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Dissertations / Theses on the topic 'Merchant of Venice'

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Published: 4 June 2021
Last updated: 27 July 2024

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1

Gambling, Stella. "Iconology in The Merchant of Venice." Thesis, University College London (University of London), 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325295.

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2

Rotenberg, Nitzan. "Aristotle in Venice: reconsidering plot and character in Shakespeare's The Merchant of Venice." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=97197.

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The Merchant of Venice's seemingly disconnected and interweaving plots contribute to the difficulty of assessing its characters and genre. The comic-tragic ambiguity of the character of Shylock only deepens this ambiguity. There is a precedent in the literature for looking to Aristotle and the Poetics to inform the study of the Shakespeare canon, but few have attempted to understand MV in terms of the taxonomy of ancient classical poetics. I attempt to do this, and find this approach very fruitful for addressing some of the problematic characteristics of the play, especially with regard to pl
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3

Ward, Caroline B. "The Value of Commerce in The Merchant of Venice." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1278.

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This thesis explores the pervasive role of commerce in Shakespeare’s comedy The Merchant of Venice, with a particular focus on the characters of Antonio, Bassanio, Shylock, and Portia, and the dual locales of Venice and Belmont. The way in which various characters engage in commerce is a reflection of their individual motives and affiliations. At the same time, the rhetoric of commerce, worth, and value colors the speech of various characters, and influences seemingly extra-commercial considerations such as identity, friendship, religion, socioeconomic status, and love. Ultimately, a close ana
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4

Ludwig, Carlos Roberto. "Mimesis of inwardeness in Shakespeare's drama : The Merchant of Venice." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/71936.

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Esta Tese de Doutorado tem por objetivo discutir a questão da mimesis da interioridade no Mercador de Veneza, de William Shakespeare. A pesquisa está embasada na obra Inwardness and Theater in the English Renaissance, de Maus (1995), e na obra Shakespeare Philosophy, de McGinn (2007), na crítica literária da peça. Maus apresenta a interioridade como um constructo social e cultural da Renascença Inglesa. Ela analisa a interioridade tomando como base a oposição entre aparências, consideradas falsas e enganosas na época, e interioridade, que era tida como manifestações sinceras e verdadeiras das
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5

Petherbridge, Steven. "Usury as a Human Problem in Shakespeare's Merchant of Venice." Thesis, North Dakota State University, 2017. https://hdl.handle.net/10365/28450.

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Shakespeare?s Shylock from the Merchant of Venice is a complex character who not only defies simple definition but also takes over a play in which he is not the titular character. How Shakespeare arrived at Shylock in the absence of a Jewish presence in early modern England, as well as what caused the playwright to humanize his villain when other playwrights had not is the subject of much debate. This thesis shows Shakespeare?s humanizing of Shylock as a blurring of the lines between Jews and Christians, and as such, a shift of usury from a uniquely Jewish problem to a human problem. This shif
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6

MONTANINO, FRANCESCA. "The Merchant of Venice sul palcoscenico della Storia. Interpretazioni regie riscritture." Doctoral thesis, Università di Siena, 2018. http://hdl.handle.net/11365/1051350.

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La mia ricerca analizza la storia scenica di The Merchant of Venice dal Settecento fino alla nostra contemporaneità. Nella schiera dei classici shakespeariani, il Merchant si colloca senza dubbio tra i più problematici: si tratta di certo di una delle commedie più rappresentate nel mondo, tuttavia il motivo principale della sua attrattività, e al tempo stesso la ragione delle sue complessità, non si ritrova negli elementi connotanti il genere a cui appartiene (trionfo dell’amore romantico sull’antagonista, equivoci, travestimenti e smascheramenti, ecc…), ma nelle ambiguità e contraddizioni che
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7

Rozmovits, Linda. "Private revenge, public punishment : the Merchant of Venice in England, 1870-1929." Thesis, University of Sussex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283108.

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8

Van, Pelt Deborah. ""I stand for sovereignty" : reading Portia in Shakespeare's The merchant of Venice." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002860.

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9

Caretta, Jessica <1992&gt. "Shakespeare’s The Merchant of Venice: from the play to three graphic novel adaptations." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21591.

