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Relevant bibliographies by topics / Memory – Poetry

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Journal articles
Dissertations / Theses
Books
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Conference papers
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Academic literature on the topic 'Memory – Poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "Memory – Poetry"

1

OMOHA, OWOJECHO. "Memory and Poetry." Matatu 47, no. 1 (2016): 205–20. http://dx.doi.org/10.1163/18757421-90000402.

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When William Wordsworth declared two hundred years ago: “I have said that poetry is the spontaneous overflow of powerful feelings; it takes its origin from emotion recollected in tranquillity,” T.S. Eliot challenged the assertion that “poetry is not a turning loose of emotions, but an escape from emotions; it is not the expression of personality, but an escape from personality.” The intellectual confrontation notwithstanding, the two poets little thought that they were laying a foundation for memory studies in the twentyfirst century. “Recollection” assumes storage in the past and “escape from

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Kuduma, Anda. "Lokālais un globālais Guntas Šnipkes dzejā." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 25 (March 4, 2020): 143–51. http://dx.doi.org/10.37384/aplkp.2020.25.143.

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The article deals with the representation and interaction of the local and global elements in Liepāja poet and professional architect Gunta Šnipke’s poetry writing. The research aims to establish and evaluate the importance of local and global aspects in Šnipke’s poetry creation process by determining the conceptually characteristic ways in the formation of poetic expression. The article particularly emphasizes the phenomenon of memory which reveals the dimension of time in Šnipke’s poetry space, allows to speak not only of the individual but also of the cultural memory by precise emphasis of

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Bellinger, William H. "Psalm 137: Memory and Poetry." Horizons in Biblical Theology 27, no. 1 (2005): 5–20. http://dx.doi.org/10.1163/187122005x00077.

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Maxwell, Catherine, and Tim Armstrong. "Haunted Hardy: Poetry, History, Memory." Modern Language Review 98, no. 3 (2003): 697. http://dx.doi.org/10.2307/3738307.

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Arunlal, K., and C. Sunitha Srinivas. "All in the space of a poem: Spatial logics in poetry." Journal of European Studies 47, no. 3 (2017): 249–58. http://dx.doi.org/10.1177/0047244117713159.

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One of the oldest cultural practices of human societies, poetry, simultaneously responded and contributed to the evolution of human sense of spaces. Before print culture became ubiquitous, poetry was a time-art: all classic poetic techniques and devices were meant to hold a piece of verse permanently in a person’s memory, and by extension, in a community’s living history. However, contemporary poetry has little use for the chronologic dimension of poetry. The correlation of spatialized poetry with the new proliferation of ideas regarding space can be explored in multiple angles. The way space

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Marklew, Naomi. "Remembering and Dismembering: Ciaran Carson's Elegies for Belfast." Irish University Review 45, no. 2 (2015): 352–68. http://dx.doi.org/10.3366/iur.2015.0181.

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This essay considers poems from two of Ciaran Carson's recent volumes of poetry, Breaking News and Until Before After, both in terms of their poetic form and their relationship to the traditional genre of elegy. The themes of memory and memorialisation are explored within poems that are often formally fragmentary and can seem to be dismembering rather than remembering the city of Belfast. The essay suggests that Carson's poetic techniques, particularly in his repeated use of the trope of cartography or mapping, might reflect psychological theories of ‘cognitive mapping’ as a method of memorial

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Woods, T. "Memory and Ethics in Contemporary Poetry." English 49, no. 194 (2000): 155–65. http://dx.doi.org/10.1093/english/49.194.155.

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Eide, Marian. "Famine Memory and Contemporary Irish Poetry." Twentieth-Century Literature 63, no. 1 (2017): 21–48. http://dx.doi.org/10.1215/0041462x-3833456.

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Setia Sari, Winda. "Stepping Out of The Cultural Identity: A Critical Analysis of Cathy Song’s Memory Poetry." International Journal of Culture and Art Studies 2, no. 1 (2019): 54–59. http://dx.doi.org/10.32734/ijcas.v2i1.948.

