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Journal articles on the topic 'Metamodernism'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Laukkanen, Markus. "Metamodernism and the Internet: The Participatory Culture of Digital Environments." Acta Philologica, no. 63 (2025) (February 18, 2025): 29–39. https://doi.org/10.7311/acta.63.2025.3.

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Metamodernism and the Internet proposes that the theory of metamodernism should be distanced from previous theories of postmodernism because they are hindering our ability to perceive important aspects of 21st-century culture as drivers of metamodernism. Most impactful of these is the proliferation of the internet, the logic of which constitutes the underpinnings of metamodernity, as illustrated by analysing Game of Thrones as a metamodernist work in relation to online discourse. Scholars have previously focused on the ethos of metamodernism at the expense of studying its underlying structures

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Stoev, Dina. "Metamodernism or Metamodernity." Arts 11, no. 5 (2022): 91. http://dx.doi.org/10.3390/arts11050091.

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The concept of metamodernism relies on our understanding of modernism, postmodernism and the bigger cultural periods that originated them. While modernism is a product of modernity, postmodernism is not situated comprehensively within a well-defined period. Moreover, when dealing with the dichotomy of movement and era in the last century, we are presented with a taxonomic dilemma of conflating eras and their aesthetical manifestations. Contrary to the prevalent view of cultural shifts, here I propose a different attempt at periodising and understanding ontologically the concepts of modernism,

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Petrova, I. "IDENTIFICATION OF METAMODERNISM AS A CULTURAL PRACTICE." Bulletin of Mariupol State University. Series: Philosophy, culture studies, sociology 10, no. 20 (2020): 67–77. http://dx.doi.org/10.34079/2226-2830-2020-10-20-67-77.

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The article attempts to reveal the features of cultural practices of the metamodern era, to identify their fundamental features; to substantiate the peculiarities of human participation and empathy in the cultural process of modernity. The purpose of the scientific research was to describe the essence and analysis of the structure of metamodernism as a modern trend in the context of cultural practices. The basis for the methodology of the scientific study was the culturological approach, which allowed to substantiate the intertextuality of modern cultural practices in the context of metamodern

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Бандровська, Ольга. "РЕАЛЬНІСТЬ ЯК ВИГАДКА? ПОНЯТТЯ “МЕТАМОДЕРНІЗМ” І “МЕТАМОДЕРН” В СУЧАСНОМУ КУЛЬТУРОЛОГІЧНОМУ І ЛІТЕРАТУРОЗНАВЧОМУ ДИСКУРСІ". Inozenma Philologia, № 134 (15 грудня 2021): 152–64. http://dx.doi.org/10.30970/fpl.2021.134.3519.

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At the beginning of the 20th century, postmodernism has depleted its cultural and aesthetic potential, and as most critics agree, it has become a phenomenon of the past. Among the conceptions aimed at comprehending the impact of the new media and digital technologies, together with the trend towards globalization, digimodernism, automoderrnism, altermodernism, performatism, and metamodernism can be listed as the most conspicuous ones. Proceeding from the fact that metamodernism is a theoretically developed and strongly institutionalized conceptualization of both current cultural change and 21s

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Cela, Xhoi. "Narrative Devices of Metamodernism." Litera, no. 3 (March 2023): 45–58. http://dx.doi.org/10.25136/2409-8698.2023.3.39942.

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Theorists of metamodernism have written a large number of scientific articles on metamodernism, but these articles only clarify the existence and meaning of metamodernism. It is important to reflect some of the narrative techniques used in literature, and this would contribute to a deeper acquaintance with metamodernism. The purpose of the study is to propose, analyze and reflect the narrative techniques of metamodernism, to enable the reader to better understand metamodernist practices in modern novels. Each era has its own storytelling techniques, and this article will introduce six of the m

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Marvel, Germane. "Black Meta Mode." Metamodern Theory & Praxis 1, no. 1 (2024): 107–11. http://dx.doi.org/10.70613/2024.0010.

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This paper explores metamodernism traced via the Black Diaspora, providing theoretical foundations, historical context, and visions for its application in contemporary society. Serving as an abridged introduction to the concept of Black Metamodernism, and contextualizing it within the broader metamodern project, I begin with the “Black Metamodernist Manifesto,” outlining core principles and underlining its role as a socio-political movement fostering the integration of cognitive dissonance through diunital, both-and cognition. I posit that Black metamodernism utilizes diunital vision-logic to

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Šnircová, Soňa. "Art, Depth and Affect in Winter: Metamodernist Contexts of Ali Smith's Novel." Studia Universitatis Babeș-Bolyai Philologia 66, no. 2 (2021): 159–74. http://dx.doi.org/10.24193/subbphilo.2021.2.11.

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"Art, Depth and Affect in Winter: Metamodernist Contexts of Ali Smith's Novel. The paper discusses Ali Smith’s Winter through the prism of the theory of metamodernism. The novel can be related to the works of authors who reject the cynical sophistication of postmodernist art and appropriate its strategies to focus on authenticity, sincerity, and affect. Drawing on Robin van den Akker, Alison Gibbons, and Timotheus Vermeulen, who maintain that the metamodernist structure of feeling manifests through a mix of/or oscillation between pre-modernist, modernist and postmodernist tropes and devices, t

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Borisov, Sergey Valentinovich. "Subjectness of metamodernity: signs of the times (in the wake of a previous discussion)." Design. Art. Industry, no. 11 (November 13, 2024): 11–21. http://dx.doi.org/10.56900/2312-6116_2024_11_11.

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The article is devoted to the analysis of the manifestation of subjectness of metamodernity. The relevance of the study is due to the need to revise some of the features of metamodernism in connection with the realities of modern culture. Although metamodernism is not a philosophical system, the author substantiates the idea that, oscillating between modernist logocentrism and postmodern nihilism, metamodernism adheres to the principles of Kantian “transcendental idealism” and, striving for transcendence, overcomes immanence. The basis of metamodern aesthetics is also an object-oriented ontolo

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Bennett, Iona. "Thinking Backwards/Looking Forwards: Ali Smith’s Virginia Woolf, Metamodernism’s Paranoia." Modernist Cultures 19, no. 2-3 (2024): 186–207. https://doi.org/10.3366/mod.2024.0427.

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This article argues that in order better to understand what David James and Urmila Seshagiri term ‘metamodernism’, we must first be attentive to the contemporaneity of another well-known strand of present-day literary discourse: postcritique. Focusing upon representations of paranoia and surveillance in the metamodernist works of Ali Smith, and Virginia Woolf’s quintessentially modernist To the Lighthouse (1927), it argues that postcritque and metamodernism are linked beyond the fact of their simultaneity. It demonstrates that a shift towards a postcritical theory of positive affects was alrea

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Ilin, Illia. "CORPUS-BASED PHILOSOPHY AND METAMODERNISM: A HAPPY ENCOUNTER?" Journal of V. N. Karazin Kharkiv National University, Series "Philosophy. Philosophical Peripeteias", no. 70 (June 21, 2024): 48–72. https://doi.org/10.26565/2226-0994-2024-70-4.

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The article presents an interdisciplinary socio-philosophical study exploring the potential interconnection between corpus-based philosophy (i.e., philosophy using corpus linguistics) and metamodernism. The research uses corpus linguistics to analyze large amounts of text to identify language patterns that reflect social practices and cultural ideas. A key hypothesis is that corpus-based philosophy aligns with the methodological requirements of metamodernism by integrating both quantitative (modern) and qualitative (postmodern) approaches to knowledge. Metamodernism is characterized by a synth

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Ovodova, Svetlana P. "Global in the discourse of metamodernism: The problem of origins." Izvestiya of Saratov University. Philosophy. Psychology. Pedagogy 22, no. 1 (2022): 29–33. http://dx.doi.org/10.18500/1819-7671-2022-22-1-29-33.

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The article examines the representation of the global phenomenon in the discourses of modernity and metamodernity. In the domestic reception, metamodernism is often represented as post-postmodernism. A significant discrepancy in assessments of a fairly integral phenomenon of modern philosophy of culture, which is metamodernism, can be explained. The methodological guidelines of metamodernism are still in development. Theorists of metamodernism continue their search, the establishment of interaction between postirony, authenticity, new sincerity, depth, historicity, affect, selfhood, and superh

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Bărboiu, Arina-Mihaela. "Mapping Metamodernism from East to West." Caietele Echinox 47 (December 1, 2024): 323–32. https://doi.org/10.24193/cechinox.2024.47.20.

