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Relevant bibliographies by topics / Michelangelo Caravaggio

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Academic literature on the topic 'Michelangelo Caravaggio'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Michelangelo Caravaggio"

1

Barolsky, Paul. "PONTORMO, MICHELANGELO, CARAVAGGIO." Source: Notes in the History of Art 19, no. 4 (2000): 12–17. http://dx.doi.org/10.1086/sou.19.4.23206950.

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Andersson, Maj-Britt. "Caravaggios queera allegori om alkemi." lambda nordica 18, no. 2 (2013): 79–92. http://dx.doi.org/10.34041/ln.v18.384.

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Det kan förefalla omöjligt att tillfoga något nytt om konstnärer som Leonardo da Vinci, Michelangelo, Rafael och Caravaggio som det skrivits så oändligt mycket om. Men än finns det förbisedda verk och verk att återupptäcka. Ett sådant är den ganska okända takmålning från omkring 1599 av Caravaggio, i ett litet sidorum, en studerkammare, i Casino Ludovisi i Rom. Målningen återupptäcktes 2010 då 400-års- minnet av Caravaggios död uppmärksammades med utställningar och visningar av hans verk i kyrkor, museer och privat ägo. Den visas nu efter tidsbokning och mot en större avgift. Estremamente pot

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Valdés Zamora, Armando. "Playas y espadas de Caravaggio." Revista Científica UISRAEL 6, no. 1 (2019): 79–86. http://dx.doi.org/10.35290/rcui.v6n1.2019.72.

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Aquí entramos de lleno en el mundo del arte a través de una figura emblemática: el pintor Michelangelo Merisi, más conocido como Caravaggio, y elsorprendente y maravilloso hallazgo reciente (en el 2014, apenas hace cinco años) de una pintura que supuestamente es de su autoría.

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Geist, Sidney. "RELATED MOTIFS IN MICHELANGELO, DONATELLO, AND CARAVAGGIO." Source: Notes in the History of Art 6, no. 2 (1987): 8–11. http://dx.doi.org/10.1086/sou.6.2.23202298.

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Tremblay, Réal. "Michelangelo Merisi da Caravaggio, un portrait spirituel." Pierre d'angle 11 (2005): 161–70. http://dx.doi.org/10.5840/pda2005119.

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Oppedisano, Francesca Rachele. "Autobiografismo morte e autorappresentazione Michelangelo Merisi da Caravaggio passando per Francis Bacon." Mnemosyne, no. 4 (October 11, 2018): 18. http://dx.doi.org/10.14428/mnemosyne.v0i4.12223.

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Inizia da un assassinio il destino di un genio, o meglio il suo mito, reinventato quattro secoli più avanti alla luce d’una nuova visione del mondo. L’opera di Caravaggio, infatti, rivive in virtù d’un interesse recente. A cominciare da Roberto Longhi, tra i primi storici dell’arte a riconoscere la straordinarietà del maestro lombardo, l’arte di Caravaggio comincia a riverberare d’un senso altro, comincia ad essere attraversata da quegli incontri postumi con intellettuali, studiosi e poeti del novecento che hanno contribuito a riscrivere la biografia d’un genio inscrivendovi la propria. È dunq

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Holwerda, Joslin. "Art in Early Modern Italy: Artemisia Gentileschi and Caravaggio." General: Brock University Undergraduate Journal of History 3 (December 18, 2018): 122–49. http://dx.doi.org/10.26522/gbuujh.v3i0.1673.

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This paper compares the careers of two internationally known painters from seventeenth century Rome, one male and one female, to further understand the broader gender relations of early modern Italy. Michelangelo Merisi da Caravaggio and Artemisia Gentileschi are individually known for being Italy’s greatest painters of the Baroque period. As artists, the professional challenges that they faced exemplified the dichotomy between genders in the early modern period. While Caravaggio’s controversial art style and violent lifestyle did not hinder his success, Gentileschi faced persistent apprehensi

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Heczková, Libuše, and Kateřina Svatoňová. "Quoting Bacon and Caravaggio – Walking Mácha as Over-Interpretation." Tekstualia 1, no. 48 (2017): 105–14. http://dx.doi.org/10.5604/01.3001.0013.3091.

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The article concerns the problem of over-interpretation in the works of Michelangelo Merisie da Caravaggio and Francis Bacon. It also deals with the concept of walking as over-interpretation in the works of Grebeníčková and Mácha. The article explains the necessity of over-interpretation as a key to unexpected meanings and experiences. This is argued through references to Mieke Bal’s travelling concepts.

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Fenichel, Emily A. "Playing Footsy: Michelangelo, Caravaggio, and the Madonna of Loreto." Source: Notes in the History of Art 36, no. 3/4 (2017): 201–11. http://dx.doi.org/10.1086/693944.

