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Journal articles on the topic 'Michael (1929-....)'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Musse, Ricardo. "MICHAEL LÖWY, LEITOR DE LUKÁCS." Caderno CRH 31, no. 83 (2018): 289–302. http://dx.doi.org/10.1590/s0103-49792018000200008.

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A reflexão sobre a trajetória intelectual e as obras de Georg Lukács no período compreendido entre 1909 e 1929 constitui parte ponderável dos primeiros escritos de Michael Löwy. O presente artigo acompanha seus comentários, destacando como seu fio condutor os conceitos de anticapitalismo romântico e reificação.

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2

Thomson, J. M., John Sothcott, David Fallows, and Christopher Page. "Michael Morrow, 1929–94." Early Music XXII, no. 3 (1994): 537–40. http://dx.doi.org/10.1093/earlyj/xxii.3.537.

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3

Saunders, Philip. "Michael Farrar (1929–2017)." Archives and Records 38, no. 2 (2017): 336–40. http://dx.doi.org/10.1080/23257962.2017.1351934.

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4

Barany, Michael J. "Michael F. Atiyah (1929–2019)." Nature 566, no. 7742 (2019): 40. http://dx.doi.org/10.1038/d41586-019-00358-9.

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SABATINO, ANTONIO DI, REINHARD GERECKE, TERENCE GLEDHILL, and HARRY SMIT. "On the taxonomy of water mites (Acari: Hydrachnidia) described from the Palaearctic, part 2: Hydryphantoidea and Lebertioidea." Zootaxa 2266, no. 1 (2009): 1–34. http://dx.doi.org/10.11646/zootaxa.2266.1.1.

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The paper explains changes which become necessary in water mite taxonomy after revision of material from museum collections and recent field work. Todothyas Cook, 1974, not Acerbitas Özdikmen, 2006, must replace the preoccupied genus name Thyas Koch, 1836; Acerbitas is ranked as a subgenus of Todothyas. The following synonyms are established: Family Hydryphantidae: Todothyas distincta (Tuzovskij, 2007) = Todothyas colligera (K.Viets, 1923); Todothyas incerta (Lundblad, 1941) = Todothyas barbigera (K.Viets, 1908); Georgella intermedia Walter, 1927 (G. dauphinensis nom. nov. K.O.Viets, 1987) = G

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6

Johnson, Loch K. "The sad loss of Michael Herman (1929–2021)." Intelligence and National Security 36, no. 3 (2021): 313–14. http://dx.doi.org/10.1080/02684527.2021.1893002.

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7

Hughes, Gwilym. "Michael Herman: Doyen of British Intelligence Studies 1929–2021." International Journal of Intelligence and CounterIntelligence 34, no. 3 (2021): 425–31. http://dx.doi.org/10.1080/08850607.2021.1900675.

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8

Penny, H. Glenn. "Michael Kraus,Bildungsbürger imUrwald: Die deutsche ethnologische Amazonasforschung (1884–1929)." Historische Anthropologie 14, no. 2 (2006): 323–26. http://dx.doi.org/10.7788/ha.2006.14.2.323.

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9

Houston, Stephen, Mary Miller, and Karl Taube. "MICHAEL D. COE (1929–2019): A LIFE IN THE PAST." Ancient Mesoamerica 32, no. 1 (2021): 1–15. http://dx.doi.org/10.1017/s0956536120000541.

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10

Katz, Shaul. "Berlin Roots – Zionist Incarnation: The Ethos of Pure Mathematics and the Beginnings of the Einstein Institute of Mathematics at the Hebrew University of Jerusalem." Science in Context 17, no. 1-2 (2004): 199–234. http://dx.doi.org/10.1017/s0269889704000092.

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Officially inaugurated in 1925, the Hebrew University of Jerusalem was designed to serve the academic needs of the Jewish people and the Zionist enterprise in British Mandatory Palestine, as well as to help fulfill the economic and social requirements of the Middle East. It is intriguing that a university with such practical goals should have as one of its central pillars an institute for pure mathematics that purposely dismissed any of the varied fields of applied mathematics. This paper tells of the preparations for the inauguration of the Hebrew University during the years 1920–1925 and ana

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11

Howson, Geoffrey. "Sir Michael Francis Atiyah, O.M., 22 April 1929 – 11 January 2019." Mathematical Gazette 103, no. 557 (2019): 193–95. http://dx.doi.org/10.1017/mag.2019.49.

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12

Dolan, John R. "The neglected contributions of William Beebe to the natural history of the deep-sea." ICES Journal of Marine Science 77, no. 5 (2020): 1617–28. http://dx.doi.org/10.1093/icesjms/fsaa053.

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Abstract William Beebe (1877–1962) was a very popular 20th century naturalist and an early proponent of studying all organisms in a habitat. Beebe’s deep-sea work began with his Arcturus Oceanographic Expedition in 1925 with sampling closely modelled on the Michael Sars deep-sea expedition. Dissatisfied with ship-based sampling of stations for a few days at best, he established a field laboratory in Bermuda to do intensive deep-water sampling. From 1929 to 1934, plankton net tows were carried out at the same site, over several months each year, totalling over 1500 net tows in deep waters. Here

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13

Morrison, Michael A. "Paul Robeson's Othello at the Savoy Theatre, 1930." New Theatre Quarterly 27, no. 2 (2011): 114–40. http://dx.doi.org/10.1017/s0266464x11000261.

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Paul Robeson's Othello, first seen in London during the season of 1929–30, stands as a high-water mark of twentieth-century Shakespearean interpretation. Robeson was the first actor of African descent to appear in an extended-run Shakespearean production at a leading West End venue (Ira Aldridge, whose last London appearance came sixty-five years earlier, had made only three brief appearances at major London theatres). Here, Michael A. Morrison examines the circumstances surrounding Robeson's London Othello in 1930 and the far-reaching influence of his achievement on future generations of perf

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14

Marion, Mathieu. "Wittgenstein et son œuvre posthume." Dialogue 35, no. 4 (1996): 777–90. http://dx.doi.org/10.1017/s0012217300008623.

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Wittgenstein est mort en 1951 et on attend toujours une édition de ses œuvres complètes. Ce n'est qu'en 1994 que sont parus, accompagnés d'un volume d'introduction à l'ensemble du projet d'édition de la main du directeur de publication, Michael Nedo, les deux premiers d'une série de quinze volumes, les Wiener Ausgabe, qui reproduiront l'intégralité des écrits de Wittgenstein, de son retour à Cambridge en janvier 1929 à la première version du Big Typescript en 1933, avec index et concordances. D'après le catalogue établi par Georg Henrik von Wright, il s'agit des articles suivants: MS 105 à 114

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15

Ishikawa, Teruhiko. "Chiral Lewis Acid-Hydroxylamine Hybrid Reagent for Enantioselective Michael Addition Reaction Directed Towards β-Amino Acids Synthesis". Synlett 1998, № 11 (1998): 1291–93. http://dx.doi.org/10.1055/s-1998-1929.

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16

McCord, Edward A. "The 1929 Sino-Soviet War: The War Nobody Knew, written by Michael M. Walker." Journal of Chinese Military History 7, no. 1 (2018): 109–11. http://dx.doi.org/10.1163/22127453-12341325.

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17

Tagirova, Alsu. "Book Review: The 1929 Sino–Soviet War: The War Nobody Knew. Michael M. Walker." War in History 25, no. 3 (2018): 440–43. http://dx.doi.org/10.1177/0968344518774704c.

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18

Lambert, Richard "Tres." "Hermann Broch und Frank Thiess: Briefwechsel, 1929–1938; 1948–1951 ed. by Paul Michael Lützeler." Journal of Austrian Studies 52, no. 4 (2019): 109–11. http://dx.doi.org/10.1353/oas.2019.0074.

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19

Amenta, Edwin. "The Great Depression: Delayed Recovery and Ecomomic Change in America, 1929-1939.Michael A. Bernstein." American Journal of Sociology 94, no. 3 (1988): 671–73. http://dx.doi.org/10.1086/229043.

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20

Moat, Janet. "The Aileen and Michael Balcon special collection: an introduction to British cinema history, 1929–1960." Historical Journal of Film, Radio and Television 16, no. 4 (1996): 565–75. http://dx.doi.org/10.1080/01439689600260551.

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21

Pinho, Davi. "O CONTO DE VIRGINIA WOOLF – OU FICÇÃO, UMA CASA ASSOMBRADA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 03–17. http://dx.doi.org/10.34019/1982-0836.2019.v23.29176.