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This Thesis examines three graphic novel adaptations of Shakespeare’s The Merchant of Venice to demonstrate their value as literary products and their possible use in class as effective pedagogical tools. Graphic novels encourage a more active and dynamic relationship between the author, the work, and the reader, proving to be a productive medium to visually adapt the Bard’s plays. The first Chapter serves a theoretical background, providing a definition of adaptation and of graphic novel, an overview of the latter’s main features, and of its respectable cultural and literary status. The devel
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10

Wambach, Amie Elisabeth. "Disabled Epistemologies: Failures of Knowledge and Care in Shakespeares's Merchant of Venice and Othello." BYU ScholarsArchive, 2021. https://scholarsarchive.byu.edu/etd/8969.

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The presence of disabled characters like blind Gobbo in The Merchant of Venice and epileptic Othello are handy physical metaphors for the failures of epistemology that occur in both plays. Disability is often construed as a sort of saboteur of knowledge—disability of all kinds inhibiting the ability to perceive the world as an abled person would. But disability also produces a new, necessary sort of knowledge in order to survive and thrive in an unaccommodating world. A disabled epistemology suggests that knowing is contingent on individual, specific experience of the world. Tied to this iss
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11

Conte, Carolina Siqueira. "Bond; a theory of appropriation for Shakespeare's The merchant of Venice realized in film." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1113337877.

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12

Van, Pelt Deborah. "“I Stand for Sovereignty”: Reading Portia in Shakespeare’s The Merchant of Venice." Scholar Commons, 2009. https://scholarcommons.usf.edu/etd/65.

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Portia serves as a complex and often underestimated character in William Shakespeare's controversial comedy The Merchant of Venice. Using the critical methodologies of New Historicism and feminism, this thesis explores Portia's representation of Elizabeth Tudor, Queen of England from 1558 to 1603. Striking similarities exist between character and Queen, including physical description, suitors, marriage issues, and rhetoric. In addition, the tripartite marriage at the play's conclusion among Portia, Bassanio, and Antonio represents the relationship Elizabeth Tudor formed between her merchant cl
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13

Bazzell, Jennifer Diane. "The Role of Women in The Merchant of Venice: Wives and Daughters Ahead of Their Time." Thesis, The University of Arizona, 2008. http://hdl.handle.net/10150/193464.

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This thesis explores the role of the female characters in Williams Shakespeare's play The Merchant of Venice. Through contextualizing the characters of Portia, Nerissa and Jessica within the world of early modern England, this study explores the ways in which these characters do not conform to traditional Renaissance values regarding the role of women as daughters and wives. By using historical documents such as behavioral manuals, sermons, and "defenses" of women from the late sixteenth and seventeenth century, this thesis explores the ways in which Shakespeare's female characters challenge
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14

Stehr, Claudia. "Shakespeare as transcultural narrative : Te tangata Whai rawa o Weniti = The Māori Merchant of Venice /." e-Book (PDF), 2006. http://www.library.auckland.ac.nz/eproducts/ebooks/Shakespeareastransculturalnarrative.pdf.

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Thesis (MA)--Technischen Universität Carolo-Wilhelmina zu Braunschweig, 2006.<br>Title from PDF cover (viewed on 5 October, 2007 ). "Magisterarbeit zur Erlangung des Magistergrades (M.A.) am Fachbereich für Geistes- und Erziehungswissenschaften".
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15

Eutan, Sharon. "Authenticity and innovation : Shakespeare's scobe 1997-2003, with particular reference to The Merchant of Venice." Thesis, University of London, 2010. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514198.

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16

Green, Bryony Rose Humphries. "A book history study of Michael Radford's filmic production William Shakespeare's The Merchant of Venice." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1710/.

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Conte, Carolina Siqueira. "Bonds: A Theory Of Appropriation For Shakespeare’s The Merchant Of Venice Realized In Film." Ohio University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1113337877.

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18

Van, Niekerk Marthinus Christoffel. "Shakespearian play deconstructive readings of The merchant of Venice, the tempest, Measure for measure and Hamlet /." Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-11092004-115656/.

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19

Battell, Sophie. "Hospitality in Shakespeare : the case of the Merchant of Venice, Troilus and Cressida and Timon of Athens." Thesis, Cardiff University, 2017. http://orca.cf.ac.uk/108599/.

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This thesis analyses hospitality in three of Shakespeare’s plays: The Merchant of Venice (c.1596-7), Troilus and Cressida (c. 1601-2) and Timon of Athens (c. 1606-7). It draws on ideas from Derrida and other recent theorists to argue that Shakespeare treats hospitality as the site of urgent ethical inquiry. Far more than a mechanical part of the stage business that brings characters on and off the performance space and into contact with one another, hospitality is allied to the darker visions of these troubling plays. Hospitality is a means by which Shakespeare confronts ideas about death and
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20

Pasqualetto, Giulia <1988&gt. "I canali distributivi nel mercato della cosmetica: la scelta del franchising : il caso “The Merchant of Venice”." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/5135.

