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Dissertations / Theses on the topic 'Mennonite Illumination of books and manuscripts'

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Published: 4 June 2021

Last updated: 29 July 2025

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1

Drechsler, Stefan Andreas. "Making manuscripts at Helgafell in the fourteenth century." Thesis, University of Aberdeen, 2017. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=236533.

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This thesis examines a cultural revolution that took place in the Icelandic artistic landscape during the medieval period. Within just one generation (c. 1350–1400), the house of canons regular of Helgafell rose to become the most important centre of illuminated manuscript production in western Iceland. This study delivers a comprehensive and critical multidisciplinary study that combines methodologies and sources from the fields of Art History, Old Norse-Icelandic Manuscript Studies and Medieval Nordic History. It maps important changes in the art historical market, as well as major movements

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2

Hunt, Elizabeth Moore. "Illuminating the borders of northern French and Flemish manuscripts, ca. 1270-1310 /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p3137712.

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3

Sheppard, Jennifer M. "The Giffard Bible Bodleian Library MS Laud misc. 752 /." New York : Garland Pub, 1986. http://catalog.hathitrust.org/api/volumes/oclc/11970124.html.

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4

Magruder, James A. "The Sinope gospels an illuminated gospel book as anti-Chalcedonian polemic /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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5

Gil, Marc. "Du Maître du Mansel au Maître de Rambures le milieu des peintres et des enlumineurs de Picardie, ca. 1400-1480 /." Lille : A.N.R.T., Université de Lille III, 2000. http://bibpurl.oclc.org/web/30345.

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6

Jackson, Cailah. "Patrons and artists at the crossroads : the Islamic arts of the book in the lands of Rūm, 1270s-1370s." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:2d687f25-fb80-4470-b259-72714ba24386.

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This dissertation is the first book-length study to analyse the production and patronage of Islamic illuminated manuscripts in late medieval RÅ«m in their fullest cultural contexts and in relation to the arts of the book of neighbouring regions. Although research concerning the artistic landscapes of late medieval Rūm has made significant progress in recent years, the development of the arts of the book and the nature of their patronage and production has yet to be fully addressed. The topic also remains relatively neglected in the wider field of Islamic art history. This thesis considers the

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7

Baker, Donna Tsuruda. "The artistic and sociological imagery of the merchant-banker on the book covers of the Biccherna in Siena in the early Renaissance /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/6244.

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8

Pulliam, Heather. "Opening the senses : the Gospel book as an instrument of salvation as articulated by the minor decoration and full-page illustrations of the Book of Kells." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/15322.

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This thesis argues that the minor decoration and full-page images of the Book of Kells reflects a cohesive theme: the role of the gospel book in man's apprehension of God. This is demonstrated by an examination of the decorated initials and smaller images in relation to the text and a reinterpretation of the full-page images within the context of patristic commentary and the writings of the period. It is argued that the decorated initials and minor imagery are not merely ornamental but instead emphasize and comment upon the text. They do so in three ways: Firstly, they draw the eye to passages

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9

Swanepoel, Liani Colette. "Aeneas se onderwêreldse reis in illustrasie : 'n resepsie-historiese studie van tonele in Aeneïs VI /." Link to the online version, 2006. http://hdl.handle.net/10019.1/1690.

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10

Franses, Henri. "Portraits of patrons in Byzantine religious manuscripts." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22359.

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Byzantine religious manuscripts were commissioned by people from many levels of society. Several contain portraits of their commissioners, represented together with a holy figure. An analysis of these scenes, examining features such as the holy figures represented and their specific iconographic meaning, and the relation of mortal to divine, reveals many facets of Byzantine art, religion and society. This analysis indicates a major distinction between portraits representing the emperor, and those depicting all other patrons. Non-imperial portraits show deep personal devotion and piety. The man

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11

Ensor, Lael J. "Decoration in early Qur'an manuscripts: A close look at the Walters Art Museum's W.554." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 56 p, 2009. http://proquest.umi.com/pqdweb?did=1885754571&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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12

Cochrane, Laura E. "'Where there is no time' the quadrivium and images of eternity in three eleventh-century Anglo-Saxon manuscripts /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 250 p, 2009. http://proquest.umi.com/pqdweb?did=1818417331&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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13

Hansen, Kelli Bruce. "The Cross of Oviedo in medieval Spanish art /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p1418028.

