Relevant bibliographies by topics / Michotte

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Academic literature on the topic 'Michotte'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Michotte"

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Moors, Pieter, Johan Wagemans, and Lee de-Wit. "Causal events enter awareness faster than non-causal events." PeerJ 5 (January 26, 2017): e2932. http://dx.doi.org/10.7717/peerj.2932.

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Philosophers have long argued that causality cannot be directly observed but requires a conscious inference (Hume, 1967). Albert Michotte however developed numerous visual phenomena in which people seemed to perceive causality akin to primary visual properties like colour or motion (Michotte, 1946). Michotte claimed that the perception of causality did not require a conscious, deliberate inference but, working over 70 years ago, he did not have access to the experimental methods to test this claim. Here we employ Continuous Flash Suppression (CFS)—an interocular suppression technique to render stimuli invisible (Tsuchiya & Koch, 2005)—to test whether causal events enter awareness faster than non-causal events. We presented observers with ‘causal’ and ‘non-causal’ events, and found consistent evidence that participants become aware of causal events more rapidly than non-causal events. Our results suggest that, whilst causality must be inferred from sensory evidence, this inference might be computed at low levels of perceptual processing, and does not depend on a deliberative conscious evaluation of the stimulus. This work therefore supports Michotte’s contention that, like colour or motion, causality is an immediate property of our perception of the world.
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EMBREE, Lester. "Visão de causalidade: Merleau-Ponty em Michotte." PHENOMENOLOGICAL STUDIES - Revista da Abordagem Gestáltica 13, no. 2 (2007): 222–27. http://dx.doi.org/10.18065/rag.2007v13n2.5.

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Meding, Kristof, Sebastian A. Bruijns, Bernhard Schölkopf, Philipp Berens, and Felix A. Wichmann. "Phenomenal Causality and Sensory Realism." i-Perception 11, no. 3 (May 2020): 204166952092703. http://dx.doi.org/10.1177/2041669520927038.

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One of the most important tasks for humans is the attribution of causes and effects in all wakes of life. The first systematical study of visual perception of causality—often referred to as phenomenal causality—was done by Albert Michotte using his now well-known launching events paradigm. Launching events are the seeming collision and seeming transfer of movement between two objects—abstract, featureless stimuli (“objects”) in Michotte’s original experiments. Here, we study the relation between causal ratings for launching events in Michotte’s setting and launching collisions in a photorealistically computer-rendered setting. We presented launching events with differing temporal gaps, the same launching processes with photorealistic billiard balls, as well as photorealistic billiard balls with realistic motion dynamics, that is, an initial rebound of the first ball after collision and a short sliding phase of the second ball due to momentum and friction. We found that providing the normal launching stimulus with realistic visuals led to lower causal ratings, but realistic visuals together with realistic motion dynamics evoked higher ratings. Two-dimensional versus three-dimensional presentation, on the other hand, did not affect phenomenal causality. We discuss our results in terms of intuitive physics as well as cue conflict.
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Leyssen, Sigrid. "La phénoménologie expérimentale d’Albert Michotte : un problème de traduction." Philosophia Scientae, no. 19-3 (October 30, 2015): 45–71. http://dx.doi.org/10.4000/philosophiascientiae.1130.

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GÖTZ, Rafael Leandro, and Marcelo Leandro EICHLER. "OS ESTÁDIOS DO DESENVOLVIMENTO INTELECTUAL DA CRIANÇA E DO ADOLESCENTE." Schème: Revista Eletrônica de Psicologia e Epistemologia Genéticas 10, no. 1 (August 30, 2018): 204–19. http://dx.doi.org/10.36311/1984-1655.2018.v10n1.09.p204.

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Versão em português do capítulo “Les stades du développement intellectuel de l’enfant à l’adolescent” publicado no livro “Le probléme dês stades en psycho-logie de l’enfant”, organizado por P. Osterrieth, J. Piaget, R. De Saussure, J. M. Tanner, H. Wallon e R. Zazzo, por ocasião do simpósio da Associação Psicoló-gica Científica de Língua Francesa realizado em Genebra, em 1955. Além do capítulo de autoria de Jean Piaget, este texto contém a Introdução do livro (por J. Piaget) e a Introdução ao Simpósio (A. Michotte).
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Poole, Colin F. "A. Van Eeckhaut and Y. Michotte (Eds.): Chiral Separations by Capillary Electrophoresis." Chromatographia 73, no. 1-2 (January 2011): 197–98. http://dx.doi.org/10.1007/s10337-010-1812-6.

