Academic literature on the topic 'Metapsychology'

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Journal articles on the topic "Metapsychology"

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Sollod, Robert N. "Recasting Metapsychology." Contemporary Psychology: A Journal of Reviews 31, no. 5 (1986): 362–63. http://dx.doi.org/10.1037/024753.

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Loewenstein, Sophie Freud. "Freud's Metapsychology Revisited." Social Casework 66, no. 3 (1985): 139–51. http://dx.doi.org/10.1177/104438948506600302.

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This article summarizes today's critical thinking on such major psychoanalytical concepts as the sexual and aggressive drives, the Oedipus complex, the psychic apparatus, and the unconscious. It distinguishes between concepts that have lost validity and those that are of ongoing clinical value.
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Block, Paul. "Unconscious Content." Psychological Reports 56, no. 3 (1985): 891–901. http://dx.doi.org/10.2466/pr0.1985.56.3.891.

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Holt recently questioned whether classical psychoanalytic metapsychology is relevant to modern psychoanalytic and psychodynamic clinical theories. He claims that Freud's structural and dynamic models do not meet updated philosophical standards. In addition, Freud's notion of the unconscious has always posed problems of definition, description, and measurement. The very existence of an unconscious has been doubted; nonetheless, some metapsychology is necessary, and such theorists as Schafer have accordingly worked to redefine the nature of psychoanalysis. Wolff and Schimek reexamined Freud's notion of unconscious mental representation. Extension of their work to clarify the need and role for a concept of unconscious which can be part of a more modern, philosophically acceptable metapsychology is attempted here.
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Kitcher, Patricia, and Kathleen V. Wilkes. "What is Freud's Metapsychology?" Aristotelian Society Supplementary Volume 62, no. 1 (1988): 101–38. http://dx.doi.org/10.1093/aristoteliansupp/62.1.101.

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Hendrick, Clyde. "In Search of Metapsychology." Contemporary Psychology: A Journal of Reviews 33, no. 11 (1988): 948–49. http://dx.doi.org/10.1037/026200.

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OLSEN, OLE ANDKJAZR, and SIMO KOPPE. "Problems in Freud's Metapsychology." Scandinavian Journal of Psychology 27, no. 1 (1986): 163–74. http://dx.doi.org/10.1111/j.1467-9450.1986.tb01194.x.

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Solms, Mark. "Neuronal Networks and Metapsychology." Contemporary Psychology: A Journal of Reviews 43, no. 3 (1998): 203–4. http://dx.doi.org/10.1037/001563.

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Cristófaro, Helgis Torres. "Heteronomia e Metapsicologia." Revista Latinoamericana de Psicopatologia Fundamental 25, no. 3 (2022): 752–55. http://dx.doi.org/10.1590/1415-4714.2022v25n3p752.13.

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Wood, Heather. "The metapsychology of Christopher Bollas." Psychoanalytic Psychotherapy 30, no. 4 (2016): 373–75. http://dx.doi.org/10.1080/02668734.2016.1234134.

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Robbins, Dorothy. "Vygotsky's Non-classical Dialectical Metapsychology." Journal for the Theory of Social Behaviour 33, no. 3 (2003): 303–12. http://dx.doi.org/10.1111/1468-5914.00219.

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Dissertations / Theses on the topic "Metapsychology"