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The aim of this paper is to undertake a diachronic analysis of the emerging notion of “metamodernism”. Beginning with comprehensive definitions of modernism and postmodernism, it then navigates through the historical trajectory of metamodernism, tracing its etymology and pre-2010 conceptualizations. Post 2010, the voices of Alexandra Dumitrescu, Thimotheus Vermeulen, Robin van den Akker, David James and Urmila Seshagiri advance the discussion, offering divergent perspectives on outlining this new “-ism”. Moving on from the Occident, this research questions the applicability of metamodernism wi

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Jovanović, Smiljka. "Metamodernism and the Coronavirus (COVID-19) Pandemic." INSAM Journal of Contemporary Music, Art and Technology, no. 6 (July 15, 2021): 57–74. http://dx.doi.org/10.51191/issn.2637-1898.2021.4.6.57.

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Metamodernism is understood as the dominant cultural logic of the 21st century. Metamodernism’s breadth and complexity, as well as its theory’s advocacy for contemporaneity, invite for consideration whether the notion could address the most recent global events and the crises after 2020. Therefore, this study designates and explains the five key concepts of metamodernism – metaxy, abstraction, reconstruction, historicity, and a structure of feeling – and uses them to discuss the current state of affairs, the coronavirus (Covid-19) pandemic. The study evaluates the interpretative and discursive

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Zhuchkova, A. V. "Time recovered: Kirill Ryabov and metamodernism." Voprosy literatury, no. 1 (August 14, 2023): 43–64. http://dx.doi.org/10.31425/0042-8795-2023-1-43-64.

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Following an analysis of Kirill Ryabov’s works published in the years 2021 and 2022, the author finds that in Ryabov’s metamodernist aesthetic paradigm the modernist communicative model is preserved alongside some concepts of postmodernist aesthetics. Modernism, postmodernism and metamodernism appear as three stages of the single itinerary with a goal of overcoming the logic of binary oppositions and achieving heteroglossia and dialogue (M. Bakhtin) as a new artistic structure. Through the re-introduction of the depth of emotion and the humanistic dimension, metamodernism strives to comprehend

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Šporčič, Anamarija. "A Metamodernist Utopia: The Neo-Romantic Sense and Sensibility of the Bridgerton Series." Acta Universitatis Sapientiae, Film and Media Studies 22, no. 1 (2022): 122–38. http://dx.doi.org/10.2478/ausfm-2022-0015.

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Abstract The paper addresses the cultural paradigm of metamodernism as conceived by Timotheus Vermeulen and Robin van den Akker (2010). Ontologically, metamodernism is perceived as oscillating between the modern and the postmodern, whereby the tools of postmodernism (such as irony, sarcasm, parataxis, deconstruction, scepticism and nihilism) are employed to counter (but not obliterate) modernist naivety, aspiration and enthusiasm. This oscillation results in what the above authors have termed “informed naivety,” a phrase denoting a state of wilful pragmatic idealism that allows for the imagini

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Popova, Victoria Vladimirovna. "The concept of happiness in the sociocultural paradigm of metamodernism: the case of Alexander Krasovitsky's lyric poetry." Manuscript 18, no. 3 (2025): 861–67. https://doi.org/10.30853/mns20250122.

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The article is devoted to a philosophical analysis of the concept of happiness in metamodernism, using contemporary lyric poetry as an example. The aim of the study is to identify the specific features of the interpretation of the phenomenon of happiness within this new philosophical paradigm, exemplified by the works of Alexander Krasovitsky, and to trace how poetic text reflects the transition from irony to sincerity and authenticity of experience. Within the context of metamodernism, happiness appears not as a stable state, but as a process of internal searching and emotional oscillation. S

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Lukash, Halyna. "ONIMIC PRACTICE IN THE PARADIGM OF METAMODERNISM (MONODRAMA-ANTYUTOPIA “RECORDING” BY OLEKSANDR IRVANETS)." Opera in onomastica, no. 27 (October 18, 2024): 42–59. https://doi.org/10.18524/2410-3373.2024.27.315669.

