Academic literature on the topic 'Mention manuscrite'
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Journal articles on the topic "Mention manuscrite"
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Calma, Dragos. "AL-ʿAQL DANS LA TRADITION LATINE DU LIBER DE CAUSIS". Arabic Sciences and Philosophy 31, № 1 (2021): 127–48. http://dx.doi.org/10.1017/s0957423920000107.
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RésuméL'article propose une première approche systématique de la tradition manuscrite du Liber de causis, en étudiant à la fois les variantes manuscrites et les difficultés doctrinales suscitées par la translittération de l'arabe al-ʿaql conservée dans la traduction latine. Certains médiévaux (tel Albert le Grand) l'entendent comme un concept sans équivalent en latin, forgé par des philosophes arabes dont on ignore tout. D'autres médiévaux (tels Thomas d'Aquin et Gilles de Rome), qui ont probablement connu une branche différente de la tradition manuscrite du Liber de causis, n'en font aucune mention. En examinant cent dix manuscrits latins du Liber de causis (sur deux cent soixantecinq actuellement connus), on constate de nombreuses variations tant pour la présence de cette translittération dans les propositions du texte que pour les formes et les graphies (alatyr, alachili, adlahic, etc.). Cette analyse permet de comprendre tant la position d'Albert que la grande diversité, jusqu’à présent insoupçonnée, de la transmission du Liber de causis dans le monde latin.
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McAulay, Karen E. "Nineteenth-Century Dundonian Flute Manuscripts Found at the Royal Scottish Academy of Music and Drama." Royal Musical Association Research Chronicle 38 (2005): 99–141. http://dx.doi.org/10.1080/14723808.2005.10541010.
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Early in 2002, three nineteenth-century Scottish flute manuscripts came to light in the Whittaker Library at the Royal Scottish Academy of Music and Drama (RSAMD). The manuscripts are inscribed with the name of James Simpson of Dundee. The two slimmer volumes are dated 1828 and 1830. The third undated manuscript is a more handsomely bound volume and, judging by the content and handwriting, was likely to have been started at around the same time. Each manuscript consists almost entirely of flute duets and trios, and untexted psalm tunes for three and four voices. The history of the manuscripts is unknown, but it can be deduced that they were acquired by the RSAMD sometime after 1958. The manuscripts offer a colourful ‘snapshot’ of music-making in Dundee in the nineteenth century, with their cross-section of Scottish tunes and more widely-used drawing-room music, not to mention their church connections.
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Degórski, Bazyli. "Kodeks Basilicanus A. 6 (alias e) a rodzina „Q” rękopiśmiennego przekazu "Vita Sancti Pauli Primi Eremitae" św. Hieronima." Vox Patrum 56 (December 15, 2011): 485–93. http://dx.doi.org/10.31743/vp.4239.
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The essay aims at continuing and completing our previous research concerning the manuscript tradition of the Vita Sancti Pauli Primi Eremitae of St. Jerome. The Basilicanus A.6 (alias E) manuscript, kept in the Vatican Apostolic Library (Archives of the Chapter of St. Peter’s in the Vatican), contains the whole text of the Vita Sancti Pauli Primi Eremitae of St. Jerome – though A. Poncelet places it among the unfinished manuscripts of the works of St. Jerome, while neither J.F. Cherf nor W.A. Oldfather make mention of it. The Basilicanus A. 6 (alias E) manuscript belongs to the „Q” family of the manuscript tradition of the Vita Sancti Pauli Primi Eremitae, established by J.F. Cherf, insofar as it possesses all the variations which are shared solely by the manuscripts codes belonging to this group. On a more technical level, this manuscript belongs to the first subgroup of the „Q” family, since it shares with it all the specific variations. As far as the manuscripts constituting the subgroup of the „Q” family are concerned, the Basilicanus A. 6 is more closely linked to the Vaticanus Latinus 1194 code rather than with the two remaining codes of the subgroup, namely the Vaticanus Latinus 5772 and the Vaticanus Latinus 6075. Nevertheless, the Basilicanus A. 6 cannot directly derive from the Vaticanus Latinus 1194, because it does not always coincide with it, and because it presents some meaningful additions, which are not found in the Vaticanus Latinus 1194.
