Relevant bibliographies by topics / Merano (Italy). Museo civico

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Academic literature on the topic 'Merano (Italy). Museo civico'

Author: Grafiati
Published: 26 July 2024
Last updated: 27 July 2024

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Journal articles on the topic "Merano (Italy). Museo civico"

1

FOLCO, Luigi, Fabio PERI, and Federico PEZZOTTA. "The meteorite collection of the Civico Planetario and the Museo Civico di Storia Naturale in Milan, Italy." Meteoritics & Planetary Science 37, S12 (December 2002): B95—B103. http://dx.doi.org/10.1111/j.1945-5100.2002.tb00908.x.

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Condorelli, F., and J. Bonetto. "3D DIGITALIZATION AND VISUALIZATION OF ARCHAEOLOGICAL ARTIFACTS WITH THE USE OF PHOTOGRAMMETRY AND VIRTUAL REALITY SYSTEM." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-2/W1-2022 (December 8, 2022): 51–57. http://dx.doi.org/10.5194/isprs-archives-xlviii-2-w1-2022-51-2022.

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Abstract. Digital technologies are increasingly being used in the field of archaeology to provide three-dimensional metric information to scholars and help them in the process of understanding and interpreting the site under investigation. Among different surveying methods certainly photogrammetry has many advantages being a low cost, reliable and fast technique, but most importantly it allows the creation of realistic and interactive 3D models that can be viewed and interpreted by a wider audience. This certainly makes the enjoyment of sites easier and makes data accessible from anywhere. This study shows three particularly significant case studies in the archaeological field where photogrammetry has served as support. These case studies are representative of specific situations in which archaeology requires digitization of artefacts. The first one concerns the Temple of Apollo in Gortyn (Crete, Greece), the second one is the ancient city of Nora (Sardinia, Italy) and the third one is the Museo Civico of Eremitani in Padua (Italy). The paper explains how 3D metric surveying has served for the representation and analysis of stratigraphic sections of buildings in the case of the Gortyn site, for the creation of virtual tours of archaeological sites in the case of Nora, and for the documentation and visualization of small artifacts in the case of the Museo Civico of Eremitani by highlighting potentials and criticalities of the method.
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Castiglia, Riccardo, and Spartaco Gippoliti. "Neotropical mammals in natural history collections and research in Rome, Italy." Boletim do Museu Paraense Emílio Goeldi - Ciências Naturais 15, no. 3 (December 22, 2020): 851–62. http://dx.doi.org/10.46357/bcnaturais.v15i3.254.

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The occurrence and the history of Neotropical mammal specimens in the collections of naturalistic museums in Rome, Italy, and their scientific utilization is here reviewed. These specimens belong to several scientific expeditions made after the discovery of the new Continent. The oldest specimens date back to the famous Museum of Athanasius Kircher at the Collegio Romano (1651) and to the Museo Zoologico della Università di Roma that was established inside the University of the Pontificial State (Archigymnasium) (1823). Many of these early specimens are now lost due to the complex history of Roman scientific museology, but some specimens are now available mainly in two institutions, the Museo Civico di Zoologia (established in 1932) and the Museo di Anatomia Comparata “Battista Grassi” of “Sapienza” University of Rome (1935). Among the numerous specimens, is noteworthy the presence of a hairy long-nosed armadillo, Dasypus pilosus, the first record in an Italian zoological collection and the 26th known specimen of this species in world museums. More recently, some Roman researchers have maintained a scientific interest for Neotropical mammals, including primates, with collaboration with South American mammalogists. A greater historical knowledge of scientific activities concerning the work of Italians researchers on Neotropical biodiversity should be pursued.
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DE ARAÚJO, MARCEL SANTOS, ANTONELLA DI PALMA, and REINALDO JOSÉ FAZZIO FERES. "A new species of Opilioacarus With, 1902 (Acari: Opilioacaridae) from Italy, and a new diagnosis of the genus." Zootaxa 4500, no. 1 (October 15, 2018): 135. http://dx.doi.org/10.11646/zootaxa.4500.1.9.

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No living Opilioacarus species have been described from Europe for more than a century since the first finding and species description in the early twentieth century. Using the material deposited in Museo Civico di Storia Naturale of Verona, Italy, it was possible to identify and describe a new Opilioacarus species and review the genus diagnosis, using the shape of setae d and setation of the preanal segment. The new species is also briefly compared with the other Opilioacarus species; Opilioacarus italicus (With, 1904) is considered a nomen dubium.
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FRICK, HOLGER, and MARCO ISAIA. "Comparative description of the Mediterranean erigonine spider Diplocephalus guidoi n. sp. (Araneae, Linyphiidae)." Zootaxa 3475, no. 1 (September 10, 2012): 65. http://dx.doi.org/10.11646/zootaxa.3475.1.6.

