Relevant bibliographies by topics / Michael Collins (Motion picture)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Michael Collins (Motion picture)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Michael Collins (Motion picture)"

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Toka, Karolina. "Progression or Stagnancy? Portraying Native Americans in Michael Apted’s Thunderheart (1992)." Ad Americam 22 (March 28, 2021): 87–100. http://dx.doi.org/10.12797/adamericam.22.2021.22.06.

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Progression or Stagnancy? Portraying Native Americans in Michael Apted’s Thunderheart (1992)
 As argued by Wilcomb Washburn, no other ethnic group has been misrepresented in media and popular culture to such extent as the Native Americans (2010). Movies that shaped their image did so by crystallizing stereotypes and misconceptions, through which indigenous peoples have been perceived until the present day. Thomas Edison’s vignettes, early westerns, as well as subsequent motion pictures of the 1960s and 1970s strengthened the stereotypes of the vanishing Indians, bloodthirsty savages, and
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Roca, Meritxell. "Rethinking entertainment. Entrevista a Marty Kaplan." Tripodos, no. 23 (June 22, 2008): 135–43. https://doi.org/10.51698/tripodos.2008.23.135-143.

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Martin Kaplan is associate dean of the USC (University of Southern California) Annenberg School for Communication, where he directs the Norman Lear Center, a multidisciplinary research and public policy center which explores the implications of the convergence of entertainment, commerce, and society. He regularly comments on the media business for NPR (National Public Radio) and CBS. Before joining USC, Kaplan spent twelve years at Disney, where he was a vice president of motion picture production and a screenwriter; his feature credits include “The Distinguished Gentleman” (writer and executi
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Mengxiao, Xu, and Mahyuddin Bin Ahmad. "Explore Issues and Challenges Involving Female Characters in Documentary Filming." Journal of Law and Sustainable Development 11, no. 3 (2023): e713. http://dx.doi.org/10.55908/sdgs.v11i3.713.

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Purpose: A documentary film or documentary is a non-fictional motion picture intended to reflect reality, typically for the goals of instruction, preservation of history, or training. Documentary filming heroines must always be noble, alluring, and seductive, regardless of the type of roles they perform.
 
 Method: The same method of objectification is employed in Michael Bay's “Transformers” film, on the other hand, are what ultimately influence both male and female filmmakers as well as audiences to make sense of the narratives, reasoning, and symbolisms that the media industry, pa
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Wall, Barbara, and Dong Myong Lee. "Stability in Variation: Visualizing the Actantial Core of The Journey to the West ,." Korean Studies 47, no. 1 (2023): 117–44. http://dx.doi.org/10.1353/ks.2023.a908620.

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Abstract: The urge to find the authentic original of a story seems to be a universal longing. Recently, narratologists like Barbara Herrnstein Smith, as well as experts for East Asian literatures like Michael Emmerich or Lena Henningsen, draw our attention away from the original—which is often unknowable—and instead towards the variants of a story. While this suggestion brings a breath of fresh air to the field of narrative studies, it also poses a fundamental problem. If a story does not necessarily exist as a static original, but is comprised of many variants, how should we then imagine the
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Solfiah, Yeni Solfiah, Devi Risma, Hukmi, and Rita Kurnia. "Early Childhood Disaster Management Media Through Picture Story Books." JPUD - Jurnal Pendidikan Usia Dini 14, no. 1 (2020): 141–55. http://dx.doi.org/10.21009/141.10.

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 Indonesia is a country that has a high potential for natural disasters. Picture story book is a form of disaster management learning that can help children from an early age to prepare for a natural disaster. The aims of this study to develop story books as a disaster management learning media, to improve knowledge and skills of children and teacher about the understanding, principles, and actions of rescue when facing the natural disasters, to increase the teacher’s learning quality in disaster management. Developmental research approach is used to execute the study. A to
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Newman, William R. "Newton the Alchemist: Science, Enigma, and the Quest for Nature's "Secret Fire"." Perspectives on Science and Christian Faith 73, no. 1 (2021): 46–47. http://dx.doi.org/10.56315/pscf3-21newman.

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NEWTON THE ALCHEMIST: Science, Enigma, and the Quest for Nature's "Secret Fire" by William R. Newman. Princeton, NJ: Princeton University Press, 2019. xx + 537 pages, including four appendices and an index. Hardcover; $39.95. ISBN: 9780691174877. *If there is one person associated with developments in the physical sciences, it is Isaac Newton (1642-1727). For many, he represents the culmination of the seventeenth-century Scientific Revolution: its point of convergence and simultaneously the point from which science began to exercise its full influence on society. His work is often considered a
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Milne, Esther. "‘Magic Bits of Paste-board’." M/C Journal 7, no. 1 (2004). http://dx.doi.org/10.5204/mcj.2311.