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Szyłak-Szydłowski, Mirosław. "Michelangelo Merisi Da Caravaggio and Multimedia Presentations - A Marriage of Beauty of Art and The Art of Presentation / Michelangelo Merisi Da Caravaggio I Prezentacje Multimedialne - Mariaż Piękna Sztuki I Sztuki Prezentacji." Chemistry-Didactics-Ecology-Metrology 19, no. 1-2 (2014): 47–57. http://dx.doi.org/10.1515/cdem-2014-0004.

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Abstract In this paper, the evolution of the style of Caravaggio had been traced and, focusing on the selected images it had been proved that the methods used by that eminent painter can successfully be applied during the creation of modern, effective multimedia presentations. The strength of Caravaggio was in its simplicity and mundane. For indicated formal measures may be included, inter alia: the elimination of tonally extended second plan and replace it with a dark, uniform background. Caravaggio calmed down composition painting almost monochromatic paintings, which emphasizes the foregrou

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Dissertations / Theses on the topic "Michelangelo Caravaggio"

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Wilkens, Albrecht. "Licht und Gewalt bei Caravaggio Studien zur Entstehungs- und Wirkungsgeschichte einer epiphanen Neuerung /." [S.l. : s.n.], 1999. http://www.diss.fu-berlin.de/2001/32/index.html.

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Dunton, Catherine. "The visible and the invisible : the problem of the concept of 'religious realism' as applied to the paintings of Caravaggio." Thesis, University of Essex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343571.

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Racco, Tiffany A. "Darkness in a positive light negative theology in Caravaggio's "Conversion of St. Paul" /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 69 p, 2009. http://proquest.umi.com/pqdweb?did=1889838911&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Ladeira, Elaine Amorim Pereira. "O ato e sua expansão: simbolismo e gestualidade na representação de São Mateus por Michelangelo Merisi da Caravaggio." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7122.

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Existem diferentes modos de se ler uma imagem e de interpretá-la. A partir dos gestos realizados pelo artista, podemos conduzir leitura estética, antropológica, cultural ou teológica, encontrando diferentes significados. Realizar a leitura dos gestos tem como objetivo conhecer não apenas as tradições nas quais foram concebidos, mas também a iniciação na prática visionária que os inspirou. Os gestos mais do que descrevem uma história; interpretam-na, dando-lhe um significado mais amplo. Nesta análise escolheu-se o artista Michelangelo Merisi da Caravaggio, tendo como objetivo considerar o simbo

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Povoledo, Elisabetta Angela. "Caravaggio's early works and the tradition of Lombard realism." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64068.

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Sousa, Dalila Doring. "A representação dos pobres nas pinturas religiosas do caravaggismo napolitano." [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278819.

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Orientador : Luciano Migliaccio<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-01T02:51:45Z (GMT). No. of bitstreams: 1 Sousa_DalilaDoring_M.pdf: 28828752 bytes, checksum: 330c8eec895eb1d20d21617f7da6b153 (MD5) Previous issue date: 2002<br>Resumo: Esta dissertação compreende um estudo sobre o significado artístico da representação dos pobres nas pinturas religiosas caravaggescas napolitanas a partir da "Adoração dos pastores" no MASP, atribuída a Bartolomeo Passante levando em consideração a soci

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Andreghetto, Luiz Carlos. "Davi e Golias no labirinto = elementos neobarrocos na poética de Derek Jarman = David and Goliath in the maze : neo-barroque elements the poetics of Derek Jarman." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284566.

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Orientador: Mauricius Martins Farina<br>Dissertação (mestrado) - Universidade Estadual de Campoinas, Instituto de Artes<br>Made available in DSpace on 2018-08-21T10:34:18Z (GMT). No. of bitstreams: 1 Andreghetto_LuizCarlos_M.pdf: 3812044 bytes, checksum: 109b69588e940f7f0045bc741eb69e2d (MD5) Previous issue date: 2012<br>Resumo: O texto a seguir propõe uma aproximação maior entre as teorias Neobarrocas, proferidas por Omar Calabrese e Severo Sarduy, com a imagem audiovisual e suas especificidades. Os elementos e as figuras Neobarrocas servem de estrutura para analisarmos a poética do cineast

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Delvingt, Anne. "Gérard Seghers, 1591-1651, et le caravagisme européen: entre les anciens Pays-Bas, l'Italie et l'Espagne." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210326.

