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Journal articles on the topic 'Men suit jacket'

Author: Grafiati
Published: 15 June 2024
Last updated: 31 July 2025

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1

Nemeša, Ineta. "Blindstitch machines for men suit manufacturing: Part 2." Tekstilna industrija 69, no. 3 (2021): 41–46. http://dx.doi.org/10.5937/tekstind2103041n.

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Different blindstitch machines are used in men suit industrial manufacturing process to replace traditional manual sewing techniques and ensure high work process productivity. The waistband of the trousers is felled with special machines of stitches 103. Beltloop machines process double-folded belt loops for trousers with or without inserted tape. To create 3D shape to lapels and collars of jacket padding machines are used. Spot tacking machines fix together two or more layers of fabric with stitches invisible on the face side of the garment. Machines for felling undercollars create V-shaped z
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Nemeša, Ineta. "Hand stitch sewing machines for men suit manufacturing." Tekstilna industrija 70, no. 1 (2022): 37–41. http://dx.doi.org/10.5937/tekstind2201037n.

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Hand stitches seams along edges of lapels, collars and pocket flaps on a men jacket help to fix canvas interlining under face fabric, keep the edges flat and prevent them from rolling or curling. Traditionally hand stitches seams also indicate high quality of the suit. Real hand stitch machines imitate had stitch 209. Depending on the length of the top and bottom stitch parts the machines can create pick stitches, saddle stitches and other stitch patterns. One group of the machines create stitches by help of a hooked needle, other machines use a double pointed needle. The machines work with li
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Matthews, Julie, K. Slater, and S. W. B. Newsom. "The effect of surgical gowns made with barrier cloth on bacterial dispersal." Journal of Hygiene 95, no. 1 (1985): 123–30. http://dx.doi.org/10.1017/s0022172400062355.

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SUMMARYA dispersal chamber (body box) technique has been used to compare bacterial dispersal from the skin of subjects carrying out a stepping test under controlled conditions while wearing four differing garment systems namely:(a) basic underwear, cotton ‘blues’ (standard pyjama style jacket and trousers for men or dress for women), ankle socks, boots for men and shoes for women, mask and theatre hat; (b) the basic set covered with a cotton gown; (c) the basic set covered by a gown with a front made from GORE-TEX fabric in which an expanded polytetrafluoroethylene membrane is sandwiched betwe
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Nemeša, Ineta. "Chain type hand stitch imitation machines for men suit manufacturing." Tekstilna industrija 70, no. 3 (2022): 52–57. http://dx.doi.org/10.5937/tekstind2203052n.

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Machines of chainstitches 104 create imitation of hand stitches 209 from one material side. Every hand stitch is formed from two threads, therefore the seams are more accented and very short length pick stitches are larger than created seams from real hand stitches 209. The length of the hand stitches is determined by the distance between a sewing needle and a hook needle of the machine. To create different length hand stitches a gauge set of the machine has to be changed. Because of different appearance of the stitches on top and bottom fabric surfaces the machines are used for top stitching
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Takis takis is a London-b. "‘The apotheosis of man, the forgotten peacock’." Scene 2, no. 1 (2014): 169–74. http://dx.doi.org/10.1386/scene.2.1-2.169_1.

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The interdisciplinary practice-based research project, ‘The apotheosis of man, the forgotten peacock; from deconstruction to reconstruction to re-proposal of the male suit’, through a series of workshops and an interactive performance installation, aims to challenge the persisting conventional tradition of designing and wearing the male suit, proposing alternative perspectives by researcher – performance designer. The investigation focuses on the tools and means of processing the male suit in practice. It explores how to overcome conventions, generate artistic ideas, and how to apply this to s
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Nemeša, Ineta. "Blindstitch machines for men suit manufacturing: Part 1." Tekstilna industrija 69, no. 2 (2021): 34–39. http://dx.doi.org/10.5937/tekstind2102034n.

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Garment industry has developed different kind of machinery which replaces traditional manual blindstitchig techniques to ensure much higher work productivity. Many companies produce universal and specialized blindstitch machines for men suit manufacturing. To create invisible stitches of class 100 and 300, blind stitch machine uses a curved needle. The machines perform 1:1, 1:2 and 1:3.stitch pattern. The advanced machines secure the end of the seam creating invisible thread knot or forming several spot/tack stitches. The machines use to have automatic thread cutter, presser foot lifter and ne
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7

George, Aaron. "Gray Flannel Suit or Red Strait Jacket? Anticommunism and the Organization Man in Postwar Fiction and Film." Journal of Popular Culture 49, no. 6 (2016): 1320–40. http://dx.doi.org/10.1111/jpcu.12494.

