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Journal articles on the topic 'Men of the Deeps (Musical group)'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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1

Bailey, Betty A., and Jane W. Davidson. "Adaptive Characteristics of Group Singing: Perceptions from Members of a Choir Forhomeless Men." Musicae Scientiae 6, no. 2 (2002): 221–56. http://dx.doi.org/10.1177/102986490200600206.

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There is considerable evidence to suggest that music has adaptive characteristics. Individuals use recorded music to transform the emotional landscape to coincide with transitory needs and desires. Also, music has frequently been reported to provoke uncommon emotional and physical reactions often referred to as peak experiences. In many cultures, that have limited industrial and technological development, active participation in musical activities is pervasive and all individuals are considered musical. In contrast, the musical elitism that has evolved in the Western world intimates that music

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Kazimov A.G., Kazimova L.A., and Aliyeva D.M. "Psychophysiological correlates of musical therapeutic influences at young men with neurotic frustration." NATIONAL JOURNAL OF NEUROLOGY 7, no. 1 (2021): 46–51. http://dx.doi.org/10.28942/nnj.v7i1.318.

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Research of age-related features in psychophysiological parameters dynamics under procedures of medical resonance therapeutic music (МРТМ) at practically healthy young men of 15-18 years and young men of the same age group with neurotic frustration was carried out. Procedures МРТМ made taking into account individual preferences in musical fragments, possess expressed аnti stress effects. Effects of МРТМ in essential degree are defined by individual preferences in musical fragments surveyed in a choice, and, on the other hand - depend on age and individual and typologicalfeatures of recipients.

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Kazimov, A. G., L. A. Kazimova, D. M. Aliyeva, and X. I. Hasanov. "PSYCHOPHYSIOLOGICAL CORRELATES OF MUSICAL THERAPEUTIC INFLUENCES AT YOUNG MEN WITH NEUROTIC FRUSTRATION." National Journal of Neurology 1, no. 07 (2015): 46–51. http://dx.doi.org/10.61788/njn.v1i15.08.

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Research of age-related features in psychophysiological parameters dynamics under procedures of medical resonance therapeutic music (МРТМ) at practically healthy young men of 15-18 years and young men of the same age group with neurotic frustration was carried out. Procedures МРТМ made taking into account individual preferences in musical fragments, possess expressed аnti stress effects. Effects of МРТМ in essential degree are defined by individual preferences in musical fragments surveyed in a choice, and, on the other hand - depend on age and individual and typological features of recipients

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Söderman, Emma, and Anna Lundberg. "”Du förstår, men du förstår ingenting.”." Socialvetenskaplig tidskrift 27, no. 3-4 (2021): 291–308. http://dx.doi.org/10.3384/svt.2020.27.3-4.3666.

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 In the following article, based on two years of participatory ethnographic fieldwork with the No Border musical, as well as interviews with 16 of the musical’s 30 participants, community theatre is investigated in a context of deportability. We analyse the working process in the theatre group, in which actors with and without resident permits participated, through the concept of politics of translation. We show how inequalities due to the constant threat of deportation for several members were brought to the forefront during the work process of creating the musical. It concerned risks o

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Muhammad Syafe’i. "Upaya Mengembangkan Kecerdasan Musikal Melalui Permainan Persepsi Bentuk Musikal Pada Anak Kelomok B di TK Pertiwi Tanjung Juwiring Klaten." SALIHA: Jurnal Pendidikan & Agama Islam 1, no. 2 (2018): 71–85. http://dx.doi.org/10.54396/saliha.v1i2.14.

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This study aims to develop musical intelligence group B children in TK Pertiwi Desa Tanjung District Juwiring Klaten Lesson Year 2012/2013 through the game of musical form perception. This research is a classroom action research (PTK). In this research, the students are group B in TK Pertiwi Desa Tanjung Kecamatan Juwiring Klaten District Lessons Year 2012/2013 as many as 18 children, consist of 12 men and 6 women. This research was conducted in two cycles each cycle consisting of planning stage, action stage, observation, reflection. Children's musical intelligence data was collected through

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MOOK, RICHARD. "White Masculinity in Barbershop Quartet Singing." Journal of the Society for American Music 1, no. 4 (2007): 453–83. http://dx.doi.org/10.1017/s1752196307070423.

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AbstractThis article explores the cultural work of white masculinity in barbershop quartet singing in two historical contexts: the barbershop revival of the 1920s and 1930s and barbershop's struggle for survival in twenty-first century Philadelphia. It first details how revivalists attempted to re-create Victorian white masculinity by codifying and promoting a barbershop musical style and repertory that fostered closeness between men. By performing their musical style in public, masculine spaces, and admitting only white men to their gatherings, the organizers of the Barbershop Harmony Society

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Durán, Lucy. "Ngaraya: Women and musical mastery in Mali." Bulletin of the School of Oriental and African Studies 70, no. 3 (2007): 569–602. http://dx.doi.org/10.1017/s0041977x07000845.

