Relevant bibliographies by topics / Mexican Composers

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Mexican Composers'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Mexican Composers"

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Saavedra, Leonora. "Carlos Chávez’s Polysemic Style:." Journal of the American Musicological Society 68, no. 1 (2015): 99–150. http://dx.doi.org/10.1525/jams.2015.68.1.99.

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The critical discourse on Carlos Chávez’s music is full of contradictions regarding the presence within it of signifiers of the Mexican, the pre-Columbian, and the indigenous. Between 1918 and 1928 Chávez in fact developed, from stylistic preferences that appeared early in his compositions, a polysemic language that he could use equally well to address the very modern or the primitive, the pre-Columbian or the contemporary mestizo, in and only in those works in which he chose to do so. Chávez’s referents emerged in dialogue with the cultural and political contexts in which he worked, those of
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Olmstead, Andrea. "The Plum'd Serpent: Antonio Borgese and Roger Sessions's ‘Montezuma”." Tempo, no. 152 (March 1985): 13–22. http://dx.doi.org/10.1017/s0040298200059167.

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The Spanish Conquest of Mexico provides stirring drama for an epic opera on an American subject It has been set by some 30 composers; the earliest is Graun's Montezuma (1755), and the best-known Spontini's Fernand Cortez, ou la Conquête de Mexique (1809). Antonio Borgese, a Sicilian who ‘fell in love with the English language’, retold the epic story to music by Roger Sessions.How did such an unlikely alliance—a Sicilian poet, an American composer, and Mexican history—come about? Sessions first met Antonio Borgese in 1934 in his home town of Hadley, Massachusetts, when Borgese was teaching at S
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Chibici-Revneanu, Claudia Christina. "Migrating Towards Growth and Oblivion? A Contextual Account of the Lives and Work of Spanish-Mexican Composers María Teresa Prieto and Emiliana de Zubeldía." Revista Interdisciplinaria de Estudios de Género de El Colegio de México 6 (June 8, 2020): 1. http://dx.doi.org/10.24201/reg.v5i0.543.

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Este artículo se centra en la vida y obra de las compositoras hispano-mexicanas del siglo XX María Teresa Prieto y Emiliana de Zubeldía, a partir de una metodología interdisciplinaria que reúne aspectos de musicología feminista, género y migración, así como de estudios culturales. El objetivo es analizar sus biografías en el contexto de la escasa visibilidad de las mujeres en la representación de la diáspora y el discurso musical. El texto muestra cómo el desplazamiento geográfico contribuyó a su desarrollo creativo y a su carrera, mediante el acceso a redes significantes, procesos enriquecedo
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Chibici-Revneanu, Claudia Christina. "Migrating Towards Growth and Oblivion? A Contextual Account of the Lives and Work of Spanish-Mexican Composers María Teresa Prieto and Emiliana de Zubeldía." Revista Interdisciplinaria de Estudios de Género de El Colegio de México 6 (June 8, 2020): 1. http://dx.doi.org/10.24201/reg.v6i0.543.

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Este artículo se centra en la vida y obra de las compositoras hispano-mexicanas del siglo XX María Teresa Prieto y Emiliana de Zubeldía, a partir de una metodología interdisciplinaria que reúne aspectos de musicología feminista, género y migración, así como de estudios culturales. El objetivo es analizar sus biografías en el contexto de la escasa visibilidad de las mujeres en la representación de la diáspora y el discurso musical. El texto muestra cómo el desplazamiento geográfico contribuyó a su desarrollo creativo y a su carrera, mediante el acceso a redes significantes, procesos enriquecedo
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Mykhailova, O. V. "Woman in art: a breath of beauty in the men’s world." Aspects of Historical Musicology 17, no. 17 (2019): 163–80. http://dx.doi.org/10.34064/khnum2-17.11.

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Background. А history of the development of the human community is at the same time a history of the relationship between men and women, their role in society, in formation of mindset, development of science, technology and art. A woman’s path to the recognition of her merits is a struggle for equality and inclusion in all sectors of public life. Originated with particular urgency in the twentieth century, this set of problems gave impetus to the study of the female phenomenon in the sociocultural space. In this context, the disclosure of the direct contribution of talented women to art and th
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Macías, Anthony. "California’s Composer Laureate." Boom 3, no. 2 (2013): 34–51. http://dx.doi.org/10.1525/boom.2013.3.2.34.

