Relevant bibliographies by topics / Metropolitan Museum of Art. Cesnola Collection

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Metropolitan Museum of Art. Cesnola Collection'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Metropolitan Museum of Art. Cesnola Collection"

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Childs, William A. P. "Ancient Art from Cyprus: The Cesnola Collection in The Metropolitan Museum of Art. Vassos Karageorghis, Joan R. Mertens, and Marice E. Rose." Bulletin of the American Schools of Oriental Research 322 (May 2001): 87–89. http://dx.doi.org/10.2307/1357522.

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Stern, E. Marianne. "The Cesnola collection of ancient glass in The Metropolitan Museum of Art - CHRISTOPHER S. LIGHTFOOT, THE CESNOLA COLLECTION OF CYPRIOT ART: ANCIENT GLASS (Metropolitan Museum of Art, New York 2017; print-on-demand edition distributed by Yale University Press). Pp. 351, map, c.520 color photographs. ISBN 978-1-58839-681-5 (pbk.). $150." Journal of Roman Archaeology 33 (2020): 873–78. http://dx.doi.org/10.1017/s1047759420000641.

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Counts, Derek B. "The Cesnola Collection of Cypriot Art: Stone Sculpture. 1st rev. ed. By Antoine Hermary and Joan R. Mertens. New York: Metropolitan Museum of Art, 2015. 435 pp., color photos and maps. Available as PDF download." Bulletin of the American Schools of Oriental Research 378 (November 2017): 242–44. http://dx.doi.org/10.5615/bullamerschoorie.378.0242.

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Barkan, Elazar. "Royal Art of Benin: The Perls Collection in The Metropolitan Museum of Art:Royal Art of Benin: The Perls Collection in The Metropolitan Museum of Art." Museum Anthropology 18, no. 1 (February 1994): 58–60. http://dx.doi.org/10.1525/mua.1994.18.1.58.

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Pawlikowska-Gwiazda, Aleksandra. "Terracotta oil-lamps from Egypt's Theban region in the collection of the Metropolitan Museum of Arts, New York." Ancient lamps from Spain to India. Trade, influences, local traditions, no. 28.1 (December 31, 2019): 641–57. http://dx.doi.org/10.31338/uw.2083-537x.pam28.1.28.

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The group of 17 oil lamps now in the Islamic Art Department collection of the Metropolitan Museum of Art (New York) was excavated in West Thebes in Upper Egypt by the Metropolitan Museum of Art expedition at the beginning of the 20th century. The assemblage was never fully published (apart from being included in the online MeT Collection database). The present paper documents the material in full, examining the collection and proposing in a few cases a new dating based on parallels from other sites.
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Bury, Stephen. "Developing NYARC: the New York Art Resources Consortium." Art Libraries Journal 36, no. 3 (2011): 25–30. http://dx.doi.org/10.1017/s0307472200017028.

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NYARC is a consortium of New York art resources, initially including the libraries of Brooklyn Museum, the Frick Collection, Metropolitan Museum of Art and the Museum of Modern Art. The Metropolitan was not part of the Arcade (integrated libraries system) programme funded by the Andrew W. Mellon Foundation, and withdrew its designation as a NYARC entity in December 2010. This article gives a brief history of NYARC and examines whether it achieved its aims of sharing resources, making them more accessible to the public, and saving money.
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Dark, Philip J. C., and Kate Ezra. "Royal Art of Benin: The Perls Collection in the Metropolitan Museum of Art." African Arts 26, no. 1 (January 1993): 95. http://dx.doi.org/10.2307/3337120.

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Tsirogiannis, Christos, and David W. J. Gill. "“A Fracture in Time”: A Cup Attributed to the Euaion Painter from the Bothmer Collection." International Journal of Cultural Property 21, no. 4 (November 2014): 465–80. http://dx.doi.org/10.1017/s0940739114000289.

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Abstract:In February 2013 Christos Tsirogiannis linked a fragmentary Athenian red-figured cup from the collection formed by Dietrich von Bothmer, former chairman of Greek and Roman Art at New York’s Metropolitan Museum of Art, to a tondo in the Villa Giulia, Rome. The Rome fragment was attributed to the Euaion painter. Bothmer had acquired several fragments attributed to this same painter, and some had been donated to the Metropolitan Museum of Art as well as to the J. Paul Getty Museum. Other fragments from this hand were acquired by the San Antonio Museum of Art and the Princeton University Art Museum. In January 2012 it was announced that some fragments from the Bothmer collection would be returned to Italy, because they fitted vases that had already been repatriated from North American collections. The Euaion painter fragments are considered against the phenomenon of collecting and donating fractured pots.
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Lilyquist, Christine. "Installation de la collection d'antiquités égyptiennes au Metropolitan Museum of Art." Museum International (Edition Francaise) 36, no. 2 (April 24, 2009): 85–91. http://dx.doi.org/10.1111/j.1755-5825.1984.tb00907.x.

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Jacknis, Ira. "Anthropology, Art, and Folklore." Museum Worlds 7, no. 1 (July 1, 2019): 109–33. http://dx.doi.org/10.3167/armw.2019.070108.