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Introduction. The article analyzes the genre-specific features of onymic writing in postmodernism. Monodrama, as a form of theatrical art, focuses on a single character, allowing for a deeper exploration of the psychological and existential aspects of the protagonist, as well as addressing important themes of self-identification in a technologically advanced society. In metamodernism, proper names may not only designate specific objects or individuals but also acquire a symbolic meaning, revealing deep senses. Purpose. The aim of the study is to highlight the features of onymic writing in meta

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Kovalova, Mariia, Zoya Alforova, Lyudmyla Sokolyuk, Oleksandr Chursin, and Liudmyla Obukh. "The digital evolution of art: current trends in the context of the formation and development of metamodernism." Revista Amazonia Investiga 11, no. 56 (2022): 114–23. http://dx.doi.org/10.34069/ai/2022.56.08.12.

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The involvement of gadgets and digital technologies is becoming an increasingly integral part of everyone's personal life and work life. Art has also adapted to the rapid digital evolution and computerization in all creative fields. This trajectory of development provokes a new form and philosophy of artistic development, which is called metamodern. This article examines the theoretical foundations of metamodernism and defines the main provisions of this cultural phenomenon through the prism of the development of digital technologies and the latest means of artistic direction. The main purpose

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Grebeniuk, Tetiana. "SHARED PAIN, THE WAR AND IDENTITY: PECULIARITIES OF UKRAINIAN LITERARY METAMODERNISM." CONTEMPORARY LITERARY STUDIES, no. 20 (December 20, 2023): 30–58. http://dx.doi.org/10.32589/2411-3883.20.2023.293539.

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This article examines specific manifestations of the metamodern structure of feeling and features of metamodern poetics represented in contemporary Ukrainian literature, as well as the influence of the state of war, in which Ukraine has been involved since 2014, on the perception of the universal aesthetic characteristics of metamodernism in the national artistic discourse.The global phenomenon of metamodernism is considered in the article in its connections with the previous modernist and postmodern traditions and in the context of the political and cultural processes of the end of the 20th —

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Pipere, Anita, and Francesca Lorenzi. "The Future of Educational Research: Looking Through the Lenses of Metamodernism." Journal of Teacher Education for Sustainability 26, no. 2 (2024): 6–27. https://doi.org/10.2478/jtes-2024-0014.

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Abstract In today’s complex and unsettling global landscape, it is crucial to seek, define, and legitimize educational perspectives and research that are underpinned by philosophical paradigms that enable us to respond to unforeseen challenges and effectively address the ever-growing complexity and multiplicity of reality. The evolving nature of education – in particular – underscores the urgent need for a paradigm shift. Education itself is in crisis, dominated by unsustainable approaches and narrowly conceived solutions. The main objectives of this study are to provide a summary of the metam

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Lushnikova, G. I., and T. Iu Osadchaia. "Novel “A Heartbreaking Work of Staggering Genius” by Dave Eggers in Context of a New Cultural Paradigm." Nauchnyi dialog 13, no. 2 (2024): 286–302. http://dx.doi.org/10.24224/2227-1295-2024-13-2-286-302.

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The article explores the leading metamodernist features evident in the autobiographical novel ‘A Heartbreaking Work of Staggering Genius’ (2001) by a contemporary American writer Dave Eggers. The purpose of this study is to identify the characteristic features of metamodernism in contemporary works on the basis of an interpretive analysis of D. Eggers’ autobiographical novel “A Heartbreaking Work of Staggering Genius”, to determine ways of their original implementation in this novel. The review of theoretical sources confirms the significance of Eggers’ works in the development of key trends i

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Chernyshova, Svitlana. "DOMINANTS OF METAMODERNISM: CRITICAL RECEPTION." CONTEMPORARY LITERARY STUDIES, no. 20 (December 20, 2023): 85–90. http://dx.doi.org/10.32589/2411-3883.20.2023.293576.

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This article analyzes developments in the field of literary studies that concentrate on the aesthetics of metamodernism. Researchers emphasize the following inherent characteristics of contemporary fictional writings: a return to modernist-style experimentation, the reconstruction of grand narratives rejected by postmodernism, oscillation between different aesthetic palettes, openness, a return to history, depth, affect, and new sincerity. The identification of these dominants in contemporary literature provides grounds for asserting the «waning» and exhaustion of postmodernism and the develop

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Kersten, Dennis, and Usha Wilbers. "Introduction: Metamodernism." English Studies 99, no. 7 (2018): 719–22. http://dx.doi.org/10.1080/0013838x.2018.1510657.

