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Journal articles on the topic 'MiCAR'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Lehmann, Matthias. "MiCAR." Zeitschrift für das gesamte Bank- und Börsenwesen 72, no. 4 (2024): 248–59. http://dx.doi.org/10.47782/oeba202404024801.

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2

Lucius, Otto. "MiCAR – Märkte für Kryptowerte – Kommentar." Zeitschrift für das gesamte Bank- und Börsenwesen 72, no. 12 (2024): 906–7. https://doi.org/10.47782/oeba202412090601.

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3

Lehmann, Matthias. "MICAR – Gold standard or regulatory poison for the crypto industry?" Common Market Law Review 61, Issue 3 (2024): 699–726. http://dx.doi.org/10.54648/cola2024047.

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The EU’s Market in Crypto-Assets Regulation (MiCAR) is set to reshape the legal framework of the crypto industry. For the first time, cryptocurrencies and tokens will be subject to regulation. Issuers and service providers in the crypto-assets markets will be submitted to a comprehensive regime. Especially stringent rules will apply to stablecoins. MiCAR has every chance of becoming the new global standard. But it is equally possible that MiCAR will isolate the EU from the global crypto market and stifle further innovation. To understand why, it is necessary to delve deep into its rules and ex

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4

Schinerl, Fabian. "Kryptowerte zwischen WAG 2018 und MiCAR." Zeitschrift für das gesamte Bank- und Börsenwesen 71, no. 3 (2023): 178. http://dx.doi.org/10.47782/oeba202303017801.

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5

Maume, Philipp. "The Regulation on Markets in Crypto-Assets (MiCAR): Landmark Codification, or First Step of Many, or Both?" European Company and Financial Law Review 20, no. 2 (2023): 243–75. http://dx.doi.org/10.1515/ecfr-2023-0014.

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Abstract 243On 29 June 2023, the long-awaited Regulation on markets in crypto-assets (MiCAR) came into force. It is the first comprehensive framework for DLT-based units (tokens or crypto-assets) in the world. This article tries to shed some light on the drivers of its creation and the remarkable speed of the parliamentary process. It discusses its key definitions and rulesets, and identifies some interesting policy decisions made by EU lawmakers. However, despite its speed and boldness, MiCAR perpetuates the existing structures of EU financial markets regulation, including some of its weaknes

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6

Stanchev, Dimitar. "The Revised Supervisory Architecture under the Markets in Crypto-Assets Regulation: The Next Step in the Evolution of the EU Financial Sector." Teisė 134 (May 27, 2025): 141–51. https://doi.org/10.15388/teise.2025.134.11.

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In May 2023, the European financial sector underwent a significant change, notably with the adoption of the Markets in Crypto-Assets Regulation (MiCAR), making the EU the first major jurisdiction to regulate crypto-assets. The Regulation aims to boost competitiveness and innovation in the financial industry, potentially positioning the Union as a global leader in crypto-asset standards.The study highlights that, beyond its immediate impact, MiCAR marks a major step in enhancing the Union’s financial supervision structure since the creation of the European System of Financial Supervision back i

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Maume, Philipp, and Finn Kesper. "The EU DLT Pilot Regime for Digital Assets [pre-publication]." European Company Law 20, Issue 6 (2023): 118–26. http://dx.doi.org/10.54648/eucl2023039.

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On 23 March 2023, the DLT-Pilot-Regime came into force. It provides market operators the opportunity to offer blockchain-/DLT-based securities trading subject to full EU financial markets regulation. Although this piece of legislation has not attracted as much attention as the Regulation on markets in crypto-assets (MiCAR), the impact of the DLT-Pilot might be signification. In this article, we outline how the EU legislators have identified the shortcomings of current EU market regulation when applied to DLT-based trading, and addressed them one by one. If successful, the DLT-Pilot could becom

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8

Chun, Chang Min. "A Review of EUʼs Markets in Crypto -Assets Regulation (MiCAR)". Commercial Law Review 43, № 1 (2024): 139–216. https://doi.org/10.21188/clr.43.1.5.

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9

Omlor, Sebastian. "Digitaler Euro, E-Geld(-Token) und tokenisierte Sichteinlagen: digitale Geldformen im Vergleich." Zeitschrift für Bankrecht und Bankwirtschaft 35, no. 6 (2023): 330–37. http://dx.doi.org/10.15375/zbb-2023-0604.

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Zusammenfassung Mit dem Inkrafttreten der Verordnung über Märkte für Kryptowerte (MiCAR) und der Vorlage des Verordnungsentwurfs zur Einführung eines digitalen Euro (dEuroVO-E) im Juni 2023 hat der europäische Zahlungsverkehr bedeutende Impulse bekommen. Zudem liegt aus der Deutschen Kreditwirtschaft seit März 2023 das konkurrierende Konzept tokenisierter Sichteinlagen vor. Der Beitrag untersucht und vergleicht diese neuen Geldformen einschließlich ihrer Rechtsrahmen.

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10

Šakić, A., B. Ponsard, M. Mansuy, et al. "Immunotherapy: EFFICIENT MULTIPLEX CELL ENGINEERING OF HYPOIMMUNOGENIC AND ALLOGENEIC CAR T-CELLS USING MICAR TECHNOLOGY." Cytotherapy 25, no. 6 (2023): S31—S32. http://dx.doi.org/10.1016/s1465-3249(23)00179-2.

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11

Busch, Danny, and Matthias Lehmann. "Uniform Prospectus Liability Rules for Europe." Journal of European Tort Law 14, no. 2 (2023): 113–23. http://dx.doi.org/10.1515/jetl-2023-0009.

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Abstract In this contribution, we make the case for the introduction of uniform rules on liability for incorrect or incomplete prospectuses relating to financial instruments offered in the European Union (EU). We set out the reasons for such uniformisation, in particular the need to complete the Capital Markets Union, the insoluble conflict-of-laws problems created by prospectus liability, and the discriminatory treatment of investors resulting from the application of different national laws to the issue. We show that uniform rules are possible, drawing a parallel to the recently adopted Marke

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12

Chirulli, Paola. "The (R) Evolution of the EU Financial Supervisory Framework: Architecture in Search of an Architect?" European Business Law Review 36, Issue 2 (2025): 259–86. https://doi.org/10.54648/eulr2025011.

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This article explores some major institutional challenges emerging from the recent developments of the European Union (EU) financial supervisory framework. In particular, it first examines the evolution of the financial supervisory architecture since the creation of the three European Supervisory Authorities (ESAs) and the establishment of the Single Supervisory Mechanism (SSM). It then gives an appraisal of the 2019 reform of the ESAs, highlighting the key achievements attained as well as its shortcomings. It then analyses some recent sectoral legislative developments which have significantly

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13

Laucius, Gediminas. "Comparison of the European Union’s Markets in Crypto-Assets Regulation and the United States’ Enforcement-Based Approach to Crypto-Asset Regulation." Teisė 134 (May 27, 2025): 81–96. https://doi.org/10.15388/teise.2025.134.6.

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The rapidly evolving industry of crypto-assets presents significant regulatory challenges, which are further complicated by differing approaches in the European Union (EU) and the United States (US). This article compares these frameworks, while focusing on the EU’s Markets in Crypto-Assets (MiCAR) and the US’s Regulation by Enforcement strategies.The EU takes a proactive approach through its MiCA regulation, set to take effect on December 30, 2024. This regulation aims to harmonize the EU’s regulatory framework for crypto-assets and crypto-asset service providers (CASPs), by virtue of offerin

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14

Гудіма, Тетяна, Владислав Камишанський, Олег Кулик та Віктор Довгань. "СТАБІЛЬНІСТЬ БЕЗ КОНСЕНСУСУ: ПРАВОВІ ПІДХОДИ ДО РЕГУЛЮВАННЯ СТЕЙБЛКОЇНІВ У ЄС, ВЕЛИКІЙ БРИТАНІЇ, СІНГАПУРІ ТА ЯПОНІЇ". Financial and credit activity problems of theory and practice 3, № 62 (2025): 577–88. https://doi.org/10.55643/fcaptp.3.62.2025.4745.

