Relevant bibliographies by topics / Michele Arcangelo (Schifanoia, Italy)

Contents

  1. Journal articles
  2. Books

Academic literature on the topic 'Michele Arcangelo (Schifanoia, Italy)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Michele Arcangelo (Schifanoia, Italy).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Michele Arcangelo (Schifanoia, Italy)"

1

Forgia, Vincenza, Robert H. Tykot, Andrea Vianello, and Elena Natali. "Obsidian from the Neolithic Layers of “Grotta di San Michele Arcangelo di Saracena” (Cosenza), Italy. A Preliminary Report." Open Archaeology 7, no. 1 (January 1, 2021): 615–30. http://dx.doi.org/10.1515/opar-2020-0151.

Full text
Abstract:
Abstract The paper presents the results obtained by techno-typological analysis of a lithic assemblage from the Neolithic layers of Grotta San Michele Arcangelo di Saracena (Cosenza) together with the results of micro-wear analysis obtained from a preliminary selection of obsidian artifacts with different provenances distinguished by pXRF analysis. The site provides one of the best preserved Neolithic sequences in the area, from the earliest Impressed Wares (or Impresse Arcaiche) (early sixth millennium BC) to the Spatarella pottery style (end fifth – early fourth millennium BC). Along the Neolithic sequence, it is possible to observe some major changes within lithic resources management. In particular, it is possible to notice some techno-typological breakages between the Early Neolithic and the further stages, until the second phase of the Late Neolithic, when another rupture, corresponding to the Spatarella facies, is evident.
APA, Harvard, Vancouver, ISO, and other styles
2

Bruni, S., F. Cariati, L. Consolandi, A. Galli, V. Guglielmi, N. Ludwig, and M. Milazzo. "Field and Laboratory Spectroscopic Methods for the Identification of Pigments in a Northern Italian Eleventh Century Fresco Cycle." Applied Spectroscopy 56, no. 7 (July 2002): 827–33. http://dx.doi.org/10.1366/000370202760171482.

Full text
Abstract:
The pigments of an XI-century fresco cycle in a small pre-alpine church of northern Italy were characterized by means of field techniques, in particular imaging spectroscopy, and laboratory spectroscopic techniques, namely total reflection X-ray fluorescence, micro-Raman, micro-Fourier transform-Raman, and micro-Fourier transform infrared spectroscopies, thus achieving a complete identification of the ancient painter's palette. Advantages and limitations of each technique in its application to the study of fresco pigments are discussed. The artistic value of the fresco cycle and the religious role in the year 1000 of the church where it is located (S. Michele Arcangelo in Gornate Superiore, Varese, Italy) were demonstrated by the precious and elaborate materials used by the painter. Different pigments were used for different hues of the same color, e.g., azurite, carbon, and the most precious lapis-lazuli for blue, while mixtures of pigments were recognized in details having a particular tint, e.g., lapis-lazuli and minium for violet.
APA, Harvard, Vancouver, ISO, and other styles
3

Manzo, Elena. "Sacred Architecture in the Neapolitan Baroque Era. Space, Decorations, and Allegories." Resourceedings 2, no. 3 (November 12, 2019): 46. http://dx.doi.org/10.21625/resourceedings.v2i3.624.

Full text
Abstract:
In Naples (Italy), the passage from Renaissance to Baroque architectonic language could be identified between 1580 and 1612. During this era, one of the most significant topics of the architectonic research on the sacred space was the right compromise among the Counter-Reformation patterns, the central space and the oval plan. Giovanni Antonio Dosio and Dionisio di Bartolomeo were the most representative architects of this passage. They provide the access to new experimental varieties. So, when the architect Cosimo Fanzago arrived in Naples in 1612, the city was almost ready to use the emblematic ellipse plan of the Baroque, such as the churches Santa Maria della Sanita` and San Giovanni dei Fiorentini by Fra’ Nuvolo prove. Fanzago’s architectonic research was followed by the studies by Bartolomeo and Francesco Antonio Picchiatti, father and son, up to Domenico Antonio Vaccaro that was the most representative director of the Baroque sacred space scene. Moving from the analysis and comparison of the most representative churches of Neapolitans Baroque era, the paper proposes an unedited studio about the evolution of sacred space’s idea related to decoration, symbology and allegory, with a focus on Domenico Antonio Vaccaro’s works, such as the churches of Santa Maria della Concezione in Montecalvario neighbourhood, San Michele Arcangelo in Naples’ Piazza Dante, San Michele in Anacapri (on Capri Island), the Palazzo Abbaziale di Loreto and Saviour Church in San Guglielmo al Goleto Monastery, both near Avellino.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Michele Arcangelo (Schifanoia, Italy)"

1

Belli, Gianluca. La cappella di San Michele Arcangelo a Petrognano. Empoli [Italy]: Editori dell'Acero, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Medolago, Gabriele. La Chiesa prepositurale di San Michele Arcangelo in Mapello. Mapello [Italy]: Prepositura di Mapello, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Lisetti, Lidia Scuderi. Il santo guerriero: L'arcangelo Michele e la chiesa di Campodimele. Gaeta (Latina): Alges, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Maurizio, Lazzari, ed. Il complesso monumentale di San Michele Arcangelo di Vignole: La storia, l'arte e il restauro. [Vignole?]: Banca di credito cooperativo di Vignole, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Montorsi, William. Le basiliche di S. Silvestro e S. Michele (secc. VIII-XII). Modena: Aedes Muratoriana, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Padua Regia Civitas: Identität und Gedächtnis um 1400 im Oratorio di San Michele Arcangelo : eine Fallstudie zum frühen Porträt. Weimar: VDG, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Regalini, Antonella. --e quel filo d'Arianna era di seta!: Cremia e il suo San Michele Arcangelo di Paolo Veronese : ricerca di arte e storia / c Antonella Regalini. Milano: A. Regalini, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Regalini, Antonella. --e quel filo d'Arianna era di seta!: Cremia e il suo San Michele Arcangelo di Paolo Veronese : ricerca di arte e storia / c Antonella Regalini. Milano: A. Regalini, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Filippo, Michele De. L'icona lapidea di Bernardo Monaco. Monte Sant'Angelo: Basilica Santuario di San Michele Arcangelo, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Annigoni, Pietro. Pietro Annigoni: Oltre l'apparenza. Assisi (PG) [Italy]: Edizioni S. Pietro, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources
You might also be interested in the extended bibliographies on the topic 'Michele Arcangelo (Schifanoia, Italy)' for particular source types:
Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography