Academic literature on the topic 'Michael Carpo (Fictitious character)'

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Journal articles on the topic "Michael Carpo (Fictitious character)"

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Krsmanovic, Bojana, and Ninoslava Radosevic. "Legendary genealogies of Byzantine Emperors and their families." Zbornik radova Vizantoloskog instituta, no. 41 (2004): 71–98. http://dx.doi.org/10.2298/zrvi0441071k.

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Theoretically, the Byzantine Emperor was, just like in the times of the Roman Empire, chosen on the basis of his personal qualities and merits ? by the grace of God, of course. Practically, the factors which determined the ascension of a person to the throne were much more complex, the methods of gaining power being multifarious. In consequence, the political philosophy was confronted with the question of whether it is virtue (aret?) or origin (g?noz) that defines an Emperor. Independently of this rather theoretical question, however, and despite the claims that the personal qualities are deci
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Barcelos, Clayton Da Silva, Tiago Duque, and Ariovaldo Toledo Penteado Júnior. "Gênero e educação da prisão: a pedagogia cultural do Sistema Penitenciário Federal (Gender and education of the prison: the cultural pedagogy of the Federal Penitentiary System)." Revista Eletrônica de Educação 15 (March 24, 2021): e4679029. http://dx.doi.org/10.14244/198271994679.

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e4679029This article aims to analyze the education of the prison in the Federal Penitentiary System. Considering that this type of education involves different aspects, besides schooling, the thematic focus will be based on gender as a social marker of difference. Methodologically, a fictitious transvestite character is used to serve time in a Federal Penitentiary. This federal system is understood as a cultural artifact, therefore, an architectural-legislative institution, with a certain curriculum and cultural pedagogy. From a perspective of post-critical studies in Education, in addition to
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Csepeli, György. "THE FAITHFUL KNIGHT OF THE KING WITH NO KINGDOM. THE CASE OF LÁSZLÓ ALMÁSY. (THE ENGLISH PATIENT)." World Complexity Science Academy Journal 2, no. 1 (2021). http://dx.doi.org/10.46473/wcsaj27240606/17-05-2021-0001//full/html.

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The paper will present the sociological and psychological complexities behind the encounter of Charles, last Emperor and King of the Austro-Hungarian Monarchy and his young admirer, László Almásy at Easter, 1921. The King, withdrawing from power in 1918, and the young man Almásy met in the palace of the Bishop of Szombathely in 1921 in the night hours of Great Saturday. The following morning the King was to make a journey to Budapest to meet Miklós Horthy, Regent of Hungary, whom he had made Admiral three years before. Almásy was the driver of the car bringing the King to Budapest. Horthy and
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Starrs, Bruno. "Hyperlinking History and Illegitimate Imagination: The Historiographic Metafictional E-novel." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.866.

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‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Linda Hutcheon in 1988, and which refers to the postmodern practice of a fiction author inserting imagined--or illegitimate--characters into narratives that are intended to be received as authentic and historically accurate, that is, ostensibly legitimate. Such adventurous and bold authorial strategies frequently result in “novels which are both intensely self-reflexive and yet paradoxically also lay claim to historical events and personages” (Hutcheon, A Poetics 5). They can be so entertaining and
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Rocavert, Carla. "Aspiring to the Creative Class: Reality Television and the Role of the Mentor." M/C Journal 19, no. 2 (2016). http://dx.doi.org/10.5204/mcj.1086.

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Introduction Mentors play a role in real life, just as they do in fiction. They also feature in reality television, which sits somewhere between the two. In fiction, mentors contribute to the narrative arc by providing guidance and assistance (Vogler 12) to a mentee in his or her life or professional pursuits. These exchanges are usually characterized by reciprocity, the need for mutual recognition (Gadamer 353) and involve some kind of moral question. They dramatise the possibilities of mentoring in reality, to provide us with a greater understanding of the world, and our human interaction wi
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Wilson, Shaun. "Situating Conceptuality in Non-Fungible Token Art." M/C Journal 25, no. 2 (2022). http://dx.doi.org/10.5204/mcj.2887.

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Introduction The proliferation of non-fungible tokens has transformed cryptocurrency artefacts into a legitimised art form now considered in mainstream art collecting as an emerging high-yield commodity based on scarcity. As photography was debated “of being art” in the late 19th century, video art in the 1960s, virtual reality in the 1990s, and augmented reality in the 2010s, NFT art is the next medium of artwork tied to emergent cultural forms. From the concept of “introducing scarcity from born-digital assets for the first time ever, NFTs or crypto or digital collectibles, as they are also
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Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th
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Tofts, Darren, and Lisa Gye. "Cool Beats and Timely Accents." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.632.

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Ever since I tripped over Tiddles while I was carrying a pile of discs into the studio, I’ve known it was possible to get a laugh out of gramophone records!Max Bygraves In 1978 the music critic Lester Bangs published a typically pugnacious essay with the fighting title, “The Ten Most Ridiculous Albums of the Seventies.” Before deliciously launching into his execution of Uri Geller’s self-titled album or Rick Dees’ The Original Disco Duck, Bangs asserts that because that decade was history’s silliest, it stands to reason “that ridiculous records should become the norm instead of anomalies,” tha
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Books on the topic "Michael Carpo (Fictitious character)"

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Gur, Batya. Murder in Jerusalem: A Michael Ohayon mystery. HarperCollins Publishers, 2006.

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James, Patterson. I, Michael Bennett. Little, Brown and Co., 2012.

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Gur, Batya. Murder duet: A musical case. HarperCollinsPublishers, 1999.

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Barnes, Linda. Bitter finish. Dell Pub., 1995.

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Gur, Batya. ha- Merḥaḳ ha-nakhon: Retsaḥ musiḳali. Keter, 1996.

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Barnes, Linda. Bitter finish. Dell Pub., 1995.

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Gur, Batya. Retsaḥ be-Shabat ba-boḳer: Roman balashi. Keter, 1988.

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Barnes, Linda. Bitter finish. Dell Pub., 1995.

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Silverwood, Roger. The cuckoo clock scam. Ulverscroft, 2009.

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Gur, Batya. Retsaḥ be-Shabat ba-boḳer: Roman balashi. Keter, 1988.

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