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This essay uses the 1960s, Gerald Wilson’s most prolific period, as a window into his life and work as a big band jazz trumpeter, soloist, arranger, conductor, and composer. This selective snapshot of Wilson’s career inserts him more fully into jazz—and California—history, while analyzing the influence of Latin music and Mexican culture on his creations. Tracing the black-brown connections in his Alta California art demonstrates an often-overlooked aspect of Wilson’s musical legacy: the fact that he wrote, arranged, recorded, and performed Latin-tinged tunes, especially several brassy homages
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Pedraza, Silvia. "Beyond Black and White." Social Science History 24, no. 4 (2000): 697–726. http://dx.doi.org/10.1017/s0145553200012049.

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Research on immigrants and the eventual outcomes of immigration processes was at the very foundation of American sociology. But with the exception of a couple of studies on the Mexicans in the United States, such as Paul Taylor' (1932, 1934) monumental work on the life story of Mexican immigrant laborers in the Chicago and Calumet region during the late 1920s and early 1930s, Manuel Gamio' (1971 [1930], 1971 [1931]) anthropological studies of Mexican immigrants in the United States, and Edith Abbott'The Tenements of Chicago, 1908–1935(1936), Latinos were remarkably absent from such studies. In
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Zamarripa Rivera, Jorge, Claudia Hernández-Soto, and Germán Hernández-Cruz. "Mexican validation of the decisional balance scale for exercise (Validación mexicana de la escala de balance decisional para el ejercicio)." Retos, no. 30 (April 29, 2016): 101–5. http://dx.doi.org/10.47197/retos.v0i30.43808.

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Decisional balance is a process that allows people to compare perceived benefits and costs of a certain behavior such as exercising. The aims of the present study were: to translate a Decisional Balance Scale for physical exercise (EBD-E); to adapt it to the Mexican context; to examine its factorial structure; and to assess its internal consistency and nomological validity. The sample was composed by 530 individuals from the urban area of Monterrey, Nuevo Leon, Mexico (48.2% males and 51.8% females; average age = 33.22 ± 15.27; age range = 11-76). Results from both exploratory and confirmatory
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Barrera-Guzmán, Luis A., Jorge Cadena-Iñiguez, Juan P. Legaria-Solano, and Jaime Sahagún-Castellanos. "Phylogenetics of the genus Sechium P. Brown: A review." Spanish Journal of Agricultural Research 19, no. 1 (2021): 07. http://dx.doi.org/10.5424/sjar/2021191-17036.

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The Sechium P. Br. genus composed of 11 species, which originated from the mountainous regions of Mesoamerica, have been domesticated and diversified. These species are clustered in two large groups: the Mexican clade and the Central American clade. Morphological and molecular studies have shown that species of the Mexican clade are formed through interspecific hybridizations and genetic flow, with the exception of S. mexicanum, which is strongly linked to the genus Sicyos. The objective of this review was to analyze the phylogenetics of Sechium based on morphological and molecular studies, wh
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Nájera Saucedo, Jessica, Marta Leticia Salazar Garza, María de los Ángeles Vacío Muro, and Silvia Morales Chainé. "Evaluación de la autoeficacia, expectativas y metas académicas asociadas al rendimiento escolar." Revista de Investigación Educativa 38, no. 2 (2020): 435–52. http://dx.doi.org/10.6018/rie.350421.

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El objetivo del presente trabajo fue comprobar el modelo de rendimiento académico que propone la teoría Social-Cognitiva del desarrollo de Carrera, para dicho propósito se construyeron tres escalas que evalúan la autoeficacia, expectativas de resultado y establecimiento de metas en relación con el rendimiento académico en general en población mexicana. La validez de constructo de cada escala se realizó por medio de jueceo, piloteo y aplicación definitiva a una muestra de 300 estudiantes de bachilleratos de Aguascalientes. Se realizaron pruebas t de student, análisis factoriales exploratorios y
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Dissertations / Theses on the topic "Mexican Composers"

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Lazo, Alejandro. "Contemporary Mexican Classical Guitar Music at the Turn of the Twenty-First Century: Selected Compositions 1988-2003." Diss., The University of Arizona, 2008. http://hdl.handle.net/10150/193775.

