Relevant bibliographies by topics / Mennonite Illumination of books and manuscripts

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  2. Dissertations / Theses
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Academic literature on the topic 'Mennonite Illumination of books and manuscripts'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Mennonite Illumination of books and manuscripts"

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Ralph, Karen. "Performance, Object, and Private Devotion: The Illumination of Thomas Butler’s Books of Hours." Religions 11, no. 1 (2019): 20. http://dx.doi.org/10.3390/rel11010020.

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This article considers the major cycles of illumination in two Books of Hours belonging to Thomas Butler, seventh Earl of Ormond (c.1424–1515). The article concludes that the iconography of the two manuscripts reflects the personal and familial piety of the patron and was designed to act as a tool in the practice of devotion.
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Nash, Penelope. "Illuminated manuscripts and incucabula in Cambridge: A catalogue of western book illumination in the Fitzwilliam museum and the Cambridge colleges, part five: Illuminated incunabula, volume one: Books printed in Italy [Book Review]." Journal of the Australian Early Medieval Association 15 (November 1, 2019): 127–29. http://dx.doi.org/10.35253/jaema.2019.1.6.

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Review(s) of: Illuminated manuscripts and incucabula in Cambridge: A catalogue of western book illumination in the Fitzwilliam museum and the Cambridge colleges, part five: Illuminated incunabula, volume one: Books printed in Italy, by Andriolo, Azzura Elena and Reynolds, Suzanne, (London and Turnhout: Harvey Miller, 2017) hardcover, 288 pages, RRP 149 pounds/Euro175; ISBN: 9781909400856.
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Nurfalina, Yuliana, Ahmad Taufiq Hidayat, and Yulfira Riza. "MANUSCRIPT DECORATIONS: ILLUMINATIONS AND ILLUSTRATIONS ON SOME EXISTING MANUSCRIPTS IN KERINCI." Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam 20, no. 2 (2023): 142–52. http://dx.doi.org/10.15575/al-tsaqafa.v20i2.27665.

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ABSTRACTThis research is presented to examine the decoration contained in the manuscripts in Kerinci, because it is seen from the problem that in the development of civilization and the tradition of writing manuscripts it is common to change the form of illumination and illustration in manuscripts due to various factors which are the result of human creativity. For the method that the author uses in this research is using a qualitative method with a codicological approach, whose primary source focuses on several Kerinci manuscripts that have been digitized. Then for other sources this research
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Azizah, Faras Puji. "Illumination on the Bamboo Manuscript "Karang Mindu" Collection of Bakhtiar Hanif Kerinci." Journal of Philology and Historical Review 1, no. 1 (2023): 17–29. http://dx.doi.org/10.61540/jphr.v1i1.37.

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The Karang Mindu manuscript is one of the ancient manuscripts originating from Kerinci, one of the collections of Bakhtiar Hanif, which we know that these ancient manuscripts are very important to protect, because they are relics of our ancestors that have high historical value. Not only that, from ancient manuscripts we can find out about the culture of the past about the illumination on the bamboo manuscript "Karang Mindu" collection of Bakhtiar Hanif Kerinci. The purpose of this article is to find out about the manuscript. Overall, the method used in this research is to use a qualitative me
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Kitzinger, Beatrice. "Wandalgarius’ Letters of the Law: Figural Initials and Book Culture in the Late Eighth Century." Zeitschrift für Kunstgeschichte 84, no. 3 (2021): 291–324. http://dx.doi.org/10.1515/zkg-2021-3001.

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Abstract Long sidelined by art historians, the Wandalgarius Codex is a compendium of legal texts dated to 793 that represents an early venture in a trend associated with the 790s: populating initial letters with lively figures. This article centers the Wandalgarius Codex in discussion of experimental book illumination in the late eighth century. The decade saw re-definition of the visual organization of books, the uses illumination could serve, and the ways manuscripts in many genres reflected and shaped projects of education and reform. The essay sets Wandalgarius’ approach to initials in con
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Paris-Popa, Andreea. "Breaking the Contract between God and the Visual-Literary Fusion: Illuminated Manuscripts, William Blake and the Graphic Novel." American, British and Canadian Studies 30, no. 1 (2018): 133–52. http://dx.doi.org/10.2478/abcsj-2018-0008.

