Academic literature on the topic 'Métrique et rythmique'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Métrique et rythmique.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Métrique et rythmique"
Papavassiliou, Anthony. "Une caractéristique stylistique de l’Intelligent Dance Music : ambiguïté et rupture rythmiques chez Aphex Twin." Les Cahiers de la Société québécoise de recherche en musique 16, no. 1-2 (2017): 133–46. http://dx.doi.org/10.7202/1039619ar.
Full textRumsey, Lacy. "T.S. Eliot with a Rhythmic Set: Vers Libre , Free Verse and Strong Rhythmicity." Études anglaises Vol. 76, no. 3 (2024): 257–81. http://dx.doi.org/10.3917/etan.763.0257.
Full textKuttner-Homs, Stanislas. "Forger un vers nouveau à l’usage des anciens : le vers politique chez Jean Tzetzès." Revue des Études Grecques 133, no. 2 (2020): 449–75. http://dx.doi.org/10.3406/reg.2020.8659.
Full textSzilagyi, Ildikó. "Le verset : entre le vers et le paragraphe." Études littéraires 39, no. 1 (2008): 93–107. http://dx.doi.org/10.7202/018105ar.
Full textPENSOM, ROGER. "Accent et syllabe dans les vers français: une synthèse possible?" Journal of French Language Studies 19, no. 3 (2009): 335–61. http://dx.doi.org/10.1017/s0959269509990032.
Full textAncet, Jacques. "Traduire Andrés Sánchez Robayna. Petit journal d'une traduction." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 29 (January 31, 2018): 217–21. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2018292560.
Full textKassühlke, Rudolph. "Gedanken zur Übersetzung poetischer Bibeltexte." Meta 32, no. 1 (2002): 76–84. http://dx.doi.org/10.7202/003284ar.
Full textJanin, David. "Vers une modélisation combinatoire des structures rythmiques simples de la musique." Revue Francophone Informatique et Musique 1, no. 1 (2022). http://dx.doi.org/10.56698/rfim.222.
Full textGrevin, Benoît. "L’ars dictaminis et la poésie: questions théoriques et pratiques (XIe-XIVe s.)." BRATHAIR - REVISTA DE ESTUDOS CELTAS E GERMÂNICOS 20, no. 1 (2020). http://dx.doi.org/10.18817/brathair.v20i1.2442.
Full textLandau, Justine. "‘Arūḍ va qāfiye. Negāhī tāze be owzān va ḍarb-e āhang-e še‘r-e fārsī. Tehrān, Entešārāt-e Tīregān, 1385/2006, 216 p. [Métrique et rime. Une nouvelle approche des rythmes et de la rythmique de la poésie persane]". Abstracta Iranica, Volume 29 (15 травня 2008). http://dx.doi.org/10.4000/abstractairanica.31082.
Full textDissertations / Theses on the topic "Métrique et rythmique"
Brunet, Philippe. "Le vers dactylique lyrique dans la tragédie grecque." Paris 4, 1992. http://www.theses.fr/1991PA040227.
Full textDactylic verse, initially used un the epos, occurs sometimes in sung oparts of tragedy. In the tragic choruses and monodies, it is employed under various forms among various metres. Therefore, it is necessary to analyze its metrical context and to define its place and its length within the period. Acatalectic dactyls never occur at period close, even in case of hiatus. Diaresis takes a greater part in lyric dactyls. A word-end after a long syllable with short vowel means verse-end. Tetrapodic lines deserve special attention : metrical, syllabic and also accentual shape are to be investigated. Acatalectic lines differ from catalectic lines in metrical and verbal structure; and also in accentual shape. Their melody may have been different too. Aeschylus does not employ the acatalectic tetrameter, but he alone uses the heptameter. Commentaries of important parts and plays are given. An index of greek words has been made, for all dactylic verses we met in tragic songs
Aumont, Jacques. "Contribution à l'étude métrique et stylistique des clausules dans la prose latine, de Cicéron à Pline Le Jeune et de César à Florus." Aix-Marseille 1, 1989. http://www.theses.fr/1989AIX10005.
Full textKaraitidi, Eva Maria. "Le mythe de la parole : contribution à l'étude de la poétique grecque avant Aristote." Paris 3, 1987. http://www.theses.fr/1987PA030028.
