To see the other types of publications on this topic, follow the link: Memory palace.
Dissertations / Theses on the topic 'Memory palace'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 27 dissertations / theses for your research on the topic 'Memory palace.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
1
Oberg, Chadwick Allan. "The visionary architect in practice, a memory palace." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ42339.pdf.
Full text
2
Bornhorst, Charlotte Sophie. "Fragments of Time: Politics of Memory in Contemporary Berlin." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242663894.
Full text
3
Bewernick, Hanne. "The storyteller's memory palace a method of interpretation based on the function of memory systems in literature ; Geoffrey Chaucer, William Langland, Salman Rushdie, Angela Carter, Thomas Pynchon and Paul Auster." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/1001701801/04.
Full text
4
Vieira, Vanessa Romana Cardoso. "Da memória do projecto à ressignificação do lugar." Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2013. http://hdl.handle.net/10400.5/12073.
Full text
5
Azevedo, Maria Carolina Lopes. "O património e a reinvenção do turismo cultural." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/18020.
Full textAbstract:
Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.O turismo é atualmente uma atividade com grande destaque em Portugal. Paradoxalmente, tem-se assistido à crescente relação entre essa atividade e a reabilitação do construído, justificado pelo regresso aos centros históricos, movido pela progressiva preocupação com o edificado patrimonial, munido de elevado valor memorial. Em “O Património e a reinvenção do Turismo Cultural” procura-se desenvolver uma reflexão que relacione o projeto com a zona histórica e a sua paisagem, potencializando a identidade e a memória coletiva da cidade. Propõe-se assim a reabilitação de um palácio emblemático da cidade de Santiago do Cacém – Palácio Condes de Avillezjuntamente com a construção de raiz de um conjunto de novos edifícios, capaz de albergar um programa hoteleiro, com uma arquitetura simples, mas aprimorada, podendo ser uma mais-valia para a cidade influenciando o modo como se vive a mesma. Os conceitos teóricos encontram a sua resolução no desenho urbano e arquitetónico, que visam desenvolver um projeto em que a memória do edifício e do lugar, não se traduza apenas na conservação da arquitetura, mas sim na conjugação do contemporâneo com o antigo baseado. Como proposta arquitetónica, resulta um projeto de reinvenção de forma obter um objeto com um carácter referencial na cidade, mais precisamente no centro histórico, através da valorização da cultura e do território existente – natural e patrimonial – vinculando-se à identidade e memória local.
ABSTRACT: Nowadays, tourism is one of the main activities in Portugal. Paradoxically, we have been witnessing an evolving relation between tourism and the rehabilitation of buildings, justified by the return to the historical centers, moved by the progressive preoccupation with the built patrimony, with high memorial value. In "O Património e a reinvenção do Turismo Cultural", we seek to develop a reflection that relates the project with the historical area and its landscape, enhancing the city's identity and collective memory. The rehabilitation of an emblematic palace in the city of Santiago do Cacém - Condes de Avillez Palace - is proposed, along with the construction of a new building complex, capable of hosting programs in the hotel sector, with a simple but refined architecture, which can be an asset to the city influencing the way we live in it. Theoretical concepts find their resolution in urban and architectural design, which aim to develop a project in which the memory of the building and the environment does not simply result in the preservation of the architecture, but in the conjugation of the contemporary with the old. As an architectural proposal, a reinvention project is presented in order to obtain an object with a referential character in the city, more precisely in the historical center, through the valorization of the existing culture and territory - natural and patrimonial - linking to the local identity and memory.
N/A
6
Kullberg, Michael. "Effekten av en narrativ komponent inom virtuella minnespalats." Thesis, Linköpings universitet, Institutionen för datavetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-166520.
Full textAbstract:
Sedan en lång tid tillbaka har människor nyttjat minnespalats för att komma ihåg information med hjälp av spatial struktur och associationer med miljöns framträdande karaktärsdrag. Denna studie undersöker om en narrativ komponent inom dessa minnespalats kan vara förmånlig för informationsinkodning och återkallelse. Resultaten visar, med statistisk signifikans, att en narrativ komponent leder till en ökad minneskapacitet vilket indikerar intressanta utvecklingsmöjligheter för framtidens virtuella minnespalats.
7
Guerreiro, Rita Sofia Leite. "Projetar com a memória." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/16695.
Full textAbstract:
Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.Pretende-se realizar uma intervenção que sustente os conceitos de Memória, Monumento, Património e Reabilitação, numa harmonia entre o novo e o antigo. O presente documento tem como objetivo registar um comentário de suporte teórico sobre o Palácio dos Duques de Aveiro e sua Quinta, em Vila Nogueira de Azeitão, de modo a fundamentar uma proposta de Projecto. A reflexão começa com o conceito de monumento numa perspetiva pública para a conservação da memória coletiva. Vai ser abordado o tema da reabilitação nos dias de hoje, evidenciando o risco de argumentações inadequadas, a cópia de estilos antigos e os problemas que despontam nas intervenções. A reabilitação irá ser estudada através dos tratados que ela requereu no tempo e de aplicações dos conceitos de restauro, requalificação e conservação na atualidade. Segue-se a análise da área de intervenção urbanística e arquitetónica em causa para o entendimento da afinidade primitiva entre palácio e território, palácio e quinta, e entre os seus espaços interiores. A proposta arquitetónica enfatiza o objeto principal existente, os seus componentes inscritos na tipologia de Quinta de Recreio e a sua adaptação a um conjunto arquitetónico novo, que se pretende indissociável.
