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Journal articles on the topic 'Michel Houellebecq'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Hładki, Paweł. "Pluralité des cultures dans l’oeuvre de Michel Houellebecq et de Jerzy Pilch." Acta Universitatis Lodziensis. Folia Litteraria Romanica, no. 9 (January 1, 2014): 155–62. https://doi.org/10.18778/1505-9065.9.16.

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This article discusses the representation of cultural plurality in the novels of two major French and Polish contemporary fiction writers: Michel Houellebecq and Jerzy Pilch. The aim of this essay it to present a comparative analysis of the different conceptions represented by these two writers. The influence of historical, cultural and religious particularities on Pilch's and Houellebecq's views on multiculturalism is also considered. Furthermore, by comparing Jerzy Pilch’s and Michel Houellebecq’s work, we examine two different perspectives: the first one, that of a member of a Polish religi

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2

Dissaux, Nicolas. "Michel Houellebecq." Revue Droit & Littérature N° 1, no. 1 (2017): 147. http://dx.doi.org/10.3917/rdl.001.0147.

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3

O'Beirne, Emer. "Michel Houellebecq." French Studies 60, no. 4 (2006): 555–56. http://dx.doi.org/10.1093/fs/knl162.

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4

Williams, Russell. "Michel Houellebecq, information management and our new dark age." French Cultural Studies 31, no. 1 (2020): 46–58. http://dx.doi.org/10.1177/0957155819893587.

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Rejecting readings that seek to celebrate the unique, creative voice of the literary author, this essay strives to describe an element of the deep cultural logic at work in Michel Houellebecq’s fiction. To do so, the essay embraces and considers the appropriation, or what has been described as plagiarism, of Houellebecq’s literary style, suggesting a relationship with the structure of feeling of the contemporary information age. Taking its starting point as Houellebecq’s own former career in IT, it posits that his work can be read as both a symptom of, and a reaction to, the anxious informatio

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5

McQueen, Fraser. "Zombie Catholicism Meets Zombie Islam: Reading Michel Houellebecq's Soumission with Emmanuel Todd." Forum for Modern Language Studies 56, no. 2 (2020): 155–76. http://dx.doi.org/10.1093/fmls/cqaa002.

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Abstract Following the publication of Michel Houellebecq’s novel Soumission (2015), which depicts the French public electing an Islamist government in 2022, some critics accused Houellebecq of Islamophobia; others defended his novel as primarily an attack on the French intellectual class rather than Islam or Muslims. Reading Houellebecq’s novel alongside the work of French historian and anthropologist Emmanuel Todd, this article suggests that Soumission attacks all three. Furthermore, Houellebecq’s depiction of France being ‘Islamized’ does not represent a break from his earlier insistence tha

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6

Musttaff, Jumaah Jasim. "L'Islamophobie dans Soumission de Michel Houellebecq." JOURNAL OF LANGUAGE STUDIES 5, no. 1 (2022): 281–93. http://dx.doi.org/10.25130/jls.5.1.21.

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In this study entitled "the Islamophobia in Soumission of Michel Houellebecq, the study tries to discuss the image of Islam in french in general and in the Soumission of Michel Houellebec in particular. This story of Michel tells the reader how the victory of the Islamic party in the election will affect the life of french people there. In addition, the narration. especially after the events which followed the attack of Charlie Hebdo, may represent an indication to the danger Islam for the French republic. The research will try to reveal how the author could present the events followed the con

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7

Černý, Karel. "Michel Houellebecq: Podvolení." HISTORICKÁ SOCIOLOGIE 2018, no. 2 (2018): 150–54. http://dx.doi.org/10.14712/23363525.2018.60.

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8

Liu, Xinyi. "La possibilité de l’espoir chez Michel Houellebecq." Cahiers ERTA, no. 29 (March 31, 2022): 44–70. http://dx.doi.org/10.4467/23538953ce.22.002.15623.