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The purpose of this dissertation is to discover if Arturo Fuentes’ Primer Interludio incorporates a number of stylistic features typical of guitar music written by Mexican contemporaries from 1988 to 2003. These features include the use of complex musical notation, highly disjunct melodic contour, extended techniques, innovative timbres, rhythmic complexity, rapidly changing dynamics, atonality, percussive effects and repetitive rhythmic and/or melodic cells. As a point of departure a list of guitar works by representative Mexican composers was compiled. From this list the following works wer
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Madrid-González, Alejandro L. (Alejandro Luis). "A Mexican Postmodernist Vision Grounded on Structuralism: The Cases of Juan Trigos' Cuarteto Da Do (1988) and Victor Rasgado's Rayo Nocturnal (1989)." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc277839/.

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This thesis contributes analyses of two works by Mexican composers: Rayo nocturnal (1989) by Victor Rasgado (b. 1959), and the Cuarteto da do (1988) by Juan Trigos (b. 1965). Although composed according to structuralist principles, a postmodern interpretation is offered. The analytical method applied is based on Allen Forte's set theory, including rhythmic and timbral dimensions that are integral to the conceptions of these works. A survey of modernism and postmodernism in twentieth-century Mexico serves to place these works in their cultural context.
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Canchola, Amy. ""Para qué recorder": Preserving the Legacy of María Grever through Selected Vocal Compositions for Study and Performance." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505196/.

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María Grever (1885-1951) overcame racism and gender bias during a pivotal era in American music history to become the first commercially successful Mexican female composer and more specifically, a pioneer of popular music during the first half of the 20th century. Though named the "Madonna of song," her legacy is largely overshadowed by other compositional giants of the era, such as the Gershwin brothers, Cole Porter, and Irving Berlin. Grever's music is sophisticated, heartfelt, and worthy of attention. Her colorful, genuine music adds distinctiveness and variety to recital programs. Grever's
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Castillo, Manuel M. "ITALIAN AND SPANISH INFLUENCE ON SELECTED WORKS OF MEXICAN COMPOSERS: MARÍA GREVER, IGNACIO FERNÁNDEZ ESPERÓN “TATA NACHO,” AND AGUSTÍN LARA." UKnowledge, 2014. http://uknowledge.uky.edu/music_etds/32.

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The last decades of the 19th Century and the first decades of the 20th Century encompass a revolutionary movement worldwide. The growth and advances throughout all disciplines of study and especially the collaboration across Literature, Music, Performing Arts, Culture and Politics became stronger and more evident than ever before. As the Mexican Revolution (1910) developed in frightening fights, the country became increasingly insecure and violent. It was the duty of the living artist to create pathways to escape reality, embellishing the surroundings with its music, paintings and poetry. This
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Hernandez, Guillermo Alexandro III. "PART I: TWO PIECES FOR ORCHESTRA: LOS NIÑOS HEROES AND EL PORFIRIATOPART II: TWO COMPOSERS, BLAS GALINDO AND JOSE PABLO MONCAYO: AN ANALYSIS OF TWO WORKS WRITTEN DURING THE HEIGHT OF MEXICAN NATIONALISM." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1429230806.

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Nystel, David J. "Harmonic Practice in the Guitar Music of Manuel M. Ponce." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc500943/.

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This investigation examines the evolution of harmonic practice in the guitar misic of the Mexican composer, Manuel M. Ponce (1882-1948). Ponces harmonic practice evolved from a simple romantic style influenced by Mexican folksong to a more complex idiom influenced by Impressionistic harmony. This study explores the change in Ponce t s harmonic practice in two ways. First, general features of Ponce's harmonic vocabulary are surveyed in excerpts from various guitar works written over a twenty year period. Second, a work from Ponce's mature style--Theme Varie et Finale-is examined in detail. Chap
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Barrientos, Flora. "Les œuvres pour piano de Mario Ruiz Armengol." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040005.