ABSTRACT:The intention is to perform an intervention that sustains the concepts of Memory, Monument, Heritage and Rehabilitation, based on the harmony between the old and the new. The purpose of this document is to register a commentary of theorical basis about the Aveiro’s Dukes Palace and its estate at Vila Nogueira de Azeitão, in order to justify a project proposal. The reflection starts with the concept of monument, through a public perspective, to achieve the collective memory conservation. The theme of nowadays rehabilitation will be discussed, evidencing the risk of inadequate argumentations, the copying of old styles and the problems that arise during this type of interventions. The rehabilitation will be studied through architecture treaties that this matter required through time and examples where restoration, requalification and conservation were applied. This will be followed by a site urbanistic-architectural analysis for the understanding of the primitive affinity between the palace and territory, the palace and its estate, and between its interior spaces. This architectural proposal emphasizes its main existing object, its components, as parts of the Villa’s typology, and its adaptation to a new architectural ensemble, which is intended to be inseparable.
N/A
8
Myers, Isabella. "The book as monument." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6817.
Full text
9
Weeder, Michael Ian. "The palaces of memory: a reconstruction of District One, Cape Town, before and after the Group Areas Act." Thesis, University of the Western Cape, 2006. http://etd.uwc.ac.za/index.php?module=etd&.
Full textAbstract:
The origins and growth of this world city[Cape Town] parallels that of my family and the myriad of others who constituted its formative population. Its stories of conquest and domination, the pursuit of gain and love found - the ebb and flow of human need and triumph are contained in the life experience of the countless thousands who lived and worked in and who were this city. This thesis started off as a biographical discussion on my association with District One. The narrative of District One is about the topography of the land and people, while the archive of the area reflects a history of punishment, settlement, removal and memory.
10
Huttner, Jan-Paul [Verfasser], Susanne [Akademischer Betreuer] Robra-Bissanz, and Christoph [Akademischer Betreuer] Lattemann. "Virtual Memory Palaces : The Impact of Design on the Memorization Performance / Jan-Paul Huttner ; Susanne Robra-Bissanz, Christoph Lattemann." Braunschweig : Technische Universität Braunschweig, 2021. http://d-nb.info/1227853866/34.
Full text
11
Nelson, Grace Elizabeth. "Embodied Memory and Viewer Engagement: Prague's Memorial to the Victims of Communism." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555678731352293.
Full text
12
López, López Juan José. "Memoria descriptiva del Palacio Municipal del H. Ayuntamiento de San José del Rincon." Tesis de Licenciatura, Universidad Autónoma del Estado de México, 2018. http://hdl.handle.net/20.500.11799/95272.
Full textAbstract:
Trabajo de experiencia profesional, en el diseño y edificación de Obra PúblicaRepresenta el instrumento mostrativo de la realización de una construcción, su enfoque está dirigido a desarrollar una relatoría cronológica completa de inicio a fin de la obra así como los procesos constructivos más relevantes de la misma, en conjunto con todos sus componentes que intervienen, la coordinación y control de la secuencia de partidas de trabajo y la administración de los materiales y mano de obra. La memoria demuestra el que hacer de un superintendente de obra su manejo frente a una edificación que posee elementos de combinación constructivos así también la problemática de espacios colindantes de posible riesgo en su contexto urbano y en general el punto de vista en todos los enfoques de la obra, directa e indirectamente, entendiendo la evolución particular de la construcción desde su inicio hasta su proceso final, esto sustentado con la documentación necesaria del proceso, convirtiendo este documento en un elemento importante comoreferencia y aporte técnico para consulta y apoyo a estudiantes de arquitectura. La construcción arquitectónica se define como el elemento resultante de la conjunción de varios materiales expresamente creados para destinarse en armónico orden y en las proporciones debidas, según su función específica, a crear un ente material cuyo fin sea albergar personas y sus actividades en un espacio físico determinado. Esta definición es válida desde el punto de vista de la construcción como objeto material, pero definirla como acción, es el proceso mediante el que a partir de la ejecución de una serie de actividades se hace una obra material de desarrollo progresivo. Este proceso se reconoce como proceso constructivo.
13
Kirkbride, Robert. "The renaissance studioli of Federico da Montefeltro and the architecture of memory /." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82902.
Full textAbstract:
This investigation of the studioli, small contemplation chambers in the ducal palaces of Urbino and Gubbio, considers their position in the western tradition of the memory arts. Drawing upon select images in the studioli, as well as text sources readily available to Duke Federico da Montefeltro (1422--82) and the members of his court, this inquiry examines how the discipline of architecture equipped the late quattrocento mind with a bridge between the mathematical arts, which lend themselves to mechanical practices, and the art of rhetoric, a discipline central to the cultivation of memory and eloquence. As ramifications of material and mental craft, the studioli offered the Urbino court models for education and prudent governance.