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Автори досліджують правові та регуляторні підходи до стейблкоїнів у чотирьох ключових юрисдикціях: Європейському Союзі (ЄС), Великій Британії, Сінгапурі та Японії. Аналіз демонструє суттєві відмінності в стратегіях, що зумовлені різними правовими традиціями, економічними пріоритетами та інституційною архітектурою. Попри спільну мету – забезпечення стабільності стейблкоїнів – держави не дійшли консенсусу щодо того, якими саме юридичними засобами її слід досягати. У той час як ЄС через регламент MiCAR акцентує на прозорості й стабільності, це супроводжується надмірною жорсткістю норм. Японія гар

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15

Roukema, Riemer. "The Sethian Figures Micheus and Michar and their Relationship to Micah the Morasthite." Gnosis 2, no. 1 (2017): 1–14. http://dx.doi.org/10.1163/2451859x-12340024.

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In five Sethian texts, the supracelestial powers Micheus and Michar are involved in the baptism of those wishing to be initiated into the salvation that would enable them to ascend to a higher spiritual level. The provenance of these two names is unknown. This paper proposes two hypotheses: first, that Micheus and Michar are corruptions of the name of the biblical prophet Micah the Morasthite (Μιχαίας in the Septuagint and מיכה in Hebrew), and second, that Micheus and Michar may be considered Micah’s supracelestial archetype. In favour of the first hypothesis, other examples of such corruption

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16

Macchiavello, Eugenia. "The Challenges Awaiting the European Crowdfunding Services Providers Regulation: Ready for Launch?" Nordic Journal of Commercial Law, no. 2 (November 15, 2022): 26. http://dx.doi.org/10.54337/ojs.njcl.2.7544.

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The Regulation on European Crowdfunding Services Providers for Business (ECSPR), adopted in October 2020, has started applying on 10 March 2022, in a period in history regarded as particularly complex for the entire world and for Europe because of the post-pandemic effects. Before that, the UK has decided to leave the European dream and the difficult negotiations have left the financial sector with uncertainty about the legal treatment of most financial services, including crowdfunding operations, across such new borders. At the same time, the EU is moving forward in its integration process, a

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17

Minto, Andrea. "Certainties and Uncertainties Surrounding Central Bank Digital Currencies (CBDC) vis-à-vis the EU Anti-Money Laundering Regulatory Framework." European Company and Financial Law Review 21, no. 5-6 (2024): 671–704. https://doi.org/10.1515/ecfr-2024-0020.

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Abstract 671 Technology keeps evolving, offering opportunities to the private sector to develop new products and systems to exchange funds or value (i.e. crypto assets). In the quest to exploit technological advancement and keep up with an increasing digitized financial market, central banks have been exploring the possibility to issue a digital form of the traditional fiat currency (so-called central bank digital currency – “CBDC”). As CBDC projects are progressing and shaping up, a host of legal and regulatory questions arise. This article aims to examine the regulatory implications of CBDCs

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18

Mokhniev, S. S., and O. A. Muzyka-Stefanchuk. "Genesis of the legal status development of virtual asset service providers in the EU." Uzhhorod National University Herald. Series: Law 3, no. 85 (2024): 35–41. http://dx.doi.org/10.24144/2307-3322.2024.85.3.5.

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The article explores the history of the development of the legal status of virtual asset service providers (VASPs) in the European Union until the publication of the first draft of the EU Markets in Crypto-Assets Regulation (MiCAR) by the European Commission in September 2020. It examines the early stage of virtual asset regulation in the EU based on the chosen periodization. Special attention is given to the initial research on issues related to virtual assets and European legislative initiatives. Particular focus is placed on the analysis of documents issued by the European Banking Authority

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19

Beach, A. F. "Micah." Hospital Pediatrics 3, no. 3 (2013): 299–300. http://dx.doi.org/10.1542/hpeds.2012-0069.

