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Journal articles on the topic 'Michael in Krummin (Church)'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Osborne, Neville. "Michael Church." Neurochemistry International 14, no. 2 (1989): 229. http://dx.doi.org/10.1016/0197-0186(89)90129-0.

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2

Stadlen, Shoël. "Michael Finnissy's ‘This Church’." Tempo 58, no. 229 (2004): 52–53. http://dx.doi.org/10.1017/s0040298204280226.

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FINNISSY: This Church. Richard Jackson (bar), Jane Mooney (mezzo), Tony Potter, Larry Yates (narrs), Philip Adams (org), IXION, Choir of Saint Mary de Haura Church and guests, The Saint Mary de Haura Handbell Ringers c. Michael Finnissy. Metier MSV CD92069.

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3

McDaniel, Jeffrey. "The Church of Michael Jordan." Prairie Schooner 89, no. 4 (2016): 52–53. http://dx.doi.org/10.1353/psg.2016.0016.

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4

Murray, Philip. "Re St Michael le Belfrey, York." Ecclesiastical Law Journal 26, no. 2 (2024): 231–32. http://dx.doi.org/10.1017/s0956618x24000164.

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St Michael le Belfrey (‘the Belfrey’) is a 16th century parish church in the shadow of York Minster. It sits in the charismatic evangelical tradition of the Church of England. With a large, young and vibrant congregation, the Belfrey is a Resource Church and plays a significant role in the life of the Diocese of York, the Northern Province and, more broadly, the Church of England. Through a petition described as ‘of the highest quality’, it sought a faculty for a dramatic re-ordering of its interior, proposals that had been at least 14 years in the development.

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Vrame, Anton C. "Community as Church, Church as Community by Michael Plekon (review)." Journal of Orthodox Christian Studies 5, no. 2 (2022): 304–6. http://dx.doi.org/10.1353/joc.2022.a904752.

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6

Stuart, Jack. "Re St Michael and All Angels, Bampton." Ecclesiastical Law Journal 26, no. 2 (2024): 230–31. http://dx.doi.org/10.1017/s0956618x24000152.

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This Grade 1-listed mediaeval church had a substantial Georgian reredos. It dominated the east end of the church, hiding three-quarters of the plain-glazed east window. In 2012 a faculty permitted its temporary removal to another location in the church while essential works were done to the chancel. Following this, the consequent increase in light coming from the windows was welcomed by petitioners, and fragments of medieval wall painting were discovered behind plasterwork which the reredos had previously protected. The petitioners now wished to make the temporary removal of the reredos perman

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7

Russell, Keisha T. "Riverside Church v City of St Michael." Oxford Journal of Law and Religion 6, no. 1 (2017): 197–99. http://dx.doi.org/10.1093/ojlr/rww069.

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8

درویش, محمود احمد. "Bridal crowns of Archangel Michael Church at Mallawi." مجلة وادی النیل للدراسات والبحوث الإنسانیة والاجتماعیة والتربویه 13, no. 13 (2017): 23–29. http://dx.doi.org/10.21608/jwadi.2017.85317.

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Wanat, Benignus Józef. "Saint Joseph Patron of the city of Krakow." Folia Historica Cracoviensia 13 (February 23, 2024): 153–60. http://dx.doi.org/10.15633/fhc.1460.

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The largest and oldest Carmelite sanctuary of St. Joseph was found, in prepartition Poland, in Krakow - Podzamcze in the no longer existing church of St. Michael the Archangel and St. Joseph4. The monastery was erected in 1611-1637 within the defensive walls of the city, with Bishop Piotr Tylicki’s approval and be nefactors’ support. On 26 October 1636 the bishop of Krakow, Jacob Zadzik, consecrated the church and the main altar under the title of St. Michael the Archangel and Joseph betrothed to the Blessed Mother.

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Procop, Natalia. "Triconc churches in Chișinău in the vision of plastic artists." Dialogica 3 (November 15, 2020): 119–28. https://doi.org/10.5281/zenodo.4275454.