14
Gunsoy, Harika Belkis. ""." Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614021/index.pdf.
Full textAbstract:
This thesis aims to explore the Ottoman Imperial Harem in the second half of the nineteenth century by focusing on the memoirs of Leyla Saz, a well-known poet and musician (1850-1936). Belonging to an aristocratic family, Leyla Saz was admitted to the Çiragan Palace at the age of four as Fatma Sultane&rsquo
s, (daughter of Abdü
lmecid) maid of honour and witnessed closely the daily life in the Harem for more than twenty years. Her memoirs, dating 1920, are the earliest examples written by a court member or, in other words, by an insider. They are particularly important for documenting not only the Imperial Harem as a disappeared socio-cultural institution, but also its architectural setting as part of the Old Ç
iragan Palace, built in 1841 but demolished in 1857. Accordingly, this thesis seeks to reconstruct the Old Palace and its Harem architecturally and culturally by reading these memoirs in parallel to the related historical and theoretical literature. In so doing, it discusses whether the memoirs perpetuate or challenge the orientalist discourses.
15
Gous, Joané Facqueline. "Paul Auster's representation of invisible characters in selected novels." Thesis, North-West University, 2012. http://hdl.handle.net/10394/9028.
Full textAbstract:
In this dissertation I argue that invisible characters, as they appear in Paul Auster’s novels, serve a very specific function within the interpretative framework of a text and that they should be considered to play a functional role, in order to arrive at a more holistic interpretation of the text and a more accurate analysis of said texts. I argue that Auster knowingly includes these characters in his novels as part of his narrative technique, in order for them to serve specific functions and to contribute to the structure of postmodern fiction. I make use of a contextualized close reading of five of Auster’s novels and attempt a hermeneutic interpretation of these novels to arrive at a hermeneutic circle when combining these novels into an integrated whole, individual, work of fiction. Certain parallels can be drawn between Auster’s various novels and these parallels contribute to the various motifs and themes found throughout his work. The importance of space in Auster’s novels is also highlighted with emphasis on liminality which serves as an instigator for transgression to occur between different fictive worlds.Thesis (MA (English))--North-West University, Potchefstroom Campus, 2013.
16
Hocquet, Marie. "Mémoire, oubli et imaginaires urbains, étude de deux hauts-lieux de la mémoire communiste à Berlin-Est : le Palais de la République et le Musée de la Stasi." Phd thesis, Université Jean Monnet - Saint-Etienne, 2011. http://tel.archives-ouvertes.fr/tel-00690860.
Full textAbstract:
Berlin est une ville qui suscite un nombre impressionnant d'images liées à l'histoire du 20eme siècle. Rares sont les villes qui condensent autant d'empreintes dans lesquelles on peut lire les grands événements qui marquèrent l'Europe et le monde. Sur les ruines du siècle passé, Berlin tente aujourd'hui de s'ériger en capitale allemande, un centre du pouvoir politique et économique, la ville reflet d'une démocratie allemande qui se veut modeste et exemplaire. La chute du Mur est un événement qui, pour ses contemporains, a sans conteste débouché sur une rupture d'intelligibilité. Si elle ouvre de facto de nouvelles perspectives à venir, cette rupture d'intelligibilité n'en préfigure pas moins un rapport radicalement nouveau au passé. En Allemagne réunifiée, et plus particulièrement à Berlin, un vaste travail de réévaluation des passés s'est amorcé, ayant pour objectif de combler de sens la nouvelle donne née de l'événement 1989. Le traitement des hauts-lieux du communisme, qui s'effectue de concert avec un vaste travail sur le passé de la RDA, répond à de multiples exigences qui se déclinent en termes politiques, identitaires et économiques. Il importe à la fois de comprendre comment la construction de récits officiels du passé communiste s'inscrit dans une dynamique globale de constitution et 'inscription de récits nationaux de la nouvelle Allemagne dans l'espace urbain de la capitale, et de porter une attention particulière à la réception de ces reconstructions du passé au sein des "publics" berlinois. Comment des références communes à la RDA se construisent-elles? Et comment, en retour, des récits alternatifs de la ville et de ses passés viennent-ils s'opposer aux interprétations, parfois homogénéisantes, que propose le" Nouveau Berlin"?
17
Gallardo, Villegas Milena. ""No lloro yo por llorar, sino por hallar sosiego": poética de la memoria traumática en El palacio de la risa del escritor chileno, Germán Marín." Tesis, Universidad de Chile, 2008. http://repositorio.uchile.cl/handle/2250/109774.