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14

Roth, Paul. "Histoire de la première destruction de Troie (manuscrits Paris, Bibliothèque de l'Aresenal, 5068 Paris, Bibliothèque nationale, fr. 1414 et 1417) : edition critique avec introduction, notes, table des noms et glossaire /." Tübingen : A. Francke, 2000. http://catalog.hathitrust.org/api/volumes/oclc/44835722.html.

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15

Liles, Linda Kathleen. "Guide to the pilgrim churches at Rome a late 15th century manuscript in Yale University's Beinecke Rare Book and Manuscript Library /." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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16

Naughton, Joan Margaret. "Manuscripts from the Dominican monastery of Saint-Louis de Poissy /." Connect to thesis, 1995. http://eprints.unimelb.edu.au/archive/00000680.

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17

Swanepoel, Liani Colette. "Aeneas se onderwêreldse reis in illustrasie : ’n resepsie-historiese studie van tonele in Aeneïs VI." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1690.

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Thesis (MA (Dept. of Ancient Studies) -- University of Stellenbosch, 2005.<br>Throughout the centuries artists have visualised the imaginative works of Publius Vergilius Maro in a variety of art forms. Paintings, frescoes, sculptures and even tapestries have made the wordscenes of his great epic, the Aeneid, concrete. The thesis investigates only the illustration of the epic in manuscripts and printed texts or translations. The illustrations of scenes in Book VI – the journey of Aeneas in the underworld – are studied using the reception-historical approach. This is to determine whether th

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18

Dufresne, Laura Jean. "An assembly of ladies : the fifteenth-century pictorial tradition of Christine de Pizan's La cité des dames and Le trésor de la cité des dames /." Thesis, Connect to this title online; UW restricted, 1989. http://hdl.handle.net/1773/6238.

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19

Hoffmann, Ingrid-Sibylle. "Der Meister der Pollinger Tafeln : Wege der Erneuerung in der bayerischen Malerei des mittleren 15. Jahrhunderts /." Weimar : VDG Verl. und Datenbank für Geisteswissenschaften, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2929787&prov=M&dokv̲ar=1&doke̲xt=htm.

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20

Spyra, Ulrike. "Das "Buch der Natur" Konrads von Megenberg die illustrierten Handschriften und Inkunabeln /." Köln : Böhlau, 2005. http://books.google.com/books?id=LuXaAAAAMAAJ.

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21

Williams, Kenneth R. "The De Villers Book of Hours." DigitalCommons@USU, 1996. https://digitalcommons.usu.edu/etd/182.

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Created in France during the late fifteenth century, the illuminations, text, and family genealogy (added by one of many owners) found in De Villers Book of Hours make it an excellent example among other French books of hours from this period. In addition to acting as a repository of the style and iconography of French fifteenth-century illumination, the book's rich decorative program and varied textual content provide a remarkable document of contemporary devotional piety. This thesis provides the first detailed description and analysis of the De Villers Book of Hours. Following a description

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22

Silva, Rocha Jorge Manuel Gomes da. "L'Image dans le Beatus de Lorvão: figuration, composition et visualité dans les enluminures du Commentaire de l'Apocalypse attribué au scriptorium du monastère de São Mamede de Lorvão-1189." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210535.

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L’Apocalypse de Lorvão appartient au cycle des commentaires illustrés de la vision de Jean aujourd’hui connus sous le nom de «Beatus». Ces œuvres d’exégèse, enluminées surtout dans le nord de la péninsule Ibérique pendant l’occupation musulmane, constituent un ensemble pictural à l’identité artistique indéniable. Cependant, le manuscrit copié et illustré dans le scriptorium du monastère de São Mamede de Lorvão en 1189 diverge à plusieurs reprises des options iconographiques des autres codex et les solutions picturales et stylistiques de l’oeuvre portugaise se détachent significativement de cel

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23

Rodrigues, Ubirajara Alencar 1966. "O colar perdido da caligrafia." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251132.

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Orientador: Milton Jose de Almeida<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2019-01-04T15:20:10Z (GMT). No. of bitstreams: 1 Rodrigues_UbirajaraAlencar_D.pdf: 41150719 bytes, checksum: dd62e343c9b0c326b696000c59b681f4 (MD5) Previous issue date: 2011<br>Resumo: Este é um estudo e uma pesquisa sobre imagens em literatura, cinema, letras e textos em manuscritos e miniaturas árabes e persas. O estudo passa pela novela O colar da pomba, de Ibn Hazm, andaluz do século XI, e suas aparições nem sempre claras no filme de Nacer Khemi

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24

Meyer, Linda M. "Discovering the Nuances in the Book of Hours of the Virgin: A Book of Hours in the Toledo Museum of Art (1955.28)." University of Toledo / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1305040445.