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AbstractThis article aims to contribute to an understanding of the evaluation of musical artistry in Africa, through Mali as a case study. The discussion focuses on the informal discourses of the occupational group of Mande artisan-musicians known as jeli (pl. jeliw, jalilu), concerning the ideal of musical greatness, signified by the polysemic term ngaraya; while there is consensus about the ideal, there is much debate about who qualifies. Drawing on extensive interviews and fieldwork with leading jeliw over the past twenty years, it pays special attention to the views of and about Malian wom

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Cygańska, Anna Katarzyna, Michał Kaczorowski, and Beata Rodzik. "The Musculoskeletal Pain Intensity and Interference Questionnaire for Musicians: Assessment of Patient-Related Outcomes among Professional Orchestra Musicians in Poland—A Cross-Sectional Study." Journal of Clinical Medicine 13, no. 16 (2024): 4751. http://dx.doi.org/10.3390/jcm13164751.

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Background: Musculoskeletal pain is one of the reasons for a musician’s inability to play an instrument. An assessment of the localization, intensity, and interference of those complaints is important among musicians because of the risk of occupational disease. Assessment by validated tools is especially important and serves as an indicator to take up proper preventive or treatment actions. The aim of the study was to assess the prevalence of playing-related musculoskeletal disorders (PRMDs) and the relationships with PRMDs’ impact on playing musical instruments among Polish professional orche

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Meals, Cory D. "Diversity and Disparity in Band, Choir, and Orchestra Repertoire Lists: An Exploratory Analysis." Bulletin of the Council for Research in Music Education, no. 244 (2025): 27–47. https://doi.org/10.5406/21627223.244.02.

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Abstract This study investigated the gender identity, ethnicity, and vital status of 3,125 composers whose 24,273 works are featured on state-approved repertoire lists across wind band, choir, and orchestra disciplines in five geographically noncontiguous states. These lists influence scholastic musical activity through their prescriptive role in repertoire selection for ensemble performance evaluations. The analysis confirmed significant demographic disparities, with White male composers dominating all disciplines and state lists. White composers constituted more than 90% of the available wor

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Fehr, Marcie, and Pauline Greenhill. "“Our Brommtopp is of Our Own Design”." Ethnologies 33, no. 2 (2013): 145–79. http://dx.doi.org/10.7202/1015029ar.

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In the past and to some extent the present, various Euro North American and other cultural groups marked the period from Christmas Eve to Twelfth Night with rowdy, disguised, playful/ludic or carnivalesque behaviour that mainstream Euro North Americans associate more with Halloween than with this holiday season. Many such customs, termed the “informal house visit” involve a group (usually young men) who perambulate from one location to another within a community. They include performative aspects–often dancing and singing–as well as the expectation of a reward--usually food and/or drink--and s

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Maniez, François. "Traitement de l’ambiguïté syntaxique et sémantique en TA neuronale : analyse de la traduction de l’anglais vers le français, l’espagnol et l’italien." Traduction et Langues 21, no. 1 (2022): 10–27. http://dx.doi.org/10.52919/translang.v21i1.872.

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Syntactic and Semantic Ambiguity Processing in Neural MT from English to French, Spanish and Italian Despite recent advances in artificial intelligence, human translators outperform MT for at least three types of tasks: identifying referents in anaphora (especially of the interphrastic kind), resolving semantic ambiguity (which is mainly due to polysemy or homonymy), and resolving syntactic ambiguity (especially with poorly inflected source languages such as English). Using the results obtained by two freely available online machine translation programs, Google Translate and DeepL, we ex

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Truyền], Nguyen The Truyen [Nguyễn Thế. "What is Known About Some Music Features and Song Lyrics of the Khmer Living in the South of Vietnam?" ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 7 (June 21, 2021): 55–68. http://dx.doi.org/10.30819/aemr.7-4.

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In this article, the author will present some research issues as follows: Musical expressions of love for the homeland, Love among men and women, family affection, and attachment to work. The Khmer inhabiting South Vietnam practice all these expressions. In another short section, common characteristics with the music of other ethnic groups in Vietnam include similar instrumental music, scales used and rhythmic structures applied. Thereby, the author reviews categorizations undertaken in the past demonstrating that Khmer music strictly belongs to one ethnic group in the country. Also, musical i

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Bradby, Barbara. "Oh, Boy! (Oh, Boy!): mutual desirability and musical structure in the buddy group." Popular Music 21, no. 1 (2002): 63–91. http://dx.doi.org/10.1017/s0261143002002040.

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If rock'n'roll represented new, sexualised gender identities for the teenagers of the late 1950s, why (and how) were such identities constructed through the multiple voices of the group? In Buddy Holly's ‘Oh, Boy!’ the chorus plays a prominent supportive role in relation to the lead singer; but its continual echoing of the singer's ‘Oh boy!’ allows also for a literal hearing of cries of mutual desire and admiration between two men. This representation of the ‘buddy group’ has continuities with other group, or dual representations of male identity, where mutual, male selves and desires are cons

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Budano, Paola. "The Addaura Cave: Dance and Rite in Mesolithic Sicily." Open Archaeology 5, no. 1 (2019): 586–97. http://dx.doi.org/10.1515/opar-2019-0036.

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AbstractThe Addaura Cave, located on Monte Pellegrino – Palermo, Sicily, is known for its exquisite engravings dating between the end of the Epigravettian and the Mesolithic periods. The frieze shows a group of men arranged in a circle around two very controversial figures which have generated much scholarly debate. So far, the purely choreographic and musical aspect has been little investigated. From the examination of the position of legs and arms and the presence of particular ornaments it is possible to deduce that these figures are engaged in a dance whose purpose is most probably linked

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Soriano, Federico, Julieta Fumagalli, Diego Shalom, Juan Pablo Barreyro, and Macarena Martínez-Cuitiño. "Gender Differences in Semantic Fluency Patterns in Children." East European Journal of Psycholinguistics 3, no. 2 (2016): 92–102. https://doi.org/10.5281/zenodo.267879.

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Abstract. Previous literature in cognitive psychology has provided data involving differences in language processing between men and women. It has been found that women are usually more proficient with certain semantic categories such as fruit, vegetables and furniture. Men are reported to be better at other categories semantic, e.g. tools and transport. The aim of this article is to provide an inquiry about possible differences in semantic category processing of living things (LT) and inanimate objects (IO) by Argentinian Spanish-speakers school-aged children. The group of 86 children between

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Meerschman, Iris, Kristiane Van Lierde, Yvonne Gonzales Redman, et al. "Immediate Effects of a Semi-Occluded Water Resistance Ventilation Mask on Objective and Subjective Vocal Outcomes in Musical Theater Students." Journal of Speech, Language, and Hearing Research 63, no. 3 (2020): 661–73. http://dx.doi.org/10.1044/2019_jslhr-19-00042.

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Background Traditional semi-occluded vocal tract exercises (SOVTEs) are restricted to single-phoneme tasks due to the semi-occlusion at the mouth, which hinders full articulation, continuous speech, and singing. Innovative SOVTEs should overcome this limitation by creating the semi-occlusion outside the oral cavity. Purpose The purpose of this study was to investigate the immediate effects of a semi-occluded water resistance ventilation mask, which allows for continuous speech and singing, on objective (voice range, multiparametric voice quality indices) and subjective (auditory-perceptual, se

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Pickles, Vernon. "Music and the Third Age." Psychology of Music 31, no. 4 (2003): 415–23. http://dx.doi.org/10.1177/03057356030314006.

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Questionnaires were sent to members of some UK University of the Third Age (U3A) music groups and to other people of similar ages, enquiring into their present and past musical tastes and practices, and inviting free comment. This information was intended to identify factors either improving or impairing the enjoyment of music, and to indicate the value of music at that time of life. The first stage of the survey was directed to members of Sheffield U3A music groups, and this was followed by a further selective survey of U3A members throughout England and Wales. In all, 119 responses were rece

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Dinç, Ayşegül, and Levent Ünlü. "The Musical Practices In The Wedding Tradition of Erzincan and The Changing Repertoire Over Time." Milli Folklor 19, no. 146 (2025): 100–109. https://doi.org/10.58242/millifolklor.1444947.

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A detailed examination of the musical practices specific to Erzincan's wedding tradition and the transformation of its repertoire over time requires field-based research to better understand the region's contemporary cultural structure. This study investigates how wedding music traditions in Erzincan have evolved over time and in what ways they have changed. It seeks to uncover the place and function of musical elements that reflect the cultural diversity of this geography within the broa-der cultural fabric of Erzincan, by closely examining wedding music practices that stand out within the re

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Law-Ay, Sadie, Florie Ann Fermil, Edison Bernaldez, Bonita Cantere, Junry Lanoy, and Josiedel Santamaria. "Binuhat: Inventory and documentation of the indigenous products of Ata-Manobo at Talaingod, Davao Del Norte." Davao Research Journal 13, no. 1 (2022): 76–90. http://dx.doi.org/10.59120/drj.v13i1.6.

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This study presented the indigenous products of Ata-Manabo at Talaingod, Davao del Norte using the lens of “indigenous knowledge.” A descriptive qualitative research design was applied. Hence, focus group discussion (FGD) and key informant interview (KII) were utilized in gathering information from the 25 tribal participants, wherein 15 of them are men and 10 are women. Based on the results, the identified indigenous products are classified into indigenous attire, body accessories, handicrafts, musical instruments, weapons and armaments, and hunting tools. Most participants affirmed that their

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Arnau-Mollá, Antonio Francisco, Naranjo Francisco Javier Romero, and ELISEO ANDREU. "Comparing the impact of neuromotricity BAPNE method and traditional methodology on selective attention and concentration among future teachers: A gender-based comparative study." Journal of Physical Education and Sport 24 (January 1, 2025): 1212–29. https://doi.org/10.5281/zenodo.14585466.

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Currently, there is a lack of intervention studies in higher education that compare neuromotricity with traditionalmethodologies, with the majority focused on primary and secondary education. In this study, focusing on genderdifferences, we aimed to evaluate the influence of the traditional approach vs. the neuromotricity BAPNEmethod on selective attention and concentration. The study involved 294 students enrolled in the Didactics ofMusical Expression course in the Early Childhood Education program at the University of Alicante, Spain. Aquasi-experimental intra- and intersubject design was im

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Juzala, Gustaw. "Folklore of Chadetsky Highlanders from Bukovyna." Problems of music ethnology 16 (December 29, 2021): 87–98. http://dx.doi.org/10.31318/2522-4212.2021.16.249653.

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The article is the first part of a work conceived by the author, dedicated to the folk musical traditions of the ethnic group of Poles who migrated from the western Beskyds more than 200 years ago (namely, from the vicinity of the city of Chadca, located on the Kisuca River, northern Slovakia) to the Romanian part of the Carpathians, called Bukovyna. The name of this ethnic group in Poland is gorali czadecki = Chadian gurals. Their descendants still live in several settlements of the Carpathian Bukovyna: the villages of Plesha, Solonetul Nou and Poiana Mikuli, located in the basin of the Humor

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Putri, Novia Ardellia. "Disney Frozen." LITERA KULTURA : Journal of Literary and Cultural Studies 10, no. 2 (2023): 59–67. http://dx.doi.org/10.26740/lk.v10i2.55373.

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Society's expectations of how we should act, speak, dress, take care of ourselves, and behave are known as gender roles. For instance, it is expected of girls and women in general to behave politely, be accommodating, and be caring. Men are typically thought to be powerful, aggressive, and brave. Gender expectations exist in every civilization, ethnic group, and culture, albeit they might differ greatly from group to group. They might alter over time even within the same society The 3D computer-animated musical fantasy movie Frozen was created in the United States and distributed by Walt Disne

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Dzlieva, Dzerassa Mairamovna. "Musical and poetic features of the ossetian religious and mythological song "Uastyrdzhiyy zaræg"." PHILHARMONICA. International Music Journal, no. 4 (April 2024): 44–59. https://doi.org/10.7256/2453-613x.2024.4.72006.

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The article deals with the facts of religious and mythological song dedicated to the Patron Saint of Men, Travellers and Warriors in the Ossetian pantheon. The relevance of the study is due to the lack of scientific research in this area of musical folklore studies. The aim of the work is to identify musical, poetic and typological features of the song Uastyrdzhiyy Zar&#230;g. Archival and published sources, as well as personal field materials of the author of the article served as the material for the research. The main corpus of sources is concentrated in the North Ossetian Institute of

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Syafniati, Syafniati. "PANDANGAN MASYARAKAT TERHADAP WANITA SEBAGAI PENDENDANG DALAM ACARA BAGURAU LAPIAK DI PAYAKUMBUH." Humanus 13, no. 2 (2014): 146. http://dx.doi.org/10.24036/jh.v13i2.4724.

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Bagurau Lapiak is one of the types of saluang dendang (sing along with saluang—a type of recorder—play) performance conducted in the corridors of Payakumbuh stores, using lapiak (mat) for seat. Bagurau Lapiak is organized by a group ‘pagurauan’ (jokers) held on evenings starting at 21.00 until dawn. The singer (‘pendendang’) in the show is a woman who will fulfill the request of the audience to sing and play certain tunes by giving some amount of money to a committee called janang. Previously all singers in Minangkabau are men; women singers are considered to violate traitional and religious n

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Gülbahçe, Arzu, Taner Çalmaşur, and Erdoğan Tozoğlu. "Analysis of the Communication Levels of the Students Studying in Music Education and Preschool Education in Terms of Music and Different Variables." Journal of Education and Training Studies 7, no. 3S (2019): 120. http://dx.doi.org/10.11114/jets.v7i3s.4163.

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The aim of this study was to investigate the communication levels of the students who are studying in music education and preschool education in terms of music and different variables. The universe of the research is composed of students studying in the music education and preschool Department of Ataturk University Kazım Karabekir Faculty of Education in 2017-2018 academic year. The sample group consists of 237 people, 128 women and 109 men, who were educated in music education and preschool education.In this study, “communication skills inventory” developed by ersanlı and balci (1998) was use

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Aluede, Esther Omone, and Charles Onomudo Aluede. "Investigating gender stereotypes and musicality in Esan, Edo State, Nigeria." African Music : Journal of the International Library of African Music 11, no. 3 (2022): 71–90. http://dx.doi.org/10.21504/amj.v12i1.2431.