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Pipere, Anita, and Kristīne Mārtinsone. "Metamodernism and Social Sciences: Scoping the Future." Social Sciences 11, no. 10 (2022): 457. http://dx.doi.org/10.3390/socsci11100457.

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At this moment, humanity is confronting several global metacrises that demand a new image of science to deal with the complex problems associated with these crises. In addition to natural sciences and humanities, social sciences can become an equally efficient resource for use in this transformation if they succeed in constructing new frameworks congruent with the new reality. The purpose of this theoretical paper in the discourse of philosophy of science is to discern the features of the social sciences within a new paradigm of metamodernism. For the first time, the authors elaborate on the n

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Sazanova, Svetlana L. "On the Influence of Metamodernity on Institutional Economic Theory." Economics of Contemporary Russia, no. 3 (September 23, 2021): 69–76. http://dx.doi.org/10.33293/1609-1442-2021-3(94)-69-76.

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The article analyses the influence of the philosophy of metamodernism on the institutional economic theory. The author considered the philosophy of metamodernism as a complex of ideas that form the “spirit of the times” – the “era of metamodernity”, which is an external environment in relation to institutional economic theory. Having analyzed the key characteristics of modernity and postmodernity, the author proved that metamodernity is not only a synthesis of the philosophical ideas of modernity and postmodernity, but also a new worldview that embraces the entire socio-economic reality. The

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Shabanova, Y. O. "METAMODERNISM MAN IN THE WORLDVIEW DIMENSION OF NEW CULTURAL PARADIGM." Anthropological Measurements of Philosophical Research, no. 18 (December 27, 2020): 121–31. https://doi.org/10.15802/ampr.v0i18.221402.

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<strong>Purpose.</strong> The research is based on the comprehension of the anthropological tendencies of the metamodernism, which presupposes the consistent solution of the following tasks: a) explication of the content of post-postmodernism in modern philosophical literature; b) identification of the ideological basis of metamodernism anthropology; c) characteristics of the problem field of metamodernism anthropology and the state of man in the modern era. <strong>Theoretical basis.</strong> Anthropology of the metamodernism for the first time defines socio-cultural context th

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Vermeulen, Timotheus, and Robin van den Akker. "Notes on metamodernism." Journal of Aesthetics & Culture 2, no. 1 (2010): 5677. http://dx.doi.org/10.3402/jac.v2i0.5677.

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DROBYSHEVA, Elena E. "Outline of Metamodernism." International Journal of Cultural Research, no. 4 (2021): 103–12. http://dx.doi.org/10.52173/2079-1100_2021_4_103.

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Yegorov, D. I. "Historicization of metamodernism." Bulletin of the Moscow State Regional University (History and Political Science), no. 4 (2022): 82–90. http://dx.doi.org/10.18384/2310-676x-2022-4-82-90.

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Morrissey, Nicholas. "Metamodernism and Vaporwave: A Study of Web 2.0 Aesthetic Culture." Nota Bene: Canadian Undergraduate Journal of Musicology 14, no. 1 (2021): 64–82. http://dx.doi.org/10.5206/notabene.v14i1.13361.

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With the advent of Web 2.0, new forms of cultural and aesthetic texts, including memes and user generated content (UGC), have become increasingly popular worldwide as streaming and social media services have become more ubiquitous. In order to acknowledge the relevance and importance of these texts in academia and art, this paper conducts a three-part analysis of Vaporwave—a unique multimedia style that originated within Web 2.0—through the lens of a new cultural philosophy known as metamodernism. Relying upon a breadth of cultural theory and first-hand observations, this paper questions the e

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Khabibullina, Liliya F. "METAMODERNISM IN I. McEWAN’S NOVEL “ENDURING LOVE” (1997)." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 8, no. 1 (2023): 96–107. http://dx.doi.org/10.18522/2415-8852-2023-1-96-107.

