論在此文化空間的文人對傳統文化的傳承，即孔德成與臺靜農等人至北溝故宮清點文物的記憶。第三則論及個體記憶的再現，以臺靜農與林文月、凌叔華與蘇雪林的北溝旅行為主。第四則論及集體記憶中的文化旅遊勝地，兼論齊邦媛的英譯暨陪訪史。透過以上討論，可在集體的歷史大敘述外，呈現個體的文學記憶，豐富北溝故宮之文化記憶。</p> <p> </p><p>After 1949, the Palace Museum from Beijing relocated to Taiwan and settled in Beigou北溝 of Taichung (1950-1965) for 16 years. Zhuang Yan莊嚴 and his family who guard the Palace Museum in Beigou北溝故宮 is also setteled here, this place also was the most important cultural tourist attraction in Taichung.However, after the Palace Museum in Beigou北溝故宮 moved northward in 1965, the empty warehouse caves in this area were for people to hang. At that time, a group of " the Palace Museum writers故宮文學家" appeared. They had a deep or shallow relationship with the " the Palace Museum in Beigou北溝故宮",they had left relevant memory writing,these texts are the objects of this paper. In this paper, the concept of cultural space and literary memory is discussed in this dissertation. Firstly, discussion is about the “memory space” in Beigou北溝,the memory space constructed by the Zhuang Yan莊嚴 father and son for most of his life and the Palace Museum 故宮’s cultural relics moved to Beigou北溝. Secondly, it discusses the inheritance of traditional culture by the literati in this cultural space, that is, the memory of Kung Te-Cheng孔德成 and Tai Jing-nong臺靜農 and others to the Palace Museum in Beigou北溝故宮 to count the cultural relics. Thirdly, on the reappearance of personal memory, mainly on the the Palace Museum in Beigou北溝故宮 trip of Tai Jing-nong臺靜農 and Lin Wen-yue林文月, Ling Shu-hua凌叔華and Su Xue-lin蘇雪林. Fourthly, the cultural tourism resort in the collective memory, as well as the history of Qi Bang-yuan’s齊邦媛English translation and accompanying visits. Through the above-mentioned discussion, the individual’s literary memory can be presented in addition to the collective grand historical narrative, especially enrich the cultural memory of the Palace Museum in Beigou北溝故宮.</p> <p> </p>

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Brintlinger, Angela. "Fiction as Mapmaking: Moscow as Ivan Bunin's Russian Memory Palace." Slavic Review 73, no. 01 (2014): 36–61. http://dx.doi.org/10.5612/slavicreview.73.1.0036.

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In his fiction written from the 1920s through 1940s Ivan Bunin set a number of stories in Moscow, naming specific places, many of which were closed or destroyed after the 1917 Revolution by the Soviet regime or by Nazi bombing during World War II. In so doing, Bunin used Moscow to map the cultural memory of the Russian emigration, with the ancient city of Moscow standing as its “memory palace” while contributing to the “Moscow text.“ In his 1944 story “Cleansing Monday,” in particular, Bunin conducted this mnemonic project on three levels: historical, spiritual, and didactic. He did so for both a Russian readership—his compatriots abroad and potential (future) readers back home—and a foreign audience increasingly interested in Russia. Through close reading of the story, diary entries, and Bunin's biography, this article explores the idea of a memory palace and four specific memory images, comparing Bunin's depiction of Russia to a 1915 depiction by English traveler Stephen Graham.

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Bram, Barli, Aditya Agung Sutono, and Tabita Hermayani. "Applying the principles of Matteo Ricci’s memory palace technique." Journal of Applied Studies in Language 4, no. 1 (June 29, 2020): 9–18. http://dx.doi.org/10.31940/jasl.v3i2.1475.

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Bram, Barli, Aditya Agung Sutono, and Tabita Hermayani. "Applying the principles of Matteo Ricci’s memory palace technique." Journal of Applied Studies in Language 4, no. 1 (June 29, 2020): 9–18. http://dx.doi.org/10.31940/jasl.v4i1.1572.

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Dissertations / Theses on the topic "Memory palace"

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Oberg, Chadwick Allan. "The visionary architect in practice, a memory palace." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ42339.pdf.

