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Journal articles on the topic 'Mennonite Illumination of books and manuscripts'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Ralph, Karen. "Performance, Object, and Private Devotion: The Illumination of Thomas Butler’s Books of Hours." Religions 11, no. 1 (2019): 20. http://dx.doi.org/10.3390/rel11010020.

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This article considers the major cycles of illumination in two Books of Hours belonging to Thomas Butler, seventh Earl of Ormond (c.1424–1515). The article concludes that the iconography of the two manuscripts reflects the personal and familial piety of the patron and was designed to act as a tool in the practice of devotion.

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2

Nash, Penelope. "Illuminated manuscripts and incucabula in Cambridge: A catalogue of western book illumination in the Fitzwilliam museum and the Cambridge colleges, part five: Illuminated incunabula, volume one: Books printed in Italy [Book Review]." Journal of the Australian Early Medieval Association 15 (November 1, 2019): 127–29. http://dx.doi.org/10.35253/jaema.2019.1.6.

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Review(s) of: Illuminated manuscripts and incucabula in Cambridge: A catalogue of western book illumination in the Fitzwilliam museum and the Cambridge colleges, part five: Illuminated incunabula, volume one: Books printed in Italy, by Andriolo, Azzura Elena and Reynolds, Suzanne, (London and Turnhout: Harvey Miller, 2017) hardcover, 288 pages, RRP 149 pounds/Euro175; ISBN: 9781909400856.

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3

Nurfalina, Yuliana, Ahmad Taufiq Hidayat, and Yulfira Riza. "MANUSCRIPT DECORATIONS: ILLUMINATIONS AND ILLUSTRATIONS ON SOME EXISTING MANUSCRIPTS IN KERINCI." Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam 20, no. 2 (2023): 142–52. http://dx.doi.org/10.15575/al-tsaqafa.v20i2.27665.

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ABSTRACTThis research is presented to examine the decoration contained in the manuscripts in Kerinci, because it is seen from the problem that in the development of civilization and the tradition of writing manuscripts it is common to change the form of illumination and illustration in manuscripts due to various factors which are the result of human creativity. For the method that the author uses in this research is using a qualitative method with a codicological approach, whose primary source focuses on several Kerinci manuscripts that have been digitized. Then for other sources this research

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4

Azizah, Faras Puji. "Illumination on the Bamboo Manuscript "Karang Mindu" Collection of Bakhtiar Hanif Kerinci." Journal of Philology and Historical Review 1, no. 1 (2023): 17–29. http://dx.doi.org/10.61540/jphr.v1i1.37.

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The Karang Mindu manuscript is one of the ancient manuscripts originating from Kerinci, one of the collections of Bakhtiar Hanif, which we know that these ancient manuscripts are very important to protect, because they are relics of our ancestors that have high historical value. Not only that, from ancient manuscripts we can find out about the culture of the past about the illumination on the bamboo manuscript "Karang Mindu" collection of Bakhtiar Hanif Kerinci. The purpose of this article is to find out about the manuscript. Overall, the method used in this research is to use a qualitative me

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Kitzinger, Beatrice. "Wandalgarius’ Letters of the Law: Figural Initials and Book Culture in the Late Eighth Century." Zeitschrift für Kunstgeschichte 84, no. 3 (2021): 291–324. http://dx.doi.org/10.1515/zkg-2021-3001.

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Abstract Long sidelined by art historians, the Wandalgarius Codex is a compendium of legal texts dated to 793 that represents an early venture in a trend associated with the 790s: populating initial letters with lively figures. This article centers the Wandalgarius Codex in discussion of experimental book illumination in the late eighth century. The decade saw re-definition of the visual organization of books, the uses illumination could serve, and the ways manuscripts in many genres reflected and shaped projects of education and reform. The essay sets Wandalgarius’ approach to initials in con

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6

Paris-Popa, Andreea. "Breaking the Contract between God and the Visual-Literary Fusion: Illuminated Manuscripts, William Blake and the Graphic Novel." American, British and Canadian Studies 30, no. 1 (2018): 133–52. http://dx.doi.org/10.2478/abcsj-2018-0008.