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20

Wagenaar, Jan A., and Ehud Ben Zvi. "Micah." Journal of Biblical Literature 120, no. 4 (2001): 751. http://dx.doi.org/10.2307/3268274.

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21

Hiebert, Robert J. V. "Micah." Bulletin for Biblical Research 13, no. 2 (2003): 279–81. http://dx.doi.org/10.2307/26422675.

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22

Liang, Ching-Kai, and Milos Prvulovic. "MiSAR." ACM SIGARCH Computer Architecture News 43, no. 3S (2016): 414–26. http://dx.doi.org/10.1145/2872887.2750396.

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23

Verheliuk, Yuliia, Mykhailo Hantsiak, and Dmytro Fomov. "Digital transformation of the banking system: global guidelines for Ukraine." Fìnansi Ukraïni 2025, no. 3 (2025): 45–57. https://doi.org/10.33763/finukr2025.03.045.

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Introduction. Digital transformation of the banking system is one of the key components of modern economic changes in the context of globalization and the development of new technologies. The ongoing changes in the international financial sphere are shaping new directions for the development of banking institutions, offering opportunities to optimize processes, reduce costs, and improve customer service efficiency. In this context, the adaptation of global digital transformation trends to the realities of the Ukrainian banking system becomes essential, requiring consideration of the specific c

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24

Jeppesen, K., and R. L. Smith. "Micah-Malachi." Vetus Testamentum 35, no. 4 (1985): 504. http://dx.doi.org/10.2307/1517774.

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25

Díez, Carola. "Mirar Libritos." Interpretatio. Revista de hermenéutica 3, no. 1 (2018): 297. http://dx.doi.org/10.19130/irh.3.1.2018.123.

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Mirar Libritos es una acción bibliotecaria colaborativa, simple y replicable a favor de los libros para niños, su circulación, difusión y disfrute. Desde 2013 se desarrolla en la Biblioteca Vasconcelos en la ciudad de México. Es una reunión mensual que involucra a maestros, bibliotecarios, promotores, padres de familia, estudiantes e ilustradores, entre otros actores interesados en la discusión de los libros para niños.

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26

Boadt, Lawrence, and Ralph L. Smith. "Micah: Malachi." Journal of Biblical Literature 105, no. 3 (1986): 532. http://dx.doi.org/10.2307/3260533.

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27

King, Philip J., and James Limburg. "Hosea-Micah." Journal of the American Oriental Society 110, no. 1 (1990): 160. http://dx.doi.org/10.2307/603961.

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28

Sharma, Mahak, Sai Srinivas Panapakkam Giridharan, Juliati Rahajeng, Steve Caplan, and Naava Naslavsky. "MICAL-L1." Communicative & Integrative Biology 3, no. 2 (2010): 181–83. http://dx.doi.org/10.4161/cib.3.2.10845.

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29

Schaller, Robert D. "Micra Extraction." JACC: Case Reports 2, no. 14 (2020): 2253–55. http://dx.doi.org/10.1016/j.jaccas.2020.10.003.

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30

Cortés Zulueta, Concepción. "Mirar a las aves mirar… y hacer (arte)." Boletín de Arte, no. 40 (November 19, 2019): 27–42. http://dx.doi.org/10.24310/bolarte.2019.v0i40.6642.

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Mirar a los (demás) animales es una actividad humana muy extendida, sea en un sentido más tangible, o más conceptual, como por ejemplo hace W. J. T. Mitchell en su ensayo “Illusion: Looking at Animals Looking”. Según una de las conclusiones y propuestas de este autor, quizás tendríamos que volver a aprender cómo mirar a los animales. Tal y como llevan décadas haciendo los estudios animales, este artículo se acerca a las perspectivas de éstos, y en concreto, de las aves, para tratar de considerarlos en sus propios términos, más allá de los términos humanos. Para ello, reúne una serie de histori

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31

El-Harasis, Majd A., Rachel E. Schreier, Jodi M. Orton, and Christopher R. Ellis. "MICRA AV upgrade following MICRA VR: generation “Y-not”?" Journal of Interventional Cardiac Electrophysiology 61, no. 3 (2021): 627–28. http://dx.doi.org/10.1007/s10840-021-00976-2.