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MENDES, LARISSA DA COSTA. "FOR A METAPSYCHOLOGY OF THE TIME." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2012. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=19587@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>O presente trabalho tem como objetivo investigar as diversas temporalidades da psicanálise a partir de três eixos temáticos prioritários sobre os quais se apoiam muitos dos conceitos freudianos. Dentre as dimensões temporais da teoria psicanalítica, destacamos essencialmente a noção de tempo mítico, o a posteriori e a atemporalidade do inconsciente. As abordagens que serão discutidas neste trabalho não esgotam os tempos de Freud, nem buscam um fechamento conceitual em torno da questão, mas vislumbram – com alguma parceria com a filosofia de Deleuze – identificar eixos temporais importantes no campo psicanalítico que se abrem à perspectiva de uma compreensão plural do tempo.<br>This study aims to investigate the different temporalities of psychoanalysis based on three priority themes which support many of the freudian concepts. Among the temporal dimensions of psychoanalytic theory, we choose to highlight essentially the notion of mythic time, the a posteriori and the timelessness from the unconscious. The approaches that are discussed in this work do not extinguish the times of Freud, nor even seek a conceptual closure around the issue, but pursue – with a partnership with Deleuze s philosophy – to identify important temporal axes in the psychoanalytic field that opens itself for a plural perspective of the time.
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Brennan, Teresa. "Freud's theory of femininity in the context of his metapsychology." Thesis, University of Cambridge, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335100.

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Fisher-Høyrem, Linda Elisabeth. "What matter? : human nature beyond the Cartesian Framework : an essay in metapsychology." Thesis, Oxford Brookes University, 2013. https://radar.brookes.ac.uk/radar/items/7dd44291-e9bc-4cbc-bf1d-1aaa63b00a45/1.

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This thesis seeks to recast the body/mind problem and some of its associated questions in light of a historical diagnosis of the underlying metaphysical premises of the current debate and through a contrastive examination of two aternative metaphysical frameworks. Despite a proliferation of reductive and non-reductive perspectives in contemporary debates about mind/body interaction, a growing consensus recognizes that the dominant philosophical alternatives fall short of accounting for the complexity of human nature. Rather than simply adding another voice to this debate, this thesis argies that the present philosophical alternatives are only perceived as exhaustive in the first place because they share a certain philosophical 'framework' or set of assumptions - about matter, causation, mentality, reality, and the self - one that is distinctly Western and modern, and that provides the terms of the debate itself, framing and limiting the scope of questions and responses alike. Offering a historical diagnosis of what it calls the 'Cartesian framework', the thesis shows that despite functioning as a taken-for-granted background, this framework is in fact not a universal 'given' evacuated from historical circumstances. The thesis then examines two examples of pre-Cartesian and non-Western metaphysics, namely Thomism and Buddhist philosophy - neither of which encounter any body/mind problem in theor accounts of human nature because they do not share the assumptions of the Cartesian framework. Finally, it suggests that more than simply revealing the limitations of the Cartesian framework underpinning contemporary philosophical debates, drawing on these two case studies might offer ways of sidestepping the current philosophical dead-end, as well as having practical implications for any discipline concerned with human nature - our bodies, behavior and 'inner' life - beyond mere philosophical speculation.
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Bertorello, Adrián, and Julieta Bareiro. "Work of Art and Nature in the Transcendental of Freudian Metapsychology in Paul Ricoeur." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2016. http://repositorio.pucp.edu.pe/index/handle/123456789/112758.

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The purpose of this article is to investigate the aporia of the epistemological status of Freudian metapsychology as represented by Ricoeur’s hermeneutics. This aporia centers on the concept of psychic nature as the ultimate target of metapsychological speculation. The question this article addresses is whether the psychic apparatus that emerges from metapsychological speculation responds to a conception of nature that belongs to a physical model or a phenomenological model. This question has an ambiguous answer in Ricoeur’s work. In order to show the ambiguity, we begin by examining the transcendental reading Ricoeur makes of metapsychology. Then, we explain the aporia of Freudian naturalism, and following a suggestion by Ricoeur, we indicate a way out of it through the argumentative reconstruction of the relationship between artwork and psychic nature.<br>El presente trabajo tiene como propósito investigar la aporía del estatuto epistemológico de la metapsicología freudiana tal como aparece representado en la hermenéutica de Paul Ricoeur. Dicha aporía se centra en el concepto de naturaleza psíquica como referente último de la especulación metapsicológica. El hilo conductor de la exposición radica en determinar si el aparato psíquico que surge de la especulación metapsicológica da cuenta de una concepción de la naturaleza que se rige o bien por un modelo físico o bien por un modelo fenomenológico. Este problema tiene una respuesta ambigua en Ricoeur. A fin de mostrar esta ambigüedad se aborda, en primer lugar, la lectura trascendental que Ricoeur hace de la metapsicología. Luego, en un segundo momento, se presenta la aporía del naturalismo freudiano y, siguiendo una indicación de Ricoeur, se señala una salida a dicha dificultad mediante la reconstrucción argumentativa del vínculo entre obra de arte y naturaleza psíquica.
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Gouws, Andries Stefanus. "Psychoanalysis and the other : an essay on Freud's metapsychology, hermeneutics and theory of sexuality /." Utrecht : Universiteit voor Humanistiek, 1998. http://catalogue.bnf.fr/ark:/12148/cb37111955q.