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This article examines the Ijieleghe and Igbabonelimin acrobatic dances for female and male ensembles. The data was obtained through ethnographic research techniques which include research in the library, interviews, focus group discussions, the use of interlocutors and participant observation. We found that both genres stem from the same source and are similar in dance patterns, repertory and musical instruments. While Ijieleghe performers wear light costumes, those of Igbabonelimin are heavy and sometimes accompanied by male and female masquerades. In Igbabonelimin, however, women are not adm

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Ha, Jarryn. "Uncles’ Generation: Adult Male Fans and Alternative Masculinities in South Korean Popular Music (Translation into Russian)." Corpus Mundi 2, no. 3 (2021): 50–69. http://dx.doi.org/10.46539/cmj.v2i3.48.

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This article discusses the recent emergence of adult male fans of Korean pop (K-pop) music who openly engage themselves in fan activities typically associated with teenagers (particularly teenage girls) and the significance of their adoration of young female celebrities. The recent appearance of the ‘samchon/uncle fans’ in the K-pop culture discourse marks the first instance since the early 1990s, when teenagers became the primary target audience of South Korea’s entertainment industry, in which male adults reclaimed a significant position as a demographic group of fans. The samchon fans diffe

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Reichl, Karl. "L’épopée orale turque d’Asie centrale. Inspiration religieuse et interprétation séculière." Études mongoles et sibériennes 32, no. 1 (2001): 7–162. http://dx.doi.org/10.3406/emong.2001.1141.

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The first chapter provides a short introduction to the Turkic oral epic of Central Asia (Bref aperçu de l’épopée orale turque d’Asie centrale). Among the various traditions of Turkic oral poetry, this and the following chapters focus on the epics of what is termed the « central traditions », i.e. the oral poetry of the Uzbeks, Uighurs, Kazakhs, Karakalpaks and Kirghiz. In these traditions different types of singers can be distinguished: baxši, aqïn, žïraw, manasči and others; these singers are in general professionals who have acquired their art and their repertoire in the course of a more or

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Hernandez, Deborah Pacini. "Cantando la cama vacía: love, sexuality and gender relationships in Dominican bachata." Popular Music 9, no. 3 (1990): 351–67. http://dx.doi.org/10.1017/s026114300000413x.

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Several patterns emerge in bachata's discussions of love, sex and relationships with women. There is little sense of place in the songs – rarely is a specific place name mentioned or invoked, in marked contrast to other Caribbean musical genres associated with listeners of rural origins, in which place names are constantly invoked for affective purposes. The people in bachata songs do not seem to exist anywhere – except the bar, which, I suggest, is a metaphor for the urban shantytown itself. Neither is there a sense of movement, of going anywhere. There is no imagery of journey, or travel, un

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Edling, Cecilia Wahlström, and Anncristine Fjellman-Wiklund. "Musculoskeletal Disorders and Asymmetric Playing Postures of the Upper Extremity and Back in Music Teachers: A Pilot Study." Medical Problems of Performing Artists 24, no. 3 (2009): 113–18. http://dx.doi.org/10.21091/mppa.2009.3025.

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To play a musical instrument, such as the violin or flute, requires controlled, adequate movements performed by the arm, hand, and fingers in an asymmetric playing posture. The movements are monotonous and often of long duration, involving static and repetitive muscle work of the upper extremity and neck-shoulder muscles. This situation may lead to an increased risk of contracting musculoskeletal problems. The aim of this cross-sectional study was to investigate the relationship between physical workload, defined as playing posture and playing time per week, and musculoskeletal disorders in mu

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Dalzell, Victoria M. "Giving God Glory." HIMALAYA 40, no. 1 (2020): 4–17. https://doi.org/10.2218/himalaya.2020.7546.

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In Nepal, ethnicity is often constituted through ritual practice. If ritual participation is a key way of exercising membership in an ethnic group, how might Christians--who no longer participate in many community rituals--demonstrate their belonging in ethnic communities? In this article, I argue that modifying traditional songs and dances for a church context is one way that Christian Tharus continue to identify with their ethnic communities within a multicultural Christian community. I examine two Christian Tharu performances: performing the huri nāc (a Kathariya Tharu song and dance genre

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Cherkasova, Anastasiia N., Kseniia A. Yatsko, Maria S. Kovyazina, et al. "Testing a Set of fMRI Paradigms to Detect the “Covert Cognition” Phenomenon on a Sample of Healthy Volunteers." Moscow University Psychology Bulletin 47, no. 2 (2024): 219–42. http://dx.doi.org/10.11621/lpj-24-22.