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The study brings to the attention of the public several churches with a triconch plan in Chisinau, which have survived the changes in architecture that have occurred over time. The Church dedicated to the Assumption of the Blessed Virgin Mary, known as the Mazarache Church; Annunciation Church, the Church-martyr Saints Archangels Michael and Gabriel, known as the Old Council; Church of St. Ilie. We follow the way in which they were represented by the plastic artists Șneer Cogan, Gheorghe Munteanu, Ludmila Țonceva, Veaceslav Ignatenco, Galina Cantor-Molotov and others.

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11

Михайло, Приймич. "Творчість Михайла Манковича як відображення нових мистецьких устремлінь на Закарпатті початку ХІХ ст." ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 22–38. https://doi.org/10.5281/zenodo.1313074.

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Many questions in the research of the Transcarpathia pictorial art remain not taken up and one of them is the uprise of the artists with academic education. In this work we present known and new facts of the life and work of Mykhailo Mankovych (1785–1853) – one of the first Transcarpathian artists who graduated from Vienna Academy of Arts. Among the researches that have promoted the artist's name we can mention those of S. Pap, O. Izvorin and H. Ostrovskyi. They hsve touched upon the artist's work analyzing the development of art in the region. Among recent researches it is

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12

Petrov, Nikolai. "Ivan Dmitriev’s Unknown Poem and the Founding of St. Michael’s Castle in St. Petersburg in 1797." Slovene 13, no. 2 (2024): 184–203. https://doi.org/10.31168/2305-6754.2024.2.07.

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The article presents a publication of Ivan Dmitriev’s unknown poem On the Founding of the Church in the Summer Palace of His Imperial Majesty: “While the Monarch by his sovereign hand instead of (as if) a thunder / Founds the church for the glory of the Holy Trinity; / The king of kings bless this feat from heaven! / Send to the founder Solomon’s antiquity (wisdom) as well / For glorification of the Russian throne / And people’s happiness”. (The manuscript was revealed in the Library of the Russian Academy of Sciences.) This short poem is devoted to the founding of St. Michael’s Castle by Paul

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Adiprasetya, Joas. "FAITHFUL PRESENCE IN THE PUBLIC SPACE." Jurnal Teologi 11, no. 1 (2022): 1–12. http://dx.doi.org/10.24071/jt.v11i01.4512.

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This article investigates the possibility of the presence of the Church in the the public space through the presence of Christian persons in their various everyday spheres. By employing the dyadic understanding of abiding-and-go (Michael Gorman) and abiding-and-sending (the Generous Love document), I argue that Christians represent the whole church in their presence in the public space. In turn, by representing the whole church, Christians also make the Trinitarian communion present through their public engagement. As such, the church participates in God’s mission (missio Dei) both institution

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14

Thurlby, Malcolm. "The Romanesque Priory Church of St. Michael at Ewenny." Journal of the Society of Architectural Historians 47, no. 3 (1988): 281–94. http://dx.doi.org/10.2307/990302.

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15

Gratiashvili, Diana, and Natia Asatiani. "The Church of St. Michael of Tver in Tbilisi." Works of Georgian Technical University, no. 2(516) (August 7, 2020): 151–58. http://dx.doi.org/10.36073/1512-0996-2020-2-151-158.

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Kozieł, Andrzej. "How to exhibit a human mummy in a former monastery? The case of the body of Michael Willmann (1630–1706)." Muzeológia a kultúrne dedičstvo 8, no. 4 (2020): 95–109. http://dx.doi.org/10.46284/mkd.2020.8.4.7.

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This paper discusses the mummified body of Michael Willmann (1630–1706) – one of the most outstanding painters of the Baroque period in Central Europe. Willmann’s mummy was preserved in the crypt of the former Cistercian monastery church in Lubiąż, Silesia (Poland). The article presents the history of the mummy and possibilities for opening the crypt and displaying it to the public, following the example of similar expositions in Europe which have found respectful and sensitive solutions for presenting the bodies of the deceased (e.g. Capuchin Crypt in Palermo and Capuchin Church in Brno). Wil

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Vapheiades, Konstantinos. "The wall-paintings of the Protaton Church revisited." Zograf, no. 43 (2019): 113–28. http://dx.doi.org/10.2298/zog1943113v.