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The concept of “metamodernism” arose in science to determine the current state of literature, the specifics of perception and representation of reality by writers of the new century. The term is not fully established yet and is being revised, and the methodology of studying metamodernist texts in Russian literary studies is at its starting point. The article analyzes one of Ian McEwan&#x27;s early novels, which can be recognized as metamodern, from the point of view of oscillation (in terms of Akker and Vermeulen) between modernist and postmodern ways of depicting reality and forming a met

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Khrushcheva, Nastasia Alekseevna. "Simeon Ten Holt's Canto ostinato as a manifesto of the musical Metamodern." PHILHARMONICA. International Music Journal, no. 5 (May 2022): 10–18. http://dx.doi.org/10.7256/2453-613x.2022.5.33593.

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The object of research in the article is the cult music of Simeon ten Holt Canto ostinato (1976-79), which is considered using the optics of metamodernism. The authors of the concept of metamodernism were the Dutch Timotheus Vermeulen and Robin van den Acker, who created the manifesto of metamodernism (2010), another manifesto was subsequently created by the Briton Luke Turner (2011). This music, as well as the whole concept of metamodernism in music, represents one of the concepts of culture-after-postmodernism and proclaims the return of affect, semantic oscillation as a constant oscillation

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Listvina, E. V. "Modern socio-cultural situation: the problem of value orientations." Aspirantskiy Vestnik Povolzhiya 22, no. 3 (2022): 41–43. http://dx.doi.org/10.55531/2072-2354.2022.22.3.41-43.

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Aim to identify value orientations within the concept of metamodernism. The article notes that after several decades of postmodernism, society turns to metamodernism as a new attempt to grasp its position in a constantly varying present, as an attempt to respond quickly to the proposed challenges of time. The author considers main features of metamodernism, and on their basis offers a characteristic of current value orientations, replacing the modernist attitudes: recognition of the value of "to stay between", the value priority of feeling and sensation, orientation on deep meanings, the

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Zimenkov, N. A. "Toward Metamodernism: The Phenomenon of ‘‘Slow’’ Cinema." Vestnik VGIK 16, no. 1(59) (2024): 122–33. http://dx.doi.org/10.69975/2074-0832-2024-59-1-122-133.

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The article examines the history of “slow” cinema. An analysis of theoretical works devoted to the problem suggests that this phenomenon resonates with the concept of metamodernism introduced by T. Vermeulen and R. van den Akker in the book “Metamodernism: Historicity, Affect and Depth after Postmodernism”. The comparison of the two trends — “slow” cinema and metamodernism — givesa more profound insight into the prospects and direction of the cultural and historical process of the first third of the 21st century.

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Zhuchkova, Anna V. "The “New Archaic” and Modern Mythoprose. The Search for a Grand Narrative." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 70 (2023): 220–38. http://dx.doi.org/10.37816/2073-9567-2023-70-220-238.

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The developers of metamodernism argue that it will bring new grand narratives and universal concepts to replace the discreteness and fragmentation of postmodernism. This is precisely the task that Russian mythoprose of the 2000–2010s sets itself. Contemporary Russian mythoprose is developing a universal worldview concept. It refers to the systemic interaction with the world and the world as a system of systems. This understanding is peculiar to the Russian national mentality. Modern Russian mythoprose finds a new grand narrative in the appeal to folklore-mythological description of the world.

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Oublal, Ali, and Houban Brahim. "Metamodern Subject: Towards Metaxy and Fragmentation." International Journal of Literature and Arts 12, no. 6 (2024): 163–72. https://doi.org/10.11648/j.ijla.20241206.13.

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The very last quarter of the century is characterised by a large-scale and deep-seated changes which distinguish it from the postmodern epoch. This is in part due to globalisation that has remolded the economic, social and cultural space. Those unprecedented alterations manifest themselves in all areas of human life as the key features of the contemporary cultural landscape. One of its mains, which must not be treated with eyes wide shut, is the reemerged subject that should be taken neither as the old modern nor the postmodern one as it encompasses no transcendental explanations. Concepts lik

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Petrova, Iryna. "Metamodernism as a Concept of Cultural Studies." Issues in Cultural Studies, no. 36 (December 28, 2020): 14–23. https://doi.org/10.31866/2410-1311.36.2020.221039.