Full textOmniscient muse and human criticism. The functioning of "parole", memorization and inspiration as in the archaic poetry of greece. Epic poetry implies the overlapping of writing and orality. Writing affects interpretation and intervenes in the practice of rhapsodes. Xenophanes fiercely criticizes the indecency of myths as transmitted by poets. Theagenes the rhapsode proposes an allegoric reading likely to save the gods, the myths and the poets. Sophistry. The sophists intervene in athenian education as practised in the fifth century b. C. They elaborate discursive reasoning, written as well as oral. The problem of greek alphabet's "transparence" is set down. "books" and readers appearing for the first time. The platonic myth of protagoras is viewed as the instauration of civic culture; its administration is obtained by cunning movement of goods such as laws and speech, and by an equally cunning submission to their power. Poetic techniques and new persuasive methods interfering. Institutionalization of the dialogue. The platonic mythology. Sophistry revisited by plato. In reading texts such as the sophist or phedrus, we discover the recurrence of most themes previously denigrated by plato: rhetoric and scriptural practices, imagery and playful ones. Epilog. Outline of current trends in greek poetics
Métail, Michèle. "Poétique curieuse dans la Chine ancienne : analyse des poèmes de formes variées." Paris, INALCO, 1994. http://www.theses.fr/1994INAL0011.
Full textJacobi, John. "Les structures épiques de l'hexamètre chez Stace." Paris 4, 2000. http://www.theses.fr/2000PA040076.
Full textDiyāb, Ṣāliḥ. "Le poème en prose arabeLa poésie arabe contemporaine." Paris 8, 2012. http://www.theses.fr/2012PA084113.
Full textHow should we study the prose poem in Arabic and what are its great innovations? How should we define it and how should we qualify its aesthetic qualities? From its inception, it has generated intellectual and cultural debate in the Arab world and attracted virulent criticism. Even today, it continues to draw hostile reactions from writers and thinkers. Some fifty years since its first appearance, there are few studies devoted to the subject. The defining characteristics first formulated by Suzanne Bernard are those which were adopted by Adonis and ‘Ansī al-Ḥāj in the Nineteen Sixties. Poets, on the other hand, chose not to subscribe to them. The prose poem in Arabic caused a schism with the traditional rules of prosody as well as the themes which have been prevalent in Arabic poetry down through the centuries. It was not before the beginning of the twentieth century with its societal changes and the arrival of foreign translations that a new poetic sensibility arose and new poetic aspirations came to the fore. These were manifest firstly in the prose poetry of Jubrān Khalīl Jubrān (1883-1936) and in the refined prose of 'Amin Rīḥānī (1876-1940). 'Urkhān Miayyasr (1914-1965) and Khayr al-Dīn al-’Asadī (1900-1971), in their turn, paved the way for the transition from poeticized prose to the prose poem. Finally, Muḥammad al-Māghūṭ (1934-2006) and ‘Ansī al-Ḥāj, by liberating at last Arabic poetry from the rules of prosody, elevated prose to the level of poetry. Hence, the prose poem has made itself the poetic form which is most apt at capturing moments in history as well as the everyday life of the modern Arab and is practically the only poetic form adopted by poets today
Letessier, Pierre. "Dramaturgie et musique dans un théâtre codifié : les comédies de Plaute." Paris 3, 2004. http://www.theses.fr/2004PA030151.
Full textThe object of this work is to describe a dramaturgy specific to the comedies of Plautus (which are seen by us as a form of theatre ruled by laws), by examining their metrical pattern (from which we deduce their musical structure), and to show that this writing adheres to conventions. Coding is defined by putting the variables in variation; we show in this way that music not only rules the entire performance but also produces, by the plays of shifting structures which melt coding, comic effects. After having examined the function of the music in the creation of scenic space, we describe the way cantica work as “ruled space” while the “meeting”, then the space and spectacular stakes of the stop of the music. We show then, how in the whole performance the other functions of music couldn’t have any sense if they aren’t included inside the spatial and musical arrangement we described earlier
Zimmermann, Philippe. "Rythme métrique et rythme rhétorique dans la poésie lyrique d’Horace : recherches sur une poétique du sens." Rennes 2, 2009. http://tel.archives-ouvertes.fr/tel-00451035/fr/.