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The possibility of hope in Michel Houellebecq Often considered depressive, Michel Houellebecq’s writing seems to be at the antipodes of hope, even if fragile. In this article, we will attempt to explore the three levels of hope in the author’s work. Hope in Houellebecq’s writing is first presented in a derisory way as a variant of an illusion. It constitutes an evil associated with sexual desires in contemporary hyper-liberalist society. Then, the author stages a positivist utopia, that of immortal neo-humans. But hope does not exist in this post-human society. Finally, by freeing himself from

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9

Miller, Noëlle. "Serotonin ohne Ende oder Eucharistie? Warum die Moderne das Opfern wiedererlernen sollte." Wortfolge, no. 8 (June 12, 2024): 1–17. https://doi.org/10.31261/wss.2024.08.02.

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Der Artikel versucht in Bezug auf das Thema Grenzenlosigkeit zu zeigen, dass die Opfergabe auf individueller, wie auf kollektiver Ebene im Zentrum von Michel Houellebecqs Roman Serotonin steht. Wie immer ex negativo, also indem der Protagonist darin scheitert, den Sohn am Kreuz zu opfern, zeigt Houellebecq, dass die Anamnesis der Sterblichkeit den Menschen individuell erlösen und auch auf politischer Ebene zu einer sozialeren, gerechteren und nachhaltigeren Ökonomie führen könnte.

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10

Tuksar, Suncana. "Michel Houellebecq: Event Kidnapping." Hrvatski filmski ljetopis 26 (2020), no. 102-103 (2020): 93–105. https://doi.org/10.5281/zenodo.4534430.

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The aim of this paper is to discuss the preview of the film by G. Nicloux, <em>The Kidnapping of Michel Houellebecq</em>. Is film pragmatics possible? How are the cooperative rules followed or disregarded? These are the questions that the paper tackles, according to Genette's theoretical framework of metalepsis and in the view of Houellebecq's poetics, which is known for its satire approach to the literary.   

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11

Cloonan, William. "Soumission by Michel Houellebecq." French Review 89, no. 3 (2016): 267. http://dx.doi.org/10.1353/tfr.2016.0373.

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12

Meizoz, Jérôme. "Lettre à Michel Houellebecq." Les Temps Modernes 689, no. 3 (2016): 78. http://dx.doi.org/10.3917/ltm.689.0078.

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13

Jurga, Antoine. "Michel Houellebecq, écrivain transparent." Roman 20-50 66, no. 3 (2018): 7. http://dx.doi.org/10.3917/r2050.066.0007.

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14

Jarocki, Jacek. "Michel Houellebecq — ostatni egzystencjalista?" Roczniki Filozoficzne 65, no. 4 (2017): 201–24. http://dx.doi.org/10.18290/rf.2017.65.4-10.

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15

Crépu, Michel. "L’apparition de Michel Houellebecq." Le Débat 210, no. 3 (2020): 217. http://dx.doi.org/10.3917/deba.210.0217.

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16

Champagne, Roland A. "Sérotonine by Michel Houellebecq." French Review 93, no. 3 (2020): 203–4. http://dx.doi.org/10.1353/tfr.2020.0194.

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17

Sourieau, Marie-Agnès. "Anéantir par Michel Houellebecq." French Review 96, no. 3 (2023): 234–35. http://dx.doi.org/10.1353/tfr.2023.0052.

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18

Godo, Emmanuel. "Michel Houellebecq et nous." Études Novembre, no. 11 (2019): 93–102. http://dx.doi.org/10.3917/etu.4265.0093.

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Le rôle de l’œuvre de Michel Houellebecq consiste à nommer implacablement le désastre et à en mesurer l’ampleur. On pourra la détester pour cela, lui faire reproche de ne promouvoir aucune des remédiations traditionnelles par lesquelles l’homme tente de se prémunir contre le désenchantement qui le menace.

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19

Małysa-Janczy, Zofia. "La carte et le territoire de Michel Houellebecq en tant que roman de l’artiste postmoderne." Romanica Cracoviensia 20, no. 3 (2020): 159–66. http://dx.doi.org/10.4467/20843917rc.20.015.12937.

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The purpose of the article is to study the phenomenon of postmodernist Künstlerroman on the example of The Map and the Territory by Michel Houellebecq. The paper is focused on the social voyage of the artist-protagonist, Jed Martin, who enters into the art world and has to face its capitalist logic. The analysis of Michel Houellebecq’s novel allows not only to trace the evolution of the young artist and his search to develop a sense of identity, but also to reveal the process inherent to the postmodernist Künstlerroman – the process of devaluation, marginalization and relativization of art.