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Th. Ph. D.--Utrecht--Universiteit voor Humanistiek, 1998.<br>Mention parallèle de titre ou de responsabilité : Psychoanalyse, de ander en het andere : een verhandeling over Freud's metapsychologie, hermeneutiek en theorie van de seksualiteit. Contient un résumé en néerlandais. Bibliogr. p. 350-358. Index.
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MARIA, THIAGO MARCELLUS DE SOUZA C. "FREUD E BRENTANO – PHILOSOPHICAL FLIRT OR NEGLECTED HERITAGE?: POSSIBLE ROOTS OF VALUABLE NOTIONS FOR METAPSYCHOLOGY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2017. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=33421@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>Partindo da relação entre Sigmund Freud (1856-1939) e Franz Brentano (1838-1911), respectivamente aluno e professor durante o intervalo que se estendeu de 1874 a 1876, o presente trabalho trata dos possíveis frutos teóricos decorrentes deste encontro, visíveis na obra posterior do inventor da psicanálise. A articulação conceitual se constrói por meio dos conceitos freudianos de concomitância dependente, representação e pulsão, não se limitando à obra pessoal do filósofo, mas procurando abarcar, sempre que possível, o contato com toda uma tradição filosófica, por sua vez permitido pelos ensinamentos do neoescolástico.<br>From the relationship between Sigmund Freud (1856-1939) and Franz Brentano (1838-1917), respectively student and professor during the interval that extended from 1874 to 1876, the present work deals with the possible theoretical fruits resulting from this encounter, visible in the later work of the inventor of psychoanalysis. The conceptual articulation is constructed through the Freudian concepts of dependent concomitance, representation and drive, not limiting itself to the personal work of the philosopher, but seeking to cover, whenever possible, the contact with an entire philosophical tradition, in turn allowed by the teachings of the neo-scholastic.
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Adler, Marianna. "Psychoanalysis as a praxis : metapsychology and ethics in the work of Freud, Lacan and Kristeva /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Sampaio, Eloy San Carlo Maximo. "O conceito de ego em Freud e Klein: continuidade na diferença." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/47/47133/tde-18042018-154621/.