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O presente artigo se debruça sobre o conto “Casa Assombrada”, coletado no único volume de contos que Virginia Woolf publicou em vida, Monday or Tuesday (1921), para investigar de que maneira seus contos intensificam a crise dos gêneros literários que seus romances encenam, por um lado; e para entender como tal crise é análoga à questão política que assombra toda sua obra, por outro lado: o gênero enquanto questão identitária. Em diálogo com a filosofia e com a crítica woolfiana, este estudo articula essa “crise dos gêneros” (gender x genre) e, ao mesmo tempo, produz uma contextualização histór

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22

Peters, Edem Etim, and Ruth Mataba Gadzama. "Influence of British Pottery on Pottery Practice in Nigeria." European Journal of Engineering Research and Science 4, no. 6 (2019): 19–24. http://dx.doi.org/10.24018/ejers.2019.4.6.1254.

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The pottery narratives of Nigeria majorly linked with the activities of a great British potter Michael Cardew who Established pottery centres in Nigeria, and trained many Nigerians in Pottery. Cardew studied under Bernard Leach (1887 – 1979) who travels extensively and taught pottery around the world.Leach studied pottery under Master Kenzan VI in Japan and returned to England in 1920 to establish his own pottery at St. Ives with Shoji Hamada. The impact in pottery created by Cardew in Nigeria from 1950 is a direct British Pottery influence imparted to him by leach at St. Ives. A British potte

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23

Hasselhoff, Görge K. "Karl Barth: Erklärungen des Epheser- und des Jakobusbriefes 1919-1929, hg. v. Jörg-Michael Bohnet, Zürich: Theologischer Verlag, 2009, XXXVIII + 556 S." Zeitschrift für Religions- und Geistesgeschichte 65, no. 1 (2013): 87–89. http://dx.doi.org/10.1163/15700739-90000046.

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24

Gomery, D. "Michael R. Pitts, Poverty Row Studios, 1929-1940; Ruth Vasey, The World According to Hollywood, 1918-1939." Screen 39, no. 3 (1998): 327–30. http://dx.doi.org/10.1093/screen/39.3.327.

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25

Saalmann, Dieter. "Fascism and Aesthetics: Joseph Goebbel's Novel Michael: A German Fate Through the Pages of a Diary (1929)." Orbis Litterarum 41, no. 3 (1986): 213–28. http://dx.doi.org/10.1111/j.1600-0730.1985.tb01084.x.

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26

Cooper, David E. "Wittgenstein, Heidegger and Humility." Philosophy 72, no. 279 (1997): 105–23. http://dx.doi.org/10.1017/s0031819100056679.

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In 1929, doubtless to the discomfort of his logical positivist host Moritz Schlick, Wittgenstein remarked, ‘To be sure, I can understand what Heidegger means by Being and Angst’ (WVC, 68). I return to what Heidegger meant and Wittgenstein could understand later. I begin with that remark because it has had an instructive career. When the passage which it prefaced was first published in 1965, the editors left it out—presumably to protect a hero of ‘analytic’ philosophy from being compromised by an expression of sympathy for the arch-fiend of ‘continental’ philosophy. It was as if a diary of Chur

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27

Mendoza, Antonio Gómez. "Michael A. Bernstein: The Great Depression. Delayed recovery and economic change in America, 1929–1939, Cambridge University Press, 1987." Revista de Historia Económica / Journal of Iberian and Latin American Economic History 6, no. 3 (1988): 765–68. http://dx.doi.org/10.1017/s0212610900001063.

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28

Paulson, Stanley L. "Kelsen on legal interpretation." Legal Studies 10, no. 2 (1990): 136–52. http://dx.doi.org/10.1111/j.1748-121x.1990.tb00596.x.

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A number of writers have invited attention to the fact that Kelsen, in a long and extraordinarily productive career, gave very little attention to questions of legal interpretation. Kelsen's younger colleague in the Vienna School of Legal Theory, Fritz Schreier, himself a legal philosopher of note, remarked in 1929 that the Vienna School had neglected interpretation. Michael Thaler made the same point a half century later, writing that Kelsen devoted himself ‘entirely to an elucidation of the object of interpretation’, that is to say, the legal norm itself, without providing any details on ‘ h

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29

Ostroglazova, N. A. "Preface to the Russian Publication: Michael Jabara Carley. A Near-Run Thing: the Improbable Grand Alliance of World War II (1929–1942)." Concept: philosophy, religion, culture 5, no. 1 (2021): 73–74. http://dx.doi.org/10.24833/2541-8831-2021-1-17-73-74.