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Bornhorst, Charlotte Sophie. "Fragments of Time: Politics of Memory in Contemporary Berlin." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242663894.

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Bewernick, Hanne. "The storyteller's memory palace a method of interpretation based on the function of memory systems in literature ; Geoffrey Chaucer, William Langland, Salman Rushdie, Angela Carter, Thomas Pynchon and Paul Auster." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/1001701801/04.

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Vieira, Vanessa Romana Cardoso. "Da memória do projecto à ressignificação do lugar." Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2013. http://hdl.handle.net/10400.5/12073.

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Azevedo, Maria Carolina Lopes. "O património e a reinvenção do turismo cultural." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/18020.

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Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.
O turismo é atualmente uma atividade com grande destaque em Portugal. Paradoxalmente, tem-se assistido à crescente relação entre essa atividade e a reabilitação do construído, justificado pelo regresso aos centros históricos, movido pela progressiva preocupação com o edificado patrimonial, munido de elevado valor memorial. Em “O Património e a reinvenção do Turismo Cultural” procura-se desenvolver uma reflexão que relacione o projeto com a zona histórica e a sua paisagem, potencializando a identidade e a memória coletiva da cidade. Propõe-se assim a reabilitação de um palácio emblemático da cidade de Santiago do Cacém – Palácio Condes de Avillezjuntamente com a construção de raiz de um conjunto de novos edifícios, capaz de albergar um programa hoteleiro, com uma arquitetura simples, mas aprimorada, podendo ser uma mais-valia para a cidade influenciando o modo como se vive a mesma. Os conceitos teóricos encontram a sua resolução no desenho urbano e arquitetónico, que visam desenvolver um projeto em que a memória do edifício e do lugar, não se traduza apenas na conservação da arquitetura, mas sim na conjugação do contemporâneo com o antigo baseado. Como proposta arquitetónica, resulta um projeto de reinvenção de forma obter um objeto com um carácter referencial na cidade, mais precisamente no centro histórico, através da valorização da cultura e do território existente – natural e patrimonial – vinculando-se à identidade e memória local.
ABSTRACT: Nowadays, tourism is one of the main activities in Portugal. Paradoxically, we have been witnessing an evolving relation between tourism and the rehabilitation of buildings, justified by the return to the historical centers, moved by the progressive preoccupation with the built patrimony, with high memorial value. In "O Património e a reinvenção do Turismo Cultural", we seek to develop a reflection that relates the project with the historical area and its landscape, enhancing the city's identity and collective memory. The rehabilitation of an emblematic palace in the city of Santiago do Cacém - Condes de Avillez Palace - is proposed, along with the construction of a new building complex, capable of hosting programs in the hotel sector, with a simple but refined architecture, which can be an asset to the city influencing the way we live in it. Theoretical concepts find their resolution in urban and architectural design, which aim to develop a project in which the memory of the building and the environment does not simply result in the preservation of the architecture, but in the conjugation of the contemporary with the old. As an architectural proposal, a reinvention project is presented in order to obtain an object with a referential character in the city, more precisely in the historical center, through the valorization of the existing culture and territory - natural and patrimonial - linking to the local identity and memory.
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Kullberg, Michael. "Effekten av en narrativ komponent inom virtuella minnespalats." Thesis, Linköpings universitet, Institutionen för datavetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-166520.

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Sedan en lång tid tillbaka har människor nyttjat minnespalats för att komma ihåg information med hjälp av spatial struktur och associationer med miljöns framträdande karaktärsdrag. Denna studie undersöker om en narrativ komponent inom dessa minnespalats kan vara förmånlig för informationsinkodning och återkallelse. Resultaten visar, med statistisk signifikans, att en narrativ komponent leder till en ökad minneskapacitet vilket indikerar intressanta utvecklingsmöjligheter för framtidens virtuella minnespalats.

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Guerreiro, Rita Sofia Leite. "Projetar com a memória." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/16695.