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Cathy Song, a Chinese-Korean ancestry woman poet, grew up in Hawaii, America. In “What Belongs to You”, a poem taken from her second poetry publication, she chronicles the memory of a child who is trapped between her dream and devotion. The theme of the poem is portrayed in a strong poetic devices. The poems lean in vivid visual imageries to evoke to the poet’s life memory. The speaker of What Belongs to You dreams of having the freedom and attempts to escape from her parental tie. Ironically, she finds herself devote to her family and tradition. The poems use past materials ranging from domes

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Рязанцева, Тетяна. "Discourse of war in Oleksa Stefanovych’s poetry." Слово і Час, no. 1 (February 20, 2020): 29–39. http://dx.doi.org/10.33608/0236-1477.2020.01.29-39.

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The is article focuses on the military topics and poetics in the patriotic and religious poetry of Oleksa Stefanovych (1899—1970), one of the most interesting Ukrainian diaspora writers. The question of his personal war experience remains open, but the topic of war and the struggle for independence is an important element of his poetry. The e material for analysis is taken from his Apocalyptic cycle “The World’s End” (“Kinetssvitnie”) inspired by the events of the WWII, from his patriotic poems dedicated to the heroes of Kruty and Oleh Olzhych, and from the fragments of his unfinished poetic w

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Dissertations / Theses on the topic "Memory – Poetry"

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Eby, Lawrence V. "MEMORIC FORM: POEM AS MEMORY." CSUSB ScholarWorks, 2014. https://scholarworks.lib.csusb.edu/etd/52.

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Machinist in the Snow is a narrative long poem, much like a novel in verse that deals with the loss of memory and environmental rebirth. In the book, the narrator exiles himself into a frozen nature and attempts to return the frozen wasteland into its former, flourishing environment. The poems take on the memoric form of memory in a wide range of poetic forms from the traditional sonnet, haiku, or villanelle, to a scattered projective verse. In the center of these poems is an attempt to mimic the mind in the way that it shifts, in its moments of clarity, and in its attempt to dissect and under

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Chavez, Sarah A. "The responsibility of memory : poems." Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1365176.

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This creative thesis consists of a collection of original poetry. The poems, written in the style of the confessional, follow one speaker through the trials and joys of family, neighborhood community, work, and self. Though the poems do not follow a narrative or chronological path, they are organized by theme and subject matter. The cohesive thread that runs through the collection is the exploration of the question of both personal and societal responsibility. The speaker in the poems constantly challenges the expectations and conventions of responsibility by looking back on the events and sit

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Atchley, Rachel. "Memory for Poetry: More than Meaning?" Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1319216131.

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Kramer, Emily Marie. "Wandering: Dreams, Memory, and Language in Poetry." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1525179650285217.

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Colvett, Margaret G. "The World by Memory and Conjecture." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/honors/190.

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The World by Memory and Conjecture collects thirty poems written and refined over the course of two and a half years. An analytical essay discussing the reading and writing of poetry as a medium, with reference to ancient and contemporary poets, is included.

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Campbell, John. "Dawn in the Empty House." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc12091/.

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The preface to this collection of poems, "Memory and The Myth of Lost Truth," explores the physical and metaphysical roles memory plays within poetry. It examines the melancholy frequently birthed from a particular kind poetic self-inquiry, or, more specifically, the feelings associated with recognizing the self's inability to re-inhabit the emotional experience of past events, and how poetry can redeem, via engaging our symbolic intuition, the faultiness of remembered history. Dawn in the Empty House is a collection of poems about the implications of human relationships, self-deception, and

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Ritch, Olive M. ""Things remembered, forgotten" : a collection of poetry, memory and poetic practice in selected works of H.D." Thesis, University of Aberdeen, 2014. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=215114.

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The primary element of my thesis is the sequence of poems, which engages with the theme of memory in regard to the way remembering and forgetting offers both linguistic possibility and limitation; a sequence focusing on a woman's experience of dementia, and informed by a professional background in social work as well as my reading of H.D.'s major works. In the latter, I trace the significance of memory and its relationship to poetic creativity. Consideration of this relationship is explored in the secondary, critical component with regard to the influence of Sigmund Freud's theories on H.D.'s

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Luger, Moberley. "Poetry after 9/11 : constructing the memory of crisis." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/30465.

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My dissertation examines the cultural functions of poetry in the aftermath of the September 11, 2001 terrorist attacks on the United States. After 9/11, poems could be found in many and unexpected places: they were posted on the internet in the tens of thousands; published in newspapers, magazines, and single-author books; read aloud on television and on radio and collected in at least ten anthologies. Seeking to explain this surge in poetry’s popularity, many critics have discussed the genre’s ability to provide comfort. I suggest that poems after 9/11 be seen also as examples of memory

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Logan, Aileen Anne. "Memory and exile in the poetry of Luis Cernuda /." St Andrews, 2007. http://hdl.handle.net/10023/343.