Full textThe aim of the present work is to describe the stylistic specificities of Horace's writing in his lyric works (Odes Books I-IV and Carmen Saeculare), in order to define the poetic nature of the meaning which they develop. The style of the poems is studied through the relations between, on the one hand, the syntactic and rhetoric arrangement of the words, and, on the other hand, the metric shape of the stanzas. These relations are described on different scales. The first part of the work looks into the limits of the sentences and stanzas; the second studies how the syntactical, lexical, and phonic tools, which contribute to the rhetoric rhythm of the sentence, are positioned in the metric structure; the third shows how the words and the syntactical members bring about a second metrical reading of the stanzas. This leads to different kinds of conclusions. The complexity of the lyric genre in Horace appears through the plurality of its discursive aims and the diversity of the rhetoric tools used to reach them. Horace’s versification is studied according to a verbal and syntactic metrics that reveals its richness of expression. The relations between metrics and rhetoric, which go from harmony to complex counterpoint, show a poetic polyphony of meaning, where individuality and the voice of the community join together
Zimmermann, Philippe. "Rythme métrique et rythme rhétorique dans la poésie lyrique d'Horace : recherches sur une poétique du sens." Phd thesis, Université Rennes 2, 2009. http://tel.archives-ouvertes.fr/tel-00451035.
Full textDufour, Julien. "La poésie Ḥumaynī, XIVe-XXe siècle : à travers sa langue, ses mètres et ses formes". Paris 3, 2007. http://www.theses.fr/2007PA030145.
Full textHumaynī poetry is attested since the 14th century and forms most of nowadays urban sung poetry in Yemen, especially in Sanaa. This poetry employs a variety of middle Arabic which cannot be reduced either to classical or to dialectal Arabic. It displays a whole range of strophic and metrical patterns stemming from different Arab traditions, among which the Andalusian muwaššah played a prominent role. The analysis of this poetic language and of these patterns throws a light on Humaynī’s history and on the process which led to the constitution of a repertoire in contemporary practice. This repertoire, though composed of diverse elements, is the basis of a linguistic and literary norm which sets the frame for new poetic compositions. What remains of the poetry of ˁAbd Allāh b. Abī Bakr al-Mazzāh (d. After 830/1426), one of the first Humaynī poets, has been edited and is presented as an annexed document
Books on the topic "Métrique et rythmique"
Sulpicians, ed. Grammaire latine: Suivie des règles de la versification, à l'usage du Petit Séminaire de Montréal. 8th ed. C.O. Beauchemin, 1986.
Devasthanam, Tirumalai-Tirupati, ed. Chandas as Vedanga. Tirumala Tirupati Devasthanams, 2019.
Etude Sur la Constitution Rythmique et Métrique du Drame Grec : SéR. Eschyle : les Sept Contre Thèbes. Sophocle: Antigone. Creative Media Partners, LLC, 2023.
S, Fraser G. Metre Rhyme and Free Verse. Barnes & Noble, 2000.
Old English metre: An introduction. University of Toronto Press, 2011.
Oberhelman, Steven M. Rhetoric and Homiletics in Fourth-Century Christian Literature: Prose Rhythm, Oratorical Style, and Preaching in the Works Of Ambrose, Jerome, and Augustine (American Classical Studies, No. 26). An American Philological Association Book, 2000.
Edwards, Mark W. Sound, Sense, and Rhythm: Listening to Greek and Latin Poetry. Princeton University Press, 2001.
Edwards, Mark W. Sound, Sense, and Rhythm: Listening to Greek and Latin Poetry. Princeton University Press, 2009.
Edwards, Mark W. Sound, Sense, and Rhythm: Listening to Greek and Latin Poetry (Martin Classical Lectures). Princeton University Press, 2004.
Sound, sense, and rhythm: Listening to Greek and Latin poetry. Princeton University Press, 2002.
Book chapters on the topic "Métrique et rythmique"
Dangel, Jacqueline. "Les structures de la phrase oratoire chez Tacite: Étude syntaxique, rythmique et métrique." In Sprache und Literatur (Allgemeines zur Literatur des 2. Jahrhunderts und einzelne Autoren der trajanischen und frühhadrianischen Zeit [Forts.]), edited by Wolfgang Haase. De Gruyter, 1991. http://dx.doi.org/10.1515/9783110857115-003.
Full textBiraud, Michèle. "De la muse métrique à la muse accentuelle : étude des organisations rythmiques dans les préfaces de deux « prosateurs », Parthénios et Chariton." In Penser la prose dans le monde gréco-romain. Presses universitaires de Rennes, 2016. http://dx.doi.org/10.4000/books.pur.176799.
Full text