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Relevant bibliographies by topics / Metal sculpture Metal sculpture Copperwork / Dissertations / Theses

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Dissertations / Theses on the topic 'Metal sculpture Metal sculpture Copperwork'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Carroll, Alice. "The contemporary vessel /." Online version of thesis, 1992. http://hdl.handle.net/1850/11622.

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2

Baird, David A. "Architecture and art /." Online version of thesis, 1990. http://hdl.handle.net/1850/11313.

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3

Lorance, Cheryl A. "The exploration of metal patination on cast bronze sculpture." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1164838.

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The objective of this creative project was to create a series of cast bronze sculptures that would provide a ground for the exploration of metal patination, a chemical coloration of a metal surface. These bronzes were created using a ceramic shell investment mold and lost-wax cast in the Department of Art foundry facilities. Some of the pieces were cast in parts and either welded together or cold connected by drilling and pinning. Using recipes for hot and cold patinas, chemicals were applied to the bronze surface using a variety of application techniques, resulting in a subtle variation of wa

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4

Bae, Jeon Ah. "Reincarnating the micro universe /." Online version of thesis, 2008. http://hdl.handle.net/1850/7792.

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5

Cha, Kyoung-Choul. "Dream tree /." Online version of thesis, 1995. http://hdl.handle.net/1850/12139.

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6

Yates, Robin. "Emotional content in gestural process and form /." Online version of thesis, 1996. http://hdl.handle.net/1850/11964.

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7

Min, Jun Suk. "Movements for enjoyment /." Online version of thesis, 2008. http://hdl.handle.net/1850/7790.

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8

Newcomer, Tybre. "Heirlooms /." Online version of thesis, 2009. http://ritdml.rit.edu/handle/1850/11666.

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9

Bialek, Goshka. "Inner space in sculpture : the use of metal inclusions in glass." Thesis, University of Sunderland, 2017. http://sure.sunderland.ac.uk/8738/.

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The focus of this research was to investigate methods of combining two materials, metal and glass, specifically concentrating on the application of a variety of metals in glass, with different glass techniques, for creative use. Metal inclusions in glass constitute an element in the further development of my artistic practice. However, it was found that the palette of metals used by artists was restricted. This is because the present methods available for artists have demonstrated many limitations and uncertainty of results. Therefore, this research aims to explore the solutions to combining m

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10

Feinberg, Marilyn K. "Metaphor in fiber, metal and stone /." Online version of thesis, 1994. http://hdl.handle.net/1850/11975.

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11

Won, Jaesun. "Sculptural jewelry in line composition /." Online version of thesis, 2008. http://hdl.handle.net/1850/6247.

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12

Fruth, Richard Douglas. "Barriers to closure." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1074531.

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"Barriers to Closure" was a series of narratives specifically focusing on reoccurring thoughts, fears and anxieties within the artist's life. Instilled when he was younger, these anxieties were never resolved, thus creating additional fears as he grew into adolescence. Eventually they transformed into an intricate obstacle causing resolution to be a difficult task.These narratives are presented in thick bronze frames which constrain the content into a limited space. The pieces are purposefully small due to the artist's personal restriction of revealing what needs to be seen. Therefore, the vie

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13

Preston, John Christopher. "Future past memories : a sculptural study of memorial." Virtual Press, 2000. http://liblink.bsu.edu/uhtbin/catkey/1178346.

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The objective of this creative project was to see if inspiration from historical and literal references could be integrated with an expressionistic approach to sculpture in the form of a memorial. This study involved creating a series of electroformed models or maquettes (seven final pieces) that examined this three-dimensional dilemma based on the concept of building a larger memorial sculpture for an abandoned cemetery near Oxford, Ohio, where my ancestors are buried (there are no monuments left in this wooded location). The cemetery, called the Freeman Cemetery, is named in honor of my Grea

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14

Waddle, Robert L. "The research and development of multi-purpose forms and vessels." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1266140.

