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Books on the topic 'Men in music'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

de Boise, Sam. Men, Masculinity, Music and Emotions. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137436092.

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2

Why men lie. London: Jonathan Cape, 2012.

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3

Masculinities and music: Engaging men and boys in making music. Newcastle: Cambridge Scholars, 2008.

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4

Salisbury, Ben. Black mirror: Men against fire. [United Kingdom]: Invada, 2017.

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5

Horne, Lena. The men in my life. New York: Three Cherries Records, 1988.

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6

Sircom, Malcolm. Mr Men musical: Book, music, and lyrics. London: Samuel French, 1986.

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7

Weltner, Peter. The risk of his music: Stories. Saint Paul, Minn: Graywolf Press, 1997.

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8

Ackroyd, Peter. English music. New York: Knopf, 1992.

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9

Ackroyd, Peter. English music. London: H. Hamilton, 1992.

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10

Men, masculinity and the Beatles. Burlington, VT: Ashgate, 2013.

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11

Philip, Sousa John. Marching along: Recollections of men, women, and music. Westerville, OH: Integrity Press, 1994.

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12

Merrick, Gordon. Now let's talk about music. Los Angeles: Alyson Books, 1997.

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13

Ming qu jian shang ru men. Taibei Shi: Zhi wen chu ban she, 1995.

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14

Music for porn. Callicoon, NY: Nightboat Books, 2012.

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15

Yang qin ru men. Beijing: Zhongguo she hui chu ban she, 1999.

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16

Yuanrong, Li, ed. Gu zheng ru men. Beijing: Ren min yin yue chu ban she, 1995.

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17

Guangyi, Qu, and Shu Peng, eds. Xiao ru men jiao cai. Beijing lShi: Hua le chu ban she, 2000.

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18

Tourville, Tom W. Back door men: The Chicago 1960's rock discography. 2nd ed. Fairmont, Mn. (975 So. Orient, Fairmont 56031): Midwest Publications, 1994.

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19

Tourville, Tom W. Back door men: The Chicago 1960's rock discography. Fairmont, Mn. (975 So. Orient, Fairmont 56031): T.W. Tourville, 1989.

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20

Seduced and abandoned: Essays on gay men and popular music. London: Cassell, 1995.

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21

The music men: The story of professional gospel quartet singing. Asheville, N.C: B. Terrell Publisher, 1990.

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22

Will Grega's gay music guide. New York City, NY: Pop Front Press, 1994.

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23

Weila, Li, ed. Yu shi, ming yun lai qiao men: Beiduofen zhuan. Taibei Xian Xindian Shi: Zuo an wen hua, 2007.

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24

Men and popular music in Algeria: The social significance of raï. Austin: University of Texas Press, 1999.

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25

Marten, Neville. The Kinks: Well respected men. Chessington, Surrey: Castle Communications, 1996.

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26

Qiongling, Zhang, and Wen shan she qu da xue, eds. Su ren yin yue chuang zuo ge ming: Wo men hen ping fan, dan wo men yong you yin yue ! = Wonderful Band Revolution. Taibei Shi: Kai xue wen hua shi ye gu fen you xian gong si chu ban fa xing, 2013.

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27

Neale, Hurston Zora. Mules and men. New York: Perennial Library, 1990.

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28

Neale, Hurston Zora. Mules and Men. New York: HarperCollins, 2008.

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29

Dannen, Fredric. Hit men: Power brokers and fast money inside the music business. New York: Times Books, 1990.

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30

Dannen, Fredric. Hit men: Power brokers and fast money inside the music business. New York: Helter Skelter, 1990.

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31

Dannen, Fredric. Hit men: Power brokers and fast money inside the music business. London: Muller, 1990.

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32

Dannen, Fredric. Hit men: Power brokers and fast money inside the music business. New York: Vintage Books, 1991.

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33

Dannen, Fredric. Hit men: Power brokers and fast money inside the music business. New York, NY: Random House, 1991.

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34

Dannen, Fredric. Hit men: Power brokers and fast money inside the music business. London: Vintage, 1991.

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35

Chapple, Reginald. Fishers of men: Jesus'early ministry in Galilee : in words and music. Oxford: Religious and MoralEducation Press, 1989.

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36

Nong fu ji: Yin yue shi shi men wai tan. Beijing Shi: Zhong yang yin yue xue yuan chu ban she, 2005.

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37

Qin ge dan: Chang "kai hua diao" de ren men. Jinan: Qi Lu shu she, 2009.

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38

Hardy, James Earl. Boyz II Men. Philadelphia: Chelsea House Publishers, 1996.

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39

Hardy, James Earl. Boyz II Men. Philadelphia: Chelsea House Publishers, 1996.

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40

Westside: Young men and hip hop in L.A. New York: Simon & Schuster, 2000.

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41

Finn, Julio. The bluesman: The musical heritage of Black men and women in the Americas. New York: Interlink Books, 1992.

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42

Finn, Julio. The bluesman: The musical heritage of black men and women in the Americas. London: Quartet Books, 1986.

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43

The bluesman: The musical heritage of black men and women in the Americas. London: Quartet Books, 1986.

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44

group), U.-Men (Musical. U-Men. 2017.

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45

Men, Masculinity, Music and Emotions. Palgrave Macmillan, 2015.

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46

Lott, Marie Sumner. Music for Men of Leisure. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039225.003.0003.

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Abstract:

This chapter demonstrates some of the ways that the musical style of string quartets and quintets from the 1830s and 1840s reflects specific social uses of music in middle-class life by examining works of three composers clearly linked to this cultural milieu: Louis Spohr, George Onslow, and Friedrich Kuhlau. These composers belonged to the middle classes, and their music appealed to their neighbors and friends, as well as to a broad audience of sheet music purchasers throughout Europe who shared the composers' middle-class identity. In addition to their professional activities as composers, performers, conductors, and teachers, these three men also engaged in private, recreational music making during their “off-duty” hours that mirrored the activities of their patrons and other consumers of music. Their musical creations for this audience reflect the practice of their social peers—members of the Bildungsbürgertum, or the upper middle classes.

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47

Brower, Harriette. The World's Great Men of Music. IndyPublish.com, 2005.

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48

Brower, Harriette. The World's Great Men of Music. IndyPublish.com, 2006.

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49

Brower, Harriette. The World's Great Men of Music. IndyPublish, 2007.

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50

Brower, Harriette. The World's Great Men of Music. IndyPublish.com, 2005.

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