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Relevant bibliographies by topics / Mexican Composers / Dissertations / Theses

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Dissertations / Theses on the topic 'Mexican Composers'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Lazo, Alejandro. "Contemporary Mexican Classical Guitar Music at the Turn of the Twenty-First Century: Selected Compositions 1988-2003." Diss., The University of Arizona, 2008. http://hdl.handle.net/10150/193775.

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The purpose of this dissertation is to discover if Arturo Fuentes’ Primer Interludio incorporates a number of stylistic features typical of guitar music written by Mexican contemporaries from 1988 to 2003. These features include the use of complex musical notation, highly disjunct melodic contour, extended techniques, innovative timbres, rhythmic complexity, rapidly changing dynamics, atonality, percussive effects and repetitive rhythmic and/or melodic cells. As a point of departure a list of guitar works by representative Mexican composers was compiled. From this list the following works wer

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2

Madrid-González, Alejandro L. (Alejandro Luis). "A Mexican Postmodernist Vision Grounded on Structuralism: The Cases of Juan Trigos' Cuarteto Da Do (1988) and Victor Rasgado's Rayo Nocturnal (1989)." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc277839/.

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This thesis contributes analyses of two works by Mexican composers: Rayo nocturnal (1989) by Victor Rasgado (b. 1959), and the Cuarteto da do (1988) by Juan Trigos (b. 1965). Although composed according to structuralist principles, a postmodern interpretation is offered. The analytical method applied is based on Allen Forte's set theory, including rhythmic and timbral dimensions that are integral to the conceptions of these works. A survey of modernism and postmodernism in twentieth-century Mexico serves to place these works in their cultural context.

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3

Canchola, Amy. ""Para qué recorder": Preserving the Legacy of María Grever through Selected Vocal Compositions for Study and Performance." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505196/.

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María Grever (1885-1951) overcame racism and gender bias during a pivotal era in American music history to become the first commercially successful Mexican female composer and more specifically, a pioneer of popular music during the first half of the 20th century. Though named the "Madonna of song," her legacy is largely overshadowed by other compositional giants of the era, such as the Gershwin brothers, Cole Porter, and Irving Berlin. Grever's music is sophisticated, heartfelt, and worthy of attention. Her colorful, genuine music adds distinctiveness and variety to recital programs. Grever's

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4

Castillo, Manuel M. "ITALIAN AND SPANISH INFLUENCE ON SELECTED WORKS OF MEXICAN COMPOSERS: MARÍA GREVER, IGNACIO FERNÁNDEZ ESPERÓN “TATA NACHO,” AND AGUSTÍN LARA." UKnowledge, 2014. http://uknowledge.uky.edu/music_etds/32.

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The last decades of the 19th Century and the first decades of the 20th Century encompass a revolutionary movement worldwide. The growth and advances throughout all disciplines of study and especially the collaboration across Literature, Music, Performing Arts, Culture and Politics became stronger and more evident than ever before. As the Mexican Revolution (1910) developed in frightening fights, the country became increasingly insecure and violent. It was the duty of the living artist to create pathways to escape reality, embellishing the surroundings with its music, paintings and poetry. This

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5

Hernandez, Guillermo Alexandro III. "PART I: TWO PIECES FOR ORCHESTRA: LOS NIÑOS HEROES AND EL PORFIRIATOPART II: TWO COMPOSERS, BLAS GALINDO AND JOSE PABLO MONCAYO: AN ANALYSIS OF TWO WORKS WRITTEN DURING THE HEIGHT OF MEXICAN NATIONALISM." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1429230806.

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6

Nystel, David J. "Harmonic Practice in the Guitar Music of Manuel M. Ponce." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc500943/.

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This investigation examines the evolution of harmonic practice in the guitar misic of the Mexican composer, Manuel M. Ponce (1882-1948). Ponces harmonic practice evolved from a simple romantic style influenced by Mexican folksong to a more complex idiom influenced by Impressionistic harmony. This study explores the change in Ponce t s harmonic practice in two ways. First, general features of Ponce's harmonic vocabulary are surveyed in excerpts from various guitar works written over a twenty year period. Second, a work from Ponce's mature style--Theme Varie et Finale-is examined in detail. Chap

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7

Barrientos, Flora. "Les œuvres pour piano de Mario Ruiz Armengol." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040005.