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32

Gelston, Anthony. "Micah: A Commentary Based on Micah in Codex Vaticanus." Journal of Theological Studies 68, no. 2 (2017): 709–12. http://dx.doi.org/10.1093/jts/flx169.

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33

Cho, Yunchul. "Synthesis of Kaolinite from Micas and K-depleted Micas." Clays and Clay Minerals 55, no. 6 (2007): 565–71. http://dx.doi.org/10.1346/ccmn.2007.0550603.

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34

Chévez, Nelly, Amparo Marroquín, Roxana Martel, and Olga Vásquez. "Mirar, escuchar, interpretar." ECA: Estudios Centroamericanos 64, no. 719 (2009): 69–77. http://dx.doi.org/10.51378/eca.v64i719.3520.

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35

Redmon, Maria T. "Mirar un cuadro." Hispania 71, no. 2 (1988): 445. http://dx.doi.org/10.2307/343096.

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36

Emerton, J. A., and H. W. Wolff. "Micah. A Commentary." Vetus Testamentum 42, no. 4 (1992): 574. http://dx.doi.org/10.2307/1518979.

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37

Gordon, R. P., and R. Mason. "Micah, Nahum, Obadiah." Vetus Testamentum 44, no. 1 (1994): 137. http://dx.doi.org/10.2307/1519448.

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38

Tabucchi, Antonio. "Mirar los monstruos." Estudios: filosofía, historia, letras, no. 13 (1988): 115. http://dx.doi.org/10.5347/01856383.0013.000170250.

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39

Kinnarney, Bill E. "Micah 3:3,4,5." Books Ireland, no. 210 (1998): 28. http://dx.doi.org/10.2307/20623541.

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40

Marín Tovar, Cristóbal. "Educar para mirar." Eikon / Imago 8 (October 15, 2019): 217–36. http://dx.doi.org/10.5209/eiko.73435.

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La forma en que el público consume cultura en el siglo XXI ha cambiado sustancialmente. Es por ello que los museos de arte están tomando medidas para competir con otras formas de ocio alternativas, y atraer al público, y al no-publico, para que viva una experiencia educativa que sea también amena y grata. En los museos de arte, gracias a la tecnología digital, se pueden realizar diferentes recorridos virtuales, participar en juegos multimedia o contemplar con detalle obras de arte, con un excelente resultado educativo. La idea de educar para mirar se plantea para que los usuarios preparen con

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41

Cipriani, C. "Micas: Historical Perspective." Reviews in Mineralogy and Geochemistry 46, no. 1 (2002): 479–99. http://dx.doi.org/10.2138/rmg.2002.46.12.

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42

Murguía Sotomayor, Mariano. "Mirar hacia adentro." Interpretextos 1, no. 1 (2024): 55–66. http://dx.doi.org/10.53897/revinterp.2024.01.04.

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Reseña cinematográfica que analiza un largometraje y dos cortometrajes documentales que fueron mostrados durante un curso impartido por el autor en el año de 2023 en la Universidad de Colima. A través de un acercamiento a estas tres obras, conocemos las distintas formas que utilizan sus autores para narrar historias personales con métodos que se alejan de lo convencional.

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43

McKay, Heather A. "Book Review: Micah." Biblical Theology Bulletin: Journal of Bible and Culture 47, no. 3 (2017): 183–84. http://dx.doi.org/10.1177/0146107917715590c.

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44

Manso, Hugo. "Mirar a Luisita." Nimio, no. 7 (September 21, 2020): e033. http://dx.doi.org/10.24215/24691879e033.

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En este ensayo Hugo Manso —realizador, guionista y docente— se dedica a poner en palabras sus recuerdos y sus consideraciones sobre la fotógrafa Luisita Escarria y sobre el trabajo de archivo que realiza Sol Miraglia, desde hace más de doce años, en el Foto estudio Luisita. Junto con Miraglia, Manso dirigió la película homónima, en 2018, sobre las hermanas Escarria: Luisa, Graciela y Rosa.

