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Books on the topic 'Metropolis – film'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Fritz, Lang. Metropolis: Ein Film von Fritz Lange. 2nd ed. U. Wiedleroither, 1993.

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2

Modernity and metropolis: Writing, film, and urban formations. Palgrave, 2002.

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3

Harbou, Hans von. Metropolis: Un film de Fritz Lang : images d'un tournage. Le Centre, 1985.

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4

Majchrzak, Holger. Von Metropolis bis Manhattan: Inhaltsanalysen zur Grossstadtdarstellung im Film. Universitätsverlag N. Brockmeyer, 1989.

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5

Die Zukunftsruine: Metropolis 2010, Fritz Langs restaurierter Klassiker. SB, Strzelecki Books, 2010.

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6

Loew, Katharina. Special Effects and German Silent Film. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725231.

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In recent decades, special effects have become a major new area of research in cinema studies. For the most part, they have been examined as spectacles or practical tools. In contrast, Special Effects and German Silent Film, foregrounds their function as an expressive device and their pivotal role in cinema’s emergence as a full-fledged art. Special effects not only shaped the look of iconic films like Nosferatu (1922) or Metropolis (1927), but they are central to a comprehensive understanding of German silent film culture writ large. This book examines special effects as the embodiment of a “

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7

Trutnau, John-Paul. Fritz Lang's Metropolis and its influence on the American science fiction film : Blade Runner, Terminator I + II. Blaue Eule, 2005.

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8

Metrópolis. Fan, 2011.

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9

Mythos Metropolis: Die Stadt als Sujet für Schriftsteller, Maler und Regisseure = The city as a motif for writers, painters and film directors. Gebr. Mann, 2006.

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10

Creolizing the metropole: Migrant Caribbean identities in literature and film. Indiana University Press, 2012.

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11

Grattacieli e superuomini: L'immagine della metropoli tra cinema e fumetto. Le mani, 2010.

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12

A, Bronson A., Gale Peggy, Scott Kitty, Shaughnessy Jonathan, and National Gallery of Canada, eds. Art Metropole: The top 100. National Gallery of Canada, 2006.

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13

Hess-Lüttich, Ernest W. B., Mahmut Karakuş, Linus Schöpfer, Samuel Steiner, Nilüfer Kuruyazıcı, and Şeyda Ozil. Metropolen als Ort der Begegnung und Isolation: Interkulturelle Perspektiven auf den urbanen Raum als Sujet in Literatur und Film. Lang, 2011.

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14

Brooker, P. Modernity and Metropolis: Writing, Film and Urban Formations. Palgrave Macmillan, 2002.

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15

Dietrich, Neumann, Albrecht Donald, and David Winton Bell Gallery (Brown University), eds. Film architecture: Set designs from Metropolis to Blade runner. Prestel, 1999.

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16

Miniature Metropolis: Literature in an Age of Photography and Film. Harvard University Press, 2015.

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17

1954-, Bretschneider Jürgen, Dalichow Bärbel, and Filmmuseum Potsdam, eds. Babelsberg-- Gesichter einer Filmstadt: = Babelsberg-- faces of a film metropolis. Henschel, 2005.

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18

Film Architecture: Set Designs from Metropolis to Blade Runner (Architecture). Prestel Publishing, 1999.

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19

David Winton Bell Gallery (Brown University). Film Architecture: Set Designs from Metropolis to Blade Runner (Architecture & Design). Prestel, 1996.

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20

Xiao, Ying. Chinese Rock ‘n’ Roll Film and Cui Jian on Screen. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0006.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. During the 1980s and 1990s, China experienced an explosion of films for youth, imbued with the aesthetic and ethic of rock ‘n’ roll. This chapter examines a variety of films, from the countercultural to the more mainstream, focusing on the voice, image, persona, and iconography of Cui Jian, and offering an audiovisual perspective on urban youth cinema and Chinese rock. The emergence and development of Chinese rock ‘n’ roll film from the late 1980s to the twen

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21

Lang, Fritz. Metropolis/ Metropolis (Peliculas/Films). Ediciones Paidos Iberica, 2000.