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Logan, Aileen A. "Memory and exile in the poetry of Luis Cernuda." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/343.

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Luis Cernuda (1902-1963) was exiled from Spain in 1938 due to the outbreak of the Spanish Civil War. He lived in Great Britain, America and Mexico and he never returned to his homeland. Until the mid-1960s, he was considered by the Spanish literary establishment to be an evasive and astringent poet. Since then, critics have recognised and praised the ethical quality and nature of his work and he is now considered to be one of the most profound and influential Spanish poets of the twentieth century. Despite the growing body of critical work on Cernuda, the salient role played by memory in his p

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Books on the topic "Memory – Poetry"

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Vanderhooft, JoSelle. The memory palace: A poetry memoir. Curiosities, 2009.

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John, O'Donohue. Echoes of memory. Three Rivers Press, 2011.

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Randall, Margaret. Memory Says Yes. Curbstone Press, 1988.

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Armstrong, Tim. Haunted Hardy: Poetry, history, memory. Palgrave, 2000.

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Memory gardens. New Directions Pub. Corp., 1986.

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Lehman, David. Operation memory. Princeton University Press, 1990.

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Osundare, Niyi. Horses of memory. Heinemann Educational Books (Nigeria), 1998.

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Cooke, Eleanor. A kindof memory. Poetry Wales, 1988.

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Zamora, Daisy. Riverbed of Memory. City Lights Books, 1992.

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Where memory gathers: Baseball and poetry. Rudi Pub., 1998.

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Book chapters on the topic "Memory – Poetry"

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Esperanza Rock Núñez, María. "Memory, poetry, art, and children." In Poetry, Method and Education Research. Routledge, 2020. http://dx.doi.org/10.4324/9780429202117-24.

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Vervaet, Stijn. "Ilija Jakovljević’s poetry of testimony." In Holocaust, War and Transnational Memory. Routledge, 2017. http://dx.doi.org/10.4324/9781315586977-3.

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McDaid, Ailbhe. "Memory Spaces." In The Poetics of Migration in Contemporary Irish Poetry. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63805-8_3.

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Rokem, Freddie. "Discursive Practices and Narrative Models: History, Poetry, Philosophy." In History, Memory, Performance. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137393890_2.

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Ward, James. "Memory and Enlightenment in the Poetry of Eavan Boland and Medbh McGuckian." In Memory and Enlightenment. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96710-3_5.

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Kamada, Roy Osamu. "On Exactitude in Poetry: The Cartographic Histories of Garrett Hongo’s Coral Road." In Memory as Colonial Capital. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50577-0_8.

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Gómez Pato, Rosa Marta. "Poetry of Memory and Trauma and their Translation." In Translating Holocaust Literature. V&R Unipress, 2015. http://dx.doi.org/10.14220/9783737005012.125.

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Denman, Peter. "Austin Clarke: Tradition, Memory and Our Lot." In Tradition and Influence in Anglo-Irish Poetry. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-09470-7_5.

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Parker, Grant. "Memory spaces of Ausonius and Rutilius Namatianus." In Travel, Geography, and Empire in Latin Poetry. Routledge, 2021. http://dx.doi.org/10.4324/9781003120773-10-10.

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Steele, Cassie Premo. "“My eyes are always hungry and remembering”: Audre Lorde and the Poetry of Witness." In We Heal From Memory. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-12313-8_6.

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Conference papers on the topic "Memory – Poetry"

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ALIEVA, Dildora. "PHILOSOPHICAL LYRICS AND REFLECTIONS OF THE LYRICAL HERO CHO JI HUN." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-29.

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This article discussed the emergence and further development of the poetic group “Blue Deer”. The creativity of poets in this group received development of tradition in Korean landscape lyrics and its poetics. An apple to the origins and motives of classical poetry became evidence of their reverent attitude to historical and cultural, including the literal memory of the Korean people. Cho Ji Hong is an outstanding representative of this poetic group. Cho Ji Hoon's work bears the stamp of traditions, national customs, traditions, legends

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Yi, Xiaoyuan, Maosong Sun, Ruoyu Li, and Zonghan Yang. "Chinese Poetry Generation with a Working Memory Model." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/633.