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20

Betty, Louis. "Michel Houellebecq's ‘Materialist Horror Stories’: A Study in the Death of God." Nottingham French Studies 55, no. 3 (2016): 298–312. http://dx.doi.org/10.3366/nfs.2016.0156.

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This article examines Michel Houellebecq's work from a point of view that most scholars have yet to consider: its religious, metaphysical and existential concerns. I first argue that Houellebecq's novels are in large part an exploration of the psycho-social consequences of materialism. I then go on to discuss three vectors of ‘materialist horror’ that Houellebecq evokes: the body, nature and space. I also suggest a lineage between the ‘horror’ elements of Houellebecq's fiction and the writing of H. P. Lovecraft and Blaise Pascal. Finally, I point out that Houellebecq's vision of a materialisti

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21

Campbell, Françoise, and Jacqueline Dutton. "Introduction. ‘La honte de la France’: Michel Houellebecq’s cultural transgressions." French Cultural Studies 31, no. 1 (2020): 3–9. http://dx.doi.org/10.1177/0957155819893585.

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Michel Houellebecq’s cultural transgressions are widely recognised in media and criticism as contributing to his renown as an author today. The deeper significance of cultural transgressions in Houellebecq’s work is a rich seam for exploration, which was undertaken during a symposium on 29 September 2018. This article traces the conceptualisation of our approach and develops a framework for understanding transgression in the context of Houellebecq’s work. It then introduces six of the papers presented at the symposium which examine the notion of transgression not only as the process of crossin

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22

Ivanchenko, I. I. "The Evolution of Existentialist Ideas in Michel Houellebecq's Work and Film Adaptations of His Prose." Vestnik VGIK 17, no. 2(64) (2025): 84–101. https://doi.org/10.69975/2074-0832-2025-64-2-84-101.

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The article analyzes the films based on the novels and essays by the modern French writer and poet Michel Houellebecq. This article shows what transformations occur when translating Houellebecq's prose into the film language. The author compares the plots of the literary sources and their adaptations (in particular, finales) focusing on the directorial techniques of transferring literary images into the screen space and discusses the factors that determine the tendency of softening Houellebecq's rigidly pessimistic worldview by strengthening the melodramatic component of the story and introduc

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23

Černiuvienė, Liucija, and Rūta Jakutytė. "Michel Houellebecq in Lithuanian: The Paradoxes of Translation." Literatūra 61, no. 4 (2019): 122–37. http://dx.doi.org/10.15388/litera.2019.4.9.

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The article analyses all five published translations to Lithuanian language of Michel Houellebecq’s novels (The Elementary Particles, Platform, The Possibility of an Island, The Map and the Territory and Submission) with a focus on translation of obscene and profane language. First, the usage of obscene and profane language for stylistic purposes in the context of entire Houellebecq’s literary creation is reviewed, based on the works about the author by literary translators, literary critics and translators of Houellebecq’s books from France, Switzerland and Brazil. After determining that obsc

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24

Demker, Marie. "Converted by un confit de canard: Political Thinking in the Novel Soumission by Michel Houellebecq." European Review 27, no. 4 (2019): 591–99. http://dx.doi.org/10.1017/s1062798719000188.

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From a certain perspective, literature is always political. Literature in a broad sense has been a source of uprisings and protest at least since Martin Luther nailed his theses on the door of the church in Wittenberg in 1517 – and probably much further back in history than that. Narratives are the most potent way to articulate both political praise and criticism within a given society. In his political satires, British author George Orwell reviled all kinds of totalitarianism and the idea of a socialist utopia. Swedish writer and journalist Stieg Larsson wrote explicitly dystopian crime stori

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25

Sourgins, Christine. "Pierre Lamalattie et Michel Houellebecq." Commentaire Numéro 134, no. 2 (2011): 473. http://dx.doi.org/10.3917/comm.134.0473.