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La tesi è incentrata sullo studio degli elementi/strumenti che caratterizzano la scelta del canale distributivo del settore cosmetico, con particolare attenzione al sistema franchising. format distributivo selezionato perché parte della strategia distributiva in via di sviluppo dell'azienda in studio, The Merchant of Venice srl
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21

Gabbard, Alexandra Lauren Correa. "The demonization of the Jew in Chaucer's "The Prioress's Tale," Shakespeare's The merchant of Venice and Scott's Ivanhoe." Universidade Federal de Minas Gerais, 2011. http://hdl.handle.net/1843/ECAP-8GCQNM.

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This thesis examines the issue of anti-Semitism throughout three different eras in chosen classics of the English literature- 'The Prioress's Tale' from the Canterbury Tales, The Merchant of Venice and Ivanhoe- comparing and contrasting the demonization of the Jewish characters present in the texts. By examining the three texts, I intend to show the evolution of the demonization of Jews in literature throughout different periods in history. The historical and cultural aspects of the works will be taken into consideration, for anti-Semitism can be clearly traced as an ideology built throughout
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22

Lindner, Jakob. "“When shall we laugh?”: Gratiano and the two faces of comedy in William Shakespeare’s The Merchant of Venice." Thesis, Stockholms universitet, Engelska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-170753.

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Comedy is an inherently pleasurable phenomenon with beneficial psychological functions, but its potential to bring on undesirable and socially destabilizing consequences is less intuitively obvious. In this essay, I argue that one of the hitherto under-recognized features of William Shakespeare’s The Merchant of Venice is its covert problematization of the phenomenon of comedy itself, and that the play invites its audience to become more aware of in what situations laughter is constructive and appropriate. I apply psychological and cultural-historical theories of humor— specifically, Freudian
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23

Bedin, Arianna <1994&gt. "CONDIVISIONE DI SIGNIFICATI DI UN PRODOTTO CULTURE-BASED: UN INDAGINE SULLA PERCEZIONE DELLA LINEA “ THE MERCHANT OF VENICE” DI MAVIVE." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15822.

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Questo lavoro nasce dalla volontà di analizzare la valorizzazione di un business collegato a prodotti culture-based. In modo particolare, come l’azienda riesce a posizionarsi sul mercato offrendo prodotti che esaltino i saperi e la cultura e analizzando se il messaggio culturale proposto dall’impresa viene recepito nel modo corretto. La tesi è collegata ad un progetto di ricerca dell’università Ca’foscari di Venezia in collaborazione con l’azienda Mavive. Nella prima parte della tesi verrà esposta una parte teorica riguardante la definizione e le caratteristiche di un bene o servizio, la sens
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24

Burtin, Tatiana. "Figures de l’avarice et de l’usure dans les comédies : The Merchant of Venice de Shakespeare, Volpone de Jonson et L’Avare de Molière." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100136/document.

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L’émergence d’un « ‘esprit’ capitaliste » (Weber) en Angleterre et en France au tournant des XVIe-XVIIe siècles a favorisé la reconfiguration des rapports entre avaritia et cupiditas, qui déterminent tout le champ sémantique de l’usure et de l’intérêt. Cette thèse postule que cette évolution est sensible dans la comédie française et anglaise de l’époque, et plus particulièrement chez les grands dramaturges qui ont marqué l’imaginaire collectif en mettant en scène des personnages avares. À partir d’un type comique issu à la fois du théâtre antique et du canon religieux bien établi dans l’Occide
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25

Mngomezulu, Thulisile Fortunate. "Central women characters and their influence in Shakespeare, with particular reference to the Merchant of Venice, Macbeth, Julius Caesar and Antony and Cleopatra." Thesis, University of Zululand, 2009. http://hdl.handle.net/10530/1114.

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A dissertation submitted to the Faculty of Arts in partial fulfilment of the requirements for the degree of Master of Arts in the Department of English at the University of Zululand, South Africa, 2009.<br>Shakespeare portrayed women in his plays as people who should be valued. This is an opinion I held in the past, and one I still hold after intense reading of his works and that of authors such as Marlowe, Webster, Thomas Kyd and others. Shakespeare created his female characters out of a mixture of good and evil. When they interact with others, either the best or the worst in them is brought
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26

Beskin, Anna. "Good Girl, Bad Girl: The Role of Abigail and Jessica in The Jew of Malta and The Merchant of Venice." [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001900.