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Charteris, Richard. "Two Little-Known Music Manuscripts in Augsburg with Works by Giovanni Gabrieli and his Contemporaries." Royal Musical Association Research Chronicle 23 (1990): 125–36. http://dx.doi.org/10.1080/14723808.1990.10540938.
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This article is concerned with two manuscripts in the Staats- und Stadtbibliothek in Augsburg (Tonkunst Schletterer 200a and 219) which until now have been virtually overlooked by other scholars. Clytus Gottwald's catalogue Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg (Wiesbaden, 1974) does not mention them, even though they have been in the library for many decades. They were known to Hans Michael Schletterer, who briefly referred to them in his Katalog der in der Kreis- und Stadtbibliothek, dem staedtischen Archive und der Bibliothek des Historischen Vereins zu Augsburg befindlichen Musikwerke (Berlin, 1878), pp. 59 and 113, hot as one might expect in the section on music manuscripts, but in his catalogue of early music prints. The reason for this is simple: Tonkunst Schletterer 200a is a manuscript shelved with a closely related set of early printed partbooks, while Tonkunst Schletterer 219 is a single volume comprising an early print bound with manuscript music.
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Cirkovic, Sima. "Domentijanova prosopografija." Zbornik radova Vizantoloskog instituta, no. 45 (2008): 141–55. http://dx.doi.org/10.2298/zrvi0845141c.
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(francuski) L'identification des personnes mentionn?es par leur nom dans les textes des Vies de saint Simeon et saint Sava par Domentijan sert de pr?texte a une critique de la tradition manuscrite de ces deux ?uvres. On suit l'apparition de ces m?mes noms dans les ?crits tardifs ayant repris les deux textes de Domentijan (anciennes chroniques serbes et g?n?alogies). Il s'efforce d'expliquer les raisons pour lesquelles on en arrive dans les manuscrits divers de cet auteur, par ailleurs bien informe, a une confusion s'agissant du patriarche qui a ordonne Sava le premier archev?que. Dans certains manuscrits figurent le nom de Germain II (1220-1240), qui n'?tait pas contemporain de Theodore Lascaris, et dans d'autres celui de Manuel Ier (1217-1222) qui a effectivement participe a l'ordination de Sava. Enfin, on commente les donn?es chronologiques sur l'ordination dans les textes des ?poques plus tardives. .
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Anderson, Andrew A., and Nigel Dennis. "The manuscript of Lorca's ‘Tu infancia en Menton’." Bulletin of Spanish Studies 82, no. 2 (2005): 181–204. http://dx.doi.org/10.1080/1475382052000342040.
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Rosmer, Stefan. "A new manuscript containing 'Fundamentum artium' Ein neuer Textzeuge zu 'Fundamentum artium'." Zeitschrift fuer deutsches Altertum und Literatur 150, no. 2 (2021): 226–34. http://dx.doi.org/10.3813/zfda-2021-0008.
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This article introduces a formerly unknown copy of the Latin stanza 'Fundamentum artium', which is elsewhere ascribed to The Marner, a poet from the 13 th century. Its text is transmitted in the manuscript D II from the Archive of the Prague Castle, Library of the Metropolitan Chapter on fol. 95vb, dating from the second half of the 14 th century. The article provides information about the manuscript – mostly based on the catalogue by Patera and Podlaha – and briefly discusses two colophons on fol. 95v. In one, a scribe named Conradus mentions himself. The new document is then situated within the other three manuscripts containing 'Fundamentum artium'. The article is concluded with a transcription with the variants from the other manuscripts. Although the textual quality of 'Fundamentum artium' is rather poor in this manuscript, the copy affords valuable insights into the transmission and reception of the stanza in the 14 th century outside of a song book resp. a song collection. Vorgestellt wird ein bisher unbekannt gebliebener Textzeuge von 'Fundamentum artium'. Der Text des lateinischen Sangspruchs ist auch in der Handschrift Prag, Archiv der Burg, Bibliothek des Metropolitankapitels, D II, Bl. 95vb überliefert. Der Beitrag informiert auf Grundlage des Katalogs knapp über die Handschrift und erörtert kurz zwei Kolophone auf Bl. 95v; in einem von ihnen nennt sich ein Schreiber Conradus. Der Neufund wird im Kontext der bisher bekannten Überlieferung situiert, eine Transkription mit den Lesarten der übrigen Handschriften steht am Ende. Der Neufund zeigt, dass die Strophe mit dem Artes-Katalog im 14. Jahrhundert auch außerhalb von Liedsammlungen rezipiert und tradiert wurde.