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Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.
Pretende-se realizar uma intervenção que sustente os conceitos de Memória, Monumento, Património e Reabilitação, numa harmonia entre o novo e o antigo. O presente documento tem como objetivo registar um comentário de suporte teórico sobre o Palácio dos Duques de Aveiro e sua Quinta, em Vila Nogueira de Azeitão, de modo a fundamentar uma proposta de Projecto. A reflexão começa com o conceito de monumento numa perspetiva pública para a conservação da memória coletiva. Vai ser abordado o tema da reabilitação nos dias de hoje, evidenciando o risco de argumentações inadequadas, a cópia de estilos antigos e os problemas que despontam nas intervenções. A reabilitação irá ser estudada através dos tratados que ela requereu no tempo e de aplicações dos conceitos de restauro, requalificação e conservação na atualidade. Segue-se a análise da área de intervenção urbanística e arquitetónica em causa para o entendimento da afinidade primitiva entre palácio e território, palácio e quinta, e entre os seus espaços interiores. A proposta arquitetónica enfatiza o objeto principal existente, os seus componentes inscritos na tipologia de Quinta de Recreio e a sua adaptação a um conjunto arquitetónico novo, que se pretende indissociável.
ABSTRACT:The intention is to perform an intervention that sustains the concepts of Memory, Monument, Heritage and Rehabilitation, based on the harmony between the old and the new. The purpose of this document is to register a commentary of theorical basis about the Aveiro’s Dukes Palace and its estate at Vila Nogueira de Azeitão, in order to justify a project proposal. The reflection starts with the concept of monument, through a public perspective, to achieve the collective memory conservation. The theme of nowadays rehabilitation will be discussed, evidencing the risk of inadequate argumentations, the copying of old styles and the problems that arise during this type of interventions. The rehabilitation will be studied through architecture treaties that this matter required through time and examples where restoration, requalification and conservation were applied. This will be followed by a site urbanistic-architectural analysis for the understanding of the primitive affinity between the palace and territory, the palace and its estate, and between its interior spaces. This architectural proposal emphasizes its main existing object, its components, as parts of the Villa’s typology, and its adaptation to a new architectural ensemble, which is intended to be inseparable.
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Myers, Isabella. "The book as monument." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6817.

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Weeder, Michael Ian. "The palaces of memory: a reconstruction of District One, Cape Town, before and after the Group Areas Act." Thesis, University of the Western Cape, 2006. http://etd.uwc.ac.za/index.php?module=etd&amp.

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The origins and growth of this world city[Cape Town] parallels that of my family and the myriad of others who constituted its formative population. Its stories of conquest and domination, the pursuit of gain and love found - the ebb and flow of human need and triumph are contained in the life experience of the countless thousands who lived and worked in and who were this city. This thesis started off as a biographical discussion on my association with District One. The narrative of District One is about the topography of the land and people, while the archive of the area reflects a history of punishment, settlement, removal and memory.

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Huttner, Jan-Paul [Verfasser], Susanne [Akademischer Betreuer] Robra-Bissanz, and Christoph [Akademischer Betreuer] Lattemann. "Virtual Memory Palaces : The Impact of Design on the Memorization Performance / Jan-Paul Huttner ; Susanne Robra-Bissanz, Christoph Lattemann." Braunschweig : Technische Universität Braunschweig, 2021. http://d-nb.info/1227853866/34.

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Books on the topic "Memory palace"

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Kunzru, Hari. Memory palace. London: V&A Pub., 2013.

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Hamilton, Colin. The memory palace. Kent, Ohio: Kent State University Press, 1998.

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1926-2007, Herr Norma Kurap, ed. The memory palace. New York: Free Press, 2011.

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Vanderhooft, JoSelle. The memory palace: A poetry memoir. Winnetka, CA: Curiosities, 2009.

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Sedgwick, Julian. The palace of memory. Minneapolis: Carolrhoda Books, 2017.

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1925-, Moore Charles Willard, ed. Chambers for a memory palace. Cambridge, Mass: MIT Press, 1994.

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Spence, Jonathan D. The memory palace of Matteo Ricci. London: Faber, 1985.

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Spence, Jonathan D. The memory palace of Matteo Ricci. London: Faber, 1988.

