Relevant bibliographies by topics / Metamorphosis literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Metamorphosis literature'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Metamorphosis literature"

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Dudis, E. "Metamorphosis." Literary Imagination 9, no. 3 (May 26, 2007): 344. http://dx.doi.org/10.1093/litimag/imm013.

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McWilliam, Paulette S., and Bruce F. Phillips. "Metamorphosis of the final phyllosoma and secondary lecithotrophy in the puerulus of Panulirus cygnus George: a review." Marine and Freshwater Research 48, no. 8 (1997): 783. http://dx.doi.org/10.1071/mf97159.

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The final phyllosoma of Panulirus cygnus metamorphoses to a non-feeding puerulus that lives on energy reserves accumulated in the final larva, and the metamorphic moult occurs mainly in the slope region adjoining the shelf-break off Western Australia. A review of the literature on field studies, laboratory rearing and nutritional studies of phyllosomal and other decapod zoeal larvae provided no evidence that metamorphosis in P. cygnus (or other shallow-water palinurids) is triggered by a direct environmental cue. It did indicate that metamorphosis results from the culmination of sustained nutrition and reserve energy levels through the later larval phase. Therefore, since the puerulus is secondarily lecithotrophic, it is considered that metamorphosis occurs only after the final phyllosoma has reached some critical, specific, level of stored energy reserves. Appropriate food for later larval development and successful metamorphosis of P. cygnus is more abundant in the shelf-break region (than further offshore) because this is a region of high plankton and micronekton biomass dominated by the Leeuwin Current. It also explains why metamorphosis occurs mainly in the shelf-break region. This review indicates research necessary for evaluation of the present interpretation and of larval recruitment processes in this species.
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Sokolov, Danila. "Mary Wroth, Ovid, and the Metamorphosis of Petrarch." Modern Language Quarterly 81, no. 1 (March 1, 2020): 1–31. http://dx.doi.org/10.1215/00267929-7933063.

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Abstract The language of arboreal metamorphosis in Lady Mary Wroth’s pastoral song “The Spring Now Come att Last” from Pamphilia to Amphilanthus (1621) may invoke the myth of Apollo and Daphne. However, the Ovidian narrative so central to Petrarchan poetics celebrates the male poet by erasing the female voice. This essay instead explores parallels between Wroth’s poem and the metamorphosis of the Heliades, who turn into poplars while mourning their brother Phaeton in book 2 of the Metamorphoses. Their transformation is predicated on an act of female speech, however precarious and evanescent. This alternative Ovidian scenario offers a model of lyric that capitalizes on the brief resonance that the female voice acquires at the point of vanishing. By deploying it in her song, Wroth not only rewrites Petrarch through Ovid in order to articulate a gendered lyric voice but shows herself a poet attuned to the crucial developments in English lyric of the sixteenth and seventeenth centuries, in particular the complex relationship between the Petrarchan and the Ovidian legacies.
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Hill, Stanley. "Kafka's Metamorphosis." Explicator 61, no. 3 (January 2003): 161–62. http://dx.doi.org/10.1080/00144940309597794.

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Shaland, Irene, and Franz Kafka. "Metamorphosis." Theatre Journal 41, no. 4 (December 1989): 549. http://dx.doi.org/10.2307/3208024.

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Bataille, Georges, and Annette Michelson. "Metamorphosis." October 36 (1986): 22. http://dx.doi.org/10.2307/778542.

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Gioia, Dana. "Metamorphosis." Hudson Review 49, no. 3 (1996): 424. http://dx.doi.org/10.2307/3852511.

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Otterspeer, Willem. "Metamorphosis. Jolles and Huizinga and Comparative Literature." Cahiers d’études italiennes, no. 23 (December 30, 2016): 19–28. http://dx.doi.org/10.4000/cei.3055.

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Malhotra, Neeraj, and Kundabala Mala. "Calcific metamorphosis. literature review and clinical strategies." Dental Update 40, no. 1 (January 2, 2013): 48–60. http://dx.doi.org/10.12968/denu.2013.40.1.48.

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Shirinova, Raima, Uljan Qarshibayeva, Dilnoza Tursunmuratova, Musallam Khasanova, and Guliston Shamuratova. "Metamorphosis as an Object of Linguistic Research." International Journal of Early Childhood Special Education 14, no. 1 (March 17, 2022): 145–51. http://dx.doi.org/10.9756/int-jecse/v14i1.221019.