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8

Whitton, Christopher. "Latin Literature." Greece and Rome 65, no. 1 (2018): 108–14. http://dx.doi.org/10.1017/s0017383518000025.

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The dullest book of theAeneid? Certainly not, insist Stephen Heyworth and James Morwood in their commentary onAeneid3. There can't be many students at school or university level who cut their teeth on epic Virgil with his third book, but Wadham College, Oxford, where H&M were colleagues, has been the glorious exception for a quarter of a century, and the rest of us now have good reason to follow suit. I don't just mean the ‘thrilling traveller's tale’ (so the dust-jacket) that carries us from Polydorus to Polyphemus by way of such episodes as the Cretan plague, the Harpy attack, and a poin
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Grzyb, Magdalena. "Tożsamość płciowa to nie płeć – refleksje na tle wyroku Sądu Okręgowego w Warszawie z 29.09.2020 r., V Ca 2686/19." Prawo w Działaniu 52 (2022): 255–71. http://dx.doi.org/10.32041/pwd.5211.

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The article is a critical overview of a sentence of District Court in Warsaw from 29 September 2020 in which the Court stated that sex-based discrimination on the basis of Equal Treatment Act of 2010 also embraces discrimination based on gender identity. The case was concerning a transsexual person (male to female) who was hired to work in security company as a receptionist. Upon superiors learnt she was a biological male and before legal gender recognition, she was denied working in a female uniform (a skirt and a jacket). Eventually she did not start working. The Court found that she was dis
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Grischuk, Tatiana. "Symptom. Toxic story." Mental Health: Global Challenges Journal 4, no. 2 (2020): 19–24. http://dx.doi.org/10.32437/mhgcj.v4i2.91.

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Introduction
 Such symptoms as hard, complex, bodily or mental feelings, that turn our everyday life into a hell, at first, lead us to a doctor, and then - to a psychotherapist. A sick man is keen to get rid of a symptom. A doctor prescribes medication, that is ought to eliminate a symptom. A psychotherapist searches for a reason of the problem that needs to be removed.
 There is such an idea that a neurotic symptom, in particular, an anxiety - is a pathological (spare or extra) response of a body. It is generally believed that such anxiety doesn’t have some real, objective reasons a
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Spillane, David, and Jeffrey Wiseman. "Fever of Multiple Possible Origins." Canadian Journal of General Internal Medicine 16, no. 2 (2021): 43–48. http://dx.doi.org/10.22374/cjgim.v16i2.461.

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A 60-year-old man presented with 1 week of fever despite broad-spectrum antibiotics for presumed pyelonephritis based on extended spectrum bacteriuria, recent bladder catheterization, and a negative search for other infections. He developed a maculopapular truncal rash, and pancytopenia with persistent fevers and worsening inflammatory markers despite modifying then stopping antibiotics. The non-specific clinical features at presentation and absence of hemophagocytosis on the initial bone marrow aspirate confounded multiple subspecialists and delayed the final diagnosis of hemophagocytic lymph
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12

Coghlan, Jo, and Lisa J. Hackett. "Parliamentary Dress." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2963.

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Why do politicians wear what they wear? Social conventions and parliamentary rules largely shape how politicians dress. Clothing is about power, especially if we think about clothing as uniforms. Uniforms of judges and police are easily recognised as symbols of power. Similarly, the business suit of a politician is recognised as a form of authority. But what if you are a female politician: what do you wear to work or in public? Why do we expect politicians to wear suits and ties? While we do expect a certain level of behaviour of our political leaders, why does the professionalised suit and ti
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King, Emerald L., and Denise N. Rall. "Re-imagining the Empire of Japan through Japanese Schoolboy Uniforms." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1041.

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Introduction“From every kind of man obedience I expect; I’m the Emperor of Japan.” (“Miyasama,” from Gilbert and Sullivan’s musical The Mikado, 1885)This commentary is facilitated by—surprisingly resilient—oriental stereotypes of an imagined Japan (think of Oscar Wilde’s assertion, in 1889, that Japan was a European invention). During the Victorian era, in Britain, there was a craze for all things oriental, particularly ceramics and “there was a craze for all things Japanese and no middle class drawing room was without its Japanese fan or teapot.“ (V&A Victorian). These pastoral depictions
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Coghlan, Jo, Lisa J. Hackett, and Huw Nolan. "Barbie." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3072.

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The story of Barbie is a tapestry woven with threads of cultural significance, societal shifts, and corporate narratives. It’s a tale that encapsulates the evolution of American post-war capitalism, mirroring the changing tides of social norms, aspirations, and identities. Barbie’s journey from Germany to Los Angeles, along the way becoming a global icon, is a testament to the power of Ruth Handler’s vision and Barbie’s marketing. Barbie embodies and reflects the rise of mass consumption and the early days of television advertising, where one doll could become a household name and shape the dr
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15

Barnsdale, Liam. "Trooping the (School) Colour." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2970.