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Le compositeur mexicain Mario Ruiz Armengol (1914-2002) a écrit plus de deux-cents œuvres pour piano d’une grande qualité. Même si son œuvre fait partie du répertoire des pianistes mexicains, a été enregistrée, publiée et a fait l’objet de trois travaux universitaires et d’une biographie, la musicologie mexicaine a négligé son œuvre. C’est pour cela que j’ai décidé de me centrer sur l’analyse musicale de ses œuvres pour piano afin de les situer dans le contexte de la musique et des compositeurs de musique de concert du XXème siècle. Dans l’introduction je souligne divers aspects biographiques,

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8

Covarrubias, Ahedo Virginia. "Three Main Chamber Music Works for Strings and Piano by the Mexican Composer Manuel M. Ponce." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/95.

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This essay examines the three main large-scale chamber music works for strings and piano written by the Mexican composer Manuel M. Ponce: the Romantic Trio for violin, cello and piano (1912), the Sonata for violoncello and piano (1922), and the Sonata Breve for violin and piano (1930). The purpose of the study is to aid chamber music performers in the understanding, preparation and execution of these works. Written contextually for performing musicians, the format for the study of the individual works includes sections on historical background and commentary on analysis and performance conside

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9

Dousa, Nayeli. "The Piano Works of a Contemporary Mexican Expatriate: Samuel Zyman's Two Motions in One Movement and Variations on an Original Theme." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/292675.

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Samuel Zyman (b. 1956) is one of the leading Mexican composers of our time. He has composed more than 55 works in a variety of genres, including symphonies, concertos, orchestral pieces, film music, chamber music, and music for solo piano. This study includes an overview of Zyman's background as a musician and composer, with an emphasis on his solo piano works. It provides a discussion of Zyman's musical style and an analysis of his two most recent solo piano compositions, Two Motions in One Movement and Variations on an Original Theme. Zyman cites the music of Bartók and Prokofiev, alon

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10

González, Ariceaga Citlalli Celeste. "Encapsulation de carbobacterium maltaromaticum LMA28, productrice de composés aromatiques, dans la paraffine d'enrobage du Poro, un fromage artisanal mexicain." Thesis, Université de Lorraine, 2014. http://www.theses.fr/2014LORR0038/document.

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Ces travaux de thèse portent sur l'étude pluridisciplinaire (biochimique, physicochimique, microbiologique) de l'amélioration des qualités aromatiques du Poro, fromage artisanal mexicain au lait cru, afin d'en allonger sa durée de commercialisation sur le marché mexicain. Pour cela, après une caractérisation physicochimique du fromage, différentes techniques d'encapsulation dans l'enrobage de paraffine du fromage ont été testées. Par ailleurs, l'activité inhibitrice de Carnobacterium maltaromaticum LMA28, isolée à partir d'un fromage à pâte molle, a aussi été étudiée vis-à-vis de L. monocytoge

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11

Perez, Silva Araceli. "Contribution à l'étude de la génèse des composés d'arôme au cours du procédé mexicain de transformation de la vanille (Vanilla planifolia G. Jackson)." Montpellier 2, 2006. http://www.theses.fr/2006MON20116.

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Le procédé traditionnel de transformation de la gousse du vanillier (Vanilla planifolia G. Jackson) consiste principalement en un traitement thermique des fruits verts, suivis d'un séchage lent et finalement d'un affinage. L'évolution des fractions libre et liée (glycosylée) de l'arôme de vanille a été suivie pendant les différentes étapes du procédé traditionnel au Mexique. A cet effet des méthodes analytiques ont été mises au point. Des analyses en HPLC, CPG-FID et CPG-SM ont montré que les phénols volatils étaient les composés majoritaires formés au cours du procédé. Une étude par CPG-Olfac

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12

Thiemann, Amy. "Embracing Internationalism: An Examination of Mario Lavista with an Analysis of Cinco Danzas Breves." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984228/.