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Presente desde os primeiros escritos psicanalíticos, as concepções acerca do ego possuem um caráter nodal e articulam-se com as reflexões sobre a clínica, metapsicologia e cultura. Todavia, as definições sobre esse conceito não são unívocas e assumem múltiplos significados, tanto na obra freudiana quanto nos seus sucessores, dentre os quais pode-se destacar Melanie Klein. Diante desse cenário, o problema que guiou esta tese foi: como o conceito de ego é pensado por Freud e Klein? Do ponto de vista metodológico, a investigação consiste em uma pesquisa bibliográfica que busca examinar o desenvolvimento histórico e epistemológico do conceito de ego na obra de ambos autores. O objetivo foi compreender as condições de possibilidade e os princípios norteadores que compareceram nas sucessivas elaborações sobre o ego e, a partir disso, apresentar os principais pontos de aproximação e discordância entre os autores. Em relação à obra freudiana, foram analisados cinco momentos principais: a) O projeto para uma psicologia científica (1895); b) os escritos sobre a primeira tópica (1900 -1910); c) os textos sobre narcisismo e identificação (1910 -1921); d) a segunda tópica apresentada em O ego e o id (1923) e, por fim, e) as últimas produções do autor sobre o ego e os mecanismos de defesa (1924-1938). Na obra kleiniana, também destacamos cinco momentos do seu percurso: a) as produções iniciais sobre a inibição (1921-1925); b) os textos sobre o complexo de Édipo e superego precoce (1926-1932); c) o ego e a posição depressiva (1935-1940); d) o ego e a posição esquizo-paranoide (1946-1955); e) as investigações sobre o fenômeno da inveja (1957-1958). Isso permitiu compreender que, no que diz respeito ao conceito de ego, a posição de Klein em relação a Freud é marcada por uma tensão, existindo simultaneamente continuidades e rupturas. O final do processo investigativo apontou que os motivos que atuaram para que as elaborações kleinianas fossem diferentes de Freud remetem à especificidade da sua matriz clínica e ao papel que as teorias de Ferenczi, Abraham e Tausk tiveram na sua obra. Porém, uma dimensão de continuidade também existe porque o quadro metapsicológico construído por Freud foi a base para a proposta kleiniana, mas principalmente porque Klein assumiu radicalmente os princípios metodológicos de Freud, isto é, que o conhecimento da psicanálise é construído pela atenção aos fenômenos inconscientes<br>Since the earliest psychoanalytic writings, the ego conceptions have a nodal character and articulate with reflections on clinical, Metapsychology, and culture. However, the definitions of this concept are not univocal and assume multiple meanings, both in the Freudian work and in its successors, among which Melanie Klein stands out. Given this scenario, the question that guided this thesis was: how is the concept of ego elaborated by Freud and Klein? From the methodological point of view, this research consists of a bibliographical research that examines the historical and epistemological development of the concept of ego in the work of both authors. The objective was to understand the conditions of possibility and the guiding principles that appeared in the successive elaborations on the ego. In relation to the Freudian work, five main moments were analyzed: a) The Project for a Scientific Psychology (1895); b) the writings on the first topic (1900-1910); c) the texts about narcissism and identification (1910-1921); d) the second topic presented in The Ego and the Id (1923) and, finally, e) the author\'s latest productions about the ego and the defense mechanisms (1924-1938). In the Kleinian work, this research highlights five moments of its course: a) the initial productions on inhibition (1921-1925); b) the texts on the Oedipus complex and early superego (1926-1932); c) the ego and the depressive position (1935-1940); d) the ego and paranoid-schizoid position (1946-1955); and e) the investigations of the phenomenon of envy (1957-1958). This allowed us to understand that, as far as the concept of ego is concerned, the relation between Freud and Klein is marked by a tension, where there are simultaneously continuities and ruptures. The end of the research process showed up that the motives that influenced the Kleins elaborations to be different from Freuds conceptions refer to the specificity of her clinical matrix and to the role that the theories of Ferenczi, Abraham and Tausk had in her work. However, a dimension of continuity also exists because the metapsychological framework constructed by Freud was the basis for the Kleinian proposal, and mainly because Klein radically assumed the methodological principles of Freud, in other words, that the knowledge of psychoanalysis is constructed with attention to unconscious phenomena presented by the subjects
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Sampaio, Eloy San Carlo Maximo. "Elaboração da segunda teoria do aparelho psíquico: contribuições do conceito de narcisismo." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/47/47133/tde-22112013-121139/.