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Introduction Throughout the early and mid-twentieth century, cadet training was a feature of many secondary schools and educational establishments across Australia, with countless young men between the ages of 14 and 18 years of age undergoing military training, ostensibly in preparation for service in Australia’s armed forces upon their coming of age. Unlike earlier in the century, when cadet training was mandatory for all males within the relevant age range, during the Second World War cadet detachments could only be formed and maintained by secondary schools for pupils attending those schoo
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Patterson-Ooi, Amber, and Natalie Araujo. "Beyond Needle and Thread." M/C Journal 25, no. 4 (2022). http://dx.doi.org/10.5204/mcj.2927.

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Introduction In the elite space of Haute Couture, fashion is presented through a theatrical array of dynamics—the engagement of specific bodies performing for select audiences in highly curated spaces. Each element is both very precise in its objectives and carefully selected for impact. In this way, the production of Haute Couture makes itself accessible to only a few select members of society. Globally, there are only an estimated 4,000 direct consumers of Haute Couture (Hendrik). Given this limited market, the work of elite couturiers relies on other forms of artistic media, namely film, ph
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17

Luke, Jarryd. "Halfway House." M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.404.

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Cars crest the rise behind the truck stop and drop cones of light over the highway. Ryan dunks his head under a tap. He rubs red dust from his pores and tries to drink some water, but it slides down his throat like a length of wire.His older brother Josh fills their drink bottles. “Wanna get some chips or something?”Ryan shakes his head. He’s sick of watching Josh’s pulpy tongue poke his broken tooth. Their dad never left visible marks before—Ryan used to wish for a cut or bruise, so someone at school could see it. He shivers and clutches his coat tight. Josh says, “We got money.”Ryan wonders
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18

Schippert, Claudia. "Reviewing Gender." M/C Journal 8, no. 5 (2005). http://dx.doi.org/10.5204/mcj.2434.

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 Reflections
 
 When I pose naked in front of my bedroom-mirror, resolving once again that I will never look like bodybuilder Lenda Murray, I tend to think that my breasts are the problem. I am size 36C. I am just not willing (or disciplined enough) to diet all my roundness away in order to show off the pecs that actually do exist underneath. I work out at the gym for lots of reasons, but one, definitely, is to gain more muscle. It’s a butch thing, sure. Yet, unfortunately I can’t get my muscles to bulk up in more butch – or is it manly? – ways. And within the lim
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19

Pausé, Cat. "Rebel Heart: Performing Fatness Wrong Online." M/C Journal 18, no. 3 (2015). http://dx.doi.org/10.5204/mcj.977.

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In western cultures, neoliberalism has resulted in a shift from collective risk responsibility to individual risk responsibility; one in which individuals are expected to manage their risks for the collective good (O’Malley 61). A good citizen of the 21st century is one who accepts responsibility for their own personal health, well-being, and success. Individuals who require structural support, or refuse to (re)produce white, cis, able-bodied, and heteronormative, systems threaten the status quo and face marginalisation. Fat people, for example, are viewed as irresponsible citizens. They consu
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20

Gibson, Chris. "On the Overland Trail: Sheet Music, Masculinity and Travelling ‘Country’." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.82.

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Introduction One of the ways in which ‘country’ is made to work discursively is in ‘country music’ – defining a genre and sensibility in music production, marketing and consumption. This article seeks to excavate one small niche in the historical geography of country music to explore exactly how discursive antecedents emerged, and crucially, how images associated with ‘country’ surfaced and travelled internationally via one of the new ‘global’ media of the first half of the twentieth century – sheet music. My central arguments are twofold: first, that alongside aural qualities and lyrical cont
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21

Wark, McKenzie. "Toywars." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2179.

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I first came across etoy in Linz, Austria in 1995. They turned up at Ars Electronica with their shaved heads, in their matching orange bomber jackets. They were not invited. The next year they would not have to crash the party. In 1996 they were awarded Arts Electronica’s prestigious Golden Nica for web art, and were on their way to fame and bitterness – the just rewards for their art of self-regard. As founding member Agent.ZAI says: “All of us were extremely greedy – for excitement, for drugs, for success.” (Wishart & Boschler: 16) The etoy story starts on the fringes of the squatters’ m
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22

Holden, Todd. ""And Now for the Main (Dis)course..."." M/C Journal 2, no. 7 (1999). http://dx.doi.org/10.5204/mcj.1794.

