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1

Ahrens, Kathleen. Politics, gender and conceptual metaphors. Palgrave Macmillan, 2009.

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2

Labahn, Antje, Susanne Gillmayr-Bucher, Elizabeth Hayes, et al., eds. Conceptual Metaphors in Poetic Texts. Gorgias Press, 2013. http://dx.doi.org/10.31826/9781463221676.

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Ahrens, Kathleen, ed. Politics, Gender and Conceptual Metaphors. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230245235.

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4

1943-, Radice Barbara, ed. Design metaphors. Rizzoli, 1988.

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5

Ettore, Sottsass. Design metaphors. Idea Books, 1987.

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6

Veale, T. Conceptual scaffolding: Using metaphors tobuild knowledge structures. Trinity College, Dublin, 1992.

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7

Ukosakul, Margaret. Don't "lose your face"!: Conceptual metaphors motivating the use of Thai 'face'. Payap University, Linguistics Dept., 2000.

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8

Labahn, Antje. Conceptual metaphors in poetic texts: Proceedings of the metaphor research group of the European Association of Biblical Studies in Lincoln 2009. Gorgias Press, 2013.

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9

Studies in conceptual metaphor theory. Aracne editrice S.r.l., 2014.

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10

Landau, Mark J. Conceptual Metaphor in Social Psychology. Routledge, 2016. http://dx.doi.org/10.4324/9781315312019.

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11

Trim, Richard. Metaphor and the historical: Evolution of conceptual mapping. Palgrave Macmillan, 2011.

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12

Trim, Richard. Metaphor and the Historical Evolution of Conceptual Mapping. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230337053.

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13

Windows to the mind: Metaphor, metonymy and conceptual blending. De Gruyter Mouton, 2011.

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14

Veale, T. Tony. Conceptual scaffolding: A spatially-founded meaning representation for metaphor comprehension. Trinity College, Dublin, 1992.

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15

A conceptual metaphor approach to war discourse and its implications. Wydawn. Naukowe UAM, 2007.

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16

Leezenberg, Michiel. Contexts of metaphor: Semantic and conceptual aspects of figurative language interpretation. Institute for Language, Logic and Computation, Universiteit van Amsterdam., 1995.

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17

Metaphor across time and conceptual space: The interplay of embodiment and cultural models. John Benjamins Publishing Company, 2013.

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18

Howe, Bonnie. Because you bear this name: Conceptual metaphor and the moral meaning of 1 Peter. Society of Biblical Literature, 2008.

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19

Strugielska, Ariadna. Towards an integrated conceptual model of metaphorical linguistic expressions in English: W kierunku zintegrowanego modelu konceptualnego metaforycznych wyrażen językowych w języku angielskim. Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2012.

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20

Zhan zheng hua yu de gai nian yin yu yan jiu: War discourse : a study viewed from conceptual metaphor. Henan da xue chu ban she, 2011.

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21

Li, Fuyin. Applied cognitive linguistics: Conceptual metaphor and image schemas in English learning = [Ying yong ren zhi yu yan xue : gai nian yin yu yu yi xiang tu shi zai Ying yu xue xi zhong de ying yong]. Zhongguo wen shi chu ban she, 2004.

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22

Jr, Gibbs Raymond W. Metaphor Wars: Conceptual Metaphors in Human Life. University of Cambridge ESOL Examinations, 2017.

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23

Jr, Raymond W. Gibbs. Metaphor Wars: Conceptual Metaphors in Human Life. Cambridge University Press, 2019.

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24

Ahrens, K. Politics, Gender and Conceptual Metaphors. Palgrave Macmillan, 2009.

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25

1966-, Ahrens Kathleen, ed. Politics, gender, and conceptual metaphors. Palgrave Macmillan, 2009.

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26

1966-, Ahrens Kathleen, ed. Politics, gender, and conceptual metaphors. Palgrave Macmillan, 2009.

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27

Neagu, Maria-Ionela. Decoding Political Discourse: Conceptual Metaphors and Argumentation. Palgrave Pivot, 2013.

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28

Conceptual Conflicts in Metaphors and Figurative Language. Taylor & Francis Group, 2017.

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29

Neagu, M. Decoding Political Discourse: Conceptual Metaphors and Argumentation. Palgrave Pivot, 2013.

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30

Lanier, Gregory R. Old Testament Conceptual Metaphors and the Christology of Luke's Gospel. Bloomsbury Publishing Plc, 2020.

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31

Old Testament Conceptual Metaphors and the Christology of Luke's Gospel. Bloomsbury Publishing Plc, 2018.