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Abstract This essay follows three different stages of the fusion of images and words in the tradition of the book. More specifically, it tackles the transformation undergone by the initially religious combination of visual figures and scriptural texts, exemplified by medieval illuminated manuscripts into the spiritual, non-dogmatic, illuminated books printed and painted by poet-prophet William Blake in a manner that combines mysticism and literature. Eventually, the analysis reaches the secularized genre of the graphic novel that renounces the metaphysical element embedded in the intertwining

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7

Kelders, Ann. "De Gouden Eeuw van de Bourgondisch-Habsburgse Nederlanden." Queeste 27, no. 1 (2020): 63–70. http://dx.doi.org/10.5117/que2020.1.003.keld.

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Abstract The Royal Library of Belgium (kbr) has opened a new permanent museum showcasing the historical core of its collections: the luxurious manuscript library of the dukes of Burgundy. Centred around a late medieval chapel that is part of kbr’s present-day building, the museum introduces visitors to medieval book production, the historical context of the late medieval Low Countries, and the subject matter of the ducal library. The breadth of the dukes’ (and their wives’!) interests is reflected in the manuscripts that have come down to us, ranging from liturgical books over philosophical tr

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8

Che Omar, Siti Azwanie, Sedek Ariffin, and Nurul Huda Mohd Din. "Manuscript Al-Quran in Madura: Analysis of Ornamental in Manuscript Al-Quran Mss 4322." International Journal of Art and Design 7, no. 2 (2023): 114–29. http://dx.doi.org/10.24191/ijad.v7i2.1060.

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One of the uniqueness found in the old al-Quran in the archipelago is its luxury with the beauty of decorative illumination art. Ornaments found in the Quran are usually only found in the front, middle and end of the Quran. Each decoration sketched on the manuscript has its own meaning and is related to the life of the local community. Therefore, this article aims to introduce an al-Quran manuscript originating from Madura Indonesia and then explain in detail the characteristics and types of decoration found in the al-Quran manuscript MSS 4322, which has been collected in the National Library

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9

Clanchy, Michael. "Images of Ladies with Prayer Books: What do they Signify?" Studies in Church History 38 (2004): 106–22. http://dx.doi.org/10.1017/s042420840001576x.

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Monastic illumination of manuscripts gave to writings a force and prestige which was unprecedented. Throughout the millennium of western monasticism (500-1500 A.D.), the rich founded monasteries so that monks might pray and worship on their behalf. The monks displayed the fruit of their labours to their patrons in their churches and other works of art, particularly in their books. When with growing prosperity from about 1250 onwards the demand for individual prayer reached down to the middle class of knights and burgesses, they began to want wonderworking books of their own. They could not aff

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10

Anderson, Emily R. "Printing the Bespoke Book." Nuncius 35, no. 3 (2020): 536–60. http://dx.doi.org/10.1163/18253911-03503005.

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Abstract In 1482, Erhard Ratdolt, a prominent German printer in Venice, issued the editio princeps of Euclid’s Elements. Ratdolt experimented with the new technology of printing to overcome the difficulty in arranging geometric diagrams alongside the text. This article examines the materials and techniques that Ratdolt used in his edition of Elements including his use of vellum, gold printing, and illumination for special copies as well as his use of woodcuts, movable type, and metal-cast diagrams. Significantly, the legacy of Ratdolt’s innovations continued almost one hundred years later in s

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11

Popova, Galina. "“Libros de privilegios” from the Castilian Towns of 13—14th Centuries." ISTORIYA 13, no. 11 (121) (2022): 0. http://dx.doi.org/10.18254/s207987840023283-0.

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Modern medieval studies consider the “Libros de Privilegios” as an important and very informative source for the history of medieval municipal administration and the town chanceries. These manuscripts, being essentially cartularies, constitute a special group of legal texts originating from the city. The features of their codicology, paleography and illumination make it possible to study the development of document management practices in cities. The article compares the “Libros de Privilegios” from four towns of the Kingdom of Castile — Toledo, Seville, Murcia and Lorca. Ordered by concejos t

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12

Karić, Enes. "The Qurʼan in the Manuscript Tradition of Bosnia and Herzegovina". Anali Gazi Husrev-Begove biblioteke 31, № 45 (2024): 7–28. https://doi.org/10.51719/25663267.2024.31.45.7.