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27

Eward-Mangione, Angela. "A Maslovian approach to the motivations of Shakespeare's transvestite heroines in The Two Gentlemen of Verona, As You Like It, and The Merchant of Venice." [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002087.

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28

Miyasaki, Maren H. "The Covenant: How the Tension and Interpretation Within Puritan Covenant Doctrine Pushes Toward More Equality in English Marriage." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1962.

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The Puritans constituted a very vocal influential minority during the time of Shakespeare. One of their more interesting ideas was the doctrine of the covenant, which explained why a transcendent God would care for fallen human beings. God, for Puritans, voluntarily bound himself in a covenant to man. The interrelations of elements of grace and works make it difficult to interpret what a covenant should be like: more like a modern contract or more like a feudalistic promise system? Unlike a contract, God never ends the covenant even when humans disregard their commitment, but instead helps hum
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Shaheen, Yousef Sa'id. "The production of meaning and the mechanism of its change : language and theatrical materiality with specific reference to 'The Merchant of Venice', 'As You Like It' and 'Twelfth Night'." Thesis, University of Exeter, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363422.

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Wong, Yan Jenny. "The translatability of the religious dimension in Shakespeare from page to stage, from West to East : with reference to The Merchant of Venice in Mainland China, Hong Kong and Taiwan." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6240/.

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The research is a hermeneutic-cum-semiotic approach to the study of the translatability of religious language in a secular play, using The Merchant of Venice in China as a reference. Under the ”power turn” or “political turn” in translation studies, omissions and untranslatability of religious material are often seen as the product of censorship or self-censorship in the prevalent socio-political context. But the theology of each individual translating agent is often neglected as an important contributing factor to such untranslatability. This thesis offers a comprehensive approach in tracing
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31

Alsaai, Hayan Jomah. "A critical assessment of the translations of Shakespeare into Arabic : a close examination of the translations of three tragedies; Othello, Julius Caesar and Macbeth - and one Comedy; The Merchant of Venice." Thesis, SOAS, University of London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298787.

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32

Eward-Mangione, Angela. "A Maslovian Approach To The Motivations Of Shakespeare’s Transvestite Heroines In The Two Gentelmen Of Verona, As You Like It, and The Merchant of Venice." Scholar Commons, 2007. https://scholarcommons.usf.edu/etd/702.

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"Motivation" is the force that drives an individual to perform a certain action. Abraham Maslow (1908-1970), an American psychologist profoundly influenced by the existential and teleological paradigms, expounded a motivation theory that remains precise and replicable, as well as applicable to other spheres of study, including the humanities. Indeed, psychology experts and non-specialists are by and large familiar with Maslow's Pyramid of Human Needs. Moreover, despite the abundance of literary criticism that utilizes Freudian-based theory to analyze the motivations of literary characters, cri
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Basso, Ann Mccauley. "The Portia Project: The Heiress of Belmont on Stage and Screen." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3000.

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Abstract Until now, there has not been a performance history of The Merchant of Venice that focuses on Portia, the main character of the play. Although she has the most lines, the most stage time, and represents the nexus of the action, Portia has often been hidden in Shylock's shadow, and this dissertation seeks to bring her into the spotlight. The Portia Project is a contribution to literary and theatrical history; its primary goal is to provide a tool for scholars and teachers. Moreover, because of Merchant's notoriously problematic nature, the play invites different perspectives. By pres
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Beattie, Laura Isobel Helen. "Politics of community in Shakespeare's comic commonwealths." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/33052.

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This thesis explores the politics of community in five Shakespearean comedies: The Comedy of Errors (1594), The Merchant of Venice (1596-8), Measure for Measure (1603-4), The Tempest (1611) and The Two Noble Kinsmen (1613). The idea of community addresses many issues usually thought to belong to 'high politics'. Thinking about this topic therefore enables us to articulate a notion of the political firmly grounded within the functioning of the commonwealth at a local level and as a state of interpersonal relations. This thesis has three key aims. Firstly, it argues that the plays highlight the
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Harelik, Elizabeth A. "Shrews, Moneylenders, Soldiers, and Moors: Tackling Challenging Issues in Shakespeare for Young Audiences." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461187189.

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Major, Rafael M. "Wisdom and Law: Political Thought in Shakespeare's Comedies." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3277/.