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22

1955-, Schöning Jörg, CineGraph, Hamburgisches Centrum für Filmforschung., Internationales Festival des deutschen Film-Erbes (3rd : 2006 : Hamburg, Germany), and Internationaler Filmhistorischer Kongress (19th : 2006 : Hamburg, Germany), eds. Leinen los!: Maritimes Kino in Deutschland und Europa 1912-1957 : vom "Stapellauf des Imperator" bis zum Untergang der "Pamir" : Cinefest : III. Internationales Festival des deutschen Film-Erbes : Hamburg, Kommunales Kino Metropolis, November 2006 : Berlin, Zeughauskino, Deutsches Historisches Museum, November/Dezember 2006 : Wien, Filmarchiv Austria, Metro Kino : Zürich & Lausanne, Filmpodium, Cinematheque Suisse : [19. internationaler filmhistorischer Kongress Leinen los! Maritimes Kino in Deutschland und Europa 1912-1957 ...]. CineGraph, 2006.

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23

1955-, Schöning Jörg, Brandlmeier Thomas 1950-, CineGraph, Hamburgisches Centrum für Filmforschung., Internationales Festival des deutschen Film-Erbes (1st : 2004 : Hamburg, Germany), and Internationaler Filmhistorischer Kongress (17th : 2004 : Hamburg, Germany), eds. Cinefest: 1. Internationales Festival des deutschen Film-Erbes : die deutsche Filmkommödie vor 1945 : Kaiserreich, Weimarer Republik und Nationalsozialismus : Hamburg, Kommunales Kino Metropolis, November 2004 : Berlin, Zeughauskino, Deutsches Historisches Museum, Dezember 2004 : Wien, Filmarchiv Austria, Metro Kino, November-Dezember 2004 : Zürich, Filmpodium, Februar 2005. Cinegraph, 2004.

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24

Metropolen im Massstab: Der Stadtplan als Matrix des Erzählens in Literatur, Film und Kunst. 2009.

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25

(Contributor), Peggy Gale, A. A. Bronson (Contributor), Kitty Scott (Editor), and Jonathan Shaughnessy (Editor), eds. Art Metropole: The Top 100. National Gallery of Canada, 2006.

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26

Napolin, Julie Beth. The Fact of Resonance. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288175.001.0001.

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The Fact of Resonance returns to the imperial and colonial contexts in which Anglophone and francophone narrative theory developed, seeking an alternative sonic premise for theorizing narrative form. The exclusion of postcolonial sound and acoustics is foundational not only to modernist studies, but to narrative theory, novel theory, and the strains of film theory they orient. The study is primarily focused on Joseph Conrad and concerns the bearing of his multilingual formation and attunement to the gender and race of sound in colonial encounter. To return to Conrad is to return to the repress

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27

Lin, Jenny. Above Sea. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526132604.001.0001.

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Shanghai, long known as mainland China’s most cosmopolitan metropolis, has recently re-emerged as a global capital. Above sea: Contemporary art, urban culture, and the fashioning of global Shanghai offers the first in-depth examination of turn of the twenty-first century Shanghai-based art and design – from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. This book offers a counter-touristic view of one of the world’s fastest developing megacities that penetrates the contradictions and buried layers of specific locales and artifacts of visu

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28

Bromley, Daniel W. Possessive Individualism. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190062842.001.0001.

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The emergence of authoritarian governments in much of Europe, the British vote to leave the European Union, and widespread political anger in the United States suggest that anxiety and uncertainty now threaten to undermine stable democracies. Decades of stagnant household incomes and growing inequality are casting doubt on the benefits of capitalism. Meanwhile, millions of desperate migrants streaming north out of Latin America, the Middle East, and Africa further jeopardize political stability in the wealthy metropole. We have here an explanation for why the world finds itself in widespread d

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