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Food is not a trifling matter on Japanese television. More visible than such cultural staples as sumo and enka, food-related talk abounds. Aired year-round and positioned on every channel in every time period throughout the broadcast day, the lenses of food shows are calibrated at a wider angle than heavily-trafficked samurai dramas, beisboru or music shows. Simply, more aspects of everyday life, social history and cultural values pass through food programming. The array of shows work to reproduce traditional Japanese cuisine and cultural mores, educating viewers about regional customs and his
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23

Coghlan, Jo. "Dissent Dressing: The Colour and Fabric of Political Rage." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1497.

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What we wear signals our membership within groups, be theyorganised by gender, class, ethnicity or religion. Simultaneously our clothing signifies hierarchies and power relations that sustain dominant power structures. How we dress is an expression of our identity. For Veblen, how we dress expresses wealth and social stratification. In imitating the fashion of the wealthy, claims Simmel, we seek social equality. For Barthes, clothing is embedded with systems of meaning. For Hebdige, clothing has modalities of meaning depending on the wearer, as do clothes for gender (Davis) and for the body (E
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24

Brien, Donna Lee. "Do-It-Yourself Barbie in 1960s Australia." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3056.

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Introduction Australia has embraced Barbie since the doll was launched at the Toy Fair in Melbourne in 1964, with Mattel Australia established in Melbourne in 1969. Barbie was initially sold in Australia with two different hairstyles and 36 separately boxed outfits. As in the US, the initial launch range was soon followed by a constant stream of additional outfits as well as Barbie’s boyfriend Ken and little sister Skipper, pets, and accessories including her dreamhouse and vehicles. Also released were variously themed Barbies (including those representing different careers and nationalities)
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25

Bianchino, Giacomo. "Afterwork and Overtime: The Social Reproduction of Human Capital." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1611.

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In the heady expansion of capital’s productive capacity during the post-war period, E.P. Thompson wondered optimistically at potentials accruing to humanity by accelerating automation. He asked, “If we are to have enlarged leisure, in an automated future, the problem is not ‘how are men going to be able to consume all these additional time-units of leisure?’ but ‘what will be the capacity for experience of the men who have this undirected time to live?’” (Thompson 36). Indeed, linear and economistic variants of Marxian materialism have long emphasised that the socialisation of production by th
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26

Wessell, Adele. "Making a Pig of the Humanities: Re-centering the Historical Narrative." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.289.

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As the name suggests, the humanities is largely a study of the human condition, in which history sits as a discipline concerned with the past. Environmental history is a new field that brings together scholars from a range of disciplines to consider the changing relationships between humans and the environment over time. Critiques of anthropocentrism that place humans at the centre of the universe or make assessments through an exclusive human perspective provide a challenge to scholars to rethink our traditional biases against the nonhuman world. The movement towards nonhumanism or posthumani
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27

Usmar, Patrick. "Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?" M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.856.

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Closer examination of contemporary art forms including music videos in addition to the Gothic’s literature legacy is essential, “as it is virtually impossible to ignore the relationship the Gothic holds to popular culture” (Piatti-Farnell ii). This article critically examines how Gothic themes and modes are used in the music videos of Lana Del Rey; particularly the “ways in which Gothic is dispersed through contemporary non-literary media” (Spooner and McEvoy 2). This work follows the argument laid down by Edwards and Monnet who describe Gothic’s assimilation into popular culture —Pop Gothic—
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28

Bond, Sue. "The Secret Adoptee's Cookbook." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.665.

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There have been a number of Australian memoirs written by adoptees over the last twenty years—Robert Dessaix’s A Mother’s Disgrace, Suzanne Chick’s Searching for Charmian, Tom Frame’s Binding Ties:An Experience of Adoption and Reunion in Australia, for example—as well as international adoptee narratives by Betty Jean Lifton, Florence Fisher, and A. M. Homes amongst others. These works form a component of the small but growing field of adoption life writing that includes works by “all members of the adoption triad” (Hipchen and Deans 163): adoptive parents, birthparents, and adoptees. As the br
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Tomkinson, Sian. "“This kind of life has no meaning”." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3037.

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Voice synthesising software Vocaloid (Yamaha Corporation) is a popular tool for professional and amateur music production. At the time of writing, there are over 770,000 videos tagged ‘vocaloid’ on Niconico; karaoke chain Karatez displays the top five thousand tracks on its Website (Karatetsu); Hatsune Miku Wiki has over 59,000 pages, while the Vocaloid Lyrics Wiki has over 90,000. Vocaloid is part of Japan’s unique media mix, comprising of the software and music but also official collaborations and a significant amount of fan culture. However, while there is academic research on the way that
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