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The memory palace of Matteo Ricci. New York, N.Y: Penguin Books, 1985.

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The memory palace: A book of lost interiors. London: Portobello Books, 2013.

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Book chapters on the topic "Memory palace"

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Cutler, Anthony. "The Memory Palace of Constantine Porphyrogenitus." In Memory & Oblivion, 693–99. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_80.

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Nan, Wang, and Takayuki Fujimoto. "Memory Aid Application Based on Memory Palace Theory." In Advances in Systems Engineering, 437–47. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-92604-5_39.

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Kimmelfield, Isabel. "Remembering the Lost Palace: Explaining and Engaging with the Absence of Constantinople’s Great Palace." In Monuments & Memory: Christian Cult Buildings and Constructions of the Past, 121–30. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.acsha-eb.4.2018011.

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Andreeva, Golina. "The Military Gallery in the Winter Palace (The Hermitage): International Aspects of the National Memorial." In Memory & Oblivion, 151–57. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_18.

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Fernald, Anne E. "The Memory Palace and the Lumber Room: Woolf’s Renaissance Miscellany." In Virginia Woolf, 51–84. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230600874_3.

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Rietbergen, Peter. "Sacralizing the Palace, Sacralizing the King: Sanctuaries and/in Royal Residences in Medieval Europe." In Monuments & Memory: Christian Cult Buildings and Constructions of the Past, 209–20. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.acsha-eb.4.2018019.

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Ralby, Aaron, Markos Mentzelopoulos, and Harriet Cook. "Learning Languages and Complex Subjects with Memory Palaces." In Communications in Computer and Information Science, 217–28. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-60633-0_18.

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Betti, Marco. "Amori proibiti in palazzo Mondragone Carnesecchi. Un’inedita cupola di Antonio Puglieschi e una memoria medicea." In Studi e saggi, 147–64. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-181-5.09.

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The recent discovery of a dome painted by Antonio Puglieschi in the Mondragone Carnesecchi palace, representing Mars and Venus surprised by Vulcan, offers the occasion to reflect on the symbols used by Francesco I de’ Medici and Bianca Cappello. According to an ancient rumor, the clandestine love encounters between Francesco and Bianca had taken place in that very same palace and the depiction of the mythological infidelity may alluded to that relationship. The paper analyses different sources which show that Francesco was often portrayed as Mars and Bianca as Venus: specific attention is given to the detailed description of their wedding celebrations which revolved around the theme of the meeting and love of Venus and Mars. It’s possible that the Del Vernaccia family, who owned the palace and commissioned the painting to Antonio Puglieschi, wanted to remember and somehow celebrate events that took place in those rooms more than a century before.

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Hamilton, Michelle M. "Palaces of Memory: Mediation, Court Culture, and the Caliphate." In Representing Others in Medieval Iberian Literature, 15–31. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230606975_2.

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O’Grady, Tara, and Caglar Yildirim. "The Potential of Spatial Computing to Augment Memory: Investigating Recall in Virtual Memory Palaces." In Communications in Computer and Information Science, 414–22. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-23528-4_56.

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Conference papers on the topic "Memory palace"

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Das, Sauvik, David Lu, Taehoon Lee, Joanne Lo, and Jason I. Hong. "The Memory Palace." In UIST '19: The 32nd Annual ACM Symposium on User Interface Software and Technology. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3332165.3347917.

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Liu, Angelina Chang, Brian Hyun-jong Lee, and Regis Kopper. "Towards a Virtual Memory Palace." In 2019 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). IEEE, 2019. http://dx.doi.org/10.1109/vr.2019.8797836.

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Harman, Joshua. "Creating a memory palace using a computer." In CHI '01 extended abstracts. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/634067.634306.

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Harman, Joshua. "Creating a memory palace using a computer." In CHI '01 extended abstracts. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/634295.634306.

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Huttner, Jan-Paul, Kathrin Robbert, and Susanne Robra-Bissantz. "Immersive Ars Memoria: Evaluating the Usefulness of a Virtual Memory Palace." In Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2019. http://dx.doi.org/10.24251/hicss.2019.011.