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32

Blumenberg, Hans. History, Metaphors, Fables. Translated by Hannes Bajohr, Florian Fuchs, and Joe Paul Kroll. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501732829.001.0001.

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This book collects the central writings by Hans Blumenberg and covers topics such as on the philosophy of language, metaphor theory, non-conceptuality, aesthetics, politics, and literary studies. The book demonstrates Blumenberg's intellectual breadth and gives an overview of his thematic and stylistic range over four decades. Blumenberg's early philosophy of technology becomes tangible, as does his critique of linguistic perfectibility and conceptual thought, his theory of history as successive concepts of reality, his anthropology, or his studies of literature. The book allows readers to discover a master thinker whose role in the German intellectual post-war scene can hardly be overestimated.
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33

El-Sharif, Ahmad. The Muslim Prophetic Tradition. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190636647.003.0011.

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This chapter surveys the major conceptual metaphorical source domains in the Prophet Muhammad’s Tradition and their mappings with reference to Conceptual Metaphor Theory. The Prophetic discourse makes great use of metaphors whose source domains vary considerably. These metaphors are systematically classified in particular spatial domains. In addition, the Prophetic metaphors show considerable discrepancy in terms of their degree of generality and specificity: many metaphoric schemas are generic in their mapping, while a large number are very specific in their mapping. Furthermore, the majority of the Prophetic metaphors are common, due to the ontological and structural functions of most of the Prophetic metaphors. This can be attributed to the fact that Islamic religious discourse is packed with abstract notions, and metaphorical language is the most accessible method of conceptualising and facilitating the understanding of such religious abstraction.
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34

Reimer, Marga, and Elisabeth Camp. Metaphor. Edited by Ernest Lepore and Barry C. Smith. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199552238.003.0033.

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Metaphor has traditionally been construed as a linguistic phenomenon: as something produced and understood by speakers of natural language. So understood, metaphors are naturally viewed as linguistic expressions of a particular type, or as linguistic expressions used in a particular type of way. This linguistic conception of metaphor is adopted in this article. In doing so, the article does not intend to rule out the possibility of non-linguistic forms of metaphor. Many theorists think that non-linguistic objects (such as paintings or dance performances) or conceptual structures (like love as a journey or argument as war) should also be treated as metaphors. Indeed, the idea that metaphors are in the first instance conceptual phenomena, and linguistic devices only derivatively, is the dominant view in what is now the dominant area of metaphor research: cognitive science. In construing metaphor as linguistic, the article merely intends to impose appropriate constraints on a discussion whose focus is the understanding and analysis of metaphor within contemporary philosophy of language.
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35

Kövecses, Zoltán. Metaphor, Cognition, Culture. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190879228.003.0002.

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The chapter reports on work concerned with the issue of how conceptual metaphor theory (CMT) functions as a link between culture and cognition. Three large areas are investigated to this effect. First, work on the interaction between conceptual metaphors, on the one hand, and folk and expert theories of emotion, on the other, is surveyed. Second, the issue of metaphorical universality and variation is addressed, together with that of the function of embodiment in metaphor. Third, a contextualist view of conceptual metaphors is proposed. The discussion of these issues leads to a new and integrated understanding of the role of metaphor and metonymy in creating cultural reality and that of metaphorical variation across and within cultures, as well as individuals.
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36

Spencer, Alexander. Metaphorizing Terrorism. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038860.003.0005.

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This chapter shows that metaphors in the media actively take part in the construction of the world as we see it, think of it, and ultimately react to it. By projecting understandings from one conceptual area, such as war, to a different area, such as terrorism, metaphors naturalize specific countermeasures while placing other options outside of the mainstream debate. Metaphors are mechanisms for cognitive engagement by making abstract concepts and phenomena that are difficult to grasp, such as terrorism, comprehendible. The chapter begins by illustrating the concept of metaphors, reflecting on what metaphors do, and thereby outlining a method of metaphorical analysis. It then applies this method to tabloid news media discourse in Germany and the UK, and examines the four dominant conceptual metaphors that construct the terrorism of al Qaeda and Osama bin Laden in these media. These conceptual metaphors are: terrorism is war, terrorism is crime, terrorism is uncivilized evil, and terrorism is disease. The chapter concludes by reflecting on some of the differences between media representations in Germany and the UK, and outlines some possible explanations for varying metaphor usage.
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37

Conceptual Metaphors in Poetic Texts: Proceedings of the Metaphor Research Group of the European Association of Biblical Studies in Lincoln 2009. Gorgias Pr Llc, 2013.

