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1

H, Bernstein David, ed. Modeling MEMS and NEMS. Chapman & Hall/CRC, 2003.

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2

Kottapalli, Ajay Giri Prakash, Kai Tao, Debarun Sengupta, and Michael S. Triantafyllou. Self-Powered and Soft Polymer MEMS/NEMS Devices. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-05554-7.

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3

Lynn, Khine, and Tsai Julius M, eds. NEMS/MEMS technology and devices: Selected, peer reviewed papers from the International conference on materials for advanced technologies (ICMAT 2011), Symposium G, June 26 - July 1, 2011, Suntec, Singapore. Trans Tech, 2011.

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4

Development of CMOS-MEMS/NEMS Devices. MDPI, 2019. http://dx.doi.org/10.3390/books978-3-03921-069-5.

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5

Khine, Lynn, and Julius M. Tsai. NEMS/MEMS Technology and Devices, ICMAT2011. Trans Tech Publications, Limited, 2011.

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6

Khine, Lynn, and Julius M. Tsai. NEMS/MEMS Technology and Devices, ICMAT2011. Trans Tech Publications Ltd, 2011. http://dx.doi.org/10.4028/b-3enkib.

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7

Teo, Selin H. G., Tarik Bourouina, Hua Li, and Ai-Qun Liu. NEMS/MEMS Technology and Devices - ICMAT2009, ICMAT2009. Trans Tech Publications, Limited, 2009.

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8

Lyshevski, Sergey Edward. MEMS and NEMS: Systems, Devices, and Structures. Taylor & Francis Group, 2018.

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9

Lyshevski, Sergey Edward. MEMS and NEMS: Systems, Devices, and Structures. Taylor & Francis Group, 2018.

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10

Lyshevski, Sergey Edward. MEMS and NEMS: Systems, Devices, and Structures. Taylor & Francis Group, 2018.

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11

Lyshevski, Sergey Edward. MEMS and NEMS: Systems, Devices, and Structures. Taylor & Francis Group, 2018.

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12

Teo, Selin H. G., Ai Qun Liu, Hua Li, and Tarik Bourouina. NEMS/MEMS Technology and Devices - ICMAT2009, ICMAT2009. Trans Tech Publications Ltd, 2009. http://dx.doi.org/10.4028/b-hl5kn8.

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13

MEMS and NEMS: Systems, Devices, and Structures. CRC, 2002.

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14

Pelesko, John A., and David H. Bernstein. Modeling MEMS and NEMS. Taylor & Francis Group, 2002.

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15

Pelesko, John A., and David H. Bernstein. Modeling MEMS and NEMS. CRC, 2002.

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16

Montes. Mems and Nems / New Technologies and Advanced Devices. Wiley & Sons, Incorporated, John, 2015.

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17

Triantafyllou, Michael S., Ajay Giri Prakash Kottapalli, Kai Tao, and Debarun Sengupta. Self-Powered and Soft Polymer MEMS/NEMS Devices. Springer, 2019.

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18

(Editor), Masayoshi Esashi, and Zhaoying Zhou (Editor), eds. Ico20: Mems, Moems, and Nems (Proceedings of SPIE). Society of Photo Optical, 2006.

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19

Lyshevski, Sergey Edward. Mems and Nems: Systems, Devices, and Structures. Nano- and Microscience, Engineering, Technology, and Medicine Series. Taylor & Francis Group, 2002.

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20

NEMS/MEMS technology and devices: selected peer reviewed papers from the International Conference on Materials for Advanced Technologies 2009, symposium L, 28 June - 3 July,. Trans Tech Publishers, 2009.

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21

ASME. ASME 2015 13th International Technical Conference and Exhibition on Packaging and Integration of Electronic and Photonic Microsystems, Volume 3: Advanced Fabrication and Manufacturing; Emerging Technology Frontiers; Energy, Health and Water- Applications of Nano-, Micro-And Mini-Scale Devices; MEMS and NEMS; Technology Update Talks; Thermal Management Using Micro Channels, Jets, Sprays. American Society of Mechanical Engineers, The, 2015.

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22

Mordden, Ethan. All That Jazz. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190651794.001.0001.

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In 1975, the Broadway musical Chicago brought together a host of memes and myths, the gleefully subversive character of American musical comedy, the reckless glamor of the big-city newspaper, the mad decade of the 1920s, the work of Bob Fosse and Gwen Verdon—two of the greatest talents in the musical’s history—and the Wild West gangsterville that was the city of Chicago itself. The tale of a young woman who murders her departing lover and then tricks the jury into letting her off, Chicago seemed too blunt and cynical at first. Everyone agreed it was show biz at its brilliant best, yet the public still preferred A Chorus Line, with its cast of innocents and sentimental feeling. Nevertheless, the 1996 Chicago revival is now the longest-running American musical in history, and the movie version won the Best Picture Oscar. As this text looks back at Chicago’s various moving parts, including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical, we see how the American theatre serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society.
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