Full textAbstract:
La presente investigación tiene por objetivo analizar la poética de la memoria traumática desarrollada en El palacio de la risa (1995) del escritor chileno Germán Marín. Esto se desprenderá a partir de la observación del proceso de (re)construcción identitaria del sujeto testimonial (sujeto de la enunciación), quien se decide, mediante el interés de resolver un conflicto personal, a elaborar un relato coherente en torno al paradero de su ex amante Mónica y a lo que ha acontecido en su país durante su exilio. Esta reconstrucción ocurre a medida que el narrador relata su experiencia en relación a la legendaria mansión aristocrática de Peñalolén, conocida por nosotros como Villa Grimaldi, que, continuando un curioso itinerario, culmina siendo un museo del horror descomunal del que fue víctima nuestro país en su pasado reciente.
18
Iborra, Bernad Federico Javier. "La Casa de la Ciudad de Valencia y el Palacio de Mosén Sorell. De la memoria nostálgica a la reivindicación arquitectónica de dos episodios perdidos del Siglo de Oro valenciano." Doctoral thesis, Universitat Politècnica de València, 2013. http://hdl.handle.net/10251/18291.
Full textAbstract:
La antigua Casa de la Ciudad de Valencia y la residencia de los Sorell tiene varias cosas en común.
-Se trata de dos importantes muestras del gótico civil valenciano, que permanecieron con escasas transformaciones hasta mediados del siglo XIX.
-Durante el siglo XIX recibieron la atención de eruditos e historiadores, que los pusieron en valor.
-Ambos fueron derribados hasta los cimientos, conservándose escasos fragmentos.
-En ambos casos, poco antes del derribo, se decidió documentarlos o, más bien, evitar que se perdiera su memoria. No se trata del trabajo de arquitectos, sino de descripciones literarias, en un caso, y de dibujos parciales de elementos singulares.
-Esta puesta en valor ha servido para que se mantuviera el interés histórico a lo largo incluso del siglo XX. Sin embargo, siempre se ha enfocado desde planteamientos parciales o de mera imagen.
-La documentación directa o indirecta permite la reconstrucción de ambos con un cierto grado de fiabilidad planimétrica, la ubicación de los elementos conservados o dibujados y la restitución por analógica en el caso de las descripciones.
A lo largo del siglo XX se ha profundizado en los estudios históricos sobre ambos edificios. Sobre los artesonados y la capilla de la Casa de la Ciudad publicó Luis Tramoyeres dos interesantes artículos a principios de siglo, mientras que hace pocos años el profesor Amadeo Serra realizó un riguroso vaciado de las obras documentadas en los fondos municipales hasta el siglo XV. Respecto a los Sorell, cabe referir los estudios genealógicos publicados por el Barón de San Petrillo, que completan y corrigen los datos aportados por Onofre Esquerdo en el siglo XVII. Cabe referir también un breve artículo del cronista Bernat García Aparici en el que localizaba dos portadas del edificio desparecido y aportaba algunos datos sobre la herencia de 1817 y la compra de piezas por el Museo del Louvre en 1881.Iborra Bernad, FJ. (2012). La Casa de la Ciudad de Valencia y el Palacio de Mosén Sorell. De la memoria nostálgica a la reivindicación arquitectónica de dos episodios perdidos del Siglo de Oro valenciano [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/18291
Palancia
19
Madeira, abrunhosa Patricia. "Les grandes plantations coloniales dans les routes du tourisme patrimonial : la deuxième vie des demeures seigneuriales goanes et brésiliennes du XIXeme siècle." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0464.
Full textAbstract:
Comment arrive-t-on à sauvegarder un patrimoine rural en péril ? Faut-il le laisser à l’abandon et perdre une mémoire de l’histoire nationale et locale ? Le tourisme peut-il être une solution à la préservation du patrimoine palatial privé et de la mémoire des nombreuses générations qui l’ont occupé?Cette thèse propose d’aborder plusieurs domaines, le tourisme, le patrimoine, architecture, la littérature dans le but de comprendre quel peut-être le devenir du patrimoine palatial qui est situé dans des espaces ruraux construits sur un modèle colonial. A partir de plusieurs sources d’information (interviews, observations sur le terrain, guides, journaux, vidéos, média, réseaux sociaux, etc.) et un état des lieux des maisons seigneuriales privées ouvertes au tourisme, nous avons pu essayer d’évaluer l’atout tourisme pour la préservation du patrimoine palatial privé rural ?Nous avons travaillé sur trois régions rurales lusophones (Vale do Paraíba (Brésil), Ponte de Lima (Portugal) et Goa (Inde)) où un nombre significatif, en termes quantitatifs et qualitatifs, de palais se sont construits jusqu’au XIXe siècle. Ils ont connu leurs jours de gloire, puis le temps a effacé leur importance historique dans la mémoire collective nationale. Ils sont pourtant, par leur architecture, leur production agricole, les pratiques de leurs habitants, les témoins directs de notre histoire. Ces palais connaissent de nos jours des difficultés d’entretien, voire même de survie. Il est utile de confronter les trois lieux sélectionnés: ils sont pareillement menacés de disparitions tout en cherchant des solutions très diversifiées dans leur approche d’une conversion dans le tourismeHow can we preserve a threatened heritage? Should we neglect it and lose our memory of national and local history? Can tourism be a solution to preserve architectural private wealth?This thesis explores several fields, such as tourism, heritage, architecture and literature in order to determine what can be the future of architectural wealth in rural areas. Using various sources (interviews, field research, guides, video, media, social networks, etc.), and starting with an overview of the situation, we have arrived at the following question: can tourism be a solution to preserve architectural private wealth?Our study focuses on three Portuguese-speaking regions (Vale do Paraíba – Brazil, Ponte de Lima – Portugal and Goa - India), where many palaces were built until the 19th century. After a period of magnificence, their importance gradually faded in collective memory. They stand as witnesses of our history. Nowadays, it is more and more difficult to maintain these buildings. It is interesting to compare these three areas: their common point is the disappearance of their heritage, but they differ greatly in their tourism policies.The first part of this study describes the architectural heritage in Portuguese-speaking areas, and explains how it grew up and why it is now in danger. The second part analyses solutions offered in terms of rural tourism, and how family memory is thus preserved
20
Hirzel, Lara. "Châteaux intérieurs : du théâtre de la mémoire aux espaces imaginaires." Thesis, Paris Sciences et Lettres (ComUE), 2016. http://www.theses.fr/2016PSLEE057/document.