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Current scientific work is devoted to the comparative analysis of how the term "metamorphosis" is given in linguistic dictionaries. The use of the term metamorphosis in various fields of science is based on the analysis of the phenomenon of metamorphosis in their lexical meaning and application, in particular when translating works of art. In this study, we tried to cover the problems and issues related to the subject of metamorphosis in the field of translation. One of the oldest and most difficult problems of translation is the translation of cultural units in modern linguistics, the adequate transfer of the content of texts from one language to another in the process of translation. There are some clear terms and expressions in world languages that cannot be translated into other languages of the world. Those words or phrases are usually closely connected with culture, history and literature of a nation. In linguistics, the phenomenon of metamorphosis is characterized by a semantic transformation or transformation of the image of a concept, event, and an animate or inanimate object. Metamorphosis interprets translation change. Metamorphosis is the leading fantasy motif of evolution in fantasy fairy tales in literature. In this article, we have tried to analyze the lexical meaning, interpretation and scientific definitions of the phenomenon of metamorphosis.
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Dissertations / Theses on the topic "Metamorphosis literature"

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Costes, Anne. "La métamorphose Fonctions et investissements sémantiques au sein de cent et un contes européens et africains. Thèse, Université Toulouse le Mirail, juillet 1998 /." Villeneuve d'Ascq : Presses universitaires du Septentrion, 2000. http://catalog.hathitrust.org/api/volumes/oclc/43984176.html.

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Bargouti, Husain Jameel. "The other voice : an introduction to the phenomenology of metamorphosis /." Thesis, Connect to this title online; UW restricted, 1992. http://hdl.handle.net/1773/6684.

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Gallagher, David. "The theme of metamorphosis in nineteenth- and twentieth century German-speaking literature." Thesis, Royal Holloway, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.497628.

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Marubbio, M. Elise 1963. "The edge of the abyss: Metamorphosis as reality in contemporary Native American literature." Thesis, The University of Arizona, 1993. http://hdl.handle.net/10150/291692.

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The edge of the abyss: Metamorphosis as reality in contemporary Native American literature, approaches the concept of metamorphosis from a metaphysical and philosophical perspective as a culturally defined reality. It focuses on the works of contemporary Native American writers: Leslie Silko, Scott Momaday, Gerald Vizenor, and Louise Erdrich, who address the metamorphic properties of Time and the metamorphic abilities of Man as a continuing link to the supernatural and natural worlds through stories which descend from a history of oral traditions. The Edge of the Abyss explores the use of language and stories as a cultural survival technique for the retention of tribal ideology and world view. It addresses the fine line which exists between Western and Native American concepts of reality in order to re-define metamorphosis within a cultural context. This thesis uses an interdisciplinary approach utilizing anthropological, sociological, shamanistic, literary, and cultural materials in a comparative analysis.
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Norris, Stephanie Latitia. "Flesh in flux: narrating metamorphosis in late medieval England." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/1372.

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My dissertation reevaluates medieval concepts of body and identity by analyzing literary depictions of metamorphosis in romance. Focusing on examples such as the hag-turned-damsel in the Wife of Bath's Tale, the lump-turned-boy in The King of Tars and the demon-saint of Sir Gowther, I take as my starting point the fact that while those texts pivot on instances of physical transformation, they refrain from representing such change. This pattern of undescribed physical metamorphosis has broad implications for recent work on evolving notions of change and identity beginning in the high Middle Ages. While Caroline Walker Bynum has read the medieval outpouring of tales about werewolves and hybrids as imaginative responses to social upheavals, I consider why such medieval writings ironically focused on shape-shifters but avoided metamorphosis itself. I argue that we can understand why Chaucer and other writers resisted imagining bodies in the process of transforming by examining the history of ideas regarding metamorphosis in the medieval west. While the foremost classical writer on transformation, Ovid, reveled in depictions of metamorphosis, by the late Middle Ages a new religious discourse on change enjoyed prominence, the doctrine of transubstantiation. In its effort to separate substance and accidents, Eucharistic theory strove to detach identity from physical change and exhibited a certain level of repugnance over images of physical transformation. I argue that medieval secular writings address that anxiety over bread-turned-God in moments such as the close of the Wife of Bath's Tale. In a scene that recalls the place of veiling in Eucharistic ritual, the hag uses the bed curtain first to cloak then reveal her newly young and beautiful physique. Ultimately, the corpus of medieval literature on change--a body of work that engages both Ovidian and Eucharistic writings--suggests that identity intertwines with physical metamorphosis in a productive, if problematically unstable, manner.
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James, Paula. "Unity in diversity a study of Apuleius' Metamorphoses : with particular reference to the narrator's art of transformation and the metamorphosis motif in the Tale of Cupid and Psyche /." Hildesheim ; New York : Olms-Weidmann, 1987. http://catalog.hathitrust.org/api/volumes/oclc/15604421.html.