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Background. The authors developed a specialized set of functional magnetic resonance imaging paradigms, based on data from general psychology, neuropsychology and previous studies, to diagnose the “covert cognition” phenomenon on a Russian-speaking sample of patients with chronic disorders of consciousness. Before using this set with patients, it is advisable to carry out testing on a group of healthy people with preserved consciousness in order to detect significant clusters of activation corresponding to paradigms and to assess their reproducibility at the individual level. Objectives. The s

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Herlina, Lenny. "Perspektif Mahasiswa Muslim FKIP Universitas Mataram terhadap Ajaran Islam dalam Tradisi “Nyongkolan” sebagai Bagian dari Prosesi Pernikahan Masyarakat Adat Sasak Lombok." MANAZHIM 5, no. 1 (2023): 536–48. http://dx.doi.org/10.36088/manazhim.v5i1.3032.

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Nyongkolan is one of the processions in a series of wedding traditions of the Sasak tribe of Lombok, West Nusa Tenggara. As a culture that is preserved in the midst of a majority Muslim community, the tradition of Nyongkolan which is carried out with great fanfare, in the form of a bridal procession escorted by the family and community as well as a musical group is interpreted as part of the teachings of the Prophet Muhammad where a marriage must be witnessed and also contains the value of friendship. However, there are several conditions where the implementation of Nyongkolan as a whole viola

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Mardin, Erlanda Ian Pratiwi, and Hayari, Sarman. "EKSISTENSI TARI MONDOTAMBE PADA MASYARAKAT TOLAKI DI KECAMATAN UNAAHA KABUPATEN KONAWE ABAD XVIII-XX." Journal Idea of History 2, no. 2 (2019): 50–63. http://dx.doi.org/10.33772/history.v2i2.864.

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This study aims to describe the existence of Mondotembe dance in the Tolaki community in Unaaha District, Konawe Regency. The method used in this study was the historical method developed by Kuntowijoyo with the following stages: (1) Selection of topics, (2) Collection of sources, (3) Verification, (4) Interpretation, and (5) Historiography. Literature study used consists of historical concepts and theories, cultural concepts and theories, dance concepts, cultural change concepts, concepts of symbolic meaning, and historiographic review. The results showed that: (1) Mondotambe dance was born d

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Phuyal, Nikita, Bipana Maiya Sadadev, Reeta Khulal, et al. "Assessing illegal trade networks of two species of pangolins through a questionnaire survey in Nepal." Journal of Threatened Taxa 15, no. 1 (2023): 22381–91. http://dx.doi.org/10.11609/jott.8036.15.1.22381-22391.

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Pangolins are among the most extensively traded taxa in southeastern Asia mainly due to the perceived medicinal value of their scales and other body parts, putting them at risk of extinction, however, little is known about their trade status in Nepal. The purpose of the study was to assess the status of pangolin trade in Makwanpur district of Nepal. Semi-structured interview with household (n = 90), key informant survey (n = 15), Four focus group discussion at each study site was conducted. Seizure data (2015–2019) were gathered from the law enforcement agencies to identify and analyze the maj

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Jahandideh, Mitra. "Khele: The Sign of the Talesh People's Awareness of Nature and Its Sounds." AAWM Music and Nature 2 (August 15, 2023): 30–50. https://doi.org/10.5281/zenodo.8250628.

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The Talesh people of Iran are an ethnic group who primarily live in the county of Talesh, in Gilan province, on the southwestern coast of the Caspian Sea. Talesh county is divided into four regions: coastal, plains, foothills, and mountains (Bazen 2015). The eastern coastal region runs along the Caspian Sea, and most of its people make their living by fishing. The western region of Talesh is mountainous, and its people mainly do summer ranching. The foothills region is for winter ranching, and the plains are used primarily for farming (Shokouri 2003). In these places, Talesh women and men

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Oliinyk, Ivanna. "Batyar Songs in Viktor Morozov’s Creativity." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 130 (March 18, 2021): 119–30. http://dx.doi.org/10.31318/2522-4190.2021.130.231211.

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Relevance of the study. The batyar subculture has already become the subject of many scientific works of Polish and Ukrainian researchers as a social phenomenon with its own jargon and cultural traditions. In particular, this issue has become central in the works of U. Jakubowska, A. Kozytsky, O. Kharchyshyn, Y. Vynnychuk, N. Kosmolinska, W. Szolginia and others. Batyar songs as a layer of Lviv city music got a new life thanks to the creativity of V. Morozov, realized in the publication of three albums with neobatyar songs. This group of songs and its genre and intonation parameters have not y

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Bjeljac, Zeljko, Aleksandra Terzic, and Jovana Brankov. "Trumpet festival in Guca: Socio-demographic profile and the motives for visiting." Zbornik Matice srpske za drustvene nauke, no. 144 (2013): 563–76. http://dx.doi.org/10.2298/zmsdn1344563b.