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A teoria freudiana não é um corpo imutável, grandes e importantes alterações são percebidas na sua obra e um exemplo desse quadro é a passagem da primeira para a segunda teoria do aparelho psíquico. Existiram vários fatores que contribuíram para essa mudança teórica, dos quais é possível destacar o narcisismo. Dessa maneira, a presente dissertação objetiva compreender como o desenvolvimento do conceito freudiano de narcisismo impactou a passagem do primeiro para a segundo modelo de aparelho psíquico. A pesquisa realizada foi teórico-conceitual de caráter bibliográfico e empreendeu uma revisão histórica de certos elementos da teoria freudiana. A discussão se organiza a partir de três pontos interligados: 1) a elaboração do primeiro modelo de aparelho psíquico no interior da Interpretação dos sonhos, 2) o desenvolvimento do conceito de narcisismo entre 1910 e 1923 e 3) o papel desse conceito para a proposição do segundo modelo de aparelho psíquico em O ego e o id. O final do processo investigativo permite afirmar que a contribuição do narcisismo para a instauração da segunda tópica se deu prioritariamente a partir de duas vias: na alteração das figuras que compunham o conflito psíquico e na estruturação das instâncias que compõem a segunda tópica<br>The Freudian theory is not an immutable body, substantial and important alterations are perceived in his work and an example of this is the passage from the first to the second theory of the psychic apparatus. There were various factors that contributed for this theoretical change, from which it is possible to highlight the narcissism. Thus, the present dissertation aims to understand how the development of the Freudian concept of narcissism impacted the passage from the first to the second model of psychic apparatus. The research made was of a theoretical-conceptual bibliographical character and undertook a historical revision of certain elements of the Freudian theory. The discussion is organized from three interconnected points: 1) the elaboration of the first model of the psychic apparatus inside The Interpretation of Dreams, 2) the development of the narcissism concept between 1910 and 1923 and 3) the role of this concept for the proposition of the second model of psychic apparatus in The Ego and the Id. The end of the investigative process makes it possible to affirm that the contribution of narcissism to the establishment of the second topic was promoted predominantly from two ways: in the alteration of the figures that composed the psychic conflict and in the structuralization of the elements that compose the second topic
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Rocha, Guilherme Massara. "O estético e o ético na psicanálise: Freud, o sublime e a sublimação." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-29112010-144750/.

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As relações da psicanálise com as obras de arte, a filosofia da arte e as disciplinas estéticas têm sido objeto de inúmeras investigações. Desde sua invenção, a experiência artística esteve presente na argumentação metapsicológica de Freud. E se uma primeira aproximação do tema poderia sugerir que o recurso às formas artísticas ali encontraria uma função meramente expositiva, mobilizado em benefício da ilustrabilidade das teses e proposições psicanalíticas, ou debatidas sob a perspectiva de sua aptidão em demonstrar a plausibilidade das idéias freudianas, cumpre apontar para o que se possa conceber para além desse dispositivo puramente metodológico. A arte realiza na obra freudiana uma função legitimamente heurística. Em momentos decisivos do estabelecimento de determinadas teses da metapsicologia, o recurso ao debate interpretativo acerca de figuras e experiências artísticas provê aportes fundamentais para a configuração e consolidação das mesmas. Recurso esse, é bem verdade, que coexiste e articula-se com elementos extraídos das investigações clínicas de Freud, esses ainda mais frequentes e não menos importantes para os contornos da teoria psicanalítica. O conceito de sublimação é aquele que reúne, sob o extenso e complexo panorama de sua inserção metapsicológica, os mais diversos apontamentos freudianos acerca das consequências e pormenores subjetivos de vicissitudes das mudanças de alvo da pulsão, das quais a experiência artística é um paradigma exemplar. Tal conceito é aqui revisitado, com vistas a restabelecer suas principais matrizes teóricas e alguns de seus matizes doutrinais, numa investigação interna à obra de Freud. Mas, preponderantemente, a discussão aqui pretendida entrevê as conexões da teoria freudiana da sublimação com os elementos artísticos que nela infletem ou à ela subjazem. Na esteira desses desdobramentos, fez-se crucial um debate entre o conceito de sublimação e momentos da filosofia moderna do sublime. Um debate que, em seu desenlace, buscou revelar, quanto a doutrina freudiana da sublimação e acerca da apreensão freudiana das obras de arte, os principais efeitos que sobre ela parecem ter exercido aspectos das idéias de Kant, Schopenhauer e Schiller em suas investigações acerca do belo e do sublime. Se o conceito de sublimação não pode ser subsumido à filosofia do sublime, ali figurando como mais um de seus capítulos, ele é todavia permeável a esse debate, sob aspectos que, por motivos e circunstâncias que aqui se procurou evidenciar, Freud jamais soube suficientemente explicitar.<br>The relationship between psychoanalysis and works of art, the philosophy of art, and the aesthetic disciplines have been the subject of innumerable studies. Since its invention, the metapsychology of Freud has discussed the artistic experience. Beyond merely serving as a methodological exercise for the purpose of illustrating psychoanalytic theses and propositions or demonstrating the plausibility of Freudian ideas, revisiting the topic of artistic expression succeeds in extending their conceptual range. Art serves a legitimately heuristic function in Freudian works. At crucial points in the establishment of particular metapsychological theses, the configuration and consolidation of the theory receives fundamental support from revisiting the interpretation of artistic expression and experience. It is true that this involves elements which are extraneous to the clinical investigations of Freud, but this does not diminish their importance to the shape of psychoanalytic theory. Due to the extent and complexity if its insertion into metapsychological theory, the concept of sublimation reunites many diverse Freudian concepts concerning the effect of subjective idiosyncracies upon the way in which impulses are directed to a target, and the artistic experience serves as a paradigm for this process. The concept is revisited here in an internal investigation of the works of Freud for the purpose of elucidating its principal theoretical origins and some of its nuance. However, for the most part, this discussion intends to connect the Freudian theory of sublimation to artistic elements that are expressed in, or underly, it. In the course of these expositions, there is a crucial dialogue between the concept of sublimation and modern philosophy\'s propositions concerning the sublime. The debate ultimately seeks to reveal how much the Freudian doctrine of sublimation and the Freudian understanding of art have been effected by, and employed, the ideas of Kant, Schopenhauer, and Schiller in its investigation of beauty and the sublime. If the concept of sublimation cannot be subsumed within the philosophy of the sublime, configured as one more of its chapters, it is nevertheless permeable to that discussion, with the view that, for motives and circumstances which herein one attempts to make evident, Freud never knew how to make it sufficiently explicit.
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Books on the topic "Metapsychology"