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Emese, Egedi-Kovács. "A Barlám-Regény Kódexképei És Címsorai (Cod. Athon. Iviron 463)." Antik Tanulmányok 64, no. 2 (2020): 203–26. http://dx.doi.org/10.1556/092.2020.00014.
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A tanulmány az Athós-hegyi Iviron 463-as jelzetű kétnyelvű (ógörög-ófrancia) bizánci kézirat különféle rétegeinek (ógörög főszöveg, miniatúrák, lapszélen szereplő ófrancia fordítás, ófrancia címsorok) összefüggéseit vizsgálja újabb megközelítésből, korábban nem vizsgált szempontok bevonásával: a miniatúrák és az ófrancia szövegben szereplő piros tintával kiemelt címsorok közötti kapcsolat feltárásával. A tanulmány a Barlám-regény görög változatait megőrző kódexek – ivironi kézirat szempontjából fontos – magyarázó címeit is áttekinti, a kéziratok közötti közös elemeket vizsgálja. Az elemzés az ivironi kódex készítésének körülményeivel kapcsolatban újabb fontos összefüggésekre világít rá.The study examines the relations between different aspects (Ancient Greek main text, miniatures, Old French translation on the margins, Old French headlines) of the manuscript Iviron № 463, which is a bilingual (Ancient Greek-Old French) Byzantine manuscript kept on Mount Athos, from a new perspective by including formerly not investigated viewpoints: by exploring the relationship between the miniatures and the headlines that are highlighted by red ink in the Old French text. The study also mentions the explanatory inscriptions in codices that preserved the Greek versions of the Barlaam-romance and are relevant in connection with the Iviron manuscript, furthermore, it investigates the common features of the manuscripts. The analysis reveals new important relations regarding the circumstances of the creation of codex Iviron.
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Gordova, Yuliana Yur’evna. "RYAZAN TOPONYMS MENTIONED IN THE RUSSIAN ANCIENT MANUSCRIPTS." Philological Sciences. Issues of Theory and Practice, no. 12-1 (December 2018): 110–15. http://dx.doi.org/10.30853/filnauki.2018-12-1.23.
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Dănilă, Irina Zamfira. "Romanian-Greek manuscript inventory number 27 Anthology – An Account of the activity of the copyist Chiril Monahul from Bisericani Monastery (Neamt County)." Artes. Journal of Musicology 24, no. 1 (2021): 300–320. http://dx.doi.org/10.2478/ajm-2021-0018.