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In this study of A Midsummer Night's Dream, The Merchant of Venice, and Measure for Measure I argue that the surface plots of these comedies point us to a philosophic understanding seldom discussed in either contemporary public discourse or in Shakespearean scholarship. The comedies usually involve questions arising from the conflict between the enforcement of law (whether just or not) and the private longings (whether noble or base) of citizens whose yearnings for happiness tend to be sub- or even supra-political. No regime, it appears, is able to respond to the whole variety of circumstances
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Criswell, Christopher C. "Networks of Social Debt in Early Modern Literature and Culture." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc799514/.

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This thesis argues that social debt profoundly transformed the environment in which literature was produced and experienced in the early modern period. In each chapter, I examine the various ways in which social debt affected Renaissance writers and the literature they produced. While considering the cultural changes regarding patronage, love, friendship, and debt, I will analyze the poetry and drama of Ben Jonson, Lady Mary Wroth, William Shakespeare, and Thomas Middleton. Each of these writers experiences social debt in a unique and revealing way. Ben Jonson's participation in networks of so
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LOMBARDO, SIMONE. "La croce dei mercanti. Genova, Venezia e la crociata mediterranea nella seconda metà del Trecento." Doctoral thesis, Università Cattolica del Sacro Cuore, 2022. http://hdl.handle.net/10280/119855.

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La tesi è rivolta all’indagine dell’ideale crociato nel contesto veneziano e genovese durante la seconda metà del XIV secolo: il richiamo della crociata è un metro indicativo per approfondire la mentalità e la situazione dei ceti mercantili nel mondo mediterraneo. Ho indagato le reazioni umane e psicologiche alla «crisi del Trecento», analizzando i mutamenti subiti dall’idea di crociata, il cambio di obiettivi, partecipanti e attrattiva: la crociata non sembra più un oggetto in grado di rispondere alle esigenze spirituali del momento. È stata indagata la percezione della crociata e gli atteggi
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Londeix, Olivier. "Du client au consommateur : Casino, une chaîne succursaliste alimentaire française (1898-1960)." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100111.

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Les chaînes de magasins d’alimentation et d’approvisionnement diffusent leurs succursales à partir de la fin du XIXe siècle dans les pays industrialisés. Leur avantage concurrentiel repose sur l’intégration de la fonction de grossiste. Fondée par Geoffroy Guichard à Saint-Étienne en 1898, Casino est la seule société succursaliste française à avoir conservé ses archives. L’histoire de l’entreprise permet d’identifier les dispositifs d’intégration de catégories de plus en plus diverses d’acheteurs au marché des biens de consommation : l’attachement à la marque-enseigne et aux marques propres, la
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40

Paranthoën, Jean Baptiste. "L’organisation des circuits courts par les intermédiaires : la construction sociale de la proximité dans les marchés agroalimentaires." Thesis, Dijon, 2016. http://www.theses.fr/2016DIJOL020.

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La thèse porte sur l’institutionnalisation de la proximité dans les marchés agroalimentaires et la place qu’occupent un certain nombre d’intermédiaires non économiques (salariés d’association, chercheurs, membres du ministère de l’Agriculture, conseillers des chambres d’agriculture) dans ce processus. En variant les échelles d’enquête, du national au départemental, et en articulant les méthodes qualitatives et quantitatives, ce travail pointe le paradoxe que constitue le développement de ces agents à mesure que la proximité est définie et objectivée comme caractéristique vertueuse de la relati
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Chien, Wan-hsiang, and 簡婉湘. "Eloquence in The Merchant of Venice." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/47451706287820241106.

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碩士<br>國立彰化師範大學<br>英語學系<br>100<br>The thesis aims to prove Shylock is a tragic and eloquent Jew through the applications of Walker Gibson’s mock reader theory and Denis Donoghue's argument that informs his book, On Eloquence. Walker Gibson’s mock reader theory is applied to read The Merchant of Venice emphasizing the play’s presentation of Shylock’s struggle in a Christianized society. Shylock’s speeches in five scenes are examined to prove he sacrifices himself for his nation and people. Besides, Donoghue’s applied reading is helpful to examine the speaker’s manipulation on Shylock’s performat
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Huang, Huei Ling, and 黃惠玲. "Ideological conflicts in the merchant of Venice." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/29308871597781736167.

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Tsao, Samuel Wen-pin, and 曹文坪. "Irony of Mercy in The Merchant of Venice." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/98763212594674761006.