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This creative project consisted of the artist creating various box forms that were to house treasures that were considered special to the artist or the viewer. His childhood memories and his appreciation of streamline design heavily influenced him. Metal is one of the hardest materials to form and shape but the artist was able to create soft edges and curved forms by using his past experience with the material. He experimented with various surface techniques from patinas to sandblasting and polishing to create the appearance he desired in each piece. By combining wood and metal he created succ

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15

Tullar, Christopher Robin. "Machines for a perfect world." Thesis, Montana State University, 2006. http://etd.lib.montana.edu/etd/2006/tullar/TullarC0506.pdf.

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16

Holcomb, Carli A. "Unknowable Terrain." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4302.

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I see the moment of creation as a threshold, a fertile ground where anything is possible. My work combines an interest in science, mythology, cosmologies, and a childlike sense of wonderment to seek the unknowable. I create formless floating worlds that have a seducing, enlightening, and ultimately deceiving presence. Vibrant lusty clusters of candied opulence emphasize the wetness at the beginning of life. Dry folds give way to woozy nests and frenzied organisms while dripping crystalline structures puncture soft unknowable terrains. Through the process of making I indulge my desire to create

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17

Pages, Hippolyte. "Les imaginaires mythiques du métal et leurs survivances : un exemple d'intermatérialité artistique." Thesis, Toulouse 2, 2018. http://dante.univ-tlse2.fr/id/eprint/9305.

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Dans un contexte artistique où les formes plastiques se démultiplient, cette thèse propose un retour à uneapproche matérielle et concrète de ces dernières, et plus spécifiquement de la sculpture métallique telle queproposée par les artistes depuis le début du XXe siècle. L’examen de la matière métal qui substantialise cesoeuvres modernes et contemporaines se fera, tout au long de cette recherche, au travers du prisme desimaginaires qui l’habitent et la traversent. Ces imaginaires, pouvant provenir d’horizons aussi variés queles mythologies antiques gréco-romaines et scandinaves, les mythes pop

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18

Thammavong, Bounnak M. "Binary tales." Thesis, University of Iowa, 2009. https://ir.uiowa.edu/etd/444.

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INTENT OF BINARY TALES EXHIBITION "Binary Tales", my MFA exhibition offers an alternative point of view of diversity and immigration to provoke thought in the audience. I'm gifted with the ability to express myself through the visual arts in the medium of metal. I also have the experiences to carry a message of hope and exploration through the tale of my immigration and assimilation in the great American culture. Using my abilities and experience, I seized the opportunity of excitement and hope generated by the President's leadership to further breakdown cultural barriers. "Binary Tales" guide

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19

Giuliano, Jose Antonio Schenini. "Os processos de fundição, como ferramenta na obtenção de esculturas em metal." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/14297.

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Este trabalho tem como foco central a investigação de possibilidades de obtenção de peças metálicas, na forma de esculturas, por fundição, com vazamento por gravidade e que tenham como característica formal uma geometria complexa. Na interface interdisciplinar entre Arte e Engenharia, o estudo aborda a técnica de fundição por cera perdida e suas características, os materiais envolvidos nos processos de construção do modelo e do molde, e a realização prática de peças fundidas. Através do fazer, da aplicação das técnicas de fundição, da construção de um relato de experiências e das reflexões ger

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20

Murphy, David Christopher. "In Waiting." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1285017317.

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21

Aguado, Guardiola Elena. "Estudio del rol de los agregados minerales en la formación, envejecimiento y conservación de películas pictóricas al óleo." Doctoral thesis, Universitat Politècnica de València, 2017. http://hdl.handle.net/10251/90462.

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Very few stone sculptures conserve their original polychromy nowadays so the exceptional condition presented by the oil paint film of the Tomb of Chancellor Villaespesa in the Cathedral of Tudela (Spain) here presented as case study suggested that both the chemical-mineral composition of the oil paint films and of the lithotypes chosen for the artists to be in contact with the polichromy, could be responsible for their unexpected durability. When the mechanisms governing these painted structures stability are not understood properly, conservation materials and methods and even environmental co

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22

Liberto, Anthony. "Word Salad." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd_retro/39.