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MCSNB: Museo Civico di Scienze Naturali “E. Caffi”, Bergamo, Italy; NMBE: Natural History Museum of Bern, Switzerland; HF: Private Collection Holger Frick; MI: Private Collection Marco Isaia, stored at Life Science and System Biology, University of Turin. ALE: anterior lateral eyes; AME: anterior median eyes; ARP: anterior radical process; DP: dorsal plate; DSA: distal suprategular apophysis; E: embolus; EM: embolic membrane; ISA: inner suprategular apophysis; PC: paracymbium; PLE: posterior lateral eyes; PME: posterior median eyes; RTP: radical tailpiece; ST: subtegulum; T: tegulum; TmI: Trichobothrium on metatarsus I; VP: ventral plate.
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6

FIKÁČEK, MARTIN, and SAVERIO ROCCHI. "Cercyon hungaricus, a new junior subjective synonym of C. bononiensis (Coleoptera: Hydrophilidae)." Zootaxa 3616, no. 1 (February 18, 2013): 95–98. http://dx.doi.org/10.11646/zootaxa.3616.1.8.

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Cercyon bononiensis Chiesa, 1964 was described from two specimens collected in northern Italy in 1924–1925. For some time, these specimens were identified as C. inquinatus Wollaston, 1854. Only 40 years later, having examined the type of the latter species, Chiesa (1964) realized that the two specimens belonged to an undescribed species that he then described as Cercyon bononiensis. Based on the chagrined elytra mentioned in the original description, C. bononiensis has been placed in the Cercyon tristis group by subsequent authors. Recently, we examined a small number of Cercyon specimens from northern Italy and surprisingly found two specimens of C. hungaricus Endrödy-Younga, 1967, an easily recognizable member of the C. tristis group which was previously considered a Pannonian endemic by Fikáček et al. (2009) but was recently also found in northern Germany (Bäse 2010). The presence of this unusual species led us to question whether C. hungaricus might be conspecific with C. bononiensis. This was subsequently confirmed by the study of the types of both species. Here, we provide a summary of our studies and synonymize C. hungaricus with C. bononiensis. Examined specimens are deposited in the following collections: Hungarian Natural History Museum, Budapest, Hungary (HNHM), Museo Civico di Storia Naturale Milano, Italy (MSNM), collection of S. Rocchi at the Museo di Storia Naturale dell'Università di Firenze, Sezione di Zoologia "La Specola" (CRO).
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7

Fraticelli, Fulvio, and Carla Marangoni. "[The Great grey Shrike Lanius excubitor L. of the Arrigoni degli Oddi’s ornithological collection at the Museo Civico di Zoologia, Rome (Italy)]." Rivista Italiana di Ornitologia 88, no. 1 (December 5, 2018): 43–46. http://dx.doi.org/10.4081/rio.2018.405.

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[Lanius excubitor is a polymorphic species with 12 subspecies. In the last years the taxonomy of this species has been reviewed several times. According to the literature, in Italy Lanius excubitor is a regular migrator, wintering and irregular nesting, occurring with three subspecies: L. excubitor excubitor, L. e. homeyeri and L. e. sibiricus. This paper aims at reviewing the subspecies actually occurring in Italy by analyzing the specimens preserved in the Arrigoni degli Oddi’s collection at the Museo Civico di Zoologia in Rome (Italy). The morphometrics and colouring of 66 specimens were examined in relation to the most recent literature data. This review allowed to demonstrate that all specimens described as L. e. homeyeri in this collection have to be attributed to the nominate subspecies; only the specimen described as L. przelwaskii (now L. e. leucopterus) is a true L. e. homeyeri. According to these data, the ssp. homeyeri must be considered very rare in Italy, contrarily to some previously reported information. Specimens ascribed to L. borealis sibiricus do not show the characters of this subspecies, consequently they should not be included in the check list of Italian species.] [Article in Italian]
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GIPPOLITI, SPARTACO, and GIOVANNI AMORI. "A new species of mole-rat (Rodentia, Bathyergidae) from the Horn of Africa." Zootaxa 2918, no. 1 (June 15, 2011): 39. http://dx.doi.org/10.11646/zootaxa.2918.1.4.

