Academic literature on the topic 'Metal sculpture Metal sculpture Copperwork'

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Journal articles on the topic "Metal sculpture Metal sculpture Copperwork"

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Kratina, Radoslav. "Variable Forms in Metal Sculpture: Real Motion as a Possibility." Leonardo 25, no. 2 (1992): 153. http://dx.doi.org/10.2307/1575704.

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Pannell, William C. "Hand Made: Photosynthesis—A Sculpture of Life Made From Metal." Journal of Hand Surgery 39, no. 12 (2014): 2496. http://dx.doi.org/10.1016/j.jhsa.2014.09.030.

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Whiteley, Gillian. "Metal, Fire and Magic: Welded Sculpture of the Twentieth Century." Sculpture Journal 6, no. 1 (2001): 108–12. http://dx.doi.org/10.3828/sj.2001.6.1.12.

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Plante, Michael. "Sculpture's Autre: Falkenstein's Direct Metal Sculpture and the Art Autre Aesthetic." Art Journal 53, no. 4 (1994): 66. http://dx.doi.org/10.2307/777565.

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Lu, JinRong, LiTing Yi, Lei Wang, SiCong Tan, Han Gui, and Jing Liu. "Liquid metal corrosion sculpture to fabricate quickly complex patterns on aluminum." Science China Technological Sciences 60, no. 1 (2016): 65–70. http://dx.doi.org/10.1007/s11431-016-0433-9.

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Talesara, Priyank, and Aniruddh Bahuguna. "Decoding of the Story Superimposed of Buddhist Sculpture unearth from Bharja and testifying its relation to this Silk-route area of Sirohi District, India." Technium Social Sciences Journal 7 (April 25, 2020): 302–11. http://dx.doi.org/10.47577/tssj.v7i1.410.

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Rohida police station recovered an old sculpture, accidentally discovered from the cemetery of Bharja/Bhaja village. It is a broken bronze Buddhist Idol and very rare sculpture. It has exquisite Antique beauty with rust in red and corrosion in green. Sculpture of Buddha seated in Padma Asana (lotus posture) and his hand in Dhyan Mudra (meditation posture). Buddha is wearing the robe; the robe is decorated with the scene of Buddhacharita story, superimposed on the visible crust. This Sirohi district has the history of Jainism and Hinduism only, till the date there is no evidence regarding Buddh
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Walker, Stefanie. "Gold, Silver, and Bronze: Metal Sculpture of the Roman Baroque. Jennifer Montagu." Studies in the Decorative Arts 4, no. 2 (1997): 112–15. http://dx.doi.org/10.1086/studdecoarts.4.2.40662586.

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Riyanto, Sugeng. "KAJIAN IKONOMETRI ARCA LOGAM PRODUK PERAJIN TROWULAN." Berkala Arkeologi 28, no. 2 (2008): 52–62. http://dx.doi.org/10.30883/jba.v28i2.363.

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A question often raised on metal sculpture made by Trowulan artists is: do iconometric aspects of the sculptures follow the iconometric order? Studies on iconology, including iconographic and iconometric studies, are important in Indonesian archaeology. Iconometric study on metal sculptures made by Trowulan artists is an example for iconometric study in Indonesia.
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Zaluhi, Nor Zafharina, Ramlan Abdullah, and Khairi Shamsudin. "Reflection of the Mystical Element through the Form of Sape’ Using Metal in Modern Sculpture." Environment-Behaviour Proceedings Journal 6, SI5 (2021): 131–35. http://dx.doi.org/10.21834/ebpj.v6isi5.2938.

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The work of art construes the state of the pontoon during the semester to be adjusted by the Sape. He created Sape's current state after awaking from his rest in the vessel. As a result, the arrangement and standing model were created, as well as the Sape' theme. Porpion and engkerabang blossom themes enhance Pua Kumbu. Aims of the study: So that the guidelines and goals are met, they must be stated. They are incorporating a mystical element into Sape's instrument through free-standing sculptures. Create a sculpture using plate metal and a plasma cut machine—a series of free-standing sculpture
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Kakovkin, A. Y. "Little Known Piece of Metal Sculpture From the Coptic Collection in the Hermitage Museum." Ancient Civilizations from Scythia to Siberia 6, no. 1-2 (2000): 71–76. http://dx.doi.org/10.1163/157005700x00078.

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Dissertations / Theses on the topic "Metal sculpture Metal sculpture Copperwork"

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Carroll, Alice. "The contemporary vessel /." Online version of thesis, 1992. http://hdl.handle.net/1850/11622.

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Baird, David A. "Architecture and art /." Online version of thesis, 1990. http://hdl.handle.net/1850/11313.

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Lorance, Cheryl A. "The exploration of metal patination on cast bronze sculpture." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1164838.

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The objective of this creative project was to create a series of cast bronze sculptures that would provide a ground for the exploration of metal patination, a chemical coloration of a metal surface. These bronzes were created using a ceramic shell investment mold and lost-wax cast in the Department of Art foundry facilities. Some of the pieces were cast in parts and either welded together or cold connected by drilling and pinning. Using recipes for hot and cold patinas, chemicals were applied to the bronze surface using a variety of application techniques, resulting in a subtle variation of wa
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Bae, Jeon Ah. "Reincarnating the micro universe /." Online version of thesis, 2008. http://hdl.handle.net/1850/7792.