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I've always considered myself a serious person who understood the meaning of labor. I am determined to labor over my ideas, and to labor seriously. The problem, and by "problem," I mean, "best thing" about this is that no one takes me seriously. Ever. They seem to like my work anyway. Apparently, I'm more funny than I am serious. But that's okay, because, secretly, I think I've always tried to be serious because I never thought I was smart enough to be funny. I often misunderstand things. Sometimes I mishear or wrongly attribute or think that facts are a metaphors or that metaphors ar

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23

Williams, Mona Mullins. "Dirty Laundry." VCU Scholars Compass, 2006. http://hdl.handle.net/10156/2039.

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24

Hoffman, Everett. "Converging Objects of the Universe." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5501.

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Reconfigured found objects shape scenes of everyday life, questioning the structural histories that go into defining an identity. Engaging in a multidisciplinary approach of making, my work reimagines the function of ornamentation and its relationship to the body. I approach new materials and found objects with the eye of a jeweler, highlighting and exploiting the subtle, and often invisible, links between material histories and their connection to identity. Material debris patinated with age like skillets, baseballs, and furniture are used to penetrate normative structures around identity, ge

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25

King, Taylor Z. "A Spectacle and Nothing Strange." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5905.

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Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the room

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26

Pack, Alison Greer. "Some People Call Them Dolls: Capturing the Iconic Power of the Female Form in Non-ferrous Metals." [Johnson City, Tenn. : East Tennessee State University], 2003. http://etd-submit.etsu.edu/etd/theses/available/etd-0330103-135724/unrestricted/PackA040803d.pdf.

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Thesis (M.F.A.)--East Tennessee State University, 2003.<br>Title from electronic submission form. ETSU ETD database URN: etd-0330103-135724. Includes bibliographical references. Also available via Internet at the UMI web site.

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27

Tsai, Yao-Cheng, and 蔡燿丞. "Dear XXX - Significance of the metal sculpture of the times." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/u462ms.

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碩士<br>國立臺北藝術大學<br>造形研究所碩士班雕塑組<br>100<br>This creative discourse proposition for the "Dear XXX-metal sculpture of the creative process, from 2006 to 2012 at the Institute during the thinking on the creative process and context of the metal material and personal thoughts and feelings in the course. "Honey" is my fascination and love of physical desire "work" while others close call. XXX represents a variety of meaning, perhaps a person name or erotic website code, or curse words, is the meaning of the works of the Code. The practice of the desire to uphold the principle of hands-on, personally t

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28

CHOU, SHAO-CHEN, and 周韶珍. "Applying Metal Wires to Textile Artworks Base on Henry Moore's Sculpture." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/41008160954408230038.

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碩士<br>輔仁大學<br>織品服裝學系<br>94<br>The thesis aimed at the transformation of the three dimension of the sculptural artwork by Henry Moore into the creation of textiles. Henry Moore’s sculpture could be classified into five themes as described in the literature review（Chapter II）. They were “Mother and Child/ Family”， “Organic Shape”, “Hollow”, “Reclining Figure”, “String Create”. The thesis adopted “Mother and Child” as the source of design inspiration. In the concept of Moore’s sculpture, there was a paragraph illustrated his viewpoint to word hand 「Hands, after the face, are the most obvious pa

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29

Chen, Chih-Chang, and 陳志昌. "Application and Research of Multi - Axis Machining Technology in Digital Metal Sculpture." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/33t7rc.

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碩士<br>東海大學<br>工業設計學系碩士在職專班<br>105<br>Sculpture process is a far-reaching cultural techniques, although with the times and technological progress has been modest, but can not hinder its inheritance and innovation breakthrough; because the sculpture creation process is often time-consuming and requires a lot of physical exertion, work The environment is not comfortable, can not attract more new blood in the creation and production, therefore, this study will seek more convenient and rapid sculpture process model, in addition to solve time and labor problems, but also look forward to play an effe

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30

Chen, Kuan-Hsun, and 陳冠勳. "A Study of Metal Technology of Bronze Buddhist Sculpture in Tibetan Government in Exile." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/u3wqpv.