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The work of Michael Jabara Carley gives a unique perspective on the diplomatic relations of the key world powers in the pre-war period and appeals to a wide audience who are not indifferent to the history of the world. The events described took place almost a century ago and over the years have received a variety of interpretations in the domestic and foreign literature about those times. Painstaking work with archives combined with s fine psychological approach made it possible to recreate and visualize the peculiarities of international relations of those years. This thorough analysis result

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30

Treib, Marc. "Helsinki Jugendstil Architecture, 1895-1915 Jonathan Moorhouse Michael Carapetian Leena Ahtola-Moorhouse Armas Lindgren, 1874-1929, Arkkitehti Architect Riita Nikula." Journal of the Society of Architectural Historians 49, no. 3 (1990): 341–43. http://dx.doi.org/10.2307/990529.

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31

Hamilton, David E. "Reviews of Books:Down and out on the Family Farm: Rural Rehabilitation in the Great Plains, 1929-1945 Michael Johnston Grant." American Historical Review 108, no. 5 (2003): 1472–73. http://dx.doi.org/10.1086/530036.

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32

O'Neill, Elena. "A escrita atuante de Carl Einstein." Topoi (Rio de Janeiro) 17, no. 32 (2016): 91–108. http://dx.doi.org/10.1590/2237-101x0173206.

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RESUMO Poeta de vanguarda que se tornou historiador e teórico da arte, mediador cultural entre França e Alemanha, Carl Einstein colaborou com diversas publicações (entre as quais Die weißen Blätter, Die Aktion, Das Kunstblatt e Transition). Foi coeditor, com Georg Grosz, de Der blutige Ernst (1919) e, com Paul Westheim, de Europa-Almanach (1925), além de cofundador da revista Documents (1929) junto com Georges Bataille, Michel Leiris, Georges Wildenstein e Georges-Henri Rivière. Pertenceu ao círculo de Daniel-Henry Kahnweiler; conheceu Pablo Picasso, Georges Braque, Juan Gris e Fernand Léger.

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33

Romani, Carlo. "Antecipando a era Vargas: a Revolução Paulista de 1924 e a efetivação das práticas de controle político e social." Topoi (Rio de Janeiro) 12, no. 23 (2011): 161–78. http://dx.doi.org/10.1590/2237-101x012023009.

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A revolução de julho de 1924 em São Paulo foi muito pouco investigada pela historiografia brasileira, principalmente se considerarmos que ela determina o início de um controle social preventivo e sistemático, por parte do governo federal, sobretudo nas esferas da saúde e da segurança pública. Este artigo estuda essa transformação no Estado Brasileiro, particularmente no que tange à polícia política, durante o governo do presidente Arthur Bernardes (1922-1926). A hipótese que orienta o trabalho é a de que, nesse período, foi inaugurado um novo modelo de exercício do poder político, denominado p

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34

Ferenczi, Sŕndor, and Otto Rank. "Prospettive di sviluppo della psicoanalisi. Sull'interdipendenza tra teoria e pratica (1923 [1924])." PSICOTERAPIA E SCIENZE UMANE, no. 4 (December 2012): 487–538. http://dx.doi.org/10.3280/pu2012-004001.

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Dopo una Nota redazionale, viene tradotta integralmente per la prima volta in italiano e con una nuova traduzione la monografia Prospettive di sviluppo della psicoanalisi. Sull'interdipendenza tra teoria e pratica di Sándor Ferenczi e Otto Rank, scritta nel 1923 e pubblicata nel 1924 (precedentemente erano stati tradotti in italiano solo i capitoli 1, 3 e 5, pubblicati nel terzo volume dei Fondamenti di psicoanalisi dell'editore Guaraldi nel 1974 e delle Opere dell'editore Raffaello Cortina nel 1992). Viene anche pubblicata una postfazione di Michael Turnheim a una ristampa tedesca dell'editor

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35

Neibaur, James L. "Review: Poverty Row Studios, 1929-1940: An Illustrated History of 53 Independent Film Companies with a Filmography for Each by Michael Pitts." Film Quarterly 53, no. 1 (1999): 67. http://dx.doi.org/10.2307/3697233.