Full textAbstract:
Châteaux intérieurs, du théâtre de la mémoire aux espaces imaginaires est une thèse composée de trois films, d’une installation vidéo et de deux scénarios. Ces travaux reposent sur des interrogations liées au lieu et à sa mémoire. Des mnémotechniques rhétoriques de l’antiquité aux usages du flashback dans le montage cinématographique, cette recherche traverse les champs de la photographie, des arts plastiques, de la littérature et du cinéma afin d’inventer ses propres usages plastiques de concepts philo- sophiques. Chaque projet développe sa façon propre d’aborder le sujet de la représentation d’un espace fantasmé, imaginé; façons liées au « genre » des propositions, à la place laissée au spectateur et, au cœur même des films, à la multiplicité des subjectivités des personnages. Ainsi, le film Demeure convoque saint Augustin et l’art de la mémoire tandis que Sirènes joue des effets de montage et de réminiscences. Les Passages secrets lie lieux réels et espaces fictionnels par l’installation in situ dans le village de Binic. La déambulation est alors une autre manière de rejouer le trajet discursif de la méthode des loci. Le scénario Sans Perceval, adapté des Vagues de Virginia Woolf, singularise quant à lui une multiplicité de points de vue sur un même temps partagé dans un lieu unique. D’une autre manière, Les Atomes joue avec la figure de la baleine comme lieu symbolique sur lequel achoppent et divergent les imaginaires. Enfin, en utilisant l’idée d’espace intérieur dans la fiction même, le projet des Châteaux intérieurs propose une voie d’actualisation d’anciennes propositions philosophiques et théologiques, autour d’une variation moderne du personnage de sainte Thérèse d’Avila. Ce dernier scénario agrège ainsi plusieurs concepts fréquemment évoqués, repris, mentionnés dans la topique chrétienne, ici distordus, transformés et utilisés dans la fiction mêmeThe thesis Mind Palaces, from Memory Theatre to Imaginary Spaces is composed of three films, one video installation and two scripts. These works focus on questions of places and their memory. From ancient rhetorical mnemonics to the use of flashbacks in film editing, this study covers the fields of photography, fine arts, literature and film, in order to come up with its own artistic interpretation of philosophical concepts. Each project develops its own way of broaching the representation of a dreamt-up, imagined space; be it relating to the "genre" of proposals, to the role given to the audience, or, at the very heart of the films, to the multi- plicity of subjectivities of the characters. Thus, the film Remains evokes Saint Augustine and the art of memory, whilst Mermaids plays with various editing and reminiscence effects. Secret Passages links real places and fictional spaces through the in situ installation in the village of Binic, and the act of wandering therefore beco- mes another way of replaying the discursive journey in the method of loci. As for the Without Percival script, based on Virginia Woolf's The Waves, it differentiates between multiple points of view on a given moment shared in a single place. In a different way, Atoms plays with the whale as a symbolic place against which imaginations wash up and diverge. Finally, by using the idea of an interior space within the fic- tion itself, the Mind Palaces project provides a way of updating ancient philosophical and theological theories, based on a modern variation of Saint Teresa of Ávila. This last script combines a number of concepts that are frequently alluded to, revisited and mentioned in Christianity, and are here distorted, transformed and used in the fiction itself
21
Chen, Chun-yi, and 陳駿逸. "A Study on User Interface of Memory Carrier with Wearable Augmented Reality－From Space‐Glass to New Palace of Memory." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/44605075770054551587.
Full textAbstract:
碩士國立成功大學
建築學系碩博士班
96
The next revolutionary human-computer interaction will explore ubiquitous technology to reflect natural human needs and to support human life in reality. One of the most important applications for human-computer interaction is human memory assistance. It is argued that future should be smart enough to store and retrieve human memory, which can link human emotion to physical context. This paper presents a conceptual framework with a matrix of ubiquitous computing applications. The thesis explores user interface of spatial memory carrier with wearable augmented reality, allowing representing emotional human memory in smart space. Users can perceive virtual information in the physical space directly through embodied interaction with the wearable augmented reality device called “space-glass＂. Finally, the thesis concludes with a proposal of "space-glass" augmented reality device based on the idea of co-existence of virtual and physical experience. A prototype of space-glass has been implemented, linking the physical space with virtual memory information. Users can reload digital information represent emotional memory, and control the physical display of virtual memory remotely.