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During the course of conservation work on the wall-paintings in the Protaton Church on Mount Athos a number of letters were found that can form the name ?Eutychios? or ?Eutychiou?, the name of one of the two painters who decorated the Peribleptos Church in Ohrid. This discovery has overturned the findings of previous research and also poses new questions. The answers to these questions constitute the aim of the present article. More specifically, the wall-paintings in the Protaton are attributed to two painters, Michael Astrapas and the painter of the Chapel of St. Euthymios in Thessalonica, a

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18

Little, Patrick. "Michael Jones and the survival of the Church of Ireland, 1647–9." Irish Historical Studies 43, no. 163 (2019): 12–26. http://dx.doi.org/10.1017/ihs.2019.2.

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AbstractThe marquess of Ormond's surrender of Dublin to the forces of the English parliament in the summer of 1647 has been seen as marking the demise of the Church of Ireland, with ministers given the choice of adopting the Presbyterian Directory for Public Worship or fleeing the country. This article examines the survival of the church thanks to the benign influence of the governor of Dublin, Colonel Michael Jones, and his brother, Dr Henry Jones, bishop of Clogher. Under Michael Jones's rule the Book of Common Prayer continued to be used, ministers were appointed to vacancies, and clerical

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19

Black, C. Clifton. "Lifting the Burden: Reading Matthew's Gospel in the Church Today: Brendan Byrne, SJ, Collegeville, Liturgical, 2004. 249 pp. $19.95." Theology Today 62, no. 3 (2005): 450–53. http://dx.doi.org/10.1177/004057360506200324.

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20

Wemyss, Martyn. "Michael Jackson—‘Billie Jean’." Suomen Antropologi: Journal of the Finnish Anthropological Society 43, no. 2 (2019): 109–13. http://dx.doi.org/10.30676/jfas.v43i2.78147.

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In the first few months of my fieldwork in Bolivia the death of Michael Jackson prompted a shift in the soundtrack to daily life: for a brief window his music was everywhere. In the weeks that followed, I witnessed two Michael Jackson impersonators perform, one outside a church and one outside a school in the days that followed. Here I set the encounters with these two Michaels within the sonic world I had previously experienced, and frame them as ‘stagings’: momentary performances where cosmopolitan figures and frames are brought into local performances. I recount other such stagings and sugg

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21

Pohlsander, Hans A. "Historical Dictionary of the Orthodox Church by Michael Prokurat, Alexander Golitzin, and Michael D. Peterson." Catholic Historical Review 84, no. 4 (1998): 706–8. http://dx.doi.org/10.1353/cat.1998.0196.

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22

Głowacki, Wojciech M. "Modernity and Compromise: The Church of St. Michael the Archangel in Warsaw and its Designer Władysław Pieńkowski." Ikonotheka 28 (August 6, 2019): 169–97. http://dx.doi.org/10.5604/01.3001.0013.3356.

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Despite the considerable influence he exerted on post-war church architecture in Poland, the designer Władysław Pieńkowski (1907–1991) is today an altogether forgotten figure. The current paper outlines his biography and his early oeuvre; this is because his experience in designing office blocks and industrial plants gained while working under the supervision of the most outstanding Polish architects of the mid-20th century, was to be of key importance to his later, independent designs for ecclesiastical buildings. The paper focuses on a particularly important work, one which in many ways cons

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23

Gelderloos, Jacobine. "Van kerken en dorpen." Religie & Samenleving 15, no. 1 (2020): 27–48. http://dx.doi.org/10.54195/rs.11555.