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Mario Lavista (b.1943) is widely acknowledged as one of Mexico's foremost living composers. Having acquired his music education in his native Mexico and in Europe alike, he is similar to numerous other Latin composers who were building a career in the latter half of the twentieth century. During this time, composers were relying on international aspects of avant-garde techniques, and using nationalistic Latin rhythms and melodies less. Lavista embraced internationalism, and aimed to compose works devoid of identifiable elements of nationalism. This document argues that the absence of nationali

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13

Bugajny, Christine. "Quantification des émissions polluantes d'origine automobile et modélisation des processus de formation de l'ozone dans la ville de mexico." Lille 1, 1995. http://www.theses.fr/1995LIL10037.

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De par ses caractéristiques géographiques, topographiques et démographiques, la ville de Mexico constitue un site privilégié pour l'apparition d'épisodes intenses de pollution photooxydante. Les principaux polluants primaires, précurseurs de ce type de pollution, que sont les composés organiques volatils (cov) et les oxydes d'azote (no#x), proviennent en majorité de la circulation automobile, inévitablement très intense dans cette agglomération peuplée par dix-huit millions d'habitants. L'élaboration d'une stratégie de réduction de l'ozone, réalisée à partir de l'utilisation d'un modèle mathém

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14

Boisard, Severine. "Caractérisation chimique et valorisation biologique d’extraits de propolis." Thesis, Angers, 2014. http://www.theses.fr/2014ANGE0027/document.

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La propolis est une substance résineuse collectée par les abeilles sur certaines parties des végétaux. Sa composition en métabolites secondaires est alors variable puisqu’elle dépend notamment de la flore locale près du site de collecte. Dans cette étude, la caractérisation chimique d’un échantillon représentatif de la propolis française de l’entreprise ‘‘Ballot-Flurin Apiculteurs’’ a conduit, au moyen d’analyses HPLC/DAD/MS et RMN 1D & 2D, à l’identification de 51 composés dont deux sont originaux. Les acides et esters phénoliques ainsi que les flavonoïdes identifiés dans cette propolis i

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15

HUYNH, SYLVIE. "Microcalorimetrie de la protonation : application a l'etude du metabolisme des derives nitroses." Caen, 1985. http://www.theses.fr/1985CAEN2020.

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Application de la microcalorimetrie a l'etude des derives nitroses qui suscitent un interet toxicologique certain et servent de substrat a des systemes enzymatiques qui les degradent et modifient leur activite

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16

"A Recording and Performance Guide Featuring Three Commissioned Compositions for Clarinet by Mexican Composers." Doctoral diss., 2020. http://hdl.handle.net/2286/R.I.57341.

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abstract: In an effort to provide greater representation to Latin American musicians, this recording and performance guide provides commentary on three works for clarinet by composers of Mexican ethnicity, commissioned and recorded by the author. The works presented are scored for solo clarinet, clarinet & piano, and clarinet, cello, & piano. Each piece seeks to communicate and explore current sociopolitical issues related to Mexico, and, like this project as a whole, derive their inspiration from La Onda, a multidisciplinary artistic movement in Mexico, translating as the “wave,” “sound wave

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17

"The Life and Music of the Mexican Composer Samuel Maynez Prince (1886-1966): Study and Edition of the Complete Works for Violin and Piano." Doctoral diss., 2016. http://hdl.handle.net/2286/R.I.39406.

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abstract: Samuel Máynez Prince (1886-1966), was a prolific and important Mexican musician. Prince’s musical style followed the trends of the nineteenth-century salon music genre. His compositions include lullabies, songs, dances, marches, mazurkas, waltzes, and revolutionary anthems. Prince’s social status and performances in the famed Café Colón in Mexico City increased his popularity among high-ranking political figures during the time of the Mexican Revolution as well as his status in the Mexican music scene. Unfortunately there is virtually no existing scholarship on Prince and even basi

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18

Ribeiro, Vinícius Tolentino. "Analyzing the potential of composite challenges in movement interaction to support children with attention-deficit, hyperactivity disorder (ADHD) : a case study in Morelia, Mexico." Master's thesis, 2014. http://hdl.handle.net/10400.5/14001.

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This study has explored the potential of challenges comprising cognitive and physical aspects, by comparing versions of a serious game prototype with different degrees of those aspects, to foster states of enhanced attention to support educational programs for children with attentiondeficit/hyperactivity disorder (ADHD). The study comprised the adaptation of the prototype as well as an empirical investigation that evaluated the potential of cognitive-physical challenges. The prototype adaptation was a software development task that consisted of performing an incremental development over an exi

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