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Kenderdine, Sarah, and Heidi McKenzie. "A war torn memory palace: Animating narratives of remembrance." In 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6743755.

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Bierig, Ralf, and Linda Krueger. "The Virtual Memory Palace as an Interactive Mnemonic Learning Platform." In 2020 Twelfth International Conference on Quality of Multimedia Experience (QoMEX). IEEE, 2020. http://dx.doi.org/10.1109/qomex48832.2020.9123116.

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Huttner, Jan-Paul, David Pfeiffer, and Susanne Robra-Bissantz. "Imaginary Versus Virtual Loci: Evaluating the Memorization Accuracy in a Virtual Memory Palace." In Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2018. http://dx.doi.org/10.24251/hicss.2018.037.

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Turaga, Vasanta Sobha. "Fading urban memories: status of conservation of historic Samsthan/Zamindari Palaces in Small and medium town master plans in Telangana, India." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/wzuc7012.

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‘Public memores’ are an imporant aspect in preserving a place’s culture and heritage. Actions of the government and society many times define/redefine identities of places, impacting collective memory of people in perceiving places. Conscious efforts are required to make and keep public memories alive. Insensitive and uninformed Urban Planning can lead to erasing history and heritage not just physically but from public memories as well. This Paper discusses the issues of Fading Urban Memories by taking case studies of two historic towns in the South Indian State of Telangana. Most of the Small & Medium Towns in Telangana, India, developed over the last two centuries from their historic core areas of the Capitals of erstwhile Samsthans/Zamindaris, land revenue admistration units/sub-regional authorities under the British and the Princely States’ Rulesin India till Independence in 1947. These Samsthans/Zamindars/ Jagirdars were ‘Chieftains’ of their own territories and ruled from ‘Palaces’ located in their Capital city/town. The palaces and historic areas of old Samsthan/Zamindari settlements represent local histories whose significance, memory, heritage needs to be preserved for posterity. Gadwa and Wanaparthy were two such towns, which developed mid-17 Century onwards becoming present day Municipalities of different Grades. The Department of Town and Country Planning, Govt. Of Telangana, prepares Master Plans for development of Municipalities. The surviving Fort/Palaces is marked by their present land use in the development plans, unrecognized for thier heritage status, thus posing threat to heritage being erased from collective Urban memory. The case studies presented in this paper are from the ongoing doctoral research work being done by the author at School of Planning and Architecture, Jawaharlal Nehru Architecture and Fine Arts University, Hyderabad, on the topic of ‘Planning for Conservation of Samshtan/Zamindari Palaces of Telangana and Andhra Pradesh’.

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Levitskaia, Tatiana. "THE FORGOTTEN WAR: WORKS BY N. A. LUKHMANOVA ABOUT MANCHURIA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.28.

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Nadezhda Lukhmanova (1841–1907) was a novelist, playwright, publicist, lecturer. Today her name is almost forgotten, but at the turn of the 19th–20th centuries she was well-known throughout Russia: her artistic and dramatic works were widely in demand, she gave lectures in the capital and abroad, worked as a journalist in the leading St. Petersburg newspapers. At the age of 62, she took part in the Russian-Japanese war as a nurse of the Red Cross and war correspondent (Peterburgskaia gazeta, Yuzhniy Krai). During her stay in the war and later in Japan, Lukhmanova wrote not only travel notes and articles for newspapers, but also short plays, stories based on real events (Shaman, Black stripe, Tree in the Palace of Chizakuin, Li-Tun-Chi), stylization of Chinese and Japanese fairy tales (The Only Language Clear for a Woman, Human Soul, Typhoon, Golden Fox). The writer raised a variety of topics: the place and role of women in the war, the organization of hospitals, unjustified victims of war and the problem of moral choice, as well as ethnographic sketches devoted to the traditions and mode of life of Manchuria and Japan. And if its early records resemble ethnographic sketches, filled with wariness towards the local population and a lack of understanding of Chinese customs, then later, in fairy tales and diary sketches, the sense of guilt before the Chinese people for the bloody slaughter taking place on their land becomes more clearly apparent. The works of the writer were undeservedly forgotten for more than a hundred years and are just beginning their return to literary memory.

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