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To the unrefined or under-bred person, the visiting-card is but a trifling and insignificant piece of paper; but to the cultured disciple of social law it conveys a subtle and unmistakable intelligence. Its texture, style of engraving, and even the hour of leaving it, combine to place the stranger whose name it bears in a pleasant or disagreeable attitude, even before his manners, conversation, and face have been able to explain his social position (1920 etiquette manual quoted in Curtin 138). There’s a scene in the ‘90s TV series Ab Fab where Eddy, stumbling from her car, fresh from Harvey Ni
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Miletic, Sasa. "‘Everyone Has Secrets’: Revealing the Whistleblower in Hollwood Film in the Examples of Snowden and The Fifth Estate." M/C Journal 23, no. 4 (2020). http://dx.doi.org/10.5204/mcj.1668.

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In one of the earliest films about a whistleblower, On the Waterfront (1954), the dock worker Terry Malloy (Marlon Brando), who also works for the union boss and mobster Johnny Friendly (Lee J. Cobb), decides to testify in court against him and uncover corruption and murder. By doing so he will not only suffer retribution from Friendly but also be seen as a “stool pigeon” by his co-workers, friends, and neighbours who will shun him, and he will be “marked” forever by his deed. Nonetheless, he decides to do the right thing. Already it is clear that in most cases the whistleblowers are not simpl
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Dabek, Ryszard. "Jean-Luc Godard: The Cinema in Doubt." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.346.

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Photograph by Gonzalo Echeverria (2010)The Screen would light up. They would feel a thrill of satisfaction. But the colours had faded with age, the picture wobbled on the screen, the women were of another age; they would come out they would be sad. It was not the film they had dreamt of. It was not the total film each of them had inside himself, the perfect film they could have enjoyed forever and ever. The film they would have liked to make. Or, more secretly, no doubt, the film they would have liked to live. (Perec 57) Over the years that I have watched and thought about Jean-Luc Godard’s fi
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Lambert, Anthony, and Catherine Simpson. "Jindabyne’s Haunted Alpine Country: Producing (an) Australian Badland." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.81.

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“People live here, they die here so they must leave traces.” (Read 140) “Whatever colonialism was and is, it has made this place unsettling and unsettled.” (Gibson, Badland 2) Introduction What does it mean for [a] country to be haunted? In much theoretical work in film and Cultural Studies since the 1990s, the Australian continent, more often than not, bears traces of long suppressed traumas which inevitably resurface to haunt the present (Gelder and Jacobs; Gibson; Read; Collins and Davis). Felicity Collins and Therese Davis illuminate the ways Australian cinema acts as a public sphere, or “
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Dissertations / Theses on the topic "Michael Collins (Motion picture)"

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Papageorgopoulou, Maria Aikaterini. "Modern tragedy : Michael Cacoyannis' early films." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ff6b46b-1d25-4ef9-8c13-40962cfcd2b1.

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This thesis is an interpretation of three films by the Greek Cypriot director Michael Cacoyannis: Stella, 1955), To koritsi me ta mavra/A Girl in Black, 1956 and To teleftaio psema/A Matter of Dignity, 1958. These films appear early in Cacoyannis' career and very little has been written on them. My thesis seeks to show that they are accomplished and complex films, which merit close attention, both in virtue of their dramatic form and because of the ethical questions they raise regarding individual autonomy and the force of archaic ethical norms. The aim of this thesis is to interpret these fil
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Green, Bryony Rose Humphries. "A book history study of Michael Radford's filmic production William Shakespeare's The Merchant of Venice." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1710/.

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Thorn, Michael. "Rocket Man : a feature length screenplay /." 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29622.

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Thesis (M.F.A.)--York University, 2007. Graduate Programme in Film (Screenwriting).<br>Typescript. Includes bibliographical references (leaves 147-149). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29622
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Books on the topic "Michael Collins (Motion picture)"

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Merivirta, Raita. The gun and Irish politics: Examining national history in Neil Jordan's Michael Collins. Peter Lang, 2009.

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Merivirta, Raita. The gun and Irish politics: Examining national history in Neil Jordan's Michael Collins. Peter Lang, 2009.