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Abstract This essay follows three different stages of the fusion of images and words in the tradition of the book. More specifically, it tackles the transformation undergone by the initially religious combination of visual figures and scriptural texts, exemplified by medieval illuminated manuscripts into the spiritual, non-dogmatic, illuminated books printed and painted by poet-prophet William Blake in a manner that combines mysticism and literature. Eventually, the analysis reaches the secularized genre of the graphic novel that renounces the metaphysical element embedded in the intertwining
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Kelders, Ann. "De Gouden Eeuw van de Bourgondisch-Habsburgse Nederlanden." Queeste 27, no. 1 (2020): 63–70. http://dx.doi.org/10.5117/que2020.1.003.keld.

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Abstract The Royal Library of Belgium (kbr) has opened a new permanent museum showcasing the historical core of its collections: the luxurious manuscript library of the dukes of Burgundy. Centred around a late medieval chapel that is part of kbr’s present-day building, the museum introduces visitors to medieval book production, the historical context of the late medieval Low Countries, and the subject matter of the ducal library. The breadth of the dukes’ (and their wives’!) interests is reflected in the manuscripts that have come down to us, ranging from liturgical books over philosophical tr
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Che Omar, Siti Azwanie, Sedek Ariffin, and Nurul Huda Mohd Din. "Manuscript Al-Quran in Madura: Analysis of Ornamental in Manuscript Al-Quran Mss 4322." International Journal of Art and Design 7, no. 2 (2023): 114–29. http://dx.doi.org/10.24191/ijad.v7i2.1060.

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One of the uniqueness found in the old al-Quran in the archipelago is its luxury with the beauty of decorative illumination art. Ornaments found in the Quran are usually only found in the front, middle and end of the Quran. Each decoration sketched on the manuscript has its own meaning and is related to the life of the local community. Therefore, this article aims to introduce an al-Quran manuscript originating from Madura Indonesia and then explain in detail the characteristics and types of decoration found in the al-Quran manuscript MSS 4322, which has been collected in the National Library
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Clanchy, Michael. "Images of Ladies with Prayer Books: What do they Signify?" Studies in Church History 38 (2004): 106–22. http://dx.doi.org/10.1017/s042420840001576x.

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Monastic illumination of manuscripts gave to writings a force and prestige which was unprecedented. Throughout the millennium of western monasticism (500-1500 A.D.), the rich founded monasteries so that monks might pray and worship on their behalf. The monks displayed the fruit of their labours to their patrons in their churches and other works of art, particularly in their books. When with growing prosperity from about 1250 onwards the demand for individual prayer reached down to the middle class of knights and burgesses, they began to want wonderworking books of their own. They could not aff
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Anderson, Emily R. "Printing the Bespoke Book." Nuncius 35, no. 3 (2020): 536–60. http://dx.doi.org/10.1163/18253911-03503005.

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Abstract In 1482, Erhard Ratdolt, a prominent German printer in Venice, issued the editio princeps of Euclid’s Elements. Ratdolt experimented with the new technology of printing to overcome the difficulty in arranging geometric diagrams alongside the text. This article examines the materials and techniques that Ratdolt used in his edition of Elements including his use of vellum, gold printing, and illumination for special copies as well as his use of woodcuts, movable type, and metal-cast diagrams. Significantly, the legacy of Ratdolt’s innovations continued almost one hundred years later in s
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Dissertations / Theses on the topic "Mennonite Illumination of books and manuscripts"

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Drechsler, Stefan Andreas. "Making manuscripts at Helgafell in the fourteenth century." Thesis, University of Aberdeen, 2017. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=236533.