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36

Drake, Paul W. "Michael L. Krenn, U.S. Policy toward Economic Nationalism in Latin America, 1917–1929 (Wilmington, Delaware: Scholarly Resources Inc., 1990), pp. xxi + 169." Journal of Latin American Studies 23, no. 3 (1991): 652–53. http://dx.doi.org/10.1017/s0022216x00015959.

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37

Watson, Christopher. "Rendel Sebastian Pease. 2 November 1922 — 17 October 2004." Biographical Memoirs of Fellows of the Royal Society 52 (January 2006): 285–97. http://dx.doi.org/10.1098/rsbm.2006.0020.

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Rendel Sebastian Pease, universally known to his friends and colleagues as Bas Pease, came from good political, scientific and Quaker stock. On his father's side he was descended from a long line of distinguished Quakers with an interest in social issues, including his grandfather Edward Pease, who was a co–founder and first secretary of the Fabian Society. On his mother's side his forebears included Josiah Wedgwood FRS, the founder of the Wedgwood pottery dynasty, whose descendents included no less than 10 Fellows of the Royal Society, including Charles Darwin and Francis Galton. The fourth g

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38

Heffer, Jean. "Michael A. Bernstein, The Great Depression. Delayed Recovery and Economic Change in America, 1929-1939, Cambridge, Cambridge University Press, 1987, xvii-269 p." Annales. Histoire, Sciences Sociales 44, no. 5 (1989): 1182–84. http://dx.doi.org/10.1017/s0395264900069584.

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39

Orledge, Robert. "Erik Satie's Ballet Mercure (1924): From Mount Etna to Montmartre." Journal of the Royal Musical Association 123, no. 2 (1998): 229–49. http://dx.doi.org/10.1093/jrma/123.2.229.

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Mercure, a ballet in three tableaux with scenery and costumes by Pablo Picasso and choreography by Léonide Massine, created a scandal on a par with that of Parade (1917) when it was first performed at La Cigale Theatre in Montmartre on 15 June 1924 as part of the ‘Soirée de Paris’ season mounted by the wealthy Comte Etienne de Beaumont. Although Mount Etna, as it transpired, featured in the scenario but not in Picasso's stage sets, the première was certainly the scene of a volcanic eruption, a deliberate demonstration orchestrated by the Surrealists (led by the poet André Breton), who tried to

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40

Zatsepine, Victor. "The 1929 Sino-Soviet War: The War Nobody Knew. By Michael M. Walker. (Lawrence, KS: University Press of Kansas, 2017. Pp. xiii, 416. $39.95.)." Historian 80, no. 3 (2018): 632–33. http://dx.doi.org/10.1111/hisn.12995.

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41

HAGGH-HUGLO, BARBARA. "Foreword." Plainsong and Medieval Music 25, no. 1 (2016): 1–3. http://dx.doi.org/10.1017/s0961137115000236.

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This special issue of Plainsong and Medieval Music honours the memory of Michel Huglo (1921–2012) with four articles that resulted from two sessions of papers held on 11 May 2013 at the 48th International Congress on Medieval Studies at the University of Western Michigan. Titled ‘Chant and Liturgy: Papers in Memory of Michel Huglo’, the sessions were organised by Anna Grau, Cathy Elias and Daniel DiCenso, with papers given by Terence Bailey, Frank Lawrence, Rebecca Maloy (in collaboration with Emma Hornby), William P. Mahrt, Nils Holger Petersen and Michael Norton. Also included is a bibliogra

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42

Allchin, Arthur Macdonald. "Regin Prenter: A personal Tribute." Grundtvig-Studier 42, no. 1 (1991): 20–22. http://dx.doi.org/10.7146/grs.v42i1.16052.

