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1

Moriarty, Siobhain. Outside art: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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Rueda, Milly. The missing link: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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Pantley, Demetra. Illusions of interactivity: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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Dorig, Manuela. The sensitivity of tiime: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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5

Gojkovic, Milosh. Entertaining refreshing information overload: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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6

Kramskaya, Natalya. Colour makes a difference: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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7

Obasia, Alicia. What's wrong with 'Goldie'?: M.A. Communication Design Thesis 2002. Central Saint Martins College of Art & Design, 2002.

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8

Papadopoulou, Maria. Brand (verb) brand (noun): M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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9

Poukman, Natalie. Intruding privacy in visual communication: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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10

Strasser, Susanne. This is not a dissertation: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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11

Battikhi, Anwar. Abstracts of M.A. theses: First semester, 95-96. Faculty of Graduate Studies, University of Jordan, 1997.

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12

Chapple, Wendy. The discarded object as material wealth: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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13

Allen, Christopher. Art versus advertsing redinfing the boudaries: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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14

Moody, Christopher. Graphic design by buy the book: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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15

Moothedath, Jay. On a journey with mechanised writing: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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16

Lin, Irene I.-Jen. In search of good children's educational website: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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17

Bei, Daphne. In a global city: stereotypes of migrants: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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18

Gregory, Dawn. Changing faces (fashion stylist and make-up): M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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19

McRae, Sara. Brand me! creating a brand for myself: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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20

Lari, Erika. Cinematic intent: audience engagement in experimental film: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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21

Baraut, Maiol. Data minds: when internet becomes our lives: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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22

Steffens, Lisa. The hidden hand: women writers women artists: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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23

Hutter, Sibylle. The trainer code: the hidden depths of trainers: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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24

Mazzocco, Luciana Baseggio. Not bad: seven deadly sins and other vices: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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25

Al-Kharusi, Aisha A. Unity between two scripts: Arabic and Latin typography : M.A. Communication Design Thesis 20012. Central Saint Martins College of Art & Design, 2001.

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26

Anderson, Virginia DeVere. British experimental music: Cornelius Cardew and his contemporaries : facsimile of a M.A. thesis. Experimental Music Catalogue, 2000.

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27

Battikhi, Anwar. Abstracts of Ph.D., M.Sc., and M.A. theses: Summer semester 95-96. Faculty of Graduate Studies, University of Jordan, 1996.

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28

StanzaniPini, Simona. Reconciliation of binary opposites in Japanese manga and anime: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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29

Mercer, William. The prominence of the geometric aesthetic in new media: M.A. Communication Design Thesis 2003. Central Saint Martins College of Art & Design, 2003.

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30

Benbassat, Camilia. Stolen underground: The corporate co-opting of graffiti made ambient : M.A. Communication Design Thesis 2003. Central Saint Martins College of Art & Design, 2003.

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31

Rock, Jana. Fragments in the narrative of architecture, fine art and design: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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32

Comella, Alicia. Beyond display: Art exhibitions in the age of digital media : M.A. Communication Design Thesis 2002. Central Saint Martins College of Art & Design, 2002.

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33

Russell, Harriet. Making sense if nonsence: nonsence as a form of communication?: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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34

Shishido, Akiko. Line art: what importance does it have in visual communication?: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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35

Peltz, Tia. Crochiuri din inima mea: Cartierele Văcărești--Dudești. Editura Hasefer, 1995.

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36

Berman, Tamzin. Shrinking canvas: the demise and rerise of the twelve inch format: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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37

Hetherington, Tamarind. Do the constraints of the web limit the ability for human communication: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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38

Robinson, Jayne A. Neither use nor ornament: Does letterpress have a function in contempory typography? : M.A. Communication Design Thesis 2003. Central Saint Martins College of Art & Design, 2003.

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39

Nath, Shachindra. Emotion based narratives: a new approach in creating story experiences in immersive virtual environments: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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40

Farfan, Beatriz Helena. A brand without a self: am investigation of the influence of brands in people's behaviour: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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41

Conrad, Tania. Can I have a word with you? A analysis of speech and writing in language: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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42

Petridēs, Paulos V. Hē Eurōpaikē politikē tou Iōannē Kapodistria: Theseis kai protaseis gia mia proodeutikoterē taxē pragmatōn stēn Eurōpē, 1814-1821. Ekdoseis Aphōn Tolidē, 1988.

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43

Brittain, Susi. Nice packet! Why has our relationship with packaging perpetuated its use as enduring forms beyond its initial function?: M.A. Communication Design Thesis 2001. Central Saint Martins College of Art & Design, 2001.

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44

Mia, the way the cupcake crumbles. Simon Spotlight, 2015.

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45

Melis, Carolina. Now we are lost nobody really minds: Reconfiguring information design; contemporary visual arts approach to metaphor, intervention and displacement : M.A. Communication Design Thesis 2003. Central Saint Martins College of Art & Design, 2003.

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46

Bologova, M. A. Tekst i smysl strategii chtenii︠a︡: K.K. Vaginov "Kozlinai︠a︡ pesnʹ", V.V. Nabokov "Dar", M.A. Bulgakov "Master i Margarita". In-t filologii, Sibirskoe otdelenie RAN, 2004.

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47

s, Paulos V. Petride. E euro paike politike tou Io anne Kapodistria: Theseis kai protaseis gia mia proodeutikotere taxe pragmato n ste n Europe 1814-1821. Ekd. Apho n Tolide, 1988.

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48

ėnt︠s︡iklopedii︠a︡", Assot︠s︡iat︠s︡ii︠a︡ "Rossiĭskai︠a︡ politicheskai︠a︡, ред. Za pelenoĭ i︠a︡ntarnogo mifa: Sokrovishcha v zakulisʹe voĭn, revoli︠u︡t︠s︡iĭ, politiki i spet︠s︡sluzhb. ROSSPĖN, 2008.

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49

Ceccucci, Piero, ed. Fiorenza mia…! Firenze e dintorni nella poesia portoghese d'oggi. Firenze University Press, 2009. http://dx.doi.org/10.36253/978-88-8453-329-6.

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Abstract:
In the Portuguese imagination Florence is justly considered the cradle of modern western civilisation. Seen and admired from the Renaissance on as the new Athens, for the Portuguese it has always represented not only a model of culture and civilisation to take as inspiration, but also and above all the locus amoenus of spiritual and intellectual harmony and balance, dreamed-of and unattainable, that floods and pervades the soul with a vague, nostalgic sentiment of admiration. Evidence of this, now as in the past, are the serried ranks of poets who for centuries have sung its praises and raised it to the rank of myth. This brief anthology proposes only a few of them, among the most renowned of recent generations. In a truly original way these poets have managed to convey to the hearts and minds of their compatriots their own stunned vision of the city, illustrating emotions that cannot fail to move even the Florentines and, in a broader sense, we Italians as a whole. Thus what is offered in these pages, in fine Italian translation, is this mesh of voices, an intimate and enthralling polyphony of city, poet and reader, unfurling in an evocative melody and proposing the legend of Florence in a new light – possibly more authentic and illuminating.
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50

Evans, Stuart. Arthur Heygate Mackmurdo (1851-1942) and the Century Guild of Artists: A thesis submitted to the University of Manchester for the degre of M.A. in the faculty of Arts. University of Manchester Faculty of Arts, 1986.

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