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45

Petersen, Wolf, Mathias Wellmann, Steffen Rosslenbroich, and Thore Zantop. "Minimalinvasive Akromioklavikulargelenkrekonstruktion (MINAR)." Operative Orthopädie und Traumatologie 22, no. 1 (2010): 52–61. http://dx.doi.org/10.1007/s00064-010-3004-4.

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46

Pantaleón Panaro, Carlos. "Máquinas para mirar." ARQUISUR Revista 13, no. 23 (2023): 32–45. http://dx.doi.org/10.14409/ar.v13i23.12570.

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Tres pinturas de Caspar David Friedrich sugieren al autor diferentes comportamientos del ser humano en el espacio generados a partir de la relación entre un observador y el objeto observado, relación en la que media un dispositivo que incide en los distintos comportamientos o categorías estéticas suscitados. Estas actitudes y sentimientos de los personajes que habitan las tres pinturas están asociados a los ambientes específicos en los que se encuentran y cuyas características favorecen esas reacciones. De manera concomitante con estas situaciones, se proponen y describen brevemente algunas ob

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47

Agreda Carbonell, Silvia Alejandra. "¿Hacia dónde mirar?" Desde el Sur 15, no. 4 (2023): e0054. http://dx.doi.org/10.21142/des-1504-2023-0054.

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Somos cuerpos en trayectoria. Y nuestros movimientos dan cuenta de vivencias específicas, de los cambios en la sociedad y de cómo producimos y reproducimos cultura. Si bien en el Perú de los últimos 13 años —tomando como marco temporal el periodo operativo del Ministerio de Cultura— muchas medidas y estrategias han sido implementadas para el impulso de las artes escénicas, poco se ha hecho específicamente para la danza. En este artículo postulo que las lógicas y características que asociamos a la práctica de la danza escénica en el Perú están alineadas con la industria de la danza producida de

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48

Álvarez Lara, Saúl. "Dibujar. Escribir. Mirar." UNAULA: Revista de la Universidad Autónoma Latinoamericana, no. 43 (2023): 107–20. http://dx.doi.org/10.24142/unaula.n43a7.

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Es provocación interior que dibujos y palabras se crucen. Líneas, texturas, formas, ojos, manos, cuerpos, tatuajes, por un lado. Vocales, consonantes, palabras, signos de puntuación, frases por el otro. Cuando sucede, ficciones de lo mirado, memorizado, escuchado, se manifiestan.

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49

Agreda Carbonell, Silvia Alejandra. "¿Hacia dónde mirar?" Desde el Sur 15, no. 4 (2023): e0054. http://dx.doi.org/10.21142/e0054.

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Somos cuerpos en trayectoria. Y nuestros movimientos dan cuenta de vivencias específicas, de los cambios en la sociedad y de cómo producimos y reproducimos cultura. Si bien en el Perú de los últimos 13 años —tomando como marco temporal el periodo operativo del Ministerio de Cultura— muchas medidas y estrategias han sido implementadas para el impulso de las artes escénicas, poco se ha hecho específicamente para la danza. En este artículo postulo que las lógicas y características que asociamos a la práctica de la danza escénica en el Perú están alineadas con la industria de la danza producida de

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50

Cid Blasco, Gracia, and Iñaki Bergera. "Mirar para transformar." Constelaciones. Revista de Arquitectura de la Universidad CEU San Pablo, no. 13 (May 31, 2025): 199–217. https://doi.org/10.31921/constelaciones.n13a9.

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El artículo explora cómo la "fotografía consciente" puede ser clave en la transformación de la ciudad. Destaca la importancia de una mirada creativa, reflexiva y proyectual en conexión con la esencia emocional y cultural del espacio urbano, superando la visión superficial contemporánea. A través de una mirada introspectiva, plantea interrogantes sobre cómo la fotografía no solo documenta la ciudad, sino que también tiene el potencial de influir en su transformación futura. Mediante la revisión de obras de autores y teóricos de la imagen, el texto invita a desarrollar una comprensión más profun

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