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Abstract This paper is a fraction of an ampler project aimed at classifying and studying the entire collection of musical manuscripts from the “Dumitru Stăniloae” Ecumenical Library of the Metropolitan Church of Moldavia and Bukovina of Iasi. This documentary collection consists of a number of 32 musical manuscripts, in Chrysantine notation mainly originating from the 19th century. Manuscript 27 was created in 1846 by Cyril the Monk from the Bisericani Monastery (Neamt county) – he was a psalter, composer and copyist of great talent. He wrote other two manuscripts, ms. inventory numbers 23 and 31/49, which are in the “Dumitru Stăniloae” Ecumenical Library of the Metropolitan Church of Moldavia and Bukovina of Iasi. His own creation (with the mention “by the writer”) in Ms. 27 contains the first psalm, Blessed is the man in the plagal of the 4th mode, the troparia God is with us in the plagal of the 4th mode, the polyeleos Good word in the 4th mode legetos, the doxastikon of the Easter, The day of Ressurection, the plagal of the 1st mode and two heirmoi of the Holy Week. These are chants that are remarkable through their fluidity and expressiveness, as they retain the specific psaltic melodic formulas and reveal a balanced analytical musical writing. The liturgical music in Manuscript 27 consists of various chants, from those performed during the Vespers to the Matin and the Liturgy. Following analysis of the manuscript’s repertoire, I discovered that the main source of Ms. 27 is the first three volumes of the Anthology by Nektarios Frimu, published in Neamț (3rd volume, 1840) and Iași (1st and 2nd volume, 1846). Cyril the Monk, the copyist of Ms. 27, selected works from these sources, and introduced along the self-authored chants mentioned earlier, chants by other lesser-known authors, such as Nechifor (The Blessings of the Ressurection, the plagal of 1st mode in Greek) and Calinic (troparia from the chant Lord is with us, the plagal of the 4th mode in Romanian and the polyeleos The Lord’s servants, the plagal of the 2nd mode, in Greek). Besides, among the chants in Romanian, the manuscript records chants in Greek (by established Greek authors), which are proof of the continuous practice of the Greek chanting in Moldavia, long with that in Romanian, in the period before the Reforms (1863-1864) introduced by Alexandru Ioan Cuza, the ruler of the Romanian Principalities.
Dissertations / Theses on the topic "Mention manuscrite"
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Majdanski, Delphine. "Les mentions manuscrites dans les contrats." Bordeaux 4, 1998. http://www.theses.fr/1998BOR40024.
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Avant de constituer un concept juridique ou de faire reference a la notion d'ecrit ou d'ecriture. Le contrat a d'abord ete symbolise par un signe, une parole ou un simple echange de biens. L'expression d'une volonte libre et eclairee est toujours apparue comme l'un des fondements de sa validite. Le principe de l'autonomie de la volonte a ainsi entraine celui du consensualisme. Ce dernier se trouve en pratique attenue par les exigences que posent certaines regles de forme ou de preuve en rendant necessaire l'etablissement d'un contrat ecrit. C'est ainsi qu'apparaissent diverses mentions manuscrites dont l'influence sur le contrat, negotium comme instrumentum est variable. On releve l'existence de telles mentions des la haute antiquite. A l'heure actuelle, ces mentions manuscrites, parmi lesquelles la signature est la plus connues contribuent toutes a l'expression de la volonte des contractants et a la protection de leur consentement, mais certaines d'entre elles tendent davantage a l'expression du consentement des parties au contrat alors que les autres visent plus precisement la protection du consentement ainsi exprime. La signature apparait comme la mention manuscrite de base. Elle est notamment "completee" par des additions et des renvois, par la mention manuscrite de l'article 1326 du code civil, ou par les mentions manuscrites du droit de la consommation. Si l'apposition de telles mentions peut apparaitre justifiee en matiere d'actes sous seing prive, elle ne l'est pas s'agissant des actes authentiques. Dans un tel cas, le notaire eclaire suffisamment le debiteur sur la portee de son engagement et l'exigence d'une mention manuscrite dans un acte notarie, a l'exception de la signature, ferait double emploi. Il convient de rehabiliter la valeur de la signature, mention manuscrite "supreme", qui devrait d'ailleurs etre la seule a figurer sur un acte instrumentaire, a l'exception de la mention manuscrite de l'article 1326 du code civil et des autres renvois et additions. Cette restauration doit s'imposer a l'heure de l'informatique ou le maintien et le developpement meme de mentions manuscrites complementaires ne sont plus que des concepts de protection depasses et ou le conseil apparait comme la valeur a fortifier pour permettre aux parties d'exprimer une volonte eclairee et fiable.
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Achour, Dehlila. "Cautionnement et droit des sociétés." Thesis, Lyon 3, 2011. http://www.theses.fr/2011LYO30065.
