Relevant bibliographies by topics / Metamorphosis – Mythology – Poetry

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Metamorphosis – Mythology – Poetry'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Metamorphosis – Mythology – Poetry"

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Vasylenko, Vadym. "THE POETRY BY MYKHAILO OREST: IDEAS AND FIGURATIVE STRUCTURE." Слово і Час, no. 2 (April 30, 2024): 51–69. http://dx.doi.org/10.33608/0236-1477.2024.02.51-69.

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The paper explores the structure of Mykhailo Orest’s poetry, delving into its main elements such as concepts of time, forest, silence, and word, as well as the motives of eschatologism and reincarnation. It focuses on the ideological and aesthetic originality of Orest’s poetry, examining his views on the nature of language and the essence of art. The distinctive feature of Orest’s poetry is a metaphor of time that comprises various philosophical meanings, including the eschatological understanding of time as “the world of the night,” the era of “the departure of God,” and “the end of things” a
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Φερεντίνου, Βικτώρια. "ΒΙΚΤΩΡΙΑ ΦΕΡΕΝΤΙΝΟΥ, Τα συγκοινωνούντα δοχεία μιας υβριδικής ποιητικής: Ο μύθος ως διακαλλιτεχνική και διαπολιτισμική ώσμωση στο έργο του Νίκου Εγγονόπουλου". Σύγκριση 31 (28 грудня 2022): 28–41. http://dx.doi.org/10.12681/comparison.31272.

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The Communicating Vessels of a Hybrid Poetics: Myth as Intermedial and Intercultural Osmosis in the Oeuvre of Nikos Engonopoulos In 1938, the year of the International Exhibition of Surrealism at the Gallery Beaux-Arts in Paris, the poet and painter Nikos Engonopoulos created Birth of Orpheus and Genesis of Myth. The depiction of the birth of young Orpheus as emblematic of the construction of myth recalls the mythopoetic process as articulated in the anthology of the poet, psychoanalyst and photographer Andreas Embeirikos, Writings or Personal Mythology (1936-1946): “Each myth’s becoming is a
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Popović-Bodroža, Ana. "Constructing of the narcissistic artistic character in the autobiography of Salvador Dali: Salvador Dali with an insight into the painting metamorphosis of narcissus, and the Dali museum/bequests." Kultura, no. 170-171 (2021): 167–78. http://dx.doi.org/10.5937/kultura2171167p.

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By applying the methodology of transdisciplinary studies, this work examines the phenomenon of Narcissism and narcissistic artistic character in the autobiography of Salvador Dali "I am the genius" (The Secret World of Salvador Dali), in the paining "The Metamorphosis of Narcissus", and in Dali's original poetry through the prisms of mythology, psychoanalysis and psychosexuality by constructing of the narcissistic character (artistic "Persona") as a model for identity strategies in contemporary art practices. The text is analysing some of Dali's unique personality characteristics and creative
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Fürst, Isidora. "Themis and Dike – Justice in Greek Myth and Tradition." Vesnik pravne istorije 2, no. 1 (2021): 9–39. http://dx.doi.org/10.51204/hlh_21101a.

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The understanding of law in Ancient Greece was based on the religious interpretations of human nature and natural laws. Two Greek goddesses were representatives of justice and fairness. In the ancient sources Themis is presented as a goddess and prophetess, one of the Titans and the daughter of Gea and Uranus. She is a symbol of divine order, justice, natural law and good customs. Dike, the daughter of Themis, is the goddess of justice and truth, the protector of rights and courts of justice, the arbiter, the symbol of honor, the goddess of revenge and punishment. In early Greek culture and po
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Neira, Julio. "Los mitos en la poesía de Caballero Bonald." Signa: Revista de la Asociación Española de Semiótica 28 (June 28, 2019): 1181. http://dx.doi.org/10.5944/signa.vol28.2019.25115.