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Welshon, Rex. Nietzsche’s Dynamic Metapsychology. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137317032.

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Nettleton, Sarah. The Metapsychology of Christopher Bollas. Routledge, 2016. http://dx.doi.org/10.4324/9781315758374.

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Boag, Simon. Metapsychology and the Foundations of Psychoanalysis. Routledge, 2016. http://dx.doi.org/10.4324/9781315683034.

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Freud, Sigmund. General pyschological theory: Papers on metapsychology. Touchstone, 1997.

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Gerbode, Frank A. Beyond psychology: An introduction to metapsychology. 3rd ed. IRM Press, 1995.

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Gerbode, Frank A. Beyond psychology: An introduction to metapsychology. 4th ed. Loving Healing Press, 2011.

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J, Kaplan Kalman, ed. Metapsychology: Missing links in behavior, mind & science. Paragon House, 1990.

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Cutrofello, Andrew. Imagining otherwise: Metapsychology and the analytic a posteriori. Northwestern University Press, 1997.

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Meltzer, Donald. Studies in extended metapsychology: Clinical applications of Bion's ideas. Clunie Press for the Roland Harris Trust Library, 1986.

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Ollinheimo, Ari. Metapsychology and the suggestion argument: A reply to Grünbaum's critique of psychoanalysis. Finnish Society of Sciences and Letters, 1999.

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Book chapters on the topic "Metapsychology"

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Guzman, Mario Orozco, and David Pavón-Cuéllar. "Metapsychology." In Encyclopedia of Critical Psychology. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_463.

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Riker, John Hanwell. "Metapsychology." In Kohut's Self Psychology for a Fractured World. Routledge, 2024. http://dx.doi.org/10.4324/9781003303657-6.

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Tombras, Christos. "Lacanian Metapsychology." In Discourse Ontology. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-13662-8_5.

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Rao, K. Ramakrishna. "Metapsychology of Yoga." In Foundations of Yoga Psychology. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5409-9_7.