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Trumpet Festival in Guca, or The First Trumpet of Dragacevo, which was the initial name of this event, becomes a kind of a brand of Serbia as a tourist destination. Every year this festival is visited by hundreds of thousands of tourists from Serbia and abroad, and brass trumpet bands from around the world. As the Trumpet Festival is among the most important events of 2426 categorized events in Serbia, the survey is conducted in order to determine the differences of the visitors relating to the demographic and socioeconomic indicators: gender, age and educational structure. Motivation and expe

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Соріано, Федеріко, Джуліета Фумагалі, Дієго Шалом, Барейра Хуан Пабло, and Мартінез-Квітіньо Макарена. "Gender Differences in Semantic Fluency Patterns in Children." East European Journal of Psycholinguistics 3, no. 2 (2016): 92–102. http://dx.doi.org/10.29038/eejpl.2016.3.2.sor.

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Previous literature in cognitive psychology has provided data involving differences in language processing between men and women. It has been found that women are usually more proficient with certain semantic categories such as fruit, vegetables and furniture. Men are reported to be better at other categories semantic, e.g. tools and transport. The aim of this article is to provide an inquiry about possible differences in semantic category processing of living things (LT) and inanimate objects (IO) by Argentinian Spanish-speakers school-aged children. The group of 86 children between 8 and 12

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Беліченко, Наталія. "Українське народнопісенне багатоголосся як чинник хорового мислення Степана Дегтярьова та його сучасників". Науковий вісник Національної музичної академії України імені П. І. Чайковського, Вип. 117 (1 квітня 2019): С. 110–126. https://doi.org/10.5281/zenodo.2647752.

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Розглянуто питання впливів народнопісенної, в тому числі підголоскової, кантової та лірницької, традиції на музичну мову видатних українських митців кінця XVIII – початку XIX ст.  Здійснено один із перших кроків у цьому напрямку шляхом узагальнення компаративних спостережень над поліфонічними властивостями багатоголосся (а саме, підголоскового за своєю сутністю голосоведення) на матеріалі обраних духовних концертів С. Дегтярьова, А. Веделя і Д. Бортнянського. В результаті порівняння концертів Д. Бортнянського та С. Дегтярьова «Благо єсть ісповідатися Господеві» знайдено

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Gardstrom, Susan C., and James Hiller. "Resistances in Group Music Therapy With Women and Men With Substance Use Disorders." Voices: A World Forum for Music Therapy 16, no. 3 (2016). http://dx.doi.org/10.15845/voices.v16i3.880.

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In this paper, we explore client resistances in group music therapy with women and men in residential treatment for substance use disorders (SUDs). We describe how we have encountered resident resistances on women's and men's units within a gender-specific treatment facility and offer suggestions for pre-empting and addressing such resistances, offering both nonmusical and musical strategies and techniques. We emphasize a person-centered approach and an experience orientation, in which we view our primary responsibility as providing opportunities for the men and women to engage meaningfully wi

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Molińska, Weronika, and Joanna Rajchert. "Positive musical performance feedback facilitates general self-efficacy and choice of solo performance." Psychology of Music, November 14, 2024. http://dx.doi.org/10.1177/03057356241296535.

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This study investigates the impact of positive or negative performance evaluations on general self-efficacy and subsequent choice of a solo or group performance among professional musicians ( N = 53; women 58.2%, men 36.4%, non-binary 5.5%). Participants completed personality questionnaires, sight-read an unfamiliar musical piece, received computer-generated feedback, and reported post-manipulation self-efficacy. Results showed that positive evaluations, even computer-generated, increased self-efficacy and were associated with a higher likelihood of choosing solo/ a cappella performance. While

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de Sá, Joana Salomé Nunes, Luis Manuel Neves da Silva Cavalheiro, and Carla Sofia Duarte Matos Silva. "The Impact of an Orofacial Muscle Strengthening Program on Temporomandibular Muscles and on the Performance of Wind Instrumentalists." Journal of Oral Rehabilitation, January 9, 2025. https://doi.org/10.1111/joor.13891.

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ABSTRACTIntroductionPlaying a wind instrument is one of the most complex tasks for the musculoskeletal system.ObjectiveVerify the effectiveness of a strengthening exercise programme on musical performance and the strength of the temporomandibular muscles.MethodsThe sample was 60 participants (36 men; 24 women), with a mean age of 24.67 ± 13.06 years, divided into experimental group (EG) (16 brass; 15 woodwind) and control group (CG) (15 brass; 14 woodwind). The initial assessment (T0) consisted of a sociodemographic questionnaire, the EQ‐5D‐5L, an assessment of maximum bite force and endurance

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KARAHAN, Ahmet Suat, and Murat KAYABEKİR. "Uykusuzluğun Müziksel İşitme Performansına Etkisi." OPUS Journal of Society Research, September 15, 2023. http://dx.doi.org/10.26466/opusjsr.1326363.