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38

The Natural Philosophy Of Emanuel Swedenborg A Study In The Conceptual Metaphors Of The Mechanistic Worldview. Springer, 2012.

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39

Hayes, Glen Alexander. The Guru’s Tongue. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190636647.003.0008.

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This essay explores the nature of religious language and uses of conceptual metaphors in an important branch of medieval Bengali Hinduism known as the Vaiṣṇava Sahajiyā traditions which practiced a form of esoteric tantric yoga involving a series of external rituals, internalized visualizations, a special mystical language, and a rejection of the norms of Hindu caste and ritual purity. Developing after the time of the great Bengali devotional leader Kṛṣṇa Caitanya, they also incorporated emotional and devotional practices known as bhakti (“devotion”) which enriched their religious practices, language, and uses of conceptual metaphors. The essay considers how using several approaches to studying conceptual metaphors can help to better understand the process and dynamics of these traditions, how the usage of the vernacular language of Bengali influenced their religious language and metaphors, and how the historical and cultural contexts of deltaic Bengal influenced their beliefs, practices, and textual expressions.
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40

Feyaerts, Kurt, and Lieven Boeve. Religious Metaphors at the Crossroads between Apophatical Theology and Cognitive Linguistics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190636647.003.0003.

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This chapter introduces an interdisciplinary approach to the study of religious discourse, inspired by the observation that the tradition of negative theology, rediscovered by postmodern philosophy and theology, shares major points of interest with the cognitive theory of language. Its primary goal is an attempt to compare two epistemological systems in a fruitful and promising way. There are three major parts. The first deals with aspects of apophatical (or negative) theology and presents its rediscovery by postmodern theology. The second describes central aspects of cognitive semantics, with special attention to the theory of conceptual metaphor. The third brings the two theories together in search of both similarities and differences. It will be shown that there are common points of interest and methodology, and that each approach can contribute to the other, offering possible benefits to theology.
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41

Knoll, Gillian. Conceiving Desire in Lyly and Shakespeare. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474428521.001.0001.

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Conceiving Desire in Lyly and Shakespeare explores the role of the mind in creating erotic experience on the early modern stage. To “conceive” desire is to acknowledge the generative potential of the erotic imagination, its capacity to impart form and make meaning out of the most elusive experiences. Drawing from cognitive and philosophical approaches, this book advances a new methodology for analysing how early modern plays dramatize inward erotic experience. Grounded in cognitive theories about the metaphorical nature of thought, Conceiving Desire in Lyly and Shakespeare traces the contours of three conceptual metaphors—motion, space, and creativity—that shape erotic desire in plays by John Lyly and William Shakespeare. Although Lyly and Shakespeare wrote for different types of theatres and only partially-overlapping audiences, both dramatists created characters who speak erotic language at considerable length and in extraordinary depth. Their metaphors do more than merely narrate or express eros; they constitute characters’ erotic experiences. Each of the book’s three sections explores a fundamental conceptual metaphor, first its philosophical underpinnings and then its capacity for dramatizing erotic experience in Lyly’s and Shakespeare’s plays. Conceiving Desire in Lyly and Shakespeare provides a literary and linguistic analysis of metaphor that credits the role of cognition in the experience of erotic desire, even of pleasure itself.
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42

Iordachescu, Grigore-Dan. Universals and variants of English and Romanian business metaphors. A corpus-based conceptual mapping of contemporary journalese from a pedagogical approach. Proceedings of Project kick-off meeting. Edited by Teodora Popescu. Editura Didactică şi Pedagogică, 2015. http://dx.doi.org/10.29302/uvabumet.2015.proceedings.

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The present book is a collection of papers presented on the occasion of the Kick-off meeting of the CNCS-UEFISCDI project Universals and variants of English and Romanian business metaphors. A corpus-based conceptual mapping of contemporary journalese, UVaBuMet, Code: PNII-RU-TE-2014-4-2785, 2015 – 2017. The workshop was held in Alba Iulia, during 23-24 November 2015, at “1 Decembrie 1918” University of Alba Iulia. The book is a collection of 12 contributions by teachers and researchers from Romania, Serbia and Poland and is organised into three main chapters, which address the issues of metaphors in the business language, as well as in literature, social media and historical writings translations.
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43

Pérez-Sobrino, Paula. Cognitive Modeling and Musical Creativity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190457747.003.0006.