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The relation between church and village is shifting due to processes of de-churching, regionalisation, cooperation, and mobilisation. In the past a village often consisted of various churches, now it is the other way around: a church congregation consists of several villages. In this article I want to investigate what ecclesiological questions arise from this changing relation between church and village. First, I describe the processes of regionalisation and cooperation in the last decades and the consequences for being church in the countryside. Secondly, I explore a couple of developments th

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24

Pörnbacher, Hans. "Four Centuries of the Church of St. Michael in Munich." Philosophy and History 19, no. 2 (1986): 180. http://dx.doi.org/10.5840/philhist1986192121.

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25

Colvin, Howard. "Inigo Jones and the Church of St Michael le Querne." London Journal 12, no. 1 (1986): 36–39. http://dx.doi.org/10.1179/ldn.1986.12.1.36.

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26

Moran, Gerard. "Michael Logue and the Catholic Church in Ireland, 1879–1925." Irish Studies Review 18, no. 2 (2010): 236–38. http://dx.doi.org/10.1080/09670881003725986.

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27

Todjeras, Patrick. "Moynagh, Michael. 2017. Church in Life: Innovation, Mission, and Ecclesiology." Ecclesial Futures 1, no. 1 (2020): 113–16. http://dx.doi.org/10.54195/ef12055.

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28

Rozen, Fryderyk. "Evangelical prints by Lawrence Mitzler de Kolof and Michael Gröll." Z Badań nad Książką i Księgozbiorami Historycznymi 19, no. 2 (2025): 213–41. https://doi.org/10.33077/uw.25448730.zbkh.2025.924.

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An important aspect of the publishing activities of two Warsaw printers, Wawrzyniec Mitzler de Kolof and Michał Gröll, was the production of works serving the Evangelical Churches (Lutheran and Reformed) and articulating Evangelical positions to a broader public. Both printers engaged with confessional issues, yet pursued distinct strategies operating under differing political conditions. Under Augustus III, Mitzler de Kolof cautiously advocated for religious tolerance, issuing a limited number of Evangelical publications, often anonymously or under typographical disguises. Following the reins

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29

CROITORU, Ion Marian. "MIHAI VITEAZUL, DOMN CREȘTIN ȘI EROU AL NEAMULUI ROMÂNESC. CTITORIA MITROPOLITANĂ DE LA ALBA IULIA ȘI EPOPEEA OSEMINTELOR SALE. CÂTEVA CONSIDERAȚII." Revista Românească de Studii Axiologice 3, no. 4 (2022): 5–42. http://dx.doi.org/10.26520/rrsa2022.3.4.5-42.

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Ruler Michael the Brave’s acts, followed, under various forms, by the rulers of Wallachia or even by Transylvanian principles, taken over, later on, by political or military men of the West or of the East, will mark the Romanians’ First Great Union (1600), which he realized and which will be, centuries later, the spur for the Little Union (24 January 1859), under the Ruler Alexandru Ioan Cuza (1859-1866, † 1873), but also for their Second Great Union (1 December 1918), under King Ferdinand I (1914-1927). During the reign of Ruler Michael the Brave, considered, in truth, in the specialized lite

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Limbongan, Anryanto Ekstrella, and Carolus Patampang. "PANGGILAN KASIH KRISTUS DALAM KELUARGA KATOLIK DI PAROKI SANTO MICHAEL TOBADAK." PA’ULU KARUA : Jurnal Ilmiah Pendidikan Agama Katolik 1, no. 2 (2024): 40–53. https://doi.org/10.58586/pk.v1i2.52.

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Family is the first and foremost an opportunity, to proclaim the love and the light of gospel and the joy of Christ’s love in the family which is also the joy of the Church. Through his article, Pope Francis invites Christian Families to appreciate the gift of marriage and family, persevering in love that is strengthened by the values of generosity, commitment, loyalty and patience. Many of Christian Families still lack and do not understand the essence and the calling of marriage and have a family. Hence, this article aims to provide an understanding of the vocation and the meaning of marriag

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Onufrienko, Maksim Olegovich. "St. George Church in Mlado Nagoričane: the artistic context of the frescoes." Studia Slavica et Balcanica Petropolitana 31, no. 1 (2022): 171–85. http://dx.doi.org/10.21638/spbu19.2022.110.