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À l’heure actuelle, le droit du cautionnement est une matière totalement désagrégée. Cet éclatement du droit du cautionnement provient essentiellement de l’abondance et de la superposition des textes : on ne compte plus les multiples interventions du législateur, ni les rebondissements jurisprudentiels. La matière aurait pu être simplifiée si elle avait bénéficié de la réforme du droit des sûretés avec l’ordonnance du 23 mars 2006. Mais il n’en est rien.Associée au droit des sociétés, cette matière en devient d’autant plus complexe. En droit des sociétés, le cautionnement est une garantie des plus répandues. Il constitue la plupart du temps, pour la société, un acte dangereux car il peut avoir des conséquences préjudiciables pour celle-Ci. En même temps, la réglementation doit garder une certaine souplesse afin de respecter les exigences de rapidité de la vie des affaires. Cette conciliation est délicate à réaliser.Cette étude se propose d’appréhender le lien existant entre le cautionnement et les règles du droit des sociétés. Pour mener à bien cette entreprise, il convenait d’envisager le sujet sous deux angles, à savoir d’une part le cautionnement donné par une société, et d’autre part, celui consenti au profit d’une personne morale.Un tel cautionnement qu’il soit donné par une société, ou en sa faveur, est de nature à soulever des difficultés au regard des principes gouvernant le droit des sociétés. C’est pourquoi, certaines règles ont été fixées. Le cautionnement se trouve ainsi gouverné par des règles de droit des sociétés spécifiques, au-Delà des règles de droit commun qui le régissent. Mais cela passe également par l’exploitation du formalisme supposé protéger la caution personne physique, les obligations du créancier telles que l’obligation d’information, de mise en garde, le principe de proportionnalité…Si la loi Dutreil a échoué dans son impératif de cohésion et de simplification du droit du cautionnement, peut-On dire que l’avenir est à une unification des différentes législations relatives au cautionnement ?<br>At present, surety law is a matter that has totally been breaking apart. This fragmentation of surety law is mainly due to the abundance and overlapping of legislative acts: there are more interventions on the part of the legislator, more jurisprudential developments than we can count. The matter could have be simplified, had it benefited from the reform of security law in accordance with the order of 23 March 2006. But that was not the case.In relation to corporate law, the subject is becoming even more complex. In corporate law, surety is the most widespread guarantee. To a company it represents, most of the time, an unsafe act because it may suffer adverse consequences from it. At the same time, regulation should retain some flexibility to meet the speed requirements of the business world. This is a delicate balance to achieve.This study aims at grasping the relationship between surety and the rules of corporate law. To carry out this undertaking, it was appropriate to consider the subject from two different angles, namely the surety bond as it is issued by a company, and that as granted for the benefit of a legal person.Such guarantee whether it is granted by a company or to it, is liable to give rise to difficulties with regard to the principles governing corporate law. Which explains why certain rules have been set. The guarantee is therefore governed by specific corporate rules that transcend the common law rules made to that effect. But it also involves meeting the formal requirements designed to protect the individual guarantor, and binding the creditor to obligations such as the duty of disclosure, duty of warning, the principle of proportionality ...If the Dutreil law has failed to observe the requirements of cohesion and simplification of surety law, can we therefore say that the future is dependent on a unification of the various laws pertaining to surety?
Books on the topic "Mention manuscrite"
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Majdanski, Delphine. La signature et les mentions manuscrites: Dans les contrats. Presses universitaires de Bordeaux, 2000.
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Gallagher, Edmon L., and John D. Meade. Selected Greek, Syriac, Latin, and Hebrew Manuscripts. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198792499.003.0006.