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Cha, Kyoung-Choul. "Dream tree /." Online version of thesis, 1995. http://hdl.handle.net/1850/12139.

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Yates, Robin. "Emotional content in gestural process and form /." Online version of thesis, 1996. http://hdl.handle.net/1850/11964.

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Min, Jun Suk. "Movements for enjoyment /." Online version of thesis, 2008. http://hdl.handle.net/1850/7790.

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Newcomer, Tybre. "Heirlooms /." Online version of thesis, 2009. http://ritdml.rit.edu/handle/1850/11666.

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Bialek, Goshka. "Inner space in sculpture : the use of metal inclusions in glass." Thesis, University of Sunderland, 2017. http://sure.sunderland.ac.uk/8738/.

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The focus of this research was to investigate methods of combining two materials, metal and glass, specifically concentrating on the application of a variety of metals in glass, with different glass techniques, for creative use. Metal inclusions in glass constitute an element in the further development of my artistic practice. However, it was found that the palette of metals used by artists was restricted. This is because the present methods available for artists have demonstrated many limitations and uncertainty of results. Therefore, this research aims to explore the solutions to combining m
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Feinberg, Marilyn K. "Metaphor in fiber, metal and stone /." Online version of thesis, 1994. http://hdl.handle.net/1850/11975.

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Books on the topic "Metal sculpture Metal sculpture Copperwork"

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Adepegba, Cornelius Oyeleke. Yoruba metal sculpture. Ibadan University Press, 1991.

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Bandyopadhyay, Bimal. Survey of Indian metal sculpture. Sundeep Prakashan, 1987.

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A universe of metal sculpture. Schiffer Pub., 2010.

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Gold, silver, and bronze: Metal sculpture of the Roman baroque. Princeton University Press, 1996.

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Gold, silver, and bronze: Metal sculpture of the Roman baroque. Yale University Press, 1996.

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1950-, DeJong Constance, and Blaisdell Gus, eds. Constance DeJong: Metal. University of New Mexico Press, 2003.

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Meilach, Dona Z. Direct metal sculpture: Creative techniques and appreciation. 2nd ed. Schiffer Pub., 2001.

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Luttwak, Dalya. Hidden Dalya Luttwak: A sculpture installation. American University Museum, Katzen Art Center, 2008.

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Reynolds, Aaron. Metal man. Charlesbridge, 2008.

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Bijutsukan, Nagano-ken Shinano. Doitsu, Nihon, Shinshū no gendai chōkokuten: Konnichi no kinzoku zōkei. Nagano-ken Shinano Bijutsukan, 1988.

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Book chapters on the topic "Metal sculpture Metal sculpture Copperwork"

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Leone, C., Fabrizio Quadrini, Loredana Santo, V. Tagliaferri, and Federica Trovalusci. "Nd-YAG Laser Sculpture of WC Punches for Micro-Sheet Forming." In Sheet Metal 2007. Trans Tech Publications Ltd., 2007. http://dx.doi.org/10.4028/0-87849-437-5.783.

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Abidin, Mursyidah Zainal, Mohd Razif Mohd Rathi, Clement Jimel, Zaidi Wasli, and Noraziah Mohd Razali. "Form and Meaning: Metal Feline Public Sculpture from Recyclables Materials at Kuching, Sarawak." In Proceedings of the Art and Design International Conference (AnDIC 2016). Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0487-3_29.

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Rathi, Mohd Razif Mohd, Mursyidah Zainal Abidin, and Zaidi Wasli. "To Innovate the Potential Use of Arc and Oxyacetylene Gas Welding Tools as an Alternative Technique to the Expensive Foundry Works in Creating Metal Casting Sculpture." In International Colloquium of Art and Design Education Research (i-CADER 2014). Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-332-3_59.

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"Japanese Art (continued)—Sculpture—Metal Work—Painting." In The Empire of the East. Routledge, 2015. http://dx.doi.org/10.4324/9781315687728-12.

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"11 Precious-Metal Figural Sculpture, Medium, and Mimesis in the Late Middle Ages." In Faces of Charisma: Image, Text, Object in Byzantium and the Medieval West. BRILL, 2018. http://dx.doi.org/10.1163/9789004363809_013.

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"Metal in the Recuay Culture of Ancient Peru." In Archaeological Interpretations, edited by George Lau. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066448.003.0007.

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Of the major media in the Recuay culture (AD 1–700, Peru), metalwork is perhaps the least understood. This chapter reviews the major forms of Recuay metalwork (personal adornments, weapons) and focuses on their imagery, technology, and contexts of use at three sites: Pashash, Pomakayán, and Chinchawas. Metals were not used for everyday objects. Rather, as signs of wealth and distinction, they served to affix people’s “social skin”—that frontier that mediates self and others. Metal objects were complements to textiles and therefore essential in making Recuay persons, namely chiefly lords and noble women, especially during times of social display and funerary cult. The imagery of metals repeats key designs in ceramics and stone sculpture, namely powerful mythical creatures and human figures seen as crucial in life and death transitions. Major changes in metal use occurred during the time of the Middle Horizon, when foreign cultural influence, especially Wari, transformed local practices.
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"3. Central and Early East Java: Metal and Stone Sculpture from the Eighth to the Eleventh Century." In Patterned Splendour. ISEAS–Yusof Ishak Institute Singapore, 2021. http://dx.doi.org/10.1355/9789814881852-009.

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