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Nous envisageons particulièrement la période caravagesque du peintre anversois Gérard Seghers (1591-1651) qui est la plus riche et la plus commentée dans son oeuvre. Nous ajoutons des tableaux caravagesques et nous en retirons d'autres du catalogue raisonné de l'artiste publié par Dorothea Bieneck en 1992. Nous traitons ainsi des thématiques caravagesques importantes du Reniement de saint Pierre et de la Crucifixion de saint Pierre mais aussi du thème plus commun mais très populaire, de la Sainte Famille. Nous étudions également les rapports entre l'oeuvre de Seghers et celle des peintres cara

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Seaman, Leah M. "The depiction of female emotion as seen through the work of Italian Renaissance artists Artemisia Gentileschi and Michelangelo Caravaggios Judith Beheading Holofernes and Artemisia Gentileschi and Cavaliere dArpinos Susanna and the Elders." Marietta College Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors161944857779248.

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Yong-Nan, Chen, and 陳勇男. "Study of the elements of Baroque painting—Michelangelo Merisi da Caravaggio, Peter Paul Rubens ,Georges de La Tour, for example." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/97475196955665093308.

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碩士<br>中國文化大學<br>藝術研究所<br>98<br>The Baroque Era is the germ of monarchical power and democratic consciousness. At the time, the subject matters in art were not restricted to mythology or saints. The artists started to pay attention to people, things and environments in daily life. Therefore, civilians and nobles became the depicted subjects in art. The artists’ interpretations and observations, especially the refined technique of lighting, were added to their works. The compositions of pictures and perspective are managed more attentively. Besides, the arrangements of movement was also involved

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Books on the topic "Michelangelo Caravaggio"

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Caravaggio, Michelangelo Merisi da, 1573-1610., ed. Caravaggio. Phaidon, 1998.

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Caravaggio, Michelangelo Merisi da, 1573-1610., ed. Caravaggio. Phaidon Press, 2000.

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Wilson-Smith, Timothy. Caravaggio. Phaidon, 1998.

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Caravaggio. Haus Pub., 2004.

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5

König, Eberhard. Michelangelo Merisi da Caravaggio, 1571-1610. H.F. Ullmann, 2013.

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König, Eberhard. Michelangelo Merisi da Caravaggio 1571-1610. Könemann, 1998.

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Caravaggio, Michelangelo Merisi da, 1573-1610 and Chiesa di Sant'Erasmo (Porto Ercole, Italy), eds. Michelangelo Merisi da Caravaggio: Chiuder la vita. Skira, 2010.

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Mina, Gregori, Fondazione Roberto Longhi, and Italy. Soprintendenza ai beni artistici e storici per le province di Firenze e Pistoia., eds. Michelangelo Merisi da Caravaggio: Come nascono i capolavori. Electa, 1991.

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da, Caravaggio Michelangelo Merisi. Michelangelo Merisi da Caravaggio: Come nascono i capolavori. Electa, 1992.

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Marini, Maurizio. Caravaggio: Michelangelo Merisi da Caravaggio "pictor praestantissimus" : la tragica esistenza, la raffinata cultura ... Newton Compton, 1987.

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Book chapters on the topic "Michelangelo Caravaggio"

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Hibbard, Howard. "Michelangelo Merisi and Michelangelo Buonarroti." In Caravaggio. Routledge, 2018. http://dx.doi.org/10.4324/9780429501845-9.

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"Michelangelo Merisi da Caravaggio – Charakteristika der Gemäldekonzeption." In Das intermediale Gemäldezitat. transcript-Verlag, 2012. http://dx.doi.org/10.14361/transcript.9783839420690.81.

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"Michelangelo Merisi’s Lives: The ‘Painter as Character’ Genre." In Caravaggio in Film and Literature. Routledge, 2017. http://dx.doi.org/10.4324/9781315095967-3.

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"Intermediale Gemäldezitate in der Erzählliteratur zu Michelangelo Merisi da Caravaggio." In Das intermediale Gemäldezitat. transcript-Verlag, 2012. http://dx.doi.org/10.14361/transcript.9783839420690.175.

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"Three Italian Sacrifices: Lorenzo Ghiberti, Andrea Del Sarto, Michelangelo Merisi Da Caravaggio." In The Sacrifice of Isaac. BRILL, 2002. http://dx.doi.org/10.1163/9789004497320_015.

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"Die Konversion des Saulus/Paulus am Beispiel Parmigianinos, Michelangelos und Caravaggios." In Barocke Bekehrungen. transcript-Verlag, 2013. http://dx.doi.org/10.14361/transcript.9783839417713.279.

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"4. Michelangelo's Last Judgment and the Failure of the Sacred Image at Midcentury." In The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco, Caravaggio. Yale University Press, 2011. http://dx.doi.org/10.37862/aaeportal.00155.007.

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