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Chappell, Shelley Bess. "Werewolves, wings, and other weird transformations fantastic metamorphosis in children's and young adult fantasy literature /." Doctoral thesis, Australia : Macquarie University, 2007. http://hdl.handle.net/1959.14/226.

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Thesis (PhD)--Macquarie University, Division of Humanities, Department of English, 2007.
Bibliography: p. 239-289.
Introduction -- Fantastic metamorphosis as childhood 'otherness' -- The metamorphic growth of wings : deviant development and adolescent hybridity -- Tenors of maturation: developing powers and changing identities -- Changing representations of werewolves: ideologies of racial and ethnic otherness -- The desire for transcendence: jouissance in selkie narratives -- Conclusion -- Bibliography -- Appendix: "The great Silkie of Sule Skerry": three versions.
My central thesis is that fantastic motifs work on a metaphorical level to encapsulate and express ideologies that have frequently been naturalised as 'truths'. I develop a theory of motif metaphors in order to examine the ideologies generated by the fantastic motif of metamorphosis in a range of contemporary children's and young adult fantasy texts. Although fantastic metamorphosis is an exceptionally prevalent and powerful motif in children's and young adult fantasy literature, symbolising important ideas about change and otherness in relation to childhood, adolescence, and maturation, and conveying important ideologies about the world in which we live, it has been little analysed in children's literature criticism. The detailed analyses of particular metamorphosis motif metaphors in this study expand and refine our academic understanding of the metamorphosis figure and consequently provide insight into the underlying principles and particular forms of a variety of significant ideologies.
By examining several principal metamorphosis motif metaphors I investigate how a number of specific cultural beliefs are constructed and represented in contemporary children's and young adult fantasy literature. I particularly focus upon metamorphosis as a metaphor for childhood otherness; adolescent hybridity and deviant development; maturation as a process of self-change and physical empowerment; racial and ethnic difference and otherness; and desire and jouissance. I apply a range of pertinent cultural theories to explore these motif metaphors fully, drawing on the interpretive frameworks most appropriate to the concepts under consideration. I thus employ general psychoanalytic theories of embodiment, development, language, subjectivity, projection, and abjection; poststructuralist, social constructionist, and sociological theories; and wide-ranging literary theories, philosophical theories, gender and feminist theories, race and ethnicity theories, developmental theories, and theories of fantasy and animality. The use of such theories allows for incisive explorations of the explicit and implicit ideologies metaphorically conveyed by the motif of metamorphosis in different fantasy texts.
In this study, I present a number of specific analyses that enhance our knowledge of the motif of fantastic metamorphosis and of significant cultural ideologies. In doing so, I provide a model for a new and precise approach to the analysis of fantasy literature.
Mode of access: World Wide Web.
[12], 294 p
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Mera, Ewerton de Oliveira. "Cíniras e Mirra : as figuras do incesto em Ovídio (Metamorfoses, X, 298-502) /." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/141901.

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Esta pesquisa apresenta a proposta de investigar a figuratividade poética no texto latino, valendo-se do instrumental teórico que nos fornecem a Poética e a Semiótica Literária, tendo como corpus o episódio de “Cíniras e Mirra”, que integra a obra Metamorfoses (livro X, 298-502) de autoria de Ovídio (43 a.C. - 17 d.C.), considerado um dos maiores poetas da Roma Antiga. As Metamorfoses são um longo poema em versos hexâmetros, composto de quinze livros, que trata do surgimento dos elementos que compõem o mundo e da transformação ocorrida com diversos seres mitológicos em uma narrativa contínua. No trecho selecionado para a análise, conta-se a transformação de uma bela jovem na árvore da mirra, após cometer incesto com o próprio pai, Cíniras, rei de Chipre. Em um trabalho desenvolvido como pesquisa de IC intitulado “Poética e Figuratividade: uma análise de ‘Io’ (Ovídio, Metamorfoses, I, 583-747)”, procurou-se concentrar na primeira etapa dos processos de figuratividade, isto é, na figuração do discurso, quando um tema é revestido por figuras semióticas. Tomando os efeitos de sentido captados pela percepção e apreendidos por meio da leitura como dados de base, pretende-se investigar no corpus o arranjo particular da linguagem. Como resultado dessa investigação produziu-se um discurso metalinguístico a fim de reconhecer os recursos da figuratividade poética determinantes da expressão. Ainda, como base para o desenvolvimento do trabalho, será produzida uma tradução de estudo (literal) acompanhada de notas de referência, com comentários concernentes a dados gerais de cultura (mitologia, história, geografia, filosofia, etc.).
This research is a proposal to investigate the figurative poetics in the Latin text, drawing on the theoretical tools provided by Poetics and Literary Semiotics, with the corpus of the episode "Cinyras and Myrrha", integrating part of the Metamorphoses (Book X, 298-502), by Ovid (43 BC - 17 AD), regarded as one of the greatest poets of Ancient Rome. The Metamorphoses is a long poem in hexameter verses, separated into fifteen books. It depicts the creation of elements of the world and the transmutations of several mythological beings, with a narration that takes place in a continuous form. The selected passage for analysis recounts the transformation of a beautiful young woman into the myrrh tree, after committing incest with her own father, Cinyras, the king of Cyprus. In an already developed undergraduation research entitled “Poetics and Figurativity: an analysis of ‘Io’ (Ovid, Metamorphoses, I, 583-747), we have focused on the first step of the figuration process, that being the figuration of speech, when a subject is covered with semiotic figures. Considering the effects of meaning captured by perception and seized by careful reading as database, we intend to investigate in the corpus particular arrangements of language. The result of this research has produced a metalinguistic discourse to recognize the features of poetical figurativity that are determinants to the expression. Furthermore, as a basis for the development of this work, we will produce a literal study translation, accompanied by background notes, and comments concerning general data culture, such as mythology, history, geography, philosophy, etc.
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Fisher, Elizabeth A. "Planudes' Greek translation of Ovid's Metamorphoses." New York : Garland Pub, 1990. http://catalog.hathitrust.org/api/volumes/oclc/21077839.html.