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26

Kessel, Patrick. "Michel Houellebecq, Sérotonine." Humanisme N° 323, no. 2 (2019): 125–27. http://dx.doi.org/10.3917/huma.323.0125.

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27

Machado Da Silva, Juremir. "Sexualité médiatique chez Michel Houellebecq." Hermès 69, no. 2 (2014): 50. http://dx.doi.org/10.3917/herm.069.0050.

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28

Vanderwall, Eric. "Annihilation by Michel Houellebecq (review)." World Literature Today 99, no. 1 (2025): 61–62. https://doi.org/10.1353/wlt.2025.a946560.

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29

Williams, R. "Michel Houellebecq a la Une." French Studies 66, no. 4 (2012): 586. http://dx.doi.org/10.1093/fs/kns204.

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30

Bowd, G. "Michel Houellebecq sous la loupe." French Studies 63, no. 1 (2009): 114. http://dx.doi.org/10.1093/fs/knn150.

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31

Korolev, A. "The Communicative Potential of the “European Home” Concept (Based on Michel Houellebecq’s Works)." Scientific Research and Development. Modern Communication Studies 9, no. 6 (2020): 27–32. http://dx.doi.org/10.12737/2587-9103-2020-27-32.

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The article examines the communicative potential of the "European home" concept building on the work of the outstanding French writer Michel Houellebecq. The article presents the grounds for referring to fiction when clarifying issues related to the study of the peculiarity of the cultural space of the United Europe, it highlights the value of "culture lens" implementation used along with special philological and philosophic research. Moreover the article below shows the said concept’s significance for understanding the distance between the characters Of M. Houellebecq and the writer himself a

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32

Ayati, Akram. "Des mondes simulés, des identités brouillées:L’œuvre de Michel Houellebecq dans la lignée du postmodernisme." ALTERNATIVE FRANCOPHONE 1, no. 8 (2014): 1–17. http://dx.doi.org/10.29173/af22333.

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Vu la contemporanéité de Michel Houellebecq, son œuvre reste toujours inédite. Non seulement son style insolent et son langage d’écriture cru et sans nuance, mais aussi des thèmes abordés dans ses œuvres font de lui un écrivain novateur du XXIe siècle. En outre, ancrée dans cette époque postmoderne, l’œuvre de Houellebecq reflète bel et bien les caractéristiques d’un univers postmoderne où l’homme perd ses repères. Ce présent article se donne pour objectif d’étudier la première œuvre romanesque de Houellebecq intitulée Extension du domaine de la lutte à partir de la théorie de Baudrillard sur

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33

Amar, Ruth. "Sérotonine ou la quête du bonheur selon Michel Houellebecq." Voix Plurielles 17, no. 1 (2020): 182–92. http://dx.doi.org/10.26522/vp.v17i1.2480.

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Dans cet article je propose d’analyser la quête du bonheur dans Sérotonine, le dernier livre de Michel Houellebecq. Mais dans un premier temps, il sera nécessaire d’explorer les aspects du bonheur tels qu’ils apparaissent dans ses romans précédents. Lecteur boulimique et érudit, Houellebecq convoque dans son œuvre un grand nombre d’auteurs, qu’il cite plus ou moins littéralement. On découvre que deux d’entre eux, à savoir Auguste Comte, le père du positivisme, et Schopenhauer, le maître spirituel de Houellebecq, sont probablement les influences majeures de la conception du bonheur dans l’œuvre

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34

Dutton, Jacqueline. "Wine in Houellebecq: Cultural transgression or literary device?" French Cultural Studies 31, no. 1 (2020): 73–90. http://dx.doi.org/10.1177/0957155819893586.

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Michel Houellebecq has a reputation as a heavy drinker and many of his protagonists mirror this tendency. This article focuses specifically on wine, asking whether the consumption of wine, both in his writing and in representations of his life, constitutes a simple cultural transgression, mainly via the quantities imbibed, or whether in fact wine is used as a complex literary device, a symbolic marker of national identity, social status and interpersonal relations. Tracing the presence and analysing the significance of wine in Houellebecq’s seven novels published to date reveals new ways to de

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35

Haliloğlu, Nagihan. "The Failed Asabiyya and Cultural Suicide in Michel Houellebecq’s Submission." Journal of Humanity and Society (insan & toplum) 11, no. 1 (2021): 97–132. http://dx.doi.org/10.12658/m0440.