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La literatura nace con el mito, en tanto relato de una cosmovisión, y especialmente la poesía se ha nutrido de la mitología en todo su desarrollo. En España ha sido así sobre todo en épocas como los siglos de Oro, en que las Metamorfosis de Ovidio tuvo una amplia repercusión. También la poesía española contemporánea presenta esta influencia, incluso en los periodos en que el realismo y la conciencia social eran predominantes. En este artículo se repasa minuciosamente la presencia continuada y abundante de los mitos en la poesía de José Manuel Caballero Bonald a lo largo de toda su trayectoria.
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Rushton, Emily. "Meta/morphosis." Book 2.0 13, no. 2 (2023): 157–65. http://dx.doi.org/10.1386/btwo_00090_7.

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Meta/morphosis is a long-form poetry that acts as the rationale behind wider doctoral research as a practitioner-researcher, which uses performance research as a well-being intervention for young people with socio-emotional mental health conditions through the vehicle of mythology. The rationale behind my research – which explores the navigation of human emotion and aims to create pathways to new becomings () – creative writing felt like the only apt medium. The poem meanders around the original form of Ovid’s Metamorphoses – inspired by the way in which the intertwining internal monologues an
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Borovskaya, A. A. "THE NATIVE CITY HISTORY AS A MACRO PLOT OF B. SHAKHOVSKY’S CYCLE OF “POEMS ABOUT ASTRAKHAN”." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 25, no. 92 (2023): 72–78. http://dx.doi.org/10.37313/2413-9645-2023-25-92-72-78.

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The research object are constant elements of urban space in B. Shakhovsky’s cycle “Poems about Astrakhan”. The article studies the main hallmarks of Astrakhan text, which form the plot of a super-genre unity. The key images and motifs of cycle not only reflect the topography of the capital of the Caspian Sea, its biogeographic, cultural features and architectural appearance, but also reveal the semiotic potential of the city, combining two types of chronotope – water / river and desert. Folk legends and ideas about Astrakhan as a border space form the macro plot. Historical metamorphoses, defi
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Stundžienė, Bronė. "Lithuanian Cultural Landscape in Folklore from the Perspective of Values." Vilnius University Open Series, no. 5 (December 4, 2020): 81–101. http://dx.doi.org/10.15388/vllp.2020.5.

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In the article, the contemporary human being’s search for values is primarily linked to the folkloristic reflection of Lithuanian cultural landscape. Following the framework of hermeneutics and based on the folkloristic symbolism of landscape in Lithuanian folklore (mainly in the oldest layer of folk songs), the manifestations of a long-lasting solidarity between community and nature are discussed. The focus has been placed on the small community – the family and its immediate relationship with the surrounding nature. In the introductory part of the article, the notion of ritualism is discusse
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"Folklore and Mythological Symbolism of Lunar Images in the Poetry of Vasyl Holoborodko." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 83 (2019). http://dx.doi.org/10.26565/2227-1864-2019-83-17.

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The article considers the interpretation of the lunar symbols of V. Goloborodko's poetry in the folklore and mythological context. The poetry of this representative of the Kyiv School is analyzed in line with mythological representations of both world culture and ethno-national mental principles. The mythological thinking of the artist is represented through the verbal poetical system of images, axiology and ontology concepts, etc. The article establishes that, in the interpretation of the lunar mythology, V. Holoborodko refers to fairy tales, fantasy elements, folk symbols, magical and ritual
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Kumanska. "Olena Pchilka Works for Children: Ecology of Soul and Nature." Волинь філологічна: текст і контекст. 2019. 28., December 29, 2019, 157–67. https://doi.org/10.5281/zenodo.4247390.

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In the multidimensional issues of Olena Pchilka’s works for children the role of ecological motives as a component of moral, ethical and patriotic development of children is emphasized. The material of different genres of texts in such a research perspective analyzes the specificity of understanding of everyday situations, social problems, the role of mythology. The analysis of the poetry «The little Hare and the Boy» and the story «Christmas pine-tree» focuses on empathy for the animal world. The play «Sleeping Dream, or a Tale of a Green Grove» noted
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Dissertations / Theses on the topic "Metamorphosis – Mythology – Poetry"

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Tronchet, Gilles. "La métamorphose à l'oeuvre recherches sur la poétique d'Ovide dans les "Métamorphoses /." Louvain ; Paris : Peeters, 1998. http://catalogue.bnf.fr/ark:/12148/cb36709145t.