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博士<br>中原大學<br>設計學博士學位學程<br>104<br>Tibetan Buddhist sculptural arts began developing alongside Tibetan Buddhism starting in the early seventh century. This art was influenced by Buddhist culture in such peripheral areas as India, Nepal, and China, and constantly absorbing indigenous Tibetan beliefs and popular aesthetic concepts, which caused it to evolve into a unique form of Buddhist craftsmanship. Many kinds of Tibetan Buddhist statues were made, and were often very complex and elaborate in form. As a result, both Tibetan Buddhist painting and sculpture became spectacular art forms. While ea

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31

Cai, Yu-Jhen, and 蔡毓真. "The deterioration and conservation of metal──The Influence of Atmospheric Environment on Outdoor Sculpture of Brass Alloy." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/98833710234103321006.

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碩士<br>國立臺南藝術大學<br>博物館學與古物維護研究所<br>101<br>Sculpture was blooming and a lot of theme parks were built in Taiwan. Among all the Taiwan’s museums, Ju- Ming Museum in northeastern Taiwan collects a large of metal sculptures, especially the brass-based arts. Sculptures in Taiwan were suffering serious corrosions because the weather in Taiwan was always raining and hot. For preserving and conserving these sculptures, we chose the accelerated corrosion’s test and control the length of time to observe color and weight on the sculptures in kinds of environments about high humidity, salt spray, wet sulfu

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32

Yang, Li-Cheng, and 楊禮誠. "Hammering into Sculpture-Research on the Change of Textured between Forming and Hammer Forging in Metal Forging Creation─The Discoure on Creation by Li-Cheng Yang." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/95482830774391919556.

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碩士<br>國立臺南大學<br>視覺藝術與設計學系視覺藝術教學碩士班<br>105<br>Traditional metal technology, roughly divided into forging and casting. Casting for it`s reproducible, and forging is the metal embryo directly to the tool after the completion of the production of objects. The traces of the processing process become the texture of the metal creation of the material. The forging process in the metal uses a combination of a hammer and a drill to shape the metal into a desired shape. The hammering marks are formed on the metal surface during the beat process, while the drill or the support is against the metal to form

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33

Harcombe, Aletta Maria. "A non-destructive technical and stylistic comparative analysis of selected metal artefacts from the Ditsong national museum of cultural history." Thesis, 2018. http://hdl.handle.net/10500/26236.

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Text in English<br>The destructive nature of conventional analytical techniques, coupled with the finite nature of ancient/historical artefacts, has long restricted technical examinations of museum collections, mainly due to ethical constraints. However, over the past few decades, the application of Non-Destructive Evaluation (NDE) techniques has become increasingly popular within the fields of archaeology and cultural heritage diagnostics. The application of such techniques has facilitated the examination of objects that have long remained uninvestigated. However, this positive development al

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34

Fanelli, Kathryn. "The Passing Show." 2021. https://scholarworks.umass.edu/masters_theses_2/1011.

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The Passing Show, examines the interface between contemplative practices and the destabilizing effect of the carnivalesque. A repurposed early 20th century merry-go- round is reconfigured as a conceptual vehicle for renewing our attention to removing hindrances. The site-specific installation, titled Vimoksha, is viewed through the lens of the radical imaginary, investigating notions of karmic inheritance through a heuristic approach to material processes, personal history, kinetics and sound.

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35

Cuthbert, Nancy Marie. "George Tsutakawa's fountain sculptures of the 1960s: fluidity and balance in postwar public art." Thesis, 2012. http://hdl.handle.net/1828/4142.

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Between 1960 and 1992, American artist George Tsutakawa (1910 – 1997) created more than sixty fountain sculptures for publicly accessible sites in the U.S., Canada, and Japan. The vast majority were made by shaping sheet bronze into geometric and organically inspired abstract forms, often arranged around a vertical axis. Though postwar modernist artistic production and the issues it raises have been widely interrogated since the 1970s, and public art has been a major area of study since about 1980, Tsutakawa's fountains present a major intervention in North America's urban fabric that is not w

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