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This article identifies the correspondences that Ibn Khaldun’s concepts of asabiya, mulk and dynasty have in Michel Houellebecq’s 2015 novel Submission. It analyses the work of a contemporary author through the method sketched out by a Muslim scholar of the 14th century, thereby provincializing a European text, and showing the continuities of cultural thought in the Mediterranean. While putting the role of asabiya at the centre, the article deploys Dipesh Chakrabarty’s understanding of provincialization, and Fernand Braudel’s concept of encounters in the Mediterranean. In Submission, Houellebe

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36

Gacoin-Marks, Florence. "H. P. Lovecraft et l'œuvre de Michel Houellebecq : hypothèses pour une étude génétique." Acta Neophilologica 39, no. 1-2 (2006): 125–29. http://dx.doi.org/10.4312/an.39.1-2.125-129.

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Le présent article expose les résultats d'une lecture attentive de la monographie que Michel Houellebecq, écrivain français contemporain, a consacrée à H. P. Lovecraft. La présentation que Houellebecq propose de l'écrivain américain est un précieux document permettant de formuler des hypothèses concernant le rôle joué par Lovecraft dans la genèse des oeuvres de l'écrivain français.

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Costa, Daniel Padilha Pacheco da. "Michel Houellebecq contra Michel Foucault: representações contemporâneas do Islã político na França." Trans/Form/Ação 43, no. 4 (2020): 147–72. http://dx.doi.org/10.1590/0101-3173.2020.v43n4.08.p147.

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Resumo Nas entrevistas e artigos jornalísticos de Michel Foucault sobre a Revolução Iraniana, escritos do final de 1978 até meados de 1979, e no romance de antecipação política Submissão (2015), de Michel Houellebecq, ambos os autores parecem oferecer representações positivas do Islã político. Neste artigo, argumentamos que essa interpretação repousa sobre um duplo equívoco: embora Foucault não tenha cunhado a noção de espiritualidade política como alternativa para a crise dos sistemas políticos liberal e marxista, conforme seus críticos erroneamente o acusaram, mas como um conceito capaz de d

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38

Suslova, Inga V. "Between Sentimentalism and Appocalipsis: Landscape in the Novels by Michel Houellebecq." World Literature in the Context of Culture, no. 14 (20) (2022): 71–80. http://dx.doi.org/10.17072/2304-909x-2022-14-71-80.

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The article analyzes landscape images and motifs of four of the most "visual" novels by the modern French writer Michel Houellebecq. It is clarified that the works under study realize the traditional type of hero for the author (an alienated person) and the plot organization, a "sentimental journey" to the countryside. Rural landscapes are idyllic, made in a classic sentimental-romantic manner, contain traditional attributes of nature, urban are aggressive, monochrome, recreated with the participation of minimalism techniques. In the process of analyzing landscapes in novels, a complex of allu

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39

Kjærgård, Jonas Ross. "EU og arbejdspladsromanen." Passage - Tidsskrift for litteratur og kritik 35, no. 84 (2020): 105–18. http://dx.doi.org/10.7146/pas.v35i84.124940.

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   The article presents a comparative analysis of two contemporary EU novels, Robert Menasse’s Die Hauptstadt (2017) and Michel Houellebecq’s Sérotonine (2019). Based on the observation that both novels investigate the bureaucracy of the EU and the changing framework conditions of European farmers, this article argues that Menasse and Houellebecq present a peculiar EU power distribution that can be summed up in the formula sovereignty without a sovereign. In investigating the dynamics of this distribution, the novels are shown to combine elements from various novelistic genr

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40

Cooke, Roderick. "Rural Revolt: The Scale Problem in Houellebecq and Norris." Cultural Critique 122, no. 1 (2024): 66–97. http://dx.doi.org/10.1353/cul.2024.a915447.