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A new species of mole-rat with a striking colour pattern is described from a single mounted specimen in the historical collection of the ‘Museo Civico di Zoologia’ in Rome, Italy. The lack of skull and original collecting data does not allow the gathering of firm evidences about its taxonomic relationships, geographical range and ecological preferences. This taxon is provisionally allocated to the recently created genus Fukomys Kock, Ingram, Frabotta, Honeycutt and Burda 2006 on the grounds of pelage colour pattern and geographical origin. All the available evidence, including label and other fragmentary historical data, supports Fukomys ilariae sp. nov. as originating from the Lower Shebelle region near Mogadishu, Somalia, historically known as Benadir. This discovery highlights the relevance for biodiversity conservation of the Horn of Africa and the need of further faunistic research to describe its fauna.
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9

Botticelli, Michela, Costanza Miliani, Eva Luna Ravan, Claudia Caliri, and Francesco Paolo Romano. "Naples Yellow Revisited: Insights into Trades and Use in 17th-Century Sicily from the Macro X-ray Fluorescence Scanning of Matthias Stomer’s ‘The Mocking of Christ’." Heritage 7, no. 3 (February 24, 2024): 1188–201. http://dx.doi.org/10.3390/heritage7030057.

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In a recent non-destructive analytical campaign at Museo Civico, Castello Ursino, in Catania, Italy, several paintings in the permanent collection were investigated by MA-XRF scanning, with a special focus on Matthias Stomer’s production. On one depiction of the Mocking of Christ (ca. 1640) donated to the municipality of Catania by G.B. Finocchiaro in 1826, the analysis documented the use of Naples yellow. Sb with Pb was detected in yellow areas of the Mocking of Christ, but not in his work Tobias healing his father. This finding possibly suggested an early use of lead antimonate yellow in South Italy, although it is generally accepted that this pigment was introduced in painting in the eighteenth century. Further details on his technique and later conservation treatments are provided, as well as literary comparisons with the artistic production during the same period, in Sicily and elsewhere. A systematic study of Stomer’s works, for example examining paintings produced while he was in Naples or Rome, might determine whether this material choice depended on local availability. Overall, it would shed light on his technique, as well as on the history of Naples yellow in southern Italy and beyond, before this pigment became so popular in the eighteenth century.
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Agostino, Angelo, Eleonora Pellizzi, Maurizio Aceto, Simonetta Castronovo, Giovanna Saroni, and Monica Gulmini. "On the Hierarchical Use of Colourants in a 15th Century Book of Hours." Heritage 4, no. 3 (August 13, 2021): 1786–806. http://dx.doi.org/10.3390/heritage4030100.

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An illuminated Book of Hours (in use in Chalon-sur-Saône) currently owned by the Museo Civico di Arte Antica and displayed in the prestigious Palazzo Madama in Torino (Italy) was investigated by means of optical microscopy, fibre optic reflectance spectroscopy, fibre optic molecular fluorimetry, X-ray fluorescence spectrometry and Raman spectroscopy. The aim of the scientific survey was to expand the knowledge of the manuscript itself and on the materials and techniques employed by Antoine the Lonhy, the versatile itinerant artist who decorated the book in the 15th century. The focus was to reveal the original colourants and to investigate the pigments used in rough retouches which were visible in some of the miniatures. The investigation was carried out in situ by portable instruments according to a non-invasive analytical sequence previously developed. It was evident that the use of different pigments by the master was ruled, at least partially, by a hierarchical scheme in which more precious materials were linked to the most important characters or details in the painted scene.
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Books on the topic "Merano (Italy). Museo civico"

1

Reggiani, Anna Maria. Museo civico di Rieti. Roma: Quasar, 1990.

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2

Cleri, Bonita. Urbania, Casteldurante: Museo civico. Bologna: Calderini, 1998.

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3

Milan (Italy). Civico museo d'arte contemporanea., ed. Civico museo d'arte contemporanea. Milano: Electa, 1994.

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Matino, Lucia. CIMAC: Civico museo d'arte contemporanea. Milano: Electa, 1996.

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5

Pierluigi, De Vecchi, ed. Museo civico di Gualdo Tadino. Milano: Electa, 2000.

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civico, Camerino (Italy) Museo, ed. Il Museo civico archeologico di Camerino. Pescara: Carsa, 2002.

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Pintarelli, Silvia Spada. Bolzano: Museo civico, Sezione storico-artistica. Bologna: Calderini, 1995.

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8

Attenni, Luca. Alatri: Guida del Museo Civico. Napoli: Valtrend editore, 2020.

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Pierluigi, Leone De Castris, ed. Castel nuovo, il museo civico. Napoli: E. de Rosa, 1990.

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Gilberto, Ganzer, ed. Il Museo civico d'arte di Pordenone. Vicenza: Terra ferma, 2001.

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