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With the political and economic expansion of the Ottoman Empire into the Balkans from the mid-14th century onward, significant changes occurred in the religious, cultural, and civilizational spheres of life in many Balkan medieval states and among their populations. Bosnia and Herzegovina (hereinafter referred to as BiH) was one of the countries in the western Balkans where these changes were particularly evident. Moreover, in the context of hand-copying, illuminating, and the calligraphic transcription of the Qur’an, BiH holds a prominent position in the western Balkans. Some sources suggest

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13

Flora, Holly. "Azzurra Elena Andriolo and Suzanne Reynolds, A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges: Illuminated Manuscripts and Incunabula in Cambridge, Part Five, Illuminated Incunabula, vol. 1, Books Printed in Italy. London and Turnhout: Harvey Miller, 2017. Pp. 288; many color figures. €175. ISBN: 978-1-909400-85-6." Speculum 93, no. 4 (2018): 1156–57. http://dx.doi.org/10.1086/699770.

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14

Mustafa, Haris, Alvanov Zpalanzani Mansoor, and Naomi Haswanto. "Iluminasi sebagai Sistem Penyajian Konten Cetak (Studi Kasus Iluminasi Injil Abad Ke-15)." Wimba : Jurnal Komunikasi Visual 3, no. 1 (2015). http://dx.doi.org/10.5614/jkvw.2011.3.1.2.

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Illumination is visual decoration in form of coloured fonts, designed or illustrated page in print media. In middle age bibles or manuscripts, there are forms and type of illuminations that may applied as a system of content delivery in books. A framework of illumination design methodology may elaborated through content analysis on several illuminations in bibles and religious manuscripts. This research will enrich visual communication design study, especially typography and illustration study in developing an information system delivery based on visual elements.

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15

Sayın, Ayşe Zehra. "The Illumination Art of Shāhnāma-i Firdawsi’s Copy in the Turkish and Islamic Arts Museum." İslam Medeniyeti Araştırmaları Dergisi, December 2, 2024. https://doi.org/10.20486/imad.1509197.

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The art of illumination has continued to evolve across various regions over centuries, adopting different stylistic characteristics. One of the key centers where the development of illumination can be traced and where works were produced over an extended period is the city of Shiraz, located in the Persian administrative region. This city, which served as the capital for two dynasties in the 14th century, produced a large number of works up until the late 16th century. Particularly during the 16th century, when Shiraz was governed by the Zu’lqadir governors, it became a hub for commercial prod

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16

Shalev-Eyni, Sarit. "Isaac's Sacrifice: Operation of Word and Image in Ashkenazi Religious Ceremonies." Entangled Religions 11, no. 3 (2020). http://dx.doi.org/10.46586/er.11.2020.8442.

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In the Ashkenazi public prayer domain, narratives and figures were limited to the illumination of large prayer books used by the cantor and smaller copies for private use, ordered by those members of the community who could afford them. Operation of word and image in this context enabled worshipers to interact with the human ancestors of the Jewish people and related fundamental biblical events perceived in the liturgy as ancestral merits. However, while the basic texts used in such collaborations were recited or sung by the cantor or believers and formed a consistent obligatory part of the li

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17

Petersen, Erik. "Suscipere digneris : Et fund og nogle hypoteser om Københavnerpsalteret Thott 143 2º og dets historie." Fund og Forskning i Det Kongelige Biblioteks Samlinger 50 (April 29, 2015). http://dx.doi.org/10.7146/fof.v50i0.41242.

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Erik Petersen: Suscipere digneris. A find and some hypotheses on the Copenhagen Psalter Thott 143 2° and its history. The Copenhagen Psalter Thott 143 2º has often, and rightly, been praised as an outstanding example of the subtlety and artistic quality of Romanesque art in manuscripts. Its illumination, the saints of its calendar and litany place it in an English context. Two added elements, an obituary notice on the death in 1272 of Eric duke of Jutland, son of the Danish king Abel, and a prayer of an anonymous woman, link the codex to Medieval Denmark and Scandinavia as well. Addressing the

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18

Bartlett, Alison. "Ambient Thinking: Or, Sweating over Theory." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.216.

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If Continental social theory emerges from a climate of intensely cold winters and short mild summers, how does Australia (or any nation defined by its large masses of aridity) function as an environment in which to produce critical theory and new knowledge? Climate and weather are intrinsic to ambience, but what impact might they have on the conditions of producing academic work? How is ambience relevant to thinking and writing and research? Is there an ambient epistemology? This paper argues that the ambient is an unacknowledged factor in the production of critical thinking, and draws on exam

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