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In this chapter, we contextualize the data of the canon lists further by listing the contents of significant manuscripts in the Greek, Syriac, Latin, and Hebrew traditions. These manuscripts help the reader further understand the problems raised by the lists themselves. For example, a typical canon list will only mention ‘Daniel’, but the manuscripts clarify that under this title were also included the books of Susanna and Bel and the Dragon. When the lists and the manuscripts are read and analysed together, the reader can further conceptualize the contents of the canon. Furthermore, a codex typically contains more books than the normal canon list catalogues. This means that the codex does not equal the canon, putting into relief the narrow contents of the lists against the background of wider manuscript contents.
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Morris, Larry E. A Documentary History of the Book of Mormon. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190699093.001.0001.
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This book includes key documents, along with annotation, related to the origin of the Book of Mormon, from Joseph Smith’s first mention of the gold plates to the book’s publication in 1830. Smith claimed that on the night of September 21–22, 1823, an angel, later identified as Moroni, appeared to him and informed him of an ancient record, inscribed on gold plates, buried in the nearby Hill Cumorah. Smith finally obtained the plates in 1827, and, assisted by Martin Harris, began translating in 1828. After Harris lost the first 116 pages of the manuscript, however, translation essentially ceased until 1829, when Oliver Cowdery arrived on the scene. The Book of Mormon, considered scripture by believers, was finally published in Palmyra, New York, in 1830. Key topics discussed in both introductions and endnotes include the question of whether Smith’s story of the angel actually originated as a treasure-seeking yarn, whether the gold plates actually existed, and whether the testimonies of the three witnesses and eight witnesses count as historical evidence.
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Dewar, Jacqueline M. The Final Step for Doing SoTL. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821212.003.0009.
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Chapter 8 provides information and resources for completing a scholarship of teaching and learning (SoTL) project. These include why it is a good idea to have one or more collaborators when doing SoTL, and where to find them, as well as sources of support and possible venues for dissemination. It describes the benefits of having a “critical friend” to act as a peer mentor. It details a variety of factors to consider when choosing a conference to present a paper. It also offers advice for choosing a journal, completing a manuscript for publication, and responding to reviews or rejection. In addition to conference papers and journal publications, the chapter describes several other options for going public.
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Mitchell Sommers, Susan. Ebenezer Sibly’s Wondrous Library. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190687328.003.0014.
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Scholars of esotericism often cite Ebenezer Sibly as a key figure in the transmission of early modern knowledge of the arcane to its “rediscovery” in the nineteenth century. Their explanation of his importance focuses on his “wondrous library” of scarce books and manuscripts. In fact, his library is mentioned in his will, but its omission from his probate inventory invites a reappraisal of the traditional account. What happened to the library? If it existed, what did it contain? This chapter reconstructs the contents of the library and draws some conclusions about how essential it was for Sibly’s reputation as a transmitter of early modern esotericism. The absence of a physical library also leads to a refashioning of Sibly’s role in the esoteric revival. He emerges not as a guardian of ancient books, but as the compiler of An Illustration, which, published affordably in numbers, helped build a broad readership for astrology.
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Beg, Mirza Sangin. This Is an Abridged Account of Delhi Which Is an Old City and One of the Chosen Ones amongst the Cities. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199477739.003.0002.
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The second part of the translation has three segments. The first is dedicated to the history of Delhi from the time of the Mahabharat to the periods of Anangpal Tomar to the Mughal Emperor Humayun as also Sher Shah, the Afghan ruler. In the second and third segments Mirza Sangin Beg adroitly navigates between twin centres of power in the city. He writes about Qila Mubarak, or the Red Fort, and gives an account of the several buildings inside it and the cost of construction of the same. He ambles into the precincts and mentions the buildings constructed by Shahjahan and other rulers, associating them with some specific inmates of the fort and the functions performed within them. When the author takes a walk in the city of Shahjahanabad, he writes of numerous residents, habitations of rich, poor, and ordinary people, their mansions and localities, general and specialized bazars, the in different skills practised areas, places of worship and revelry, processions exemplifying popular culture and local traditions, and institutions that had a resonance in other cultures. The Berlin manuscript gives generous details of the officials of the English East India Company, both native and foreign, their professions, and work spaces. Mirza Sangin Beg addresses the issue of qaum most unselfconsciously and amorphously.