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This thesis examines a cultural revolution that took place in the Icelandic artistic landscape during the medieval period. Within just one generation (c. 1350–1400), the house of canons regular of Helgafell rose to become the most important centre of illuminated manuscript production in western Iceland. This study delivers a comprehensive and critical multidisciplinary study that combines methodologies and sources from the fields of Art History, Old Norse-Icelandic Manuscript Studies and Medieval Nordic History. It maps important changes in the art historical market, as well as major movements
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Hunt, Elizabeth Moore. "Illuminating the borders of northern French and Flemish manuscripts, ca. 1270-1310 /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p3137712.

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Sheppard, Jennifer M. "The Giffard Bible Bodleian Library MS Laud misc. 752 /." New York : Garland Pub, 1986. http://catalog.hathitrust.org/api/volumes/oclc/11970124.html.

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Magruder, James A. "The Sinope gospels an illuminated gospel book as anti-Chalcedonian polemic /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Gil, Marc. "Du Maître du Mansel au Maître de Rambures le milieu des peintres et des enlumineurs de Picardie, ca. 1400-1480 /." Lille : A.N.R.T., Université de Lille III, 2000. http://bibpurl.oclc.org/web/30345.

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Jackson, Cailah. "Patrons and artists at the crossroads : the Islamic arts of the book in the lands of Rūm, 1270s-1370s." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:2d687f25-fb80-4470-b259-72714ba24386.

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This dissertation is the first book-length study to analyse the production and patronage of Islamic illuminated manuscripts in late medieval RÅ«m in their fullest cultural contexts and in relation to the arts of the book of neighbouring regions. Although research concerning the artistic landscapes of late medieval Rūm has made significant progress in recent years, the development of the arts of the book and the nature of their patronage and production has yet to be fully addressed. The topic also remains relatively neglected in the wider field of Islamic art history. This thesis considers the
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Baker, Donna Tsuruda. "The artistic and sociological imagery of the merchant-banker on the book covers of the Biccherna in Siena in the early Renaissance /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/6244.

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Pulliam, Heather. "Opening the senses : the Gospel book as an instrument of salvation as articulated by the minor decoration and full-page illustrations of the Book of Kells." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/15322.

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This thesis argues that the minor decoration and full-page images of the Book of Kells reflects a cohesive theme: the role of the gospel book in man's apprehension of God. This is demonstrated by an examination of the decorated initials and smaller images in relation to the text and a reinterpretation of the full-page images within the context of patristic commentary and the writings of the period. It is argued that the decorated initials and minor imagery are not merely ornamental but instead emphasize and comment upon the text. They do so in three ways: Firstly, they draw the eye to passages
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Swanepoel, Liani Colette. "Aeneas se onderwêreldse reis in illustrasie : 'n resepsie-historiese studie van tonele in Aeneïs VI /." Link to the online version, 2006. http://hdl.handle.net/10019.1/1690.

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Franses, Henri. "Portraits of patrons in Byzantine religious manuscripts." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22359.

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Byzantine religious manuscripts were commissioned by people from many levels of society. Several contain portraits of their commissioners, represented together with a holy figure. An analysis of these scenes, examining features such as the holy figures represented and their specific iconographic meaning, and the relation of mortal to divine, reveals many facets of Byzantine art, religion and society. This analysis indicates a major distinction between portraits representing the emperor, and those depicting all other patrons. Non-imperial portraits show deep personal devotion and piety. The man
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Books on the topic "Mennonite Illumination of books and manuscripts"

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Sandler, Lucy Freeman. Gothic manuscripts: 1285-1385. Harvey Miller, 1986.

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Sandler, Lucy Freeman. Gothic manuscripts: 1285-1385. Harvey Miller, 1986.

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Mentré, Mireille. Illuminated manuscripts of medieval Spain. Thames and Hudson, 1996.

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Mentre, Mireille. Illuminated manuscripts of medieval Spain. Thames and Hudson, 1996.

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Dr. Jörn Günther Antiquariat (Firm). Recent acquisitions : medieval & renaissance manuscripts. J. Günther, Antiquariat, 1997.