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Caine, Michael. Michael Caine's moving picture show. St. Martin's Press, 1988.

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Díaz, Leonardo. Michael Moore. De la Tempestad, 2003.

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Deane, Williams, ed. Michael Winterbottom. Manchester University Press, 2009.

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Quadrat, Cinema, ed. Michael Haneke. Psychosozial-Verlag, 2016.

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Freedland, Michael. Michael Caine. Thorndike Press, 2000.

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Rovin, Jeff. Joan Collins: The unauthorized biography. Bantam, 1985.

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John, Parker. Michael Douglas: Acting on instinct. Headline, 2011.

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Manderson, David. Rob Roy: Directed by Michael Caton-Jones. ASLS, 2009.

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Book chapters on the topic "Michael Collins (Motion picture)"

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Morton, David. "“Motion Pictures at a Great Saving!”." In Motion Picture Paradise. University Press of Florida, 2024. https://doi.org/10.5744/florida/9780813069999.003.0004.

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Riding on the crest of the Florida land boom, local boosters attempted to create various studio cities across Central Florida and along the state’s West Coast during the 1920s and 1930s. Each of these fly-by-night ventures succumbed almost as quickly as they began due to misappropriation of funds, investor fraud, or lack of interest either by filmmakers or the local communities. To complicate matters further, Florida suffered a series of successive disasters caused by the 1926 Miami and 1928 Okeechobee hurricanes and the onset of the Great Depression. These developments inspired several questi
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Rode, Alan K. "“Those fine patriotic citizens, the Warner Brothers”." In Michael Curtiz. University Press of Kentucky, 2017. http://dx.doi.org/10.5810/kentucky/9780813173917.003.0025.

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During the height of World War II, Curtiz directed Mission to Moscow (1943), the most controversial film of his career. The wartime alliance between the U.S.S.R. and the United States motivated President Roosevelt to personally request the brothers Warner to produce this film. It was based on the best-selling “diary” of a former Soviet ambassador and F.D.R. intimate, Joseph Davies, and the Warners and Curtiz believed that they were supporting the war effort. Davies, however, exercised both script approval and the power of the White House in shaping the film into an absurdly biased tribute to S
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Rode, Alan K. "A Loving Collaboration." In Michael Curtiz. University Press of Kentucky, 2017. http://dx.doi.org/10.5810/kentucky/9780813173917.003.0011.

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Curtiz wooed Bess Meredyth, who became both his lover and his collaborator. A biographical profile of Meredyth is provided. A charter member of the Motion Picture Academy, who began with D. W. Griffith and who had a résumé that included The Red Lily (1924) and Ben Hur (1925), she insinuated Curtiz into her circle of high-powered intimates that included Louella Parsons, Frances Marion, and Gene Fowler.She also helped Curtiz master reading and speaking English, with mixed success. His lifelong struggle with English was eventually turned to his advantage by a clever PR campaign of “Curtiz spoken
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Sragow, Michael. "The Homeric Power of Peckinpah’s Violence." In A Uniquely American Epic. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813178141.003.0002.

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Michael Sragow’s essay outlines the conflict between Warner Bros. and the Motion Picture Association of America (MPAA) over the X rating that the MPAA initially gave to the proposed rerelease of The Wild Bunch in 1993. Sragow also discusses the film’s depiction of violence and how, in contrast to many other movies, the film is not self-indulgent in depicting it.
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Tick, Judith. ""Wading in Grace”." In Ruth Crawford Seeger. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195065091.003.0022.

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Abstract At the height of her career in the early 1950s, Crawford witnessed her experimental idea of using American traditional songs in music education become accepted as a part of the “American heritage” that shaped postwar culture. If, as Michael Kammen has written, that phrase became a “virtual cliche” in the years following World War II in a period when “traditionalism kept pace with modernism at least in the realm of national taste:’ then the range of requests to use material from her books gives ample evidence of the breadth of the consensus toward a musical past. She answered letters g
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Crepeau, Richard C. "New Challenges." In NFL Football. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043581.003.0011.

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Roger Goodell was the best-prepared person to be the New Commissioner having served in every significant division of the NFL. Immediately he was faced with difficult issues starting with “Deflategate” and the New England Patriots. Then came player discipline issues involving Michael Vick, Ray Rice, Adrian Peterson, and Ben Roethlisberger. Goodell faced heavy criticism in every case. These were followed by drug issues, general player health issues, and, most significantly, concussions. Goodell’s major mode of response to the concussion issue was denial. The case of Mike Webster and the work of
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