22
WU, WEN, and 吳文. "Research on the Incorporation of Memory Palace Techniques to Design and Produce English Teaching Materials and Teaching Aids." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/44062990456298699568.
Full textAbstract:
碩士佛光大學
資訊應用學系
104
The purpose of this study was, by combining guidance from graduate school professors, graduate school research, and practical English teaching experience, to design and produce a set of memory training materials along with auxiliary aids and A.R (Augmented Reality) App software based on the theory of memory, memory palace techniques, and the basic theory of designing teaching aids, and to use these materials to teach English, thus increasing learners’ speaking abilities, their interest in English, and the effectiveness of their education. After teaching and learning from this set of memory training materials and the accompanying teaching aids, teachers and their students provided reviews, ideas for improving the materials, and suggestions for future studies of memory training materials, teaching aids, and App software. The memory training materials, teaching aids, and App software were all successfully created in accordance with the goals of this study. This project to develop the set of memory training materials was successfully introduced at the Yilan County Government Local SBIR Plan in 2014 , and was also elected to represent Yilan County at the Central Government SBIR Exhibition in 2014. Below are teachers’ and students’ opinions of the memory training materials after their use in a teaching trial, providing reviews, ideas about ways to improve the teaching materials, and suggestions for future studies of memory training materials, teaching aids, and App software. 1. Teachers’ and students’ experiences with and opinions of the memory training materials and accompanying aids after a period of trial use: 1.1 After the author explained the theories and learning goals of the memory training materials to the trial teachers for about thirty minutes, the teachers were able to use the materials and aids to teach their students mnemonics. 1.2 Students could operate the auxiliary aids and APP software to carry out memory training exercises. 1.3 The graphic and video files of the memory training materials allowed teachers to teach with multimedia, and helped students to develop their ability to think in pictures, thus increasing the effectiveness of learning and memorizing. 2. A review of the content of the memory training materials, and suggestions for ways to improve: 2.1 Problem: Students responded that the textbook was a little bit heavy. Solution: Reduce the weight of each page when printing the memory training materials in the future. 2.2 Problem: Teachers could not understand some units of the memory training materials and some of the teaching goals. Solution: The author should write up an introduction to the mnemonics language learning system, and an introduction to using the memory training materials, to help teachers more easily use the materials to teach students. 2.3 Problem: Applying teaching aids with the memory training materials during classtime will burden teachers. Solution: Review the timing of using auxiliary aids during mnemonics teaching. It is suggested that the memory teaching aids and puzzles be used after school to test the effectiveness of in-class learning, especially with students receiving individual counseling and remedial teaching after school. 2.4 Problem: Some first-time users did not know how to download the APP software and so on. Solution: Create a video which explains how to download, install, and use the App software. 3. Follow-up study suggestions for the future: 3.1 Extend the present study to produce different ranges and levels of memory training materials designed to improve English learners’ speaking abilities. 3.2 Combine the mnemonic aid with a wearable device in order to increase learners’ interest and increase the effectiveness of the memory training materials. 3.3 Develop App software with a simulator, along the lines of a shooting game with the goal being learning English, which can be used as an assessment tool.
23
Mercier, Martin. "Feuilles, suivi de L'oubli du temps ; dynamique de la mémoire dans Le Palace de Claude Simon." Thèse, 2019. http://hdl.handle.net/1866/23741.
Full textAbstract:
Ce mémoire explore la dynamique mémorielle au sein de l’écriture. Dans la partie création, le personnage de Sam erre à l’intérieur de ses souvenirs à la recherche de sa sœur Lidie. Il s’agit d’une tentative vaine, toujours à recommencer puisque la mémoire, liée à la conscience, est sans cesse gauchie et subjective, incapable de redonner un passé objectif. La figure de Lidie se trouve ainsi être le point central inatteignable d’une circonvolution, le mouvement circulaire révélant la présence de la mémoire dans le corps du texte. La partie essai aborde la question de la liaison entre la mémoire et l’écriture dans Le Palace de Claude Simon. Reprenant l’idée du triple présent de Saint Augustin, le passé n’est alors possible que dans un présent du passé. Cette dynamique crée un mouvement circulaire ; le personnage parcourt ses souvenirs, mais il ne peut les investir que par la lorgnette d’un présent. Cela se traduit par un texte sans début ni fin, révolutionnaire, où le souvenir, plutôt qu’un retour dans le temps, fait avancer le texte et devient le temps présent de l’écriture.This master explores the dynamism of the memory within writing. In the creation part, the character of Sam wanders in his memories, searching for his sister Lidie. It is a vain attempt, always to begin again since the memory, related to the consciousness, is unceasingly subjective and distorted, unable to give back an objective past. The figure of Lidie find to be the unattainable central point of a convolution, the cercle trajectory revealing the presence of the memory in the body of the text. The essay part discusses the question of the bond between the memory and the writing in Le Palace of Claude Simon. Taking up the idea of the triple present of St. Augustine, the past is then possible only in a present of the past, and this dynamism creates a circular motion while the character goes through his memories that he can only invest by the lens of a present. This reveals a text without any beginning or end, revolutionary, where the memory, rather than a return in time, is moving forward the text and becomes the present time of the writing.