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This chapter provides a preliminary account of different figurative operations in twelve examples of program classical and contemporary music involving music and text. The main goals are to explore the directionality and scope of the mappings between language and music and to investigate the communicative effects of each operation in a musical work. Metonymy, metaphor, hyperbole, paradox, and irony are compared and contrasted to highlight the dynamism and flexibility of conceptual mechanisms to account for meaning construction in multimodal contexts. Although all these conceptual tools consist of putting in correspondence two entities, there are differences that allow us to draw boundaries among them. The main advantage of adopting a view based on figurative operations is that they overcome the two-domain layout of metaphors while counting on a limited inferential capacity that allows the prediction of possible communicative effects.
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44

Drogosz, Anna. A Cognitive Semantics Approach to Darwin’s Theory of Evolution. Æ Academic, 2019. http://dx.doi.org/10.52769/bl4.0017.

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DARWIN’S THEORY OF EVOLUTION ranks among the most influential of modern scientific theories. Applying the methodology of COGNITIVE SEMANTICS , this study investigates how metaphors based on domains of JOURNEY, STRUGGLE, TREE and HUMAN AGENCY serve to conceptualize key concepts of Darwin’s theory — such as evolutionary change, natural selection, and relationships among organisms. At the outset the author identifies original metaphors in The Origin of Species, to turn to their realizations in modern discourse on evolution in later chapters. Thus, the study uncovers how metaphors contribute to structuring the theory by expressing it in a coherent and attractive way, and how they provide mental tools for reasoning. As the first comprehensive study of conceptual metaphors that underlie Darwin’s theory and affect the way we talk and think about evolution, it may be of interest not only to linguists and evolutionary biologists but also to anyone interested in the interconnection between thought and language.
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45

Kowalewski, Hubert. Snakes, Leaves, and Poisoned Arrows. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190636647.003.0009.

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A paradox about emotions is that although we experience them directly through our minds and bodies, they appear to be vague and elusive when we try to talk about them. Consequently, most of the language used to speak about emotions is metaphorical. This observation is consonant with cognitive linguistics, which views metaphors as conceptual rather than purely verbal mechanisms. Emotions are one of the central matters of Buddhist philosophy, and language used to talk about them abounds in conceptual metaphors. This article inspects metaphorical expressions used in the canonical collection of early Buddhist texts. It reveals fundamental differences in the way emotions are thought of in Buddhist and Western culture. While in the West emotions are typically conceptualized in terms of FORCE, Buddhism conceives them in terms of FORCE, OBJECT or both. These variations are not incidental and results from fundamental differences between Christian and Buddhist worldviews and philosophy.
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46

El Refaie, Elisabeth. Visual Metaphor and Embodiment in Graphic Illness Narratives. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190678173.001.0001.

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This study uses the analysis of visual metaphor in 35 graphic illness narratives—book-length stories about disease in the comics medium—in order to re-examine embodiment in traditional Conceptual Metaphor Theory (CMT) and propose the more nuanced notion of “dynamic embodiment.” Building on recent strands of research within CMT, and drawing on relevant concepts and findings from other disciplines, including psychology, phenomenology, social semiotics, and media theory, the book develops the argument that the experience of one’s own body is constantly adjusting to changes in one’s individual state of health, sociocultural practices, and the activities in which one is engaged at any given moment, including the modes and media that are being used to communicate. This leads to a more fluid and variable relationship between physicality and metaphor use than many CMT scholars assume. For example, representing the experience of cancer through the graphic illness narrative genre draws attention to the unfathomable processes going on beneath the body’s visible surface, particularly now that digital imaging technologies play such a central role in the diagnosis and treatment of the disease. This may lead to a reversal of conventional conceptualizations of knowing and understanding in terms of seeing, so that vision itself becomes the target of metaphorical representations. A novel classification system of visual metaphor, based on a three-way distinction between pictorial, spatial, and stylistic metaphors, is also proposed.
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47

Kuźniak, Marek, Agnieszka Libura, and Michał Szawerna, eds. From Conceptual Metaphor Theory to Cognitive Ethnolinguistics. Peter Lang D, 2014. http://dx.doi.org/10.3726/978-3-653-02794-5.

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48

Trim, R. Metaphor and the Historical Evolution of Conceptual Mapping. Palgrave Macmillan, 2011.

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49

Conceptual Metaphor and Embodied Cognition in Science Learning. Taylor & Francis Group, 2016.

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50

Amin, Tamer. Conceptual metaphor and embodied cognition in science learning. Routledge, 2018. http://dx.doi.org/10.4324/9781315316925.

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