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The frescoes of the St. George Church in Mlado Nagoričino (North Macedonia) have repeatedly attracted the scholars’ attention, but so far the circle of monuments close to these paintings has not been accurately identified. The article deals with attribution a number of preserved images to certain workshops whose works are known from other ensembles. There are three different styles in the painting, which can be attributed to three different painters (or a group of painters). Apparently, the same artists who painted the church of the Slimnitsa monastery worked in the naos. This conclusion is co

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Cowell, Sam. "Two New Palaeologan Torneses." KOINON: The International Journal of Classical Numismatic Studies 6 (December 14, 2023): 145–49. http://dx.doi.org/10.32028/k.v6i.2346.

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Son and successor of Michael VIII Palaeologos, Andronikos II Palaeologos spent his first days in power undoing much of his father’s work. With a quiet funeral for Michael, so too lay to rest the dream of a reunified church. For Andronikos II was devoutly orthodox and whatever his other flaws may have been, he remained popular with the people due to his restoration of the Eastern Church. Besides reinstating previously removed ecclesiastical officials to their old offices, the emperor cultivated a scholarly atmosphere in Constantinople. Advisors and friends of the emperor such as Theodores Metho

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VISSER, ARJAN DE. "Newbigin’s Missionary Ecclesiology." Unio Cum Christo 6, no. 1 (2020): 229. http://dx.doi.org/10.35285/ucc6.1.2020.not2.

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Lesslie Newbigin Is An Inspirational Figure Whose Theological Legacy Should Be Considered Carefully. Using A New Book By Michael Goheen As Guideline (The Church And Its Vocation: Lesslie Newbigin’s Missionary Ecclesiology), This Article Focuses On Newbigin’s Views Regarding The Identity And Mandate Of The Church. Two Aspects Are Noted With Appreciation: Newbigin’s Defense Of The Uniqueness Of Christ And His Critique Of Western Culture. There Are Concerns, However, With Respect To Three Aspects Of Newbigin’s Ecclesiology: His Views Of Salvation, Election, And The Mandate Of The Church. The Comm

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34

Grozdanov, Cvetan. "The painting of the northern wall of the narthex of the Church of the Virgin Peribleptos (st. Kliment) in Ohrid." Zograf, no. 36 (2012): 109–14. http://dx.doi.org/10.2298/zog1236109g.

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The author examines the figures and scenes painted on the northern wall of the narthex of the Church of the Virgin Peribleptos in Ohrid. He describes and interprets Nebuchadnezzar?s dream, the figures of the archangels Michael and Gabriel as guardians of the entrance to the church, and the choir of the saint anargyres (Panteleimon, Cosmas and Damian). He then proceeds to discuss the empty field above the northern do or of the narthex, the arcosolium and the tomb of Ostoja Rajakovic. Finally, he refers to the penetration of a new passage on the eastern wall of the narthex, which resulted to the

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35

Roche, Mary M. Doyle. "Marriage and the Catholic Church: Disputed Questions, by Michael G. Lawler." National Catholic Bioethics Quarterly 5, no. 1 (2005): 202–3. http://dx.doi.org/10.5840/ncbq20055179.

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36

Héczey-Markó, Ágnes, and Miklós Rácz. "Building archaeological research of the St. Michael Parish Church in Érd." Építés - Építészettudomány 41, no. 3-4 (2013): 283–314. http://dx.doi.org/10.1556/eptud.41.2013.3-4.6.

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37

Dunlop, Andrew. "Church in Life: Innovation, Mission and Ecclesiology, written by Michael Moynagh." Ecclesial Practices 5, no. 1 (2018): 107–10. http://dx.doi.org/10.1163/22144471-00402007.

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38

Н.А., Тарнакин. "Церковно-правовые и пастырские аспекты указов 1981–1993 гг. архиепископа Вологодского и Великоустюжского Михаила (Мудьюгина; 1912–2000)". Вестник Исторического общества Санкт-Петербургской Духовной Академии, № 1(17) (22 липня 2024): 141–65. http://dx.doi.org/10.47132/2587-8425_2024_1_141.