24
""What Does the Guidebook Say?" (Changing) Historical Memory at Selected British Palaces." Master's thesis, 2015. http://hdl.handle.net/2286/R.I.36421.
Full textAbstract:
abstract: The constructing of visitor expectations and memory of historic sites is an important aspect of the heritage industry. This study examines the creation and change of dominant historical memories at four British palaces and ancestral homes. Through the close analysis of a variety of guidebooks beginning in the eighteenth century as well as other promotional materials such as websites and films, this study looks at which historical memories are emphasized for visitors and the reasons for these dominant memories. Place theorists such as Yi-Fu Tuan and Michel de Certeau as well as memory theorists such as Maurice Halbwachs, Pierre Nora, and Eric Hobsbawm have influenced the analysis of the project's sources. This inquiry focuses on four palaces: Hampton Court Palace outside London; Edinburgh Castle in the heart of Edinburgh, Scotland; Cardiff Castle in Cardiff, Wales; and Chatsworth House in Devonshire, England. The Victorians have played a large role in determining dominant memories at these sites through their interest in and focus on both the medieval period and objects in the home. Dominant memories discussed focus on the Tudors, medieval military importance, the myth and imagining of the Victorian medieval, the Regency period of Jane Austen, and elite family-home relationships. This study argues that the emphases on certain subjects allow us glimpses into the national spirit (past and present) of the peoples of Britain.Dissertation/Thesis
Masters Thesis History 2015
25
Marques, Cláudio Emanuel Cardoso. "Cicerone: discurso histórico como recurso turístico." Doctoral thesis, 2012. http://hdl.handle.net/10071/9441.
Full textAbstract:
Esta investigação centra-se nas práticas mediadoras dos guias, também designadas por cicerones, mais especificamente na análise do discurso histórico em contexto de turismo, visitas guiadas. Procurar-se-á responder às seguintes questões: Como são apresentados os monumentos às pessoas que os visitam? Como determina os conteúdos apresentados? Quais são os interesses? Como é que as audiências percepcionam os conteúdos expostos e comunicados? Em que medida as diferentes pessoas - conservadores, historiadores, guias, visitantes, etc. - contribuem para as mensagens que vão sendo difundidas? Pretende-se analisar a transformação do discurso histórico em recurso turístico.This research is about the mediating practices of the guides, also known as cicerones, more specifically on the analysis of the historical discourse on tourism contexts, guided visits. The following questions conduct this research: How are the monuments presented to the persons who visit them? Who chooses which contents to present? Which are the interests involved? How do the audiences perceive the contents exposed and communicated? How do different persons - curators, historians, guides, visitors, etc. - contribute for the messages that are being transmitted? It is intended to analyse the transformation of the historical discourse into a tourism resource.
26
Abrunhosa, Madeira Patricia. "Les grandes plantations coloniales dans les routes du tourisme patrimonial : la deuxième vie des demeures seigneuriales goanes et brésiliennes du XIXeme siècle." Thesis, 2017. http://www.theses.fr/2017AIXM0464.
Full textAbstract:
Comment arrive-t-on à sauvegarder un patrimoine rural en péril ? Faut-il le laisser à l’abandon et perdre une mémoire de l’histoire nationale et locale ? Le tourisme peut-il être une solution à la préservation du patrimoine palatial privé et de la mémoire des nombreuses générations qui l’ont occupé?Cette thèse propose d’aborder plusieurs domaines, le tourisme, le patrimoine, architecture, la littérature dans le but de comprendre quel peut-être le devenir du patrimoine palatial qui est situé dans des espaces ruraux construits sur un modèle colonial. A partir de plusieurs sources d’information (interviews, observations sur le terrain, guides, journaux, vidéos, média, réseaux sociaux, etc.) et un état des lieux des maisons seigneuriales privées ouvertes au tourisme, nous avons pu essayer d’évaluer l’atout tourisme pour la préservation du patrimoine palatial privé rural ?Nous avons travaillé sur trois régions rurales lusophones (Vale do Paraíba (Brésil), Ponte de Lima (Portugal) et Goa (Inde)) où un nombre significatif, en termes quantitatifs et qualitatifs, de palais se sont construits jusqu’au XIXe siècle. Ils ont connu leurs jours de gloire, puis le temps a effacé leur importance historique dans la mémoire collective nationale. Ils sont pourtant, par leur architecture, leur production agricole, les pratiques de leurs habitants, les témoins directs de notre histoire. Ces palais connaissent de nos jours des difficultés d’entretien, voire même de survie. Il est utile de confronter les trois lieux sélectionnés: ils sont pareillement menacés de disparitions tout en cherchant des solutions très diversifiées dans leur approche d’une conversion dans le tourismeHow can we preserve a threatened heritage? Should we neglect it and lose our memory of national and local history? Can tourism be a solution to preserve architectural private wealth?This thesis explores several fields, such as tourism, heritage, architecture and literature in order to determine what can be the future of architectural wealth in rural areas. Using various sources (interviews, field research, guides, video, media, social networks, etc.), and starting with an overview of the situation, we have arrived at the following question: can tourism be a solution to preserve architectural private wealth?Our study focuses on three Portuguese-speaking regions (Vale do Paraíba – Brazil, Ponte de Lima – Portugal and Goa - India), where many palaces were built until the 19th century. After a period of magnificence, their importance gradually faded in collective memory. They stand as witnesses of our history. Nowadays, it is more and more difficult to maintain these buildings. It is interesting to compare these three areas: their common point is the disappearance of their heritage, but they differ greatly in their tourism policies.The first part of this study describes the architectural heritage in Portuguese-speaking areas, and explains how it grew up and why it is now in danger. The second part analyses solutions offered in terms of rural tourism, and how family memory is thus preserved
27
Vieira, Adérito Fernandes. "A importância da informação e do diagnóstico no protejo de reabilitação de edifícios de génese pombalina em Lisboa." Master's thesis, 2019. http://hdl.handle.net/10437/11974.