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25

Krause, Karin. "Die illustrierten Homilien des Johannes Chrysostomos in Byzanz /." Wiesbaden : Reichert, 2004. http://www.loc.gov/catdir/toc/fy0610/2004471848.html.

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26

Kreuser, Carla Louise. "The meandering narrative : poetry and illustration engage in a moment of indiscipline : demonstrated in an analysis of Sara Fanelli’s illuminated poem - And all men kill the thing they love." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86503.

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Thesis (MPhil)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: This is a study about the inner workings of an illuminated poem – about the dialogue that develops between poetry and illustration when they encounter each other on the page. However, the illuminated poem is more than just a relation between words and images, it is also a composite art in its own right. This study explores the dynamic of this particular type of imagetext by firstly claiming that the illuminated poem embodies a moment of indiscipline an

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27

Oliveira, Maria Silvia de. "Étant Donnés = a mise-en-scène eclipsada do jogo anadiômeno de Marcel Duchamp = Étant Donnés: the eclipsed mise-en-scène of the anadyomene game of Marcel Duchamp." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284552.

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Orientador: Ernesto Giovanni Boccara<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-22T12:47:43Z (GMT). No. of bitstreams: 1 Oliveira_MariaSilviade_M.pdf: 48527171 bytes, checksum: 669545299ee1899c435ca675ae113d43 (MD5) Previous issue date: 2013<br>Resumo: Esta pesquisa tem como objetivo dissertar sobre "Étant Donnés: 1º la chute d'eau, 2º le gaz d'éclairage", uma poderosa criação realizada silenciosamente ao longo de 20 anos e eternizada através da sobrevivência das idéias de Marcel Duchamp. Espelho ou porta, o fato é

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28

Schell, Sarah. "The Office of the Dead in England : image and music in the Book of Hours and related texts, c. 1250-c. 1500." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2107.

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This study examines the illustrations that appear at the Office of the Dead in English Books of Hours, and seeks to understand how text and image work together in this thriving culture of commemoration to say something about how the English understood and thought about death in the fourteenth and fifteenth centuries. The Office of the Dead would have been one of the most familiar liturgical rituals in the medieval period, and was recited almost without ceasing at family funerals, gild commemorations, yearly minds, and chantry chapel services. The Placebo and Dirige were texts that many people

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29

Barceló, Plana Alba. "La il·lustració dels cicles bíblics en les haggadot catalanes del període gòtic: un estudi iconogràfic." Doctoral thesis, Universitat de Barcelona, 2018. http://hdl.handle.net/10803/666812.

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La present investigació doctoral té l’objectiu d’elaborar un estudi iconogràfic sobre els cicles bíblics d’un grup de manuscrits hebreus catalans del segle XIV. En concret, aquests manuscrits són haggadot, llibres per ser llegits en família durant el sopar pasqual. Tot i que el seu programa iconogràfic és variat, on s’inclouen també il·luminacions relacionades amb el contingut del text de l‘haggadà, la tesi focalitza l’atenció en els episodis bíblics miniats, la majoria dels quals dedicats al Gènesi i a l’Èxode. Cal fer esment que es tracta d’un tema complex pel que fa a la problemàtica i

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30

Pirotte, Emmanuelle. "La Chair du verbe: l'image, le texte, l'écrit dans les évangéliaires insulaires (VIIeme-IXeme siècle)." Doctoral thesis, Universite Libre de Bruxelles, 1998. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211997.

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31

Angelet, Gimeno Silvia. "Els manuscrits il·luminats i els llibres il·lustrats com a eina didàctica per l'ensenyament de les ciències socials. Proposta de modelització per la difusió del patrimoni medieval jueu català." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/401897.

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El patrimoni medieval jueu català, inexistent en el currículum escolar, és una assignatura pendent a les escoles del país, i a la didàctica del patrimoni. Proposem en aquesta recerca un model didàctic per a la seva transmissió entre l’alumnat de primària. Els manuscrits il·luminats són uns mitjans idonis per la transmissió del patrimoni intangible del període en el qual han estat concebuts, com intentem demostrar amb l’exemple dels Beatus de Girona i la cultura mossàrab. I en aquest sentit, disposem d’unes fonts primàries úniques que podrien ser emprades per la didàctica del patrimoni tangi

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32

Poole, Kevin Ray. "Visualizing apocalypse image and narration in the tenth-century Gerona Beatus Commentary on the apocalypse /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1153502367.