Book chapters on the topic "Mention manuscrite"
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"Manuscripts Mentioned." In Medieval Supposition Theory Revisited. BRILL, 2013. http://dx.doi.org/10.1163/9789004260238_027.
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"Manuscripts Mentioned." In The Career and Writings of Demetrius Kydones. BRILL, 2010. http://dx.doi.org/10.1163/ej.9789004185654.i-296.45.
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Mansutti, Sara. "«Con un altro piccolo Indice in 4° bislungo»." In Printing R-Evolution and Society 1450-1500. Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-332-8/021.
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In the Marciana library the pressmark Classe XI, 45 (7439), as is well known, stands for Francesco de Madiis’s Zornale. What is less well known is that it actually refers to two manuscripts. Together with the Zornale, usually placed inside the front cover, is kept another, much smaller, manuscript list of books. The records of the library showed that the two documents arrived together in 1812, after their discovery in the attics of Palazzo Ducale. So far the second manuscript has not drawn the attention of scholars and no study on the Zornale has ever mentioned it; the relationship between the two is nevertheless worth clarifying. The manuscript, a quarto in agenda format, consists of sixteen leaves and the list is composed of 262 entries, among which there are 235 printed books. Its transcription and analysis allow the identification of the books and, in some cases, of the editions, revealing the presence of a significant number of books printed beyond the Alps, most of which are related to the Reformation, thus giving a clue to the identity of the owner, as well as a date, showing that the list could not have been written earlier than 1543.
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"List of the manuscripts mentioned in this study." In Visual Aspects of Scribal Culture in Ashkenaz. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110574418-010.
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"Pars Secunda de Naturâ et Origine Mentis." In The Vatican Manuscript of Spinoza’s Ethica. BRILL, 2011. http://dx.doi.org/10.1163/9789004210578_009.
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Jefferson, Ann. "The Elephant’s Child, 1947–49." In Nathalie Sarraute. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691197876.003.0017.
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This chapter talks about the completion of Nathalie Sarraute's manuscript on “Portrait of an Unknown Man,” which she delivered to Simone de Beauvoir at the Café de Flore. It mentions how Beauvoir took Nathalie's manuscript to Jean Paulhan instead of Camus, making it the third time that Nathalie's manuscript was submitted to Paulhan's editorial scrutiny and eventually rejected. It also recounts Jean-Paul Sartre's composition of the preface for the “Portrait of an Unknown Man” as he realized Nathalie would have problems convincing a publisher to take it. The chapter describes the personal animus between Nathalie and Beauvoir that gradually hardened into outright hostility. It discloses how Nathalie was particularly sensitive to the unequal nature of her relations with Beauvoir and confronted her after she delivered her manuscript to Paulhan.
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Hochberg, Michael. "The Cover Letter." In An Editor's Guide to Writing and Publishing Science. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198804789.003.0018.
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Many view the cover letter as a nuisance that must be dealt with when a manuscript is submitted. Some journals make no mention of specific requirements for the letter; others not only require it, but also have specific guidelines. The cover letter is the opportunity to speak directly to the editor with the goal of convincing her to send your paper out for review. This chapter discusses the importance of the cover letter and its essential elements.
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Schor, Adam M. "The Letter Collection of Theodoret of Cyrrhus." In Late Antique Letter Collections. University of California Press, 2016. http://dx.doi.org/10.1525/california/9780520281448.003.0019.
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Of the 233 letters directly attributed to Theodoret and the 22 that he likely co-wrote, 61 are preserved amid various records, whereas the rest survive in two single-author texts: Sirmondiana and Patmensis. How Theodoret’s letters were first gathered remains opaque. Theodoret never mentions assembling his letters, but it is likely that his office archived the letters he received and sent. Our ignorance about Theodoret’s letter archive extends to its early transmission, and no manuscripts of his letters predate 1000 CE. It is reasonable to assume that medieval collators and collectors crafted Theodoret’s two surviving collections, which were drawn from a larger archive that may have coalesced in Constantinople. These manuscripts supplied rhetorical models to medieval epistolographers, but they also constructed Theodoret as a sympathetic figure worthy of memory.