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Abstract: This article discusses the implications of farmers' insurrections suppressed by state power in Michel Houellebecq's Sérotonine (2019) and Frank Norris's The Octopus (1901). In both cases, the disparity in scale between the farmers' organization and the larger forces set against them (the European Union and the French police, for Houellebecq; the railroad trust and U.S. marshals, for Norris) not only dictates the narrative outcome but also animates a set of questions around globalization, masculinity, the sociological meaning of place, and the relationship between the natural and mech

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41

Fieu, Régis-Pierre. "Michel Houellebecq, auteur fin de siècle." Roman 20-50 66, no. 3 (2018): 55. http://dx.doi.org/10.3917/r2050.066.0055.

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42

Bridet, Guillaume. "Michel Houellebecq et les montres molles." Littérature 151, no. 3 (2008): 6. http://dx.doi.org/10.3917/litt.151.0006.

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43

Lloyd, V. "Michel Houellebecq and the Theological Virtues." Literature and Theology 23, no. 1 (2008): 84–98. http://dx.doi.org/10.1093/litthe/frn041.

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44

Clément, Murielle Lucie. "Masculin versus féminin chez Michel Houellebecq." L'Esprit Créateur 44, no. 3 (2004): 28–39. http://dx.doi.org/10.1353/esp.2010.0270.

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45

Amar, Ruth. "L’ère «entre-deux» de Michel Houellebecq." Les Lettres Romanes 61, no. 3-4 (2007): 349–56. http://dx.doi.org/10.1484/j.llr.3.168.

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46

Williams, Russell. "Michel Houellebecq: Google, Plagiarism, and Postproduction." Contemporary French and Francophone Studies 23, no. 4 (2019): 414–24. http://dx.doi.org/10.1080/17409292.2019.1703307.

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47

Williams, R. "Michel Houellebecq: Humanity and its Aftermath." French Studies 68, no. 1 (2014): 128–29. http://dx.doi.org/10.1093/fs/knt257.

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48

Chwieduk, Alicja. "Le sperme et le manque. L’utilité de l’abject dans la prose de Michel Houellebecq." Articles, no. 121 (March 27, 2023): 145–54. http://dx.doi.org/10.7202/1097958ar.

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L’article soulève le problème de l’abject dans la prose de Michel Houellebecq, en s’appuyant sur les réceptions critiques polonaises et françaises. Nous posons deux questions principales : pourquoi la prose de Houellebecq est-elle considérée comme répugnante ? Est-ce que la catégorie de l’abject peut être utile pour l’écrivain (et si oui, comment) ? Nous distinguons et analysons quatre niveaux où opère le sentiment du dégoût lors de la lecture des romans houellebecquiens : la couche linguistique, le comportement des personnages romanesques, l’ordre du monde crée par l’écrivain, et enfin la man

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49

Adoka, Acif Membourou. "Human Cloning and the Myth of Superpower in Houellebecq’s Imaginative World." Uirtus 3, no. 2 (2023): 41. https://doi.org/10.59384/uirtus.2023.2686.

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The novelistic work of Michel Houellebecq has dominated the French literary space for several years because of the themes he develops, and which raise lively controversy. Indeed, loved by some and hated by others, the novelist promotes from work to work the decadence of the contemporary world. Moreover, the image of human cloning raises an ethical problem and remains a reason that immediately inclines a reflection around the human superpower. The Possibility of an Island by Michel Houellebecq is the novel that brings to the pinnacle the notion of neo-humanism based on the representation of hum

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Biron, Michel. "L’effacement du personnage contemporain : l’exemple de Michel Houellebecq." Études françaises 41, no. 1 (2005): 27–41. http://dx.doi.org/10.7202/010843ar.

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Abstract:

Résumé Cet article examine le rapport que l’individu entretient avec la société dans le roman contemporain. Comme le suggèrent les romans de Michel Houellebecq, le personnage contemporain ne se définit plus par le combat qu’il mène dans un monde opposé à ses désirs, comme ce fut le cas dans la tradition réaliste, mais par un combat d’un autre type en vertu duquel l’individu contemporain ne cesse de retomber en lui-même, de s’affaisser dans sa stérile lucidité. Mais comment cet individu triste et dépressif peut-il devenir un héros romanesque ? Houellebecq pose explicitement cette question et pr

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