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Araujo-Rousset, Anthony de. "Figures françaises de Dante : un mythe romantique." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE3008.

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Ce travail construit une dantologie transcendantale fondée sur la fécondité et la légitimité du commentarisme français tout au long du dix-neuvième siècle. Le nom et l’œuvre de Dante progressent dans la vie de l’esprit et de la culture après la sidération de la Révolution, avec la naissance, l’apogée, le déclin et les suites métamorphosées du Romantisme. Un amour soumis à la loi de la divisibilité de quelques fragments de la Divine Comédie se transforme graduellement en une première dantologie. Des figures archétypiques issues de domaines hétérogènes donnent une armature conceptuelle et poétiq
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De, Araujo Rousset Anthony. "Figures françaises de Dante : un mythe romantique." Thesis, 2018. http://www.theses.fr/2018LYSE3008/document.

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Ce travail construit une dantologie transcendantale fondée sur la fécondité et la légitimité du commentarisme français tout au long du dix-neuvième siècle. Le nom et l’œuvre de Dante progressent dans la vie de l’esprit et de la culture après la sidération de la Révolution, avec la naissance, l’apogée, le déclin et les suites métamorphosées du Romantisme. Un amour soumis à la loi de la divisibilité de quelques fragments de la Divine Comédie se transforme graduellement en une première dantologie. Des figures archétypiques issues de domaines hétérogènes donnent une armature conceptuelle et poétiq
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Books on the topic "Metamorphosis – Mythology – Poetry"

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Hofmann, Michael, 1957 Aug. 25- and Lasdun James, eds. After Ovid: New metamorphoses. Faber and Faber, 1994.

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Michael, Hofmann, and James Lasdun. After Ovid: New metamorphoses. Noonday Press ; Farrar, Straus, and Giroux, 1996.

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Ovid. The metamorphoses. New American Library, 2009.

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Ovid. The essential Metamorphoses. Hackett Pub. Co., 2011.

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illustrator, Bachinski Walter, Butler Janis, Goodman Jon printer, Garth, Samuel, Sir, 1661-1719, translator, Shanty Bay Press, and Press Collection (Library of Congress), eds. Stories from the metamorphoses. Shanty Bay Press, 2013.

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Hofmann, Michael, 1957 Aug. 25- and Lasdun James, eds. After Ovid: New metamorphoses. Noonday Press, 1997.

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Hofmann, Michael, 1957 Aug. 25- and Lasdun James, eds. After Ovid: New metamorphoses. Farrar, Straus, and Giroux, 1995.

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Anguillara, Giovanni Andrea dell', approximately 1517-1565, translator and Cotugno Alessio editor, eds. Le metamorfosi d'Ovidio. Vecchiarelli editore, 2019.

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Ovid. Ovid in Sicily. Sheep Meadow Press, 1986.

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Ovid. Metamorfosis. Orbis Dictus Ediciones, 2002.

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Book chapters on the topic "Metamorphosis – Mythology – Poetry"

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Hardie, Philip. "The Metamorphoses of Sin." In Metamorphic Readings. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864066.003.0010.

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Ovid’s Metamorphoses, the encyclopedia of pagan mythology for later centuries, was also pressed into the service of Christian theology. This chapter shows how three Christian poets—Prudentius, Dante, and John Milton—reworked metamorphosis into a snake, each in his own specific way. The central text is Metamorphoses 4.569–603, where Cadmus and his wife Harmonia are transformed into snakes in fulfilment of a supernatural prophecy, the ultimate consequence of Cadmus’ slaying of the serpent of Mars on the site of Thebes. While the metamorphosed Cadmus falls physically to the ground, in the Christi
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Farrell, Joseph. "Ovid and Mythography." In The Oxford Handbook of Greek and Roman Mythography. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190648312.013.20.