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Le compositeur mexicain Mario Ruiz Armengol (1914-2002) a écrit plus de deux-cents œuvres pour piano d’une grande qualité. Même si son œuvre fait partie du répertoire des pianistes mexicains, a été enregistrée, publiée et a fait l’objet de trois travaux universitaires et d’une biographie, la musicologie mexicaine a négligé son œuvre. C’est pour cela que j’ai décidé de me centrer sur l’analyse musicale de ses œuvres pour piano afin de les situer dans le contexte de la musique et des compositeurs de musique de concert du XXème siècle. Dans l’introduction je souligne divers aspects biographiques,
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Covarrubias, Ahedo Virginia. "Three Main Chamber Music Works for Strings and Piano by the Mexican Composer Manuel M. Ponce." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/95.

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This essay examines the three main large-scale chamber music works for strings and piano written by the Mexican composer Manuel M. Ponce: the Romantic Trio for violin, cello and piano (1912), the Sonata for violoncello and piano (1922), and the Sonata Breve for violin and piano (1930). The purpose of the study is to aid chamber music performers in the understanding, preparation and execution of these works. Written contextually for performing musicians, the format for the study of the individual works includes sections on historical background and commentary on analysis and performance conside
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Dousa, Nayeli. "The Piano Works of a Contemporary Mexican Expatriate: Samuel Zyman's Two Motions in One Movement and Variations on an Original Theme." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/292675.

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Samuel Zyman (b. 1956) is one of the leading Mexican composers of our time. He has composed more than 55 works in a variety of genres, including symphonies, concertos, orchestral pieces, film music, chamber music, and music for solo piano. This study includes an overview of Zyman's background as a musician and composer, with an emphasis on his solo piano works. It provides a discussion of Zyman's musical style and an analysis of his two most recent solo piano compositions, Two Motions in One Movement and Variations on an Original Theme. Zyman cites the music of Bartók and Prokofiev, alon
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González, Ariceaga Citlalli Celeste. "Encapsulation de carbobacterium maltaromaticum LMA28, productrice de composés aromatiques, dans la paraffine d'enrobage du Poro, un fromage artisanal mexicain." Thesis, Université de Lorraine, 2014. http://www.theses.fr/2014LORR0038/document.

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Ces travaux de thèse portent sur l'étude pluridisciplinaire (biochimique, physicochimique, microbiologique) de l'amélioration des qualités aromatiques du Poro, fromage artisanal mexicain au lait cru, afin d'en allonger sa durée de commercialisation sur le marché mexicain. Pour cela, après une caractérisation physicochimique du fromage, différentes techniques d'encapsulation dans l'enrobage de paraffine du fromage ont été testées. Par ailleurs, l'activité inhibitrice de Carnobacterium maltaromaticum LMA28, isolée à partir d'un fromage à pâte molle, a aussi été étudiée vis-à-vis de L. monocytoge
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Books on the topic "Mexican Composers"

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Compositores mexicanos. 6th ed. EDAMEX, 1993.

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Coral, Juan Alvarez. Compositores mexicanos. 4th ed. Editores Asociados Mexicanos, 1986.

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Creadores veracruzanos: Diez semblanzas. Universidad Veracruzana, 2010.

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Dehesa, Germán. Luis Arcaraz: Un biombo de recuerdos. Asociación del Patrimonio Artístico Mexicano, 2005.

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Alcaraz, José Antonio. Reflexiones sobre el nacionalismo musical mexicano. Editorial Patria, 1991.

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Romero, Javier Guerrero. Ricardo Castro, el primer gran concertista mexicano. Gobierno del Estado, 1990.

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Semblanzas de músicos mexicanos. Universidad Veracruzana, 1999.

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Soto, Eduardo Contreras. Eduardo Hernández Moncada: Ensayo biográfico, catálogo de obras y antología de textos. Centro Nacional de Investigación, Documentación e Información Musical "Carlos Chávez", 1993.

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Millán, Eduardo Soto. Diccionario de compositores mexicanos de música de concierto, siglo XX. Sociedad de Autores y Compositores de Música, 1996.

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Wood, Susan. Esquivel!: Space-age sound artist. Charlesbridge Publishing, 2016.