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Hartman, Geoffrey. "Wordsworth and Metapsychology." In Wordsworth’s Poetic Theory. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-0-230-29697-8_12.

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Pasini, W. "Metapsychology of Experience." In The Body in Psychotherapy. KARGER, 1997. http://dx.doi.org/10.1159/000062385.

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Welshon, Rex. "Introduction." In Nietzsche’s Dynamic Metapsychology. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137317032_1.

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Welshon, Rex. "Naturalism, Science, Positivism." In Nietzsche’s Dynamic Metapsychology. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137317032_2.

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Welshon, Rex. "Embodiedness, Embeddedness, Teleology." In Nietzsche’s Dynamic Metapsychology. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137317032_3.

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Welshon, Rex. "Perception, Perspectivism, Falsification." In Nietzsche’s Dynamic Metapsychology. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137317032_4.

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Conference papers on the topic "Metapsychology"

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Dr, R., В. М. Крикун, В. И. Николаев, and И. В. Румянцева. "PERIODICAL SYSTEM OF ARCHETYPES IN METAPSYCHOLOGY." In Антология российской психотерапии и психологии. Crossref, 2021. http://dx.doi.org/10.54775/ppl.2021.83.52.015.

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Прежде чем ответить на вопрос, возможно ли построение Периодической системы архетипов, по примеру Периодической системы элементов Д.И. Менделеева, нужно привести доказательства универсальности самого Периодического закона не только в сфере материального мира, но и в сфере психического.
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Кулемзина, А. В., and Е. В. Майдибор. "FORTH WAVE PSYCHOTHERAPY MANIFEST." In Антология российской психотерапии и психологии. Crossref, 2023. http://dx.doi.org/10.54775/ppl.2023.22.99.001.

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В статье рассматривается динамика культурного и профессионального развития психотерапии как социального явления. Мы представляем анализ эволюции психотерапии, используя волну как метафору. Описываем продолжающийся кризис психотерапии. Дальнейшее развитие психотерапии оправдано в рамках метапсихологии как части метамодернизма. The paper discuss the dynamics of cultural and professional development of psychotherapy as a social phenomenon. We present the analysis of psychotherapy evolution using the wave as a metaphor. We describe the ongoing crisis of psychotherapy. Further development of psychotherapy is justified within the framework of metapsychology as a part of metamodernism.
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Saliy, Yulia. "Narcissistic vulnerability and online therapy." In Psychoanalysis and the Virtual: ethics, metapsychology and clinical experience of the remote practice. N-DSA-N, 2021. http://dx.doi.org/10.32437/pvemcerpdppp0013.

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Palomino, Edison. "Psychoanalysis and Psychotherapy: Between the real and the virtual the real setting is the word." In Psychoanalysis and the Virtual: ethics, metapsychology and clinical experience of the remote practice. N-DSA-N, 2021. http://dx.doi.org/10.32437/pvemcerpdppp0002.

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Kozlova, Marianna. "New realities. What should be done?" In Psychoanalysis and the Virtual: ethics, metapsychology and clinical experience of the remote practice. N-DSA-N, 2021. http://dx.doi.org/10.32437/pvemcerpdppp0010.

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Bashmakova, Olena. "Ave corpus solidum: the presence and evasiveness of the body in psychoanalysis." In Psychoanalysis and the Virtual: ethics, metapsychology and clinical experience of the remote practice. N-DSA-N, 2021. http://dx.doi.org/10.32437/pvemcerpdppp0005.

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Pavlovska, Olga. "The specific of absence and presence dynamics while psychoanalytic working online." In Psychoanalysis and the Virtual: ethics, metapsychology and clinical experience of the remote practice. N-DSA-N, 2021. http://dx.doi.org/10.32437/pvemcerpdppp0012.

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Arshevska-Guerin, Oksana. "Ethical assessment of remote psychoanalytic practicing by different psofessional societies." In Psychoanalysis and the Virtual: ethics, metapsychology and clinical experience of the remote practice. N-DSA-N, 2021. http://dx.doi.org/10.32437/pvemcerpdppp0009.