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Pizano, Mariana Peixoto. "Expressividade poética nas Metamorfoses de Ovídio : o episódio de Níobe (Metamorfoses, vi. 146-312) /." Araraquara, 2016. http://hdl.handle.net/11449/139531.

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Orientador: João Batista Toledo Prado
Banca: Elaine Cristina Prado dos Santos
Banca: Brunno Gonçalves Vieira
Resumo: Esta pesquisa apresenta três objetivos principais: 1) refletir criticamente sobre as diferentes opiniões de autores do século XX que se debruçaram sobre a produção literária de Ovídio, destacando dela os defeitos e o engenho; 2) oferecer uma tradução do relato mitológico de Níobe, narrado no sexto livro das Metamorfoses de Ovídio (v. 146-312), sem a preocupação de recriar a poeticidade do texto original latino, mas oferecendo equivalência lingüística bastante para a compreensão do texto - seguir-se-ão à tradução notas de cultura sempre que houver necessidade de esclarecer algum termo (mitológico, geográfico, histórico, etc); 3) realizar um estudo semiótico do episódio narrado nas Metamorfoses, que permita ao leitor compreender de que maneira a história (fabula) e sua expressão poética - o modo como o texto foi composto por meio do arranjo das palavras em verso, com todos os recursos permitidos pelo sistema linguístico do latim, reapropriado pelo(s) sistema(s) da poesia - unem-se a fim de construir sentidos que se valem (mas ao mesmo tempo ultrapassam) a mera gramaticalidade. O episódio mitológico de Níobe relata a audácia da esposa do lendário rei de Tebas, Anfião, ao ousar comparar-se à Latona, mãe dos gêmeos Febo (Apolo) e Febe (Diana). A mortal se julgava mais merecedora de receber os incensos e as preces ofertados pelas tebanas que aquela deusa, porque julga sua linhagem e sua numerosa prole (ao todo são quatorze filhos) superiores às da outra. Tamanha heresia rendeu-lhe... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: This research has three main goals: 1) to reflect critically on different opinion of twentieth century's authors who have studied Ovid's literature, highlighting its faults and cleverness; 2) to provide a translation of Niobe's mythological account, reported in the sixth book of Ovid's Metamorphoses (v. 146-312), without concerning to recreate the poeticity of the original Latin text, but offering linguistic equivalence enough to the text understanding - the translation will be followed by culture notes whenever it's necessary to elucidate any term (mythological, geographical, historical, etc.); 3) to perform a semiotic study of the episode reported on the Metamorphoses, which allows the reader to comprehend how the story (fabula) and its poetic expression - the way the text was composed by the arrangement of words in verse, with all resources allowed by the linguistic system of Latin language, reappropriated by the Poetic system - unite in order to create valid meanings, but at the same time go beyond the mere grammaticality. The mythological episode of Niobe reports the audacity of the wife of the Thebes' legendary king, Amphion, by daring to compare herself to Latona, mother of Phoebus (Apollo) and Phoebe (Diana) twins. The mortal was thought worthier of receiving incense and prayers offered by the Theban than the goddess since she judges her ancestry and her numerous offspring (together they are fourteen) higher than the other. Such heresy earned her a terrible punishment... (Complete abstract click electronic access below)
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Books on the topic "Metamorphosis literature"

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Ruiz, Andrés Llamas. Metamorphosis. New York: Sterling Publishing, 1996.