Full textAbstract:
Orientação: Alberto Flávio Monteiro LopesEste trabalho teve por objetivo pesquisar e compreender a importância da informação e do diagnóstico no projeto de reabilitação de edifícios de génese pombalina em Lisboa. Também pretende demonstrar a importância da preservação dos edifícios antigos e os seus valores históricos. O estudo inicia-se com os conceitos e as razões para reabilitar. O conceito de património e de conservação arquitectónica ganhou relevância sobretudo no século XIX, e desenvolveu-se ao longo do século XX. A reabilitação urbana tem como principal objectivo a melhoria da qualidade do território urbano, satisfazendo as necessidades básicas da população e também preservar e conservar valores históricos para as gerações futuras. O trabalho realizado desenvolveu-se com base em três exemplos de edifícios antigos de génese pombalina em Lisboa. O antigo Palácio Ficalho localizado na Rua dos Caetanos, nº18-20 e na Travessa dos Fiés de Deus nº102-108, no Bairro Alto; o edifício localizado na Praça D. João da Câmara, 1-6, Praça D. Pedro IV (Rossio), 62-68, e Rua 1º de Dezembro, 102-116, e o edifício localizado na Rua dos Douradores, 2-14, e Rua da Conceição, 28-34. Os três edifícios anteriormente referidos representam exemplos de património com valor histórico e também representa as diferentes fases do movimento pombalino. O estudo foi realizado com o recurso a material disponibilizado pelos projetistas que estão a desenvolver estudos para estes edifícios, nomeadamente levantamentos desenhados e relatórios diversos incidindo sobre aspetos históricos e da condição estrutural. O conhecimento dos locais foi completado com visitas aos edifícios. Foi possível verificar que edifícios cuja construção original, ou grande reformulação, como é o caso do antigo Palácio Ficalho, apresenta características comuns foram muito modificados ao longo do tempo de tal forma que a abordagem do projeto arquitetónico terá que ser necessariamente diferente. Este estudo veio revelar que, para além do aspeto exterior dos edifícios (neste caso relacionados com o período pombalino) que pode estar relativamente pouco alterado, há que estudar o interior destas construções para compreender quais os fragmentos ainda originais ou com valor que deverão ser preservados.
This work aimed to research and understand the importance of information and diagnosis in the rehabilitation project of Pombaline buildings in Lisbon. It also aims to demonstrate the importance of preserving old buildings and their historical values. The study begins with the concepts and reasons for rehabilitating old buildings. The concept of heritage and architectural conservation gained relevance especially in the nineteenth century, and developed throughout the twentieth century. Urban rehabilitation has as its main objective the improvement of the quality of the urban territory, satisfying the basic needs of the population and also preserving the historical values for future generations. The work carried out was based on three examples of old Pombaline style buildings in Lisbon. The former Ficalho Palace located at Rua dos Caetanos, nº18-20 and at Travessa dos Fiés de Deus nº102-108, in Bairro Alto; the building located at D. João da Câmara Square, 1-6, D. Pedro IV Square (Rossio), 62-68, and 1st December Street, 102-116, and the building located at Douradores Street, 2-14, and Conceição Street, 28-34. The three buildings mentioned above represent examples of heritage with historical value and also represent the different phases of the Pombaline movement. The study was carried out using material provided by architects who are developing studies for these buildings, namely designed surveys and various reports focusing in particular on historical aspects and the structural condition of the buildings. Knowledge of the sites was completed with visits to the buildings. It was possible to verify that the studied buildings were very modified over time and that the design methodology to be used in each case will necessarily have to be different. This study has revealed that, in addition to the exterior appearance of buildings, the interior of these buildings must be studied to understand which fragments are still original or valuable to be preserved.