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碩士<br>國立中興大學<br>外國語文學系<br>87<br>This thesis provides an ironic point of view of looking at The Merchant of Venice, which people used to regard as a romantic comedy. Going through these ironic parts hidden in the play itself and the characters like Antonio, Bassanio, Portia, and Shylock, we may find that this play reveals some serious social issues: that Antonio may not be such a good man and he has a “strong” love for Bassanio, that Bassanio loves both money and Antonio more than he loves Portia, that Portia may be intelligent but never be merciful enough to speak for mercy, and that Shylock’
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Chou, Jia Cih, and 周家慈. "The Force of Objects in The Merchant of Venice." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/67328004806293754801.

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碩士<br>國立政治大學<br>英國語文學系<br>104<br>The Merchant of Venice has long been discussed with the view of race, gender and religion. These immaterial aspects, however, are not able to depict the totality of the play. There are many material objects in the play, those objects which strongly involved in characters’ relationships. The thesis aims to explore when people grant force on objects and objects act upon people in return by examining objects in the play. The importance of objects can be found in three relationships: Shylock and Christianity, parents and children, love and friendship. It is obvious
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Pettengill, Richard. "Mediatization and reception in Peter Sellars' The Merchant of Venice /." 2003. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3097149.

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Melo, Sergio N. "Deconstructing the Transhistorical in Contemporary Productions of The Merchant of Venice." Thesis, 2010. http://hdl.handle.net/1807/24368.

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This dissertation critiques four stagings of The Merchant of Venice observed in three theatrical cultures of the Anglophone world and argues that engaging productions of this script take into account its self-deconstructive character as one of its most decisive ordering principles. The dissertation draws on Derrida's Deconstruction, stressing that, according to the acknowledged father of the movement, texts do have transcendental traces. It discusses themes such as anti-Semitism versus ethnic intolerance,homosexuality verus somody, carnivalization, and the representation of emotions.
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HUANG, JESSICA SHU-YUAN, and 黃淑媛. "The Constructions of Self and Space in Shakespeare's「The Merchant of Venice」." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/97267864007865695069.

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碩士<br>輔仁大學<br>英國語文學系<br>92<br>This thesis investigates the constructions of self and the fluidity of space in the sixteen century, with specific focus on Shakespeare’s The Merchant of Venice. Grounded with a new historical reading and applied a postmodern theory on space, I discuss how the development of self is linked with space and the changeable spatiality makes the process of self-identity incomplete. The focus of Chapter One is on the way of constructions of self in the sixteenth Elizabethan England. By historicizing the sociopolitical background in the sixteenth century, I d
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Yang, Szuyun, and 楊思芸. "Law, Mercy, and Commodity-Fetish: Capitalistic Reification in The Merchant of Venice." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/93879431357204915970.

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碩士<br>國立彰化師範大學<br>英語學系<br>89<br>The Merchant of Venice reflects a confrontation between bourgeois groups in Tudor England. The Jewish group, represented by Shylock, and its rival group, represented by the Christians, through law and religion struggle with each other over the dominance of economic power. This thesis aims to employ the Marxist perspective of "commodity-fetishism" and discuss how the law, religion, and human relations are reified in a capitalistic society. Chapter One begins with the capitalistic background in early modern England society, followed by definitions of
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吳靜芳. "Monetary Practice and Community-Making in William Shakespeare's The Merchant of Venice." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/23325132478693694704.

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碩士<br>國立清華大學<br>外國語文學系<br>103<br>Abstract This thesis argues that the formation of community in Shakespeare's The Merchant of Venice is based on economic exchange and examines how economic exchange entangles characters in legal, national and interpersonal relations. The Merchant of Venice dramatizes a confrontation between two religiously demarcated bourgeois groups in Venice, which in turn, allegorizes the changing socio-economic situation in Tudor England. This thesis aims to employ the economic and exchange perspectives and argues the formation of community in Shakespeare's The Merchant
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pangburn, elizabeth l. "The Merchant of Venice at UMASS: An Exploration in Collaboration and Representation." 2015. https://scholarworks.umass.edu/masters_theses_2/289.

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Through an analysis of the details of The Merchant of Venice, I will show that a costume design which only satisfies the basic role of articulating the relationships, status, time and place, etc of the play but has no point of view regarding that text’s inherent assumptions will always support, rather than subvert, any problematic issues present therein. Secondly, I will show that without tandem movement from the creative team, no rehabilitation or subversion is possible.
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