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As an exquisite and concise literary form, poetry is a gem of human culture. Automatic poetry generation is an essential step towards computer creativity. In recent years, several neural models have been designed for this task. However, among lines of a whole poem, the coherence in meaning and topics still remains a big challenge. In this paper, inspired by the theoretical concept in cognitive psychology, we propose a novel Working Memory model for poetry generation. Different from previous methods, our model explicitly maintains topics and informative limited history in a neural memory. Durin

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Uricariu, Doina. "Poetry and the Politics of Memory." In the 39th American Romanian Academy of Arts and Sciences Congress. ARA Publisher, 2015. http://dx.doi.org/10.14510/39ara2015.3901.

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Zhang, Jiyuan, Yang Feng, Dong Wang, et al. "Flexible and Creative Chinese Poetry Generation Using Neural Memory." In Proceedings of the 55th Annual Meeting of the Association for Computational Linguistics (Volume 1: Long Papers). Association for Computational Linguistics, 2017. http://dx.doi.org/10.18653/v1/p17-1125.

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Kalandarov, T. S. "Ismaili religion poetry in the context of migration." In International scientific conference " Readings in memory of B.B. Lashkarbekov dedicated to the 70th anniversary of his birth". Yazyki Narodov Mira, 2020. http://dx.doi.org/10.37892/978-5-89191-092-8-2020-0-0-445-452.

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Reysner, M. L. "Nauruz as a measure of perfection: spring calendar vocabulary of Persian poetry (ethical and aesthetic aspects)." In International scientific conference " Readings in memory of B.B. Lashkarbekov dedicated to the 70th anniversary of his birth". Yazyki Narodov Mira, 2020. http://dx.doi.org/10.37892/978-5-89191-092-8-2020-0-0-225-230.

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Kwiatek, Karol. "How to preserve inspirational environments that once surrounded a poet? Immersive 360° video and the cultural memory of Charles Causley's poetry." In 2012 18th International Conference on Virtual Systems and Multimedia (VSMM). IEEE, 2012. http://dx.doi.org/10.1109/vsmm.2012.6365931.

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Rodríguez Navarro, María Victoria. "L’Amour à deux visages: el agua en Pernette du Guillet como reflejo del diálogo amoroso." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2913.

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Sumergirse en el agua, reflejo simbólico de virtudes, es volver a las fuentes de la vida para regenerarse, para saciar esa sed de conocimiento y también para recibir los rayos del sol que en ella se reflejan, como es el caso de la lionesa Pernette du Guillet quien, a diferencia de Louise Labé, ha persistido en la memoria de los hombres no sólo por su talento natural sino gracias a la irradiación de la que la inundó Maurice Scève, «son Jour», jefe incuestionable del Círculo de Lyon, en el que las mujeres poetas del Renacimiento tuvieron un papel de primer orden.La mayoría de sus «Rymes» respond

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Gorgeri, Fabiola. "Memory and change through Le Corbusier. Fragments of urban views." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.927.

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Abstract: In the urban project of Le Corbusier the relationship between new and existing is opportunity of poetic composition. The real traces of the past of one place are transformative tools by which the new project is developed. The projects after World War II, like reconstruction project of Saint-Dié, are occasions to reflect about the new urban developments, rapid and extensive, and the relation of them with the landscape in a new territorial vision. The fragments of past and the new buildings are seen like belonging to a same context of reference and the entire urban composition forming

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Arciniegas, Sandra Calvachi, Juliana Bravo Montero, and Juliana Rosero Jurado. "Poetic of Pasaje Corazón de Jesús building´s memory, in the times of the telegraph: Prototype of Video Mapping." In Congreso SIGraDi 2020. Editora Blucher, 2020. http://dx.doi.org/10.5151/sigradi2020-113.

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Reports on the topic "Memory – Poetry"

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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more ope

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López López, JS, JG Miranda Corzo, MA García Jurado, and AP Buitrago Rojas. “Esto yo lo dejo ahí, extiéndalo usted más allá”. Poetic work by Wilson Caicedo and the historical memory of Village 8 in Buenaventura. Revista Latina de Comunicación Social, 2019. http://dx.doi.org/10.4185/rlcs-2019-1389en.

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