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The essence of metamodernism as a concept of cultural studies is analysed in the article. The article points out the expediency of conceptualization of the cultural features of the (post) postmodernism era, on the one hand, and the need to develop adequate approaches, different from the traditional ones, for the implementation of a cultural analysis of a new research direction and modern world trends, on the other. The purpose of the article deals with a critical understanding of metamodernism as a contemporary concept of cultural studies. Comparative, analytical, and systematic methods were u

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Podlednov, Denis. "The Phenomenon of Metamodernism in Contemporary Russian Art (On the Example of Paintings by V. Pushnitsky)." Ideas and Ideals 13, no. 1-2 (2021): 425–41. http://dx.doi.org/10.17212/2075-0862-2021-13.1.2-425-441.

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The article is devoted to the analysis of the functioning of metamodernism in the field of Russian contemporary art. Researchers of metamodernism talk about the revival of historicity, depth and affect that were lost with the era of postmodernism. Metamodernism is characterized by oscillation, metaxis, new sincerity, neo-romantic sensuality, reconstruction, etc. In this paper, the author attempts to analyze markers of metamodernism in the visual arts using the example of the artist Vitaly Pushnitsky (St. Petersburg). The material for the study was a research interview with the artist V. Pushni

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Pipere, Anita, and Kristīne Mārtinsone. "Shaping an Image of Science in the 21st Century: The Perspective of Metamodernism." Societies 13, no. 12 (2023): 254. http://dx.doi.org/10.3390/soc13120254.

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In a contemporary world facing countless multifaceted crises and challenges, science can still serve as one of the most powerful tools to deal with the ordeals of our time. However, the scientific community needs to provide space for reflection on novel ways of developing its centuries-old heritage and unlocking its potential for the benefit of the world and humanity. The purpose of this article was to deliberate on the image of contemporary science within the framework of the new philosophical paradigm of metamodernism. Following historical strands related to metamodernism and science, the au

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Baciu, Ciprian, Muşata Bocoş, and Corina Baciu-Urzică. "Metamodernism – A Conceptual Foundation." Procedia - Social and Behavioral Sciences 209 (December 2015): 33–38. http://dx.doi.org/10.1016/j.sbspro.2015.11.226.

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Piro, Jody S. "Integral education within metamodernism." Educational Philosophy and Theory 50, no. 14 (2018): 1455–56. http://dx.doi.org/10.1080/00131857.2018.1461401.

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Sheedy, Matt. "The Future of Metamodernism." Religion and Theology 30, no. 3-4 (2023): 383–94. http://dx.doi.org/10.1163/15743012-bja10055.

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Abstract This paper provides a critical examination of Jason Josephson Storm’s Metamodernism: The Future of Theory (2021). While endorsing many of Storm’s positions, I pose a series of questions on several of his ideas. These include clarifications on possible applications of his theory, the various ways in which it makes claims on the study of religion, and, last but not least, questions about the author’s interesting proposal for a critical virtue ethics, which I endorse, albeit with some reservations.

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Lushnikova, Galina I., and Tatiana Yu Osadchaia. "Metamodernism in contemporary literature (On Dave Eggers' novel “The CIRCLE”)." Slovo.ru: Baltic accent 13, no. 3 (2022): 124–41. http://dx.doi.org/10.5922/2225-5346-2022-3-7.

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Currently, the literary process is witnessing the emergence of a new trend — post-postmodernism, developing along several lines. The article offers a review of theoretical works of Russian and foreign authors, devoted to the study of post-postmodernism, its main characteristics, and terminology. On the basis of the novel "The Circle" (2013), written by the American writer Dave Eggers, which has not yet become the subject of study in Russian literary criticism,the authors explore the main features of metamodernism as one of the directions of post-postmodernism. The methodology of the study is

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Safron, Elena S. "Dilogy “Vita Nostra” by M. and S. Dyachenko as an example of metamodern prose." Philological Sciences. Scientific Essays of Higher Education, no. 5 (September 2022): 129–35. http://dx.doi.org/10.20339/phs.5-22.129.

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This article proves that the dilogy by M. and S. Dyachenko, consisting of the novels “Vita Nostra” and “Vita Nostra. Work on mistakes”, whose genre nature is determined by urban fantasy (due to the presence of an urban chronotope, the principle of two worlds, a special type of protagonist experiencing an acute mental crisis) should be considered for the presence in it of tendencies of the direction that replaced postmodernism and conditionally called as metamodernism. The author singles out such signs of metamodernism as: the presence of a neo-romantic component (the motive of striving for the

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Onishchenko, Olena. "Species specificity of the art of the age of metamodernism: features of transformational processes." Culturology Ideas, no. 23 (1'2023) (2023): 45–54. http://dx.doi.org/10.37627/2311-9489-23-2023-1.45-54.