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"Introduction." In War Matters, edited by Joan E. Cashin. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469643205.003.0001.
Full textAbstract:
Most historians of the Civil War era have neglected material culture studies, but the field has a great deal to offer to scholars. Numerous relics survive from the time period, and they can be found in museums, historical societies, and state archives; they are also mentioned frequently in the manuscripts. People who lived through the war used objects to convey a host of powerful cultural messages about their experiences.
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Rosman, Moshe. "More Besht Correspondence." In Founder of Hasidism. Liverpool University Press, 2013. http://dx.doi.org/10.3828/liverpool/9781906764449.003.0010.
Full textAbstract:
This chapter talks about a collection of hagiographic stories about the Besht and his associates called the Shivhei Ha-Besht. It mentions Dov Ber of Ilintsy, the compiler, who included five citations from letters that the Ba’al Shem Tov wrote in the Shivhei Ha-Besht. The fifth quotation, unlike the other four cases, is where Dov Ber indicated that he was copying, not what someone had told him, but what he saw in a manuscript copy of the letter. The chapter points out how neither Dubnow nor Scholem presented the letter in their discussions of the Besht’s views on asceticism. Yet the letter to Jacob Joseph of Polonne provides a clear and reliable statement of the Besht’s antiasceticism.
Conference papers on the topic "Mention manuscrite"
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Penna, Pedro A. A., and Nelson D. A. Mascarenhas. "Speckle Denoising With NL Filter and Stochastic Distances Under the Haar Wavelet Domain." In XXXII Conference on Graphics, Patterns and Images. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sibgrapi.est.2019.8307.
Full textAbstract:
Synthetic aperture radar SAR imaging systems have a coherent processing that causes the appearance of the multiplicative speckle noise. This noise gives a granular appearance to the terrestrial surface scene impairing its interpretation. The similarity between patches approach is applied by the current state-of-the-art filters in remote sensing area. The goal of this manuscript is to present a method to transform the non-local means (NLM) algorithm capable to mitigate the noise. Singlelook speckle and the NLM under the Haar wavelet domain are considered in our research with intensity SAR images. To achieve our goal, we used the Exponential-Polynomial (EP) and Gamma distributions to describe the Haar coefficients. Also, stochastic distances based on these two mentioned distributions were formulated and embedded in the original NLM technique. Finally, we present analyses and comparisons of real scenarios to demonstrate the competitive performance of the proposed method with some recent filters of the literature.
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Bernardin, John D., Kyle Ferguson, David Sattler, and Seung-Jun Kim. "The Design, Analysis, and Fabrication of an Additively Manufactured Twisted Tube Heat Exchanger." In ASME 2017 Heat Transfer Summer Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/ht2017-4866.
Full textAbstract:
The rapid development of Additive Manufacturing (AM) technologies has provided engineers with new methods to design and fabricate complex mechanisms. AM offers unique methods to allow for integration and simplification of components, reduced manufacturing time, fabrication of complex-shaped objects, improvements upon existing designs, and extending the creative design space which engineers rely on for ingenuity. For many applications, heat exchanger performance can be improved by reducing its size, increasing the overall heat transfer coefficient and surface area, and making more efficient use of the mechanical structure for heat exchange. Traditional manufacturing often limits or prohibits many of these enhancements due to increased manufacturing and assembly costs. This study explored using AM to design and fabricate a compact twisted tube stainless steel shell and tube heat exchanger that would improve upon all of the features just mentioned. This paper discusses the design of the heat exchanger and the AM technique used to fabricate a prototype. The manuscript will show via CFD analyses, how the heat transfer area of the unit was improved 18% and the overall heat transfer coefficient as increased by 40% over a traditional round tube heat exchanger with an identical footprint. Further, the study will show how AM was leveraged to combine five manufacturing steps into one to fabricate a prototype, fully functional twisted tube heat exchanger.