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Book chapters on the topic "Mexican Composers"

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Siwe, Thomas. "An Emerging Literature for Percussion Ensemble." In Artful Noise. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043130.003.0003.

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In the 1920s, a number of composers prophesied through their writings and their compositions how the music of the twentieth century would sound. Alexander Tcherepnin, Dimitri Shostakovich, George Antheil, and others contributed to the concept that percussion alone could be an instrumental force. This chapter examines in detail works by the French/American composer Edgard Varèse, so-called “father of percussion ensemble music,” including an analysis of his iconic composition for thirteen percussion players, Ionisation. Works by the composers Amadeo Roldán and José Ardévol draw on the Afro-Cuban rhythms of the Caribbean to create a new music, both classical and ethnic. Their compositions, along with those of the Mexican composer Carlos Chávez, served as paradigms for the music that followed.
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Snow, K. Mitchell. "The Golden Age of Mexican Modern Dance." In A Revolution in Movement. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066554.003.0010.

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To help him shape the dance component of the new Instituto Nacional de Bellas Artes (INBA), Carlos Chávez invited the leading exponents of Mexico’s opposing camps of modern dancers to assist him, along with an array of painters, composers, and writers. As part of INBA’s charge to create a universal culture attractive to international audiences, and at a time the U.S. was promoting modern dance as part of its WWII propaganda efforts in the Americas, Chávez’s team created a modern-dance focused Academy of Mexican Dance. Chávez would soon appoint polymath artist Miguel Covarrubias to lead INBA’s dance department, ushering in a “golden age” for Mexican modern dance. INBA underwrote lavish productions by internationally recognized choreographer José Limón, it also extended similar support to its novice choreographers who mounted productions with scores by its leading composers and scenic designs by its most famous artists.
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Palomino, Pablo. "Transnational Networks." In The Invention of Latin American Music. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190687403.003.0003.

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This chapter describes four circuits of musical practice in the 1920s and 1930s, in order to locate the emergence of Latin America as a musical space. It analyzes: (1) the entertainment scene’s repertoire of Manila, Philippines, in the early 1920s; (2) the Latin American repertoire in the career of Russian Jewish singer Isa Kremer, who ended up in Argentina in the 1930s; (3) the copyright strategy of Sociedad Argentina de Autores, Intérpretes y Compositores de Música (SADAIC), the Argentine society for composers of tango and other popular styles, in the late 1920s; and (4) the Mexican broadcasting system XEW, the very first commercial attempt to build a Latin American musical platform. In every case, local, national, and transational dimensions of musical practice are approached in terms of music genres, market structures, and musical ideologies.
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Gurza, Agustin. "A Century of Latin Music at the Hollywood Bowl." In Tide Was Always High. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520294394.003.0006.

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This chapter focuses on the Hollywood Bowl, summer home of the Los Angeles Philharmonic, and one of the first institutions to support cultural diversity even before that term entered the popular lexicon. The Hollywood Bowl has had a long-running practice of sharing its prestigious stage with Latino artists working in a wide variety of musical genres, from classical to mariachi, romantic boleros to hard-driving salsa and Latin jazz. In 2009, there was much ado about the arrival of Gustavo Dudamel as the philharmonic's latest musical director. However, many of those cheering the move may not have been aware that more than half a century earlier, two Mexican classical composers and conductors—Eduardo Vigil and Carlos Chávez—had taken up the baton as guests of the Philharmonic, performing on separate occasions at the Hollywood Bowl during its first two decades.
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Ramirez López, Carlos Manuel, Martín Montes Rivera, Alberto Ochoa, Julio César Ponce Gallegos, and José Eder Guzmán Mendoza. "Geospatial Situation Analysis for the Prediction of Possible Cases of Suicide Using EBK." In Handbook of Research on Natural Language Processing and Smart Service Systems. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4730-4.ch015.

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This research presents the application of Empirical Bayesian Kriging, a geostatistical interpolation method. The case study is about suicide prevention. The dataset is composed of more than one million records, obtained from the report database of the Emergency Service 911 of the Mexican State of Aguascalientes. The purpose is to get prediction surfaces, probability, and standard error prediction for completed suicide cases. Here, the variations in the environment of suicide cases are relative to and dependent on economic, social, and cultural phenomena.
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Olcott, Jocelyn. "Chaos in the Tribune." In International Women's Year. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780195327687.003.0014.