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Dr. Jörn Günther Antiquariat (Firm). Recent acquisitions : medieval & renaissance manuscripts. J. Günther, Antiquariat, 1997.

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Fisher, Celia. Flowers in medieval manuscripts. University of Toronto Press, 2004.

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Library, British, ed. Flowers in medieval manuscripts. British Library, 2004.

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Nersessian, Vrej. Armenian illuminated Gospel-books. British Library, 1987.

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Badurina, Anđelko. Illuminated manuscripts in Croatia. Kršćanska sadašnjost, 1995.

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Book chapters on the topic "Mennonite Illumination of books and manuscripts"

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Harris, Neil. "Costs We Don’t Think About: Rubrication and Illumination." In Printing R-Evolution and Society 1450-1500. Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-332-8/018.

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Rubrication, or the hand-finishing of manuscripts and (very) early printed books, falls between several areas of competence; however, it often tells us important things about the book and its early history; it also had a cost, and in description it is important to distinguish between ‘professional’ and ‘amateur’ rubrication. A copy of a Venetian incunable printed in 1474 in the collections of the Boston Public Library has on its final leaf a contemporary rubricator’s note, with the summary of the costs of illumination and rubrication. The edition concerned was maybe sold through the Zornale of
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Jackson, Cailah. "Saūtıū ibn Hḥ asan: A Mevlevi Patron of Erzincan." In Islamic Manuscripts of Late Medieval Rum, 1270s-1370s. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451482.003.0005.

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The fourth and final chapter focuses on the patronage of one individual, who emerges from surviving material as the most prolific manuscript patron of late medieval Rum. The three manuscripts discussed in this chapter were commissioned by Sharaf al-Din Sati ibn Hasan, an amir, history writer and Mevlevi devotee. The key manuscripts are a copy of the Masnavi of Sultan Walad from 1366, a two-volume Divan-i Kabir from 1368 and a 1372 copy of the Masnavi, both by Jalal al-Din Rumi. Several manuscripts belonging to Sati’s son, Mustanjid, are also considered. Although a production centre is not name
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Blair, Sheila S., and Jonathan M. Bloom. "The Islamic World." In The Oxford History of the Book. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192886897.003.0008.

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Abstract Because of the sanctity of the revelation and the desire to record it faithfully, writing and books have always played an extraordinarily important role in the Islamic world. Islamic culture has spanned a millennium and a half, from the early seventh century to the present day, and exists around the globe from southern Spain and North Africa to Indonesia and beyond. Following a brief introduction to the principles of Arabic script, this chapter surveys this vast production in four broad chronological blocks: Qur’an manuscripts from the first centuries of Islam; the transition from par
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"La Biblioteca pubblica veneziana e gli incunaboli miniati." In Printing R-Evolution and Society 1450-1500. Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-332-8/029.

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Venice was central to the production of printed books in the 15th-century and illumination continued to be applied to this new type of books, beyond the age of the manuscript. However, the illuminated incunabula preserved today in the Library of the Serenissima do not represent a noticeable percentage of the production of value. As is known, very few specimens printed on parchment or with miniatures entered the Marciana collections. Yet, the activity of the press was favoured by Bessarion, who included his remarkable Roman incunabula among his legacy to San Marco. The Roman incunabula of the B
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Atbaş, Zeynep. "Türk ve İslam Eserleri Müzesi." In Cengiz Han ve Mirası. Turkish Academy of Science, 2021. http://dx.doi.org/10.53478/tuba.2021.036.

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"Ottoman sultans showed a great interest in books; on the one hand, they had their palace workshops prepare manuscripts ornamented with unique illustrations and illuminations; on the other hand, they collected books created in other locations of the Islamic world through various means, such as, gifting, looting, and purchasing. The subject of this article involves the artistic manuscripts from the Ilkhanid era that entered the Topkapı Palace Treasury. Most manuscripts in the Topkapı Palace Library consist of copies and sections (juz’) of the Koran. With their illumination and binding, these la
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