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Regin Prenter. En personlig mindeudtalelseAM. Allchin fremhæver i sin nekrolog, hvorledes Regin Prenter var dansk, luthersk teolog, og i .t hermed, uden at der opstod nogen skurrende modsætning, en økumenisk vidtfavnende teolog. Prenter udtrykte i sine afhandlinger med den for ham særegne klarhed synspunkter, der var tro mod hans eget konfessionelle udgangspunkt, og som på samme tid røbede fundamentalt slægtskab med grundtræk fra andre konfessionstraditioner. Dette falder f.eks. i øjnene, når man sammenligner Prenters grundtanker med træk fra den østligeortodokse og den anglikanske kirke (F.D.

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43

Suárez, Nicolás. "Movimiento y proyección en el matadero del cine argentino: Martín Fierro (1923) de Alfredo Quesada." Catedral Tomada. Revista de crítica literaria latinoamericana 5, no. 9 (2018): 295–320. http://dx.doi.org/10.5195/ct/2017.273.

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In 1923, after producing the adaptation of his brother Josué’s best-selling novel La vendedora de Harrods (1919), Alfredo Quesada made his directorial debut with the film Martín Fierro. It was based on the poem by José Hernández (1872 and 1879), which had been canonized shortly before. Although the film is now lost, this essay aims to examine its reception through different publications of the time and to place it within the framework of a film field that in the beginning of the 1920’s was already autonomously constituted. In particular, this work focuses on the interdependence of two fundamen

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44

Wallis, John Joseph. "The Great Depression: Delayed Recovery and Economic Change in America, 1929–1939. By Michael A. Bernstein. New York: Cambridge University Press, 1987. Pp. xvii, 269. $29.95." Journal of Economic History 49, no. 1 (1989): 243–44. http://dx.doi.org/10.1017/s0022050700007749.

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45

Wright, Winthrop R. "U.S. Policy toward Economic Nationalism in Latin America, 1917-1929. By Michael L. Krenn. (Wilmington: Scholarly Resources, Inc., 1990. Pp. xxi, 169. Bibliography, Index. Notes. $35.00.)." Americas 47, no. 4 (1991): 518–19. http://dx.doi.org/10.2307/1006698.

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46

Pedley, T. J. "Sir (Michael) James Lighthill. 23 January 1924 – 17 July 1998." Biographical Memoirs of Fellows of the Royal Society 47 (January 2001): 333–56. http://dx.doi.org/10.1098/rsbm.2001.0019.

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Michael James Lighthill was born in Paris on 23 January 1924, son of Ernest Balzar Lighthill (‘Bal’), a mining engineer who retired and returned to England in 1927 at the age of 59. James's mother, Marjorie, daughter of a Yorkshire engineer, L.W. Holmes, was 18 years younger than her husband; James had a brother, Olaf, 17 years older than himself, and a sister, Patricia, nine years older, who survives him. Bal had changed the family name from Lichtenberg (originally of Alsatian origin) in 1917.

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47

Kentleton, John. "Michael A. Bernstein, The Great Depression: Delayed Recovery and Economic Change in America, 1929–1939 (Cambridge: Cambridge University Press, 1987, £27.50). Pp. 269. ISBN 0 521 34048 9." Journal of American Studies 23, no. 3 (1989): 485. http://dx.doi.org/10.1017/s0021875800004308.

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48

Morrison, Michael A. "John Barrymore's ‘Hamlet’ at the Haymarket Theatre, 1925." New Theatre Quarterly 7, no. 27 (1991): 246–60. http://dx.doi.org/10.1017/s0266464x00005753.

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John Barrymore's Hamlet, first seen in New York during the season of 1922–23, stands as a high-water mark of Shakespearean interpretation during the inter-war period. But although biographical studies of the actor and his family have appeared steadily over the years, little effort has been made to situate Barrymore's distinctive contribution to the acting of the character within the broader context of nineteenth-and twentieth-century Shakespearean production. Here Michael A. Morrison examines the circumstances surrounding Barrymore's visit to London with his Hamlet in 1925, and the far-reachin

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49

Le Diberder, Alain, and Emmanuel Tourpe. "Michel Souchon (1929-2020)." Études Juin, no. 6 (2020): 103. http://dx.doi.org/10.3917/etu.4272.0103.

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Gillardeau, G. "Michel Sabathié (1929–1998)." Annales Françaises d'Anesthésie et de Réanimation 17, no. 5 (1998): 358. http://dx.doi.org/10.1016/s0750-7658(98)80049-x.

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