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As the IWY events neared their conclusion, chaos erupted in the NGO tribune when participants learned that the group representing the United Women of the Tribune, led by Betty Friedan, had attempted to represent the tribune to the intergovernmental conference. The Mexican press attributed the campaign entirely to Friedan, describing the group she “commands” as composed primarily of US women who sought to subordinate the more political concerns that preoccupied Third World women to the “secondary issues” that interested US women. A planned lunchtime forum for the United Women turned into a fracas that generated one of IWY’s most widely circulated images: an AP photograph of two women fighting over a microphone.
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Skeel, Sharon. "“If you don’t have money, you can’t dance.”." In Catherine Littlefield. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190654542.003.0006.

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Catherine is hired by William Goldman to stage dances for the Stanley Theatre in Philadelphia. Goldman becomes her boyfriend. At the Mastbaum Theatre, she is appointed assistant to dance director Robert Alton. The Littlefield School moves to the Fuller Building. William Dollar, Douglas Coudy, and Thomas Cannon, students of Mikhail Mordkin and Ethel Phillips in Philadelphia, join Catherine’s ensemble. Mommie takes Catherine, Dorothie, and other dancers to Paris to train with Russians Lubov Egorova and Alexandre Volinine. In Paris, the sisters become friendly with choreographer George Balanchine. The Littlefields move to an elegant home in the Wynnefield neighborhood. Catherine hires Alexis Dolinoff to dance in H.P. (Horsepower), a ballet-symphony by Mexican composer Carlos Chávez in collaboration with Diego Rivera, Frances Flynn Paine, and Lincoln Kirstein. Conducted by Leopold Stokowski in March 1932, H.P. is the first piece of choreography attributed solely to Catherine.
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Ochao-Morales, Herberto. "Social Responsibility and the Technology Paradigm in Latin America." In Encyclopedia of Information Science and Technology, First Edition. IGI Global, 2005. http://dx.doi.org/10.4018/978-1-59140-553-5.ch448.

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In Latin America, regional as well as multilateral integration schemes have a predominant role within integration agreements. A representation of this includes MERCOSUR: Brazil, Argentina, Uruguay and Paraguay. The Andean Community of Nations (CAN) is composed of Bolivia, Ecuador, Colombia, Peru, and Venezuela and the Group of Three (G3): Colombia, Mexico, and Venezuela. Another regional pact is the CARICOM, composed of English speaking countries within the Caribbean Basin. These organizations have the intent to establish, among other components, free trade areas, customs unions, common markets, and economic unions; all covenants that, in the future, may evolve into a political union (S.C.A. et al., 1998).
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Muñoz García, Sandra Paola, and David Ruiz Guzmán. "Creating and Testing an Online Platform for Language Learning in the Mexican Context." In Studi e ricerche. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-529-2/009.

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This chapter presents the results of a case study conducted in 2016-17 at the National School of Higher Studies in Morelia (ENES-M), Michoacán, Mexico, where a pilot programme was implemented at bachelor’s level for students learning English as a foreign language. The platform used in this study was composed of small digital units called Learning Support Units (UAPAs) first developed in 2011 to help students practice and develop their linguistic skills at two levels, basic and pre-intermediate. These selected UAPAs were hosted in a portal named Ambiente Virtual de Idiomas (AVI) (Language Virtual Environment) administrated by the Coordination of Open University and Distance Education (CUAED). Later, in 2015, it was proposed that a more complex and complete platform be designed and in 2016 the new UAPAs for levels A1, A2, B1 and some of B2 were developed and then piloted for further evaluation. As a result, the experimental groups exposed to a blended teaching reported higher scores in the post test than control groups that were taught with no use of technological elements, hence proving that blended-learning teaching is a good pedagogical option for university students.
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Sosa-Ramírez, Joaquín, Vicente Díaz-Núñez, and Diego R. Pérez-Salicrup. "Ecology of Plant Communities in Central Mexico." In Natural History and Ecology of Mexico and Central America. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.95629.