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33

Horst, Harald. "Wissensraum am Niederrhein." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät I, 2017. http://dx.doi.org/10.18452/17761.

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Das Kreuzherrenkloster Hohenbusch bei Erkelenz (Niederrhein) wurde 1802 während der Säkularisation linksrheinischer Gebiete aufgehoben. Etwa 130 Handschriften und frühe Drucke aus seiner Bibliothek befinden sich heute vorwiegend in der Diözesanbibliothek Köln sowie in München, Brüssel, New York u.a. Ein 1801 im Auftrag der französischen Verwaltung erstelltes Inventar von 265 konfiszierten Büchern bildet das einzige Verzeichnis der ehemaligen Klosterbibliothek. Auf der Grundlage dieses Inventars und der erhaltenen Bestände unternimmt die Studie eine Teilrekonstruktion der Bibliothek. Schreibhän

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34

Thompson, Lacey. "Ogam and the integumenta of word and image in the Book of Durrow /." 2004. http://wwwlib.umi.com/dissertations/fullcit/3154245.

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35

Collins, Kristen M. "Visualizing Mary : innovation and exegesis in Ottonian manuscript illumination." Thesis, 2007. http://hdl.handle.net/2152/3562.

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This study explores several of the key factors that led to the visual amplification of Mary in western Europe during the early Middle Ages, with the art of the Ottonian Empire as its focus. Although the twelfth century has long been recognized as a high point for Marian imagery, the brief but rich period of artistic production during the Ottonian Empire (919-1024) yielded a range of images crucial for understanding the growing role of the Virgin in art and devotion. The approach for this work is necessarily thematic; the seeming randomness of Ottonian images of the Virgin has resulted in their

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36

Pearce, Judith M. "Text and image in the Salisbury Breviary (Paris, BN ms lat 17294) : the decorative cycle and its Paris precursors." Phd thesis, 1987. http://hdl.handle.net/1885/110012.

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The main aim of this thesis is to examine the Salisbury Breviary from the point of view of "the picture in service of text and patron". The breviary is defined as a text. and the Salisbury Breviary identified as an exceptionally richly decorated example of the genre, made in Paris during the second quarter of the fifteenth century, but written for the use of Sarum, and intended for the personal use of the Duke of Bedford, then regent in France for the infant king of England, Henry VI. In terms of the elements contributing to the hierarchy of decoration of its sanctoral, communal and tempo

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37

Hoover, Dale. "Affinity between chant and image : a study of a late fourteenth-century Florentine Antiphonary/Gradual (Baltimore : Walters Art Museum, ms. W153) /." 2004. http://wwwlib.umi.com/dissertations/fullcit/3149018.

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38

Lauren, Samantha Garretson Peter P. "Painted interiors from the Houghton Shahnameh." 2004. http://etd.lib.fsu.edu/theses/available/etd-08212004-004051.

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Thesis (M.A.)--Florida State University, 2004.<br>Advisor: Dr. Peter Garretson, Florida State University, College of Social Sciences, Program in Asian Studies. Title and description from dissertation home page (viewed Jan. 13, 2005). Includes bibliographical references.

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39

Lowry, Susan. "New York, Pierpont Morgan Library, M. 333 and manuscript illumination at the monastery of St.-Bertin under Abbot Odbert (986-ca. 1007)." 1993. http://catalog.hathitrust.org/api/volumes/oclc/34745342.html.

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Thesis (Ph. D.)--Columbia University, 1993.<br>Department: Art History. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 205-210).

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40

Poddar, Neeraja. "Krishna in his Myriad Forms: Narration, Translation and Variation in Illustrated Manuscripts of the Latter Half of the Tenth Book of the Bhāgavata Purāṇa". Thesis, 2014. https://doi.org/10.7916/D8H70CVV.

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This dissertation focuses on a seventeenth-century (so-called) Malwa manuscript that illustrates the story of Krishna, and the copy manuscripts that were produced after it. It explores how the story is transformed in its incarnations as the vernacular text inscribed on the manuscript, the cycle of illustrations depicting that text, and then the copies made from what appear to be the initial illustrations. The claim is that narrative variations which find their way into these different embodiments should almost never be considered "mistakes," even when an act of misunderstanding seems to be cle

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41

Slaymaker, Peter James Victor. "Augustine and the Trinity vision in the Vita Sancti Augustini Imaginibus Adornata." Thesis, 2013. http://hdl.handle.net/1805/3886.

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