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Sleep deprivation causes cognitive problems such as difficulty in establishing a cause-effect relationship, decreased problem-solving abilities, loss of concentration and attention. This study aims to determine the effect of sleep deprivation on interval, chord, rhythmic, melodic dictation skills and perception in students with Musical Hearing Reading and Writing (MHRW) activity, which has a high relationship with learning and memory. The experimental research was conducted with 18 students (14 men and 4 women) who volunteered to participate (Age: 22±2.1, Mean Body Mass Index: 24,6 ± 2.3). To

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Paolantonio, Paolo, Stefano Cavalli, Michele Biasutti, Carla Pedrazzani, and Aaron Williamon. "Art for Ages: The Effects of Group Music Making on the Wellbeing of Nursing Home Residents." Frontiers in Psychology 11 (November 26, 2020). http://dx.doi.org/10.3389/fpsyg.2020.575161.

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In many countries, life expectancy has increased considerably in past years, and the importance of finding ways to ensure good levels of wellbeing through aging has become more important than ever. Arts based interventions are promising in this respect, and the literature suggests that musical activities can reduce isolation and anxiety and foster feelings of achievement and self-confidence. The present study examined the effects of group music making programs on the health and wellbeing of nursing home residents in Southern Switzerland. A team of professional and student musicians delivered 1

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Horwitz, Eva Bojner, László Harmat, Walter Osika, and Töres Theorell. "The Interplay Between Chamber Musicians During Two Public Performances of the Same Piece: A Novel Methodology Using the Concept of “Flow”." Frontiers in Psychology 11 (January 6, 2021). http://dx.doi.org/10.3389/fpsyg.2020.618227.

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The purpose of the study is to explore a new research methodology that will improve our understanding of “flow” through indicators of physiological and qualitative state. We examine indicators of “flow” experienced by musicians of a youth string quartet, two women (25, 29) and two men (23, 24). Electrocardiogram (ECG) equipment was used to record heart rate variability (HRV) data throughout the four movements in one and the same quartet performed during two concerts. Individual physiological indicators of flow were supplemented by assessments of group “state flow” (means from standardized ques

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Herget, Ann-Kristin, and Franziska Bötzl. "Sounds Like Respect. The Impact of Background Music on the Acceptance of Gay Men in Audio-Visual Advertising." Frontiers in Psychology 12 (April 22, 2021). http://dx.doi.org/10.3389/fpsyg.2021.645533.

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Companies increasingly seek to use gay protagonists in audio-visual commercials to attract a new affluent target group. There is also growing demand for the diversity present in society to be reflected in media formats such as advertising. Studies have shown, however, that heterosexual consumers (especially men), who may be part of the company's loyal consumer base, tend to react negatively to gay-themed advertising campaigns. Searching for an instrument to mitigate this unwanted effect, the present study investigated whether carefully selected background music can shape the perceived gender o

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Tahirbegi, Damla. "“If We Don’t Have a Good Relationship, We Won’t Deliver Anything Good”: Emotion Regulation in Small Music Ensembles, Insights from Higher Music Education." Music & Science 6 (January 2023). http://dx.doi.org/10.1177/20592043231202009.

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Situated within the context of higher music education, the empirical orientation of this study is on the reflective accounts of young musicians participating in collaborative ensemble work in an educational institution in Norway. Drawing on theories of regulated learning from educational psychology, this study explores the affective and relational aspects of music students’ experiences of small ensembles. Specifically, it examines students’ perceptions of an ideal ensemble environment, socio-emotional challenges encountered during rehearsals, and the emotion-regulation strategies employed with

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Suryati. "STRUKTUR DAN ESTETIKA ANGGUK PUTRI “SRI LESTARI” DI DUSUN PRIPIH KULON PROGO." PROMUSIKA, December 3, 2013, 61. http://dx.doi.org/10.24821/pro.v0i0.540.

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The angguk is one among many types ofthe selawatan genre, it is an Indonesian traditional Islamic liturgical music. While the selawatan is normally perfomed by a group of men, the angguk includes a group of female dancers as the accompaniment to the selawatan musicians. This additional accompaniment accommodates the transformation form, from music to perfoming art. This study focuses on the analysis of structure and aesthetics of the performance ofthe “Sri Lestari” female angguk group in the Pripih village,at Kulon Progo district. The art was performed by young female dancers who were dressed

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Suryati, Suryati. "STRUKTUR DAN ESTETIKA ANGGUK PUTRI “SRI LESTARI” DI DUSUN PRIPIH KULON PROGO." PROMUSIKA, December 3, 2013, 61–74. http://dx.doi.org/10.24821/promusika.v0i0.540.

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The angguk is one among many types ofthe selawatan genre, it is an Indonesian traditional Islamic liturgical music. While the selawatan is normally perfomed by a group of men, the angguk includes a group of female dancers as the accompaniment to the selawatan musicians. This additional accompaniment accommodates the transformation form, from music to perfoming art. This study focuses on the analysis of structure and aesthetics of the performance ofthe “Sri Lestari” female angguk group in the Pripih village,at Kulon Progo district. The art was performed by young female dancers who were dressed

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