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In Central Mexico converge three biogeographic provinces: Altiplano sur, Sierra Madre Occidental and Costa del Pacífico. Each one of them is composed by different plant communities: Thorn Forest, Temperate Mountain Forest and Dry Tropical Forest respectively. Our objective is to show, through phytoecological analysis, the species richness, diversity and the structure of the plant communities from the Temperate Mountain Forest and from the Tropical Dry Forest. In the Temperate Mountain Forest, 50 forest species were recorded, with a Shannon Wiener diversity index H´ = 1.63 on altitudes from 2400 to 2600 m. The Whittaker β index is Bw = 7.22. In the tropical dry forest, we identified 79 plants species with a mean diversity index H´ = 3.49 on altitudes from 1951 to 2100 m. In this ecosystem the Bw index is 8.12. This study offers important information for the establishment of management practices, considering the protection status from the areas in which this vegetation type is distributed.
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Conference papers on the topic "Mexican Composers"

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H. B. G., T., F. B. C., A. M. N., J. l. s., y. l. b., and L. S. S. "COMPOSTOS BIOATIVOS DE CLADODIOS DE PALMA ORELHA DE ELEFANTE MEXICANA MINIMAMENTE PROCESSADOS." In IV ENCONTRO NACIONAL DA AGROINDúSTRIA. Galoa, 2018. http://dx.doi.org/10.17648/enag-2018-91680.

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Gil Samaniego Ramos, Margarita, and He´ctor Enrique Campbell Rami´rez. "Energy and Emissions Assessment in Pumping Water Distribution Systems: Case Study—Colorado River–Tijuana Aqueduct." In ASME 2011 International Mechanical Engineering Congress and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/imece2011-63278.

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The northwestern portion of the Mexican territory has a semiarid climate with scarce rains and no reliable water supply sources. The cities of Tijuana, Tecate and Rosarito, Baja California, Mexico, are located within this zone and depend on the Ri´o Colorado–Tijuana Aqueduct to fulfill approximately 90% of its water demand. This large hydraulic facility is 147 km long and elevates 4.0 m3/s of water at a height of 1,060 m. It is composed of 6 pumping stations with a total installed motor capacity of 79,500 hp. At this time the capacity of the aqueduct is being increased to 5.33 m3/s by means of
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Pilatowsky, I., D. Gama, J. Ortega, et al. "Design of a Combined Solar Dryer: Thermal-Photovoltaic for the Treatment of Grains." In ANES/ASME Solar Joint 2006 XXXth Mexican National Solar Energy Week Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/anes/asme2006-0011.

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Solar drying is one of the most vastly used technologies in rural areas, especially in developing countries, allowing for self provision and commercialization of products with an added value. Among the technical problems encountered, is the control of the operating conditions, due mainly to the intermittency of solar radiation which in turn produces a non homogeneous treatment of the product making it necessary to control both temperature and air velocity. Considering these facts, the design of a dryer for the treatment of grains is proposed, with the intention of obtaining control on the kine
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López Vega, Aldo, Gregory J. Kowalski, Carlos Rubio-Maya, and J. Jesús Pacheco Ibarra. "Modelling and Validation of a Hybrid Trigeneration/Photovoltaic System Installed in a Shopping Mall Complex." In ASME 2017 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/imece2017-72020.

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Shopping malls require large amount of electrical and thermal energy to provide quality services and maintain customer’s comfort. Conventionally, electrical energy for direct use and operation of HVAC systems is supplied directly from the electrical grid and is produced in remote power plants that burns fossil fuels. Thermal energy for hot water or heating supply is usually produced by boilers that use LP gas or fuel oil. Given these conditions, cogeneration and trigeneration systems supported by renewable sources of energy are ideal schemes to meet energy needing in a more efficient and cost-
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Flores Miranda, Margarita Beatriz. "Proposal for a systemic process: Managing the creative abilities of students pursuing the architectural studio at mexican universities." In Systems & Design: Beyond Processes and Thinking. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3644.

