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Books on the topic 'Meta-aesthetics'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Fieled, Adam, ed. Introductory Notes Towards a Phenomenology: The Meta-Rational. Internet Archive, 2013.

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2

Boretz, Benjamin. Meta-variations/compose yourself. Open Space, 1995.

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3

Tenney, James. Meta (+) hodos: A phenomenology of 20th century musical materials and an approach to the study of form ; and Meta meta+hodos. 2nd ed. Frog Peak Music, 1988.

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Tenney, James. META + HODOS: A phenomenology of 20th-century musical materials and an approach to the study of form and META meta + hodos. 2nd ed. Frog Peak Music, 1988.

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Tenney, James. Meta+Hodos: A phenomenology of 20th-century musical materials and an approach to the study of form ; and, META meta+Hodos. 2nd ed. Frog Peak Music, 1992.

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6

Tenney, James. META + HODOS: A phenomenology of 20th-century musical materials and an approach to the study of form and META meta + hodos. 2nd ed. Edited by Tenney James and Polansky Larry 1954-. Frog Peak Music, 1988.

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7

Tenney, James. META (+) HODOS: A phenomenology of twentieth-century musical materials and an approach to the study of form and META Meta (+) Hodos. 2nd ed. Frog Peak Music, 1988.

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8

Tenney, James. Meta+hodos: A phenomenology of 20th century musical materials and an approach to the study of form ; and Meta meta+hodos. 2nd ed. Frog Peak Music, 1992.

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9

Hübner, Benno. Der de-projizierte Mensch: Meta-physik der Langeweile. Passagen Verlag, 1991.

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10

Vasilēs, Kalphas, ed. Meta ta physika. Ekdoseis Polis, 2009.

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11

Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Open Space, 1995.

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12

Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Open Space, 1995.

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13

Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Open Space, 1995.

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14

Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Open Space, 1995.

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15

1929-, Randall J. K., ed. Meta-variations: Studies in the foundations of musical thought. Open Space, 1995.

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16

Tziovas, Dēmētrēs. Meta tēn aisthētikē: Theōrētikes dokimes kai hermēneutikes anagnōseis tēs neoellēnikēs logotechnias. Ekdoseis Gnōsē, 1987.

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17

Haanstra, Folkert. Effects of art education on visual-spatial ability and aesthetic perception: Two meta-analyses. Thesis Publishers, 1994.

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18

Prévost, Eddie. No sound is innocent: AMM and the practice of self-invention, meta-musical narratives, essays. Copula, 1995.

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19

Lopes, Dominic McIver. Aesthetics on the Edge. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198796657.001.0001.

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Recent years have seen an explosion of research on the biological, neural, and psychological foundations of artistic and aesthetic phenomena, which had previously been the province of the social sciences and the humanities. Meanwhile, it is a boom time for meta-philosophy, many new methods have been adopted in aesthetics, and philosophers are tackling the relationship between empirical and theoretical approaches to aesthetics. These eleven essays propose a methodology especially suited to aesthetics, where problems in philosophy are addressed principally by examining how aesthetic phenomena ar

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20

Stecker, Robert. Value in Art. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0017.

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Questions about artistic value are not nicely uniform or all raised at the same level of inquiry. In this article they are divided up into three groups of issues: meta-aesthetic, ontological, and normative. The first of these concern the nature of a judgement of artistic value. The second concerns the nature of such value itself. The last concerns the core question of what is artistically valuable about art, and how one brings the various valuable features of a work to bear in arriving at an evaluation of the work. Though these are different questions, there are not sharp boundaries between th

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21

Galvin, Rachel. Flesh Made Word. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190623920.003.0002.

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This chapter argues that César Vallejo’s engagement with journalism is crucial for comprehending the aesthetics and politics of his Spanish Civil War poetry, although this connection is often overlooked. Reading across genres brings to light Vallejo’s commitment to self-questioning as an ethical gesture in his war poems. It illuminates the idiosyncratic, dialectical poetics he developed to unite Catholicism and Marxism, lyric and epic, and poetry and news. Beyond his poetry’s political exhortation, which has received emphasis from scholars, its graphic portrayals of the relation between war de

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22

Belic, Milija. Apologie du rythme. le rythme plastique prolegomenes a un meta-art. L'Harmattan, 2002.

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23

Ganeri, Jonardon, ed. The Oxford Handbook of Indian Philosophy. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199314621.001.0001.

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The Oxford Handbook of Indian Philosophy tells the story of philosophy in India through a series of exceptional individual acts of philosophical virtuosity. It brings together forty leading international scholars to record the diverse figures, movements, and approaches that constitute philosophy in the geographical region of the Indian subcontinent, a region sometimes nowadays designated South Asia. The chapters provide a synopsis of the liveliest areas of contemporary research and set new agendas for nascent directions of exploration. Each of the chapters provides compelling evidence that in

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24

Stilwell, Robynn J. Audio-Visual Space in an Era of Technological Convergence. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0004.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. While the commercial and sociological aspects of technological convergence have been discussed among scholars, producers, and consumers, this chapter explores the aesthetics of convergence and how the technological/historical/aesthetic conventions of distinctly different media can be used as “meta” gestures. Two multimedia products focusing on the same complex topic-climate change-are used to illustrate how audiovisual space is configured differently in “thea

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25

Ta meta ta physica =: Metaphysica = Metafizyka. Red. Wydawnictw Katolickiego Uniwersytetu Lubelskiego, 1996.

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26

Iselin, Pierre. ‘More, I prithee, more’: Melancholy, Musical Appetite and Medical Discourse in Shakespeare’s Twelfth Night. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427814.003.0005.

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Pierre Iselin broaches the subject of early modern music and aims at contextualising Twelfth Night, one of Shakespeare’s most musical comedies, within the polyphony of discourses—medical, political, poetic, religious and otherwise—on appetite, music and melancholy, which circulated in early modern England. Iselin examines how these discourses interact with what the play says on music in the many commentaries contained in the dramatic text, and what music itself says in terms of the play’s poetics. Its abundant music is considered not only as ‘incidental,’ but as a sort of meta-commentary on th

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