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Medvedeva, Olena. "Userpic on the couch and the psychoanalyst’s resistance." In Psychoanalysis and the Virtual: ethics, metapsychology and clinical experience of the remote practice. N-DSA-N, 2021. http://dx.doi.org/10.32437/pvemcerpdppp0014.

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Savchenko, Galina. "The new ethics. Love, sex, and relationships in the fourth dimension." In Psychoanalysis and the Virtual: ethics, metapsychology and clinical experience of the remote practice. N-DSA-N, 2021. http://dx.doi.org/10.32437/pvemcerpdppp0007.

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Reports on the topic "Metapsychology"

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Hillestad, Torgeir Martin. The Metapsychology of Evil: Main Theoretical Perspectives Causes, Consequences and Critique. University of Stavanger, 2014. http://dx.doi.org/10.31265/usps.224.

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The purpose of this text or dissertation is to throw some basic light on a fundamental problem concerning manhood, namely the question of evil, its main sources, dynamics and importance for human attitudes and behaviour. The perspective behind the analysis itself is that of psychology. Somebody, or many, may feel at bit nervous by the word “evil” itself. It may very well be seen as too connected to religion, myth and even superstition. Yet those who are motivated to lose oneself in the subject retain a deep interest in human destructiveness, malevolence and hate, significant themes pointing at threatening prospects for mankind. The text is organized or divided into four main ordinary chapters, the three first of them organized or divided into continuous and numbered sections. A crucial point or question is of cause how to define evil itself. It can of cause be done both intentional, instrumental and by consequence. Other theorists however have stated that the concept of evil exclusively rests on a myth originated in the Judean-Christian conception of Satan and ultimate evil. This last argument presupposes evil itself as non-existent in the real rational world. It seems however a fact that most people attach certain basic meaning to the concept, mainly that it represents ultimately bad and terrible actions and behaviour directed toward common people for the purpose of bringing upon them ultimate pain and suffer. However, there is no room for essentialism here, meaning that we simply can look “inside” some original matter to get to know what it “really” is. Rather, a phenomenon gets its identity from the constituted meaning operating within a certain human communities and contexts loaded with intentionality and inter-subjective meaning. As mentioned above, the concept of evil can be interpreted both instrumental and intentional, the first being the broadest of them. Here evil stands for behaviour and human deeds having terrifying or fatal consequences for subjects and people or in general, regardless of the intentions behind. The intentional interpretation however, links the concept to certain predispositions, characteristics and even strong motives in subjects, groups and sometimes political systems and nations. I will keep in mind and clear the way for both these perspectives for the discussion in prospect. This essay represents a psychological perspective on evil, but makes it clear that a more or less complete account of such a psychological view also should include a thorough understanding or integration of some basic social and even biological assumptions. However, I consider a social psychological position of significant importance, especially because in my opinion it represents some sort of coordination of knowledge and theoretical perspectives inherent in the subject or problem itself, the main task here being to integrate perspectives of a psychological as well as social and biological kind. Since humans are essential social creatures, the way itself to present knowledge concerning the human condition, must be social of some sort and kind, however not referring to some kind of reductionism where social models of explanation possess or holds monopoly. Social and social psychological perspectives itself represents parts of the whole matter regarding understanding and explanation of human evil. The fact that humans present, or has to represent themselves as humans among other humans, means that basically a social language is required both to explain and describe human manners and ways of being. This then truly represents its own way or, more correctly, level or standard of explanation, which makes social psychology some sort of significant, though not sufficient. More substantial, the vision itself of integrating different ontological and theoretical levels and objects of science for the purpose of manifesting or make real a full-fledged psychological perspective on evil, should be considered or characterized a meta-psychological perspective. The text is partially constructed as a review of existing theories and theorists concerning the matter of evil and logically associated themes such as violence, mass murder, genocide, antisocial behaviour in general, aggression, hate and cruelty. However, the demands of making a theoretical distinction between these themes, although connected, is stressed. Above all, an integral perspective combining different scientific disciplines is aimed at.
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