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Abstract Few, if any, Greek or Latin authors have had greater influence on the reception of classical mythology than Ovid. The Metamorphoses is paramount in this regard, but Ovid’s entire oeuvre engages with mythology and mythography both by anticipating aspects of his magnum opus or by taking a pointedly different approach from it. Two aspects of Ovid’s work are mutually informing but readily distinguishable from each other. First, like other poets, Ovid reacts in sophisticated ways to earlier poetic treatments of specific myths. This aspect has to do with establishing his place in the canon
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Fahey, Diane. "Working with Greek Mythology: A Journey through Images." In Feminist Poetics of Sacredtne. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195144680.003.0012.

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Abstract My interest in Greek mythology began in the early 1980s and led to my writing two collections of poetry based on Greek mythology: Metamorphoses (1988), which centers on female figures in Greek myth, and Listening to a Far Sea (1998), which is mainly about male figures. At the time I began, I was aware of the way myths could offer insight into some of the abiding patterns and themes in human experience-developmental issues, the quest for freedom and self-realization, finding a place and way of being in the world, the facing of death and suffering-and I soon became acquainted with the w
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Hejduk, Julia Dyson. "Ovid." In The God of Rome. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190607739.003.0006.

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In the beginning, Ovid’s depiction of Jupiter accords with the usual elegiac fare. There is a certain amount of rivalry, as Ovid fears Jupiter might steal his girl; some flippant one-upmanship, as Ovid drops Jupiter-cum-thunderbolt when his girlfriend locks her door; copious irony, as the praeceptor Amoris instructs his pupils to imitate Jupiter in perjuring themselves. Ovid particularly enjoys “correcting” his predecessor Propertius on certain points of Jovian theology. The great works written close to the time of Ovid’s exile add a bitter edge to this playfulness, revisiting elegiac scenario
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Keith, Alison. "Labor and pestis in Ovid’s Metamorphoses." In Philosophy in Ovid, Ovid as Philosopher. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197610336.003.0010.

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This chapter treats the relationship between philosophy and mythology in Ovid’s Metamorphoses, in connection with two famous “problems” of Epicurean philosophy: labor (“toil” or “trouble”) and pestis (“plague”). Labor and pestis come together in Lucretius’ account of the rise and fall of civilization in two passages of De rerum natura, literally in Book 5 and symbolically in Book 6. Ovid recuperates this complex in three passages of the Metamorphoses: the rejuvenation of the earth’s population by Deucalion and Pyrrha after the great flood (1.348–415), the plague at Aegina (7.517–660), and Herc
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Solomon, Jon. "Mythography and the Reception of Classical Mythology in the Renaissance, 1340–1600." In The Oxford Handbook of Greek and Roman Mythography. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190648312.013.41.

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Abstract This chapter surveys the Greco-Roman mythological tradition from the mid-14th century to the late 16th. It begins with Bersuire, who continued the medieval tradition of allegorizing Ovid’s Metamorphoses, and Boccaccio, who continued the genealogical tradition in his Genealogia deorum gentilium and wrote several additional influential works. Boccaccio was the first humanist scholar to incorporate ancient Greek texts, albeit only the Homeric epics. They were followed in the early 15th century by Salutati, Christine de Pizan, Chaucer, Lydgate, and several others. The subsequent expansion
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Morozova, Yulia G. "Ivan Bunin’s Story “Velga”: On the Question of the Text History and the Poetics of the Genre." In Ivan Bunin’s Early Works (1883–1902): Poetics, Textual Criticism, Commentary. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. https://doi.org/10.22455/978-5-9208-0761-8-98-123.

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The article notes that Ivan Bunin’s story “Velga” has not yet become the subject of separate studies, but has only been mentioned in general literary works. The probable range of sources that Bunin could have used during the period of writing the “northern legend” is being established. It is emphasized that the scant evidence from Bunin’s correspondence of 1885–1904 and modern works on folklore and mythology do not allow us to say unequivocal- ly which books the writer read. At the same time, the story of metamorphosis, which forms the basis of the plot of “Velga” (that is, the transformation
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