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Quiri, Patricia Ryon. Metamorphosis. New York: F. Watts, 1991.

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Metamorphosis. Mankato, MN: Creative Education, 2003.

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Ruiz, Andrés Llamas. Metamorphosis. New York: Sterling Pub., 1996.

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ill, Casadevall Gabriel, and Garousi Ali ill, eds. Butterflies: Magical metamorphosis. Milwaukee: Gareth Stevens Pub., 1996.

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Kalman, Bobbie. Metamorphosis: Changing bodies. New York: Crabtree, 2008.

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Page, P. K., and Margaret Steffler. Metamorphosis: Selected Children's Literature. Porcupine's Quill, 2020.

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Kafka, Franz. Metamorphosis (SparkNotes Literature Guide). Sterling Publishing Co., Inc., 2014.

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Macleod, Isabella. Metamorphosis. PageTurner: Press & Media, 2022.

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Lunn, Charlotte. Metamorphosis. Verve Poetry Press, 2021.

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Book chapters on the topic "Metamorphosis literature"

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Martín Rodríguez, Antonio María. "Metamorphosis of the Mythical Hero in Disney’s Hercules." In IVITRA Research in Linguistics and Literature, 19–50. Amsterdam: John Benjamins Publishing Company, 2020. http://dx.doi.org/10.1075/ivitra.23.c2.

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Kundu, Tithishri. "Zebrafish: A Metamorphosis in Ophthalmological Research—A Literature Review." In Zebrafish Model for Biomedical Research, 289–320. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-5217-2_13.

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Livesay, Lewis. "Kafka’s The Metamorphosis: Gregor’s Da-Sein Paralyzed by Debt." In Temporality in Life as Seen Through Literature, 367–93. Dordrecht: Springer Netherlands, 2007. http://dx.doi.org/10.1007/1-4020-5331-2_24.

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Li, Ou. "Romantic, Rebel, and Reactionary: The Metamorphosis of Byron in Twentieth-Century China." In Asia-Pacific and Literature in English, 191–217. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3001-8_8.

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Beverinotti, Matías. "Labor Metamorphosis and Violence Against Women in Sergio Chejfec's The Dark." In The Routledge Handbook of Violence in Latin American Literature, 421–33. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780367520069-31.

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Wilson, Bernard. "Mutilation, Metamorphosis, Transition, Transcendence: Revisiting Genderism and Transgenderism in The Little Mermaid Through Gake no Ue no Ponyo." In Asian Children’s Literature and Film in a Global Age, 117–37. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-2631-2_6.

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Mellein, Richard, and Peter Alois Kuhlmann. "Apuleius, Lucius: Metamorphoses." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11248-1.

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Lethen, Helmut. "Blitzschnelle Metamorphosen. 7 Überlegungen zu einem Putzfleck." In Geschichte als Literatur, 242–48. Stuttgart: J.B. Metzler, 1990. http://dx.doi.org/10.1007/978-3-476-03341-3_20.

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Berger, Renate. "Metamorphose und Mortifikation Die Puppe." In Weiblichkeit und Tod in der Literatur, 265–90. Köln: Böhlau Verlag, 1987. http://dx.doi.org/10.7788/9783412307226-012.

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LaLonde, Suzanne. "Metamorphoses of the Mind and a Literary Arts Praxis." In Trauma, Posttraumatic Growth, and World Literature, 128–53. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003284642-10.

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Conference papers on the topic "Metamorphosis literature"

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"The Calling of the Unspeakable and the Seduction of Metamorphosis: Vergílio Ferreira, from Literature to Film." In Oct. 2-4, 2018 Budapest (Hungary). Universal Researchers, 2018. http://dx.doi.org/10.17758/uruae4.uh10184027.

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Cenusa, Felicia. "The Childhood World and the Metamorphoses of the Society in Transition." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.33.

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The present study aims to trace the guidelines of an ongoing phenomenon, the transition, reflected in post-Soviet Romanian literature, especially the transition seen and experienced by children. Two novels are analyzed: „Kinderland” by Liliana Corobca and „Children’s Crusade” by Florina Ilis. Regardless of the aesthetic stakes, the texts have at the center of the action the experiences of the infantile self, its formative and deforming events that denounce the political and social context of the current period. They are barometers both of the era and of the literature that was published in these years.
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