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В статье рассмотрены 17 указов 1981–1993 гг. архиепископа Михаила (Мудьюгина, 1912–2000), которые систематизированы по трем группам: 1) решения с каноническими прещениями; 2) решения со снятием или смягчением наказания, а также с назначением воспитательных мер; 3) содержащие различные аспекты церковного права. Проведен анализ указов с точки зрения Канонического корпуса Православной Церкви. Показано, что 1) архиепископ Михаил не ссылается на канонические правила; 2) судебные решения принимаются им только по внутреннему убеждению, без учета канонов и предусмотренных ими санкций; 3) корреляция ме

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Sykes, Stephen. "The Basis of Anglican Fellowship: Some Challenges for Today." Journal of Anglican Studies 1, no. 2 (2003): 10–23. http://dx.doi.org/10.1177/174035530300100202.

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ABSTRACTThis article examines a central concern for the Anglican Communion, namely how a Communion without a strong central authority structure can maintain its unity in the face of potentially church-dividing issues. At present the major such issue relates to human sexuality, but the underlying problem itself is not new, and the article draws a parallel with the Kikuyu controversy of 1913 and subsequent years. The author questions the customary practice of beginning from a universal doctrine of the Church and seeing it as ‘translated’ or ‘inculturated’ into a diversity of contexts. He argues

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40

Budayová, Lýdia, and Katarína Terao Vošková. "Medieval Sacral Architecture in Banská Štiavnica – Architectural Interpretation." Muzeológia a kultúrne dedičstvo 13, no. 1 (2025): 87–112. https://doi.org/10.46284/mkd.2025.13.1.5.

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Knowledge about the architectural–historical development of medieval sacral buildings in Banská Štiavnica has gained clearer contours in recent years thanks to many new findings from monument research and published studies that have been processed in the last two decades. Based on these scientific documents, we have elaborated on the theoretical reconstructions of the medieval architectural form of the churches and chapels of Banská Štiavnica from the thirteenth to the middle of the sixteenth century: Romanesque churches and chapels: the Church of the Virgin Mary, the Chapel of St Michael and

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41

S, Husak. "CHURCH OF THE DISCALCED CARMELITES IN LVIV AND THEIR ARCHITECTURAL STYLE." Architectural Studies 7, no. 1 (2021): 42–57. http://dx.doi.org/10.23939/as2021.01.042.

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The former church and monastery of the Discalced Carmelites, present Greek Catholic Michael the Archangel Church, is one of the most unexplored sacred buildings of Lviv. Despite its historical importance to the town, the few surviving documents list only donations and royal privileges. This article refers to examples of other Carmelite churches, as well as Italian religious houses to try to explain the possible building process. Not only them but also the already existing convents of the city shaped its form, which is significant for locating its history within the local building tradition.

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42

Gavrilovic, Andjela. "On the meaning of the chordophone musical instruments in the scenes of the mocking of Christ in Serbian medieval art." Muzikologija, no. 33 (2022): 193–208. http://dx.doi.org/10.2298/muz2233193g.

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This article examines the sacral meaning of the chordophone musical instruments in the scenes of the Mocking of Christ in Serbian medieval art (1166-1459), preserved only in two monumental ensembles - in the church of Christ Pantokrator in Decani Monastery (1338-1339) and in the church of the Holy Archangels Gabriel and Michael in Lesnovo (1346-1347). The instruments in question are one cithara (Byzantine lyre) and one psaltery. Selected examples of the comparative material, as well as the written sources, prove that these musical instruments symbolically point to Christ?s suffering.

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Iordache, Mădălina, and Ana Maria Grămescu. "Brăila’s Historical Monuments." Ovidius University Annals of Constanta - Series Civil Engineering 23, no. 1 (2021): 139–49. http://dx.doi.org/10.2478/ouacsce-2021-0018.