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In the great age of museum institutionalization between 1875 and 1925, museums competed to form collections in newly defined object categories. Yet museums were uncertain about what to collect, as the boundaries between art and anthropology and between art and craft were fluid and contested. As a case study, this article traces the tortured fate of a large collection of folk pottery assembled by New York art patron Emily de Forest (1851–1942). After assembling her private collection, Mrs. de Forest encountered difficulties in donating it to the American Museum of Natural History and the Metropolitan Museum of Art. After becoming part of the Philadelphia Museum of Art, it finally found a home at the Pennsylvania State Museum of Anthropology. Emily de Forest represents an initial movement in the estheticization of ethnic and folk crafts, an appropriation that has since led to the establishment of specifically defined museums of folk art and craft.
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Dissertations / Theses on the topic "Metropolitan Museum of Art. Cesnola Collection"

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Pate, Jennifer Ashley. "The Encyclopedic Collections of the Metropolitan Museum of Art and the Rudolfine Kunstkammer as Expressions of Power." VCU Scholars Compass, 2007. http://hdl.handle.net/10156/1622.

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Books on the topic "Metropolitan Museum of Art. Cesnola Collection"

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New York. Ancient art from Cyprus: The Cesnola collection in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 2000.

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2

The consul Luigi Palma di Cesnola, 1832-1904: Life & deeds. Nicosia]: Cultural Centre, Popular Bank Group, 2000.

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3

Cesnola, Luigi Palma di. Cyprus: Its ancient cities, tombs, and temples. Nicosia, Cyprus: Star Graphics, 1991.

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4

1927-, Boardman John, ed. Ancient art from Cyprus: In the collection of George and Nefeli Giabra Pierides. Athens, Greece: Kapon Editions, 2002.

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5

Lehman, Robert. The Robert Lehman Collection. New York: The Museum in association with Princeton University Press, 1987.

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New York. Japanese art from the Gerry Collection in the Metropolitan Museum of Art. New York: The Museum, 1989.

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7

Collection, Metropolitan Museum of Art Perls. Royal art of Benin: The Perls Collection in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 1992.

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8

Metropolitan Museum of Art (New York, N.Y.), ed. Royal art of Benin: The Perls collection in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 1992.

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New York. 20th century art: Selections from the collection of the Metropolitan Museum of Art. New York: The Museum, 1986.

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New York. Ancient Chinese art: The Ernest Erickson Collection in the Metropolitan Museum of Art. New York: The Museum, 1987.

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Book chapters on the topic "Metropolitan Museum of Art. Cesnola Collection"

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Lena, Jennifer C. "The Museum of Primitive Art, 1940–1982." In Entitled, 41–69. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691158914.003.0003.

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This chapter discusses the creation of the Museum of Primitive Art (MPA). The history of Michael C. Rockefeller's primitive art collection provides an ideal case study of the process of artistic legitimation. Through a detailed analysis of the complete organizational archive—including memos, publications, journals, and administrative paperwork—one can observe this process in detail. The small group of MPA administrators fought to promote artistic interpretations of the objects in the collection against the established view that they were anthropological curiosities. However, these objects were removed from their sites of production and early circulation and left in the care of American curators and tastemakers to make of them what they will; in Rockefeller's case, he leveraged them to produce capital he used in a struggle with other collectors and museum administrators. What he did not do is redistribute those resources toward living artists or register much hesitation about moving those objects to New York. Nor did he have to acknowledge the labor done by earlier advocates of these arts in black internationalist movements. Nevertheless, Rockefeller's triumph was the eventual inclusion of his collection in the Metropolitan Museum of Art (Met), as the Michael C. Rockefeller Wing.
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Rose, Louis. "Toward a Psychology of Art, 1919–32." In Psychology, Art, and Antifascism. Yale University Press, 2016. http://dx.doi.org/10.12987/yale/9780300221473.003.0002.

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This chapter looks at how Kris' status as a convert to Catholicism temporarily provided him with professional and personal protection. His work abroad with international collectors, museum directors, and art patrons supplied a safety net beyond Austria if it became necessary. When the Metropolitan Museum of Art required an expert to catalog its cameo collection, it brought Kris to New York in 1929 to undertake the job. At the same time, Kris kept close track of deteriorating conditions in Austria and employed his contacts to find work abroad for his younger, Jewish colleagues. A liberal royalist in post-imperial Vienna, Kris remained convinced of the irreversible disintegration of Austrian political life. At his first meeting with Ernst Gombrich, he made sure that the young researcher understood fully the uncertainties attached to an art historical career in Vienna.
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Conference papers on the topic "Metropolitan Museum of Art. Cesnola Collection"

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Hensellek, Betty. "ON THE PROVENANCE OF THE ALANIC MATERIALS IN THE COLLECTION OF THE METROPOLITAN MUSEUM OF ART." In ANCIENT AND MEDIEVAL CULTURES OF CENTRAL ASIA (THE FORMATION, DEVELOPMENT AND INTERACTION OF URBANIZED AND CATTLE-BREEDING SOCIETIES). Institute for the History of Material Culture of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.31600/978-5-907298-09-5-293.

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