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The material of the article focuses on the problems of metamodernism, which today is becoming an active form of artistic practice. As the last stage in the more than one-century history of the modernist art movement, metamodernism tries to initiate a new model of artistic development, and this - in the theoretical aspect - leads to a revision of established aesthetic and art-scientific problems, in particular, the problem of species specificity of art, the origins of which go back to Antiquity. Based on the systematization of historical experience and new ideas developed in the space of modern

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Ovodova, Svetlana N., and Anton Y. Zhigunov. "Metamodernistic mediadiscourse in modern culture: from global silence to deep sincerity." Herald of Omsk University 25, no. 4 (2020): 94–101. http://dx.doi.org/10.24147/1812-3996.2020.25(4).94-101.

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The article demonstrated an attempt to measure the content of modern media taking into account the existing metamodernism attitudes. Some signs of metamodernism formed in the media and indicate their functional transformation were considered. It was made an attempt to analyze the implementation of the phenomenon of "new sincerity" and the break with silence in modern Internet-media and blogosphere. Interviews and documentaries were described from the point of view of the principles of the theories of trauma studies and memory studies, as well as fixing the manifestation of ethical attitudes of

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Nechaeva, Ekaterina A. "Metamodernism as a discourse of a new anthropological myth." Current Issues in Philology and Pedagogical Linguistics, no. 1(2021) (March 25, 2021): 191–202. http://dx.doi.org/10.29025/2079-6021-2021-1-191-202.

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The present paper concerns the discourse of metamodernism problem as a type of the anthropological myth. The anthropological myth is considered as a project for describing reality, which models a systematic consistent idea of a human being, reality, status of reality and develops ethic, aesthetic, axiological views of a subject. The article aims to determine the peculiarities of metamodernism as a fictional discourse of the anthropological myth on the basis of XXI century European novel analysis. The analysis is carried out with the use of the comparative method, contextual description methods

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Ovodova, Svetlana N., and Dmitry V. Dobrotvorskiy. "The narrative of science and irony in «Rick and Morty»: metamodernism vs postmodernism." Herald of Omsk University 25, no. 3 (2020): 54–60. http://dx.doi.org/10.24147/1812-3996.2020.25(3).54-60.

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The article reveals how the ideas of metamodernism influence the phenomena of mass culture. As an example, the animated series "Rick and Morty" is analyzed in detail, where the mechanisms of work of metamodern humor, oscillations, "new sincerity", post-irony are revealed, the narrative of science is analyzed from the standpoint of metamodernism. A distinction is made between the irony of postmodernism and the irony of metamodernism. In the animated series, the swing from irony, parody and pastiche to sincerity and seriousness is carried out when representing the topics of raising children in a

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Sazanova, S. L., and L. Žák. "Value management in the Economy 5.0." Vestnik Universiteta 1, no. 8 (2021): 20–24. http://dx.doi.org/10.26425/1816-4277-2021-8-20-24.

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The article considers the value management concept in the context of the changing epochs of postmodernism and metamodernism, as well as the challenges of the Economy 5.0. The main elements of the concept of value management and their relationship with the ideas of postmodernism and metamodernism have been revealed. The strengths and weaknesses of value management in modern companies have been determined. The role of institutions of the micro-, mesoand macrolevels in changing the values of economic activity has been recognized. The authors concluded that there is a cumulative, accumulative rela

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Kersten, Dennis, and Usha Wilbers. "Down in the Metamodernist Plain: Tracing a Twenty-First-Century Structure of Feeling in the Reception of NW and How to Be Both." Poetics Today 45, no. 4 (2024): 563–86. https://doi.org/10.1215/03335372-11381585.

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Abstract This article investigates how the manifestation of the structure of feeling labeled “metamodernism” by academics is recognized and interpreted by readers outside academia, represented by reviewers in established (print) media and on personal blogs and online platforms such as Goodreads. It focuses on the question of how two contemporary British novels (Zadie Smith's NW and Ali Smith's How to Be Both) that have been explicitly discussed in relation to metamodernism by literary scholars are read by readers who do not participate in the current academic debate about the supposed demise o

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