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Abstract The historic center of Brăila begins with “Trajan Square”, a special cultural area with monuments that distinguish it among national cultural values: the Church of the “Holy Archangels Michael and Gabriel” and the “Maria Filotti” Theater. These heritage buildings in cities preserve the memory of the original structure.

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Douglas, Kelly Brown. "Brief Introductions to Anglican Theology: Theological Method: Theological Methodology and the Jesus Movement through the Work of F. D. Maurice and Vida Scudder." Anglican Theological Review 102, no. 1 (2020): 7–30. http://dx.doi.org/10.1177/000332862010200102.

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The twenty-seventh Presiding Bishop of The Episcopal Church, Michael Curry, has called the church over which he presides to become a part of the Jesus Movement. This call raised eyebrows for some, who feared a turn toward a Protestant evangelical tradition reflected in the legacy of people like the eighteenth-century Anglican evangelist George Whitefield. Because the evangelical tradition emphasizes individual salvation, it easily lends itself to a lack of engagement in social justice issues. But this was not the intention of the Presiding Bishop, who urges the church toward the “beloved commu

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Alvonciani, Eunike. "The Aging Church: An Ecclesiological Construction Based on the Theology of Aging." Veritas: Jurnal Teologi dan Pelayanan 21, no. 2 (2022): 299–315. http://dx.doi.org/10.36421/veritas.v21i2.570.

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This article proposes the concept of an aging church as an ecclesiological construction that is based on the theology of aging. It begins with a concern about the tendency of the church to measure its “success” through its productivity, hence forgetting to reflect upon its dependence on God. Using literature analysis and constructive methods, this article combines the aging theology from Autumn Ridenour, Kevin Barnard, and several other theologians with the ecclesiology of John Zizioulas and Michael Jinkins. Analysis of aging theology and ecclesiology are used as the basis for constructing t

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Różański, Artur, Tomasz Jurek, Piotr Marciniak, Patrycja Łobodzińska, and Ulrich Schaaf. "Wooden sacral architecture in Greater Poland. An interdisciplinary case study of the church in Domachowo." Archaeologia Historica Polona 28 (December 30, 2020): 175–97. http://dx.doi.org/10.12775/ahp.2020.007.

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Sacred wooden architecture in Poland is a huge and still unrecognised research problem. It covers a number of issues of interdisciplinary character: from the properties of building materials and carpentry techniques, through constructionand architectural-spatial solutions, to cultural and natural conditions. Hence, the best way to study this problem is interdisciplinary research. The necessity of cooperation of representatives of various scientific disciplines became the basis for creating a team to study the wooden church of St Michael the Archangel in Domachowo, so far dated to 1568. As rese

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Gabelic, Smiljka. "From the painted programme of Saint John (Ayvali Kilise), Cssappadocia." Zograf, no. 33 (2009): 33–41. http://dx.doi.org/10.2298/zog0933033g.

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In the Church of St. John in Cappadocia, also known as Ayvali Kilise or Gulu dere 4, on the frescoes which were painted between 913 and 920, particular devotion was shown for the cult of the archangels. The two archangels Michael and Gabriel, were painted in very large dimensions, with inscriptions describing them as 'great', besides giving their names. In addition to that a unique group of two figures was presented. It depicted the monk Archippos turned toward a colossal figure of the archangel Michael, painted strictly frontally. The iconographical relationship of these two figures, unrecord

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Goodman, Michael. "Public Life and the Place of the Church: Reflections to Honour the Bishop of Oxford." Ecclesiastical Law Journal 9, no. 2 (2007): 235–37. http://dx.doi.org/10.1017/s0956618x07000506.

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Philippides, Marios. "Church and Society in Byzantium under the Comneni, 1081-1261.Michael Angold." Speculum 72, no. 3 (1997): 779–80. http://dx.doi.org/10.2307/3040764.

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Anderson, Braden. "Michael L. Budde, The Borders of Baptism: Identities, Allegiances, and the Church." Political Theology 13, no. 4 (2012): 501–3. http://dx.doi.org/10.1558/poth.v13i4.501.

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