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“Education´s goal is the ability to master life with self-creative forces, in order to achieve something good and beautiful.” Götze, C. (1898). Das kind als Künstler Projects at Mexican schools of architecture often focus on conventional issues of dimension and function; in a country with the largest number of students in the architectural discipline there is an existing disinterest in the appropriation of knowledge, exploration of complexity, and expression of ideas. Such a disinterest calls for the evolution of architectural education. This research proposes it is possible to manage the crea
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Xie, Pu, and Ou Ma. "Grasping Analysis of a Bio-Inspired UAV/MAV Perching Mechanism." In ASME 2013 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/imece2013-66526.

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This paper presents the grasping analysis of a bio-inspired UAV/MAV perching mechanism designed at New Mexico State University. The mechanism is composed of a cable-driven leg mechanism and two cable-driven underactuated three-digit feet. The mechanical design was based on the analysis of the anatomy of bird legs and feet. In this paper, the grasping stable condition of the mechanical foot is studied through a quasi-static analysis, which models the relationship between the actuated forces of a digit and the contact forces on each phalanx. Using this model, we can understand the foot’s stable
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Murray, John, Anil Sablok, Todd Demerchant, Lixin Xu, Tim Finnigan, and Shankar S. Bhat Aramanadka. "A Large Deck Extendable Draft Platform Design for Ultra-Deepwater in the Gulf of Mexico." In ASME 2005 24th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2005. http://dx.doi.org/10.1115/omae2005-67310.

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A new delivery scheme based on an Extendable Draft Platform (EDP), designed for large fields in ultra-deepwater, offers potential benefits that minimize start-up costs and enhance overall economics. This paper describes an EDP design intended for deployment in water depth of 8,500 ft in a Gulf of Mexico environment. This deck design is one of the largest to date, using the EDP delivery method. The paper discusses design philosophy in detail, explaining the unique design features of the topsides for dockside commissioning, the deck connection system, and the riser systems and their integration.
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Torres González, Edgar Vicente, Raúl Lugo-Leyte, Martín Salazar-Pereyra, Miguel Toledo Velázquez, Helen Denise Lugo-Méndez, and Alejandro Torres Aldaco. "Exergoeconomic Analysis of a Combined Cycle of Three Levels of Pressure." In ASME Turbo Expo 2016: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/gt2016-57872.

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This paper presents an exergoeconomic analysis of the combined cycle power plant Tuxpan II located in Mexico. The plant is composed of two identical modules conformed by two gas turbines generating the required work and releasing the hot exhaust gases in two heat recovery steam generators. These components generate steam at three different pressure levels, used to produce additional work in one steam turbine. The productive structure of the considered system is used to visualize the cost formation process as well as the productive interaction between their components. The exergoeconomic analys
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Espinosa Bautista, A., M. Garci´a del Ga´llego, and A. Zepeda Sa´nchez. "Vertical and Horizontal Academic Projects: A Novel Teaching Technique in the Faculty of Engineering of the National Autonomous University of Mexico." In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-81960.

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Competitiveness of the students is increasing. Students with better skills are graduating from universities all over the world. More and more efforts are being done to improve the skills of the undergraduate students. In the Faculty of Engineering of the National Autonomous University of Mexico (UNAM) many lecturers use projects to help students to better understand the concepts and to improve their teamwork skills. However many of these efforts are isolated and have been done in an empirical way. The Manufacturing and Design Center is seeking ways to get students with better skills and bring
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Park, Young-Chan (Y C. )., Arun Antony, Hisham Moideen, et al. "Mooring Chain Fatigue Assessment Methodology and Software of Williams Gulfstar 1 Spar Platform Using Comparison Between Field Measured Data and the Design Basis Information." In ASME 2015 34th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/omae2015-41308.

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In 2014 Williams Companies delivered a Spar-based FPS to be used by the Hess Corporation for developing their “Tubular Bells” field as well as for future tiebacks for other developments. Tubular Bells is located in the Mississippi Canyon region of the Gulf of Mexico. The Spar hull is the ‘Classic hull form’, 584 ft (178 m) long, 85 ft (26 m) in diameter with 60 ft (18 m) hull freeboard. The mooring system consists of 9 mooring lines in 3 groups composed of a chain-polyester-chain configuration. This paper describes the tools and methodology Williams plans to use for assessing the fatigue damag
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