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Leyssen, Sigrid. "Remaking “Michotte”: Reusing and Remaking Moving Images in the History of Perception Research." Isis 112, no. 2 (June 1, 2021): 315–25. http://dx.doi.org/10.1086/714749.

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Scherzer, Tom R., and Franz Faul. "From Michotte Until Today: Why the Dichotomous Classification of Modal and Amodal Completions Is Inadequate." i-Perception 10, no. 3 (May 2019): 204166951984163. http://dx.doi.org/10.1177/2041669519841639.

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The distinction between modal and amodal completion is ubiquitous in the perception literature. It goes back to the seminal publication “Les compléments amodaux des structures perceptives” by A. Michotte, G. Thinès, and G. Crabbé (Publications Universitaires de Louvain: Louvain) in 1964. We review and discuss this work in this article and show commonalities and differences to today’s view. We then argue that the dichotomous distinction between modal and amodal completions is problematic in phenomenological, empirical, logical, and theoretical terms. Finally, we propose alternative criteria allowing for a more differentiated classification scheme for completion phenomena. This scheme seems to be consistent with all known empirical findings and can also be generalized to nonvisual domains of perception.
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Brown, StevenD. "Chemometrics: A textbook, by D.L. Massart, B.G.M. Vandeginste, S.N. Deming, Y. Michotte and L. Kaufman." TrAC Trends in Analytical Chemistry 6, no. 8 (September 1987): XX. http://dx.doi.org/10.1016/0165-9936(87)87092-9.

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Wold, Svante. "Chemometrics: A textbook, by D.L. Massart, B.G.M. Vandeginste, S.N. Deming, Y. Michotte and L. Kaufman." Chemometrics and Intelligent Laboratory Systems 5, no. 4 (April 1989): 276–77. http://dx.doi.org/10.1016/0169-7439(89)80019-x.

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Dissertations / Theses on the topic "Michotte"

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Leyssen, Sigrid. "Perception in Movement. Moving Images in Albert Michotte's Experimental Psychology (1881-1965)." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0142.

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J’explore de nouvelles façons d’étudier l’histoire et l’historicité de la perception, à travers un double portrait du psychologue francophone Albert Michotte, et de la collection de ses disques en papier. Leur interaction produit de nouvelles images expérimentales, éclaircissant les complexités de la perception. J’ai navigué différents archives, archives d'objets et collections d’instruments en Belgique, en France et en Allemagne. La découverte de nouvelles sources et mes ré-animations historiques m’ont permis de combiner l’histoire des sciences et l’étude des médias, touchant sur l’histoire de la philosophie et de la religion. Le portrait de Michotte dévoile une figure qui fait le pont entre différents paradigmes psychologiques, science et religion, filmologie et phénoménologie expérimentale, aussi bien qu’un diplomate des sciences traversant deux guerres, des politiques religieuses et des changements institutionnels. Etudier les paradoxes qu’il incarnait devient ainsi un outil d’historiographie. Le portrait des disques, contextualisé en termes de 'contextes d’action', montre comment ils sont liés à la pratique expérimentale, le cinéma, l’art et la culture matérielle du laboratoire. Ce double portrait montre comment Michotte et les disques créèrent ensemble des images en mouvement afin d’étudier les perceptions dynamiques, telle que la perception de la causalité. Le mouvement est essentiel à cette thèse, car il permet de comprendre comment de telles perceptions son générées et transportées. L’étude de ces perceptions permet de saisir comment la perception dépend d’un contexte, se forme à travers des inter-actions, et change – montrant son historicité
I explore new ways to study the history and historicity of perception, through a double portrait: of the francophone psychologist Albert Michotte, and of a set of well-preserved rotating paper discs. In their interaction, new experimental images were generated, shedding light on the intricacy of perception. I have searched different archives, object-archives and instrument collections in Belgium, France and Germany. Newly discovered sources, together with my historical re-animations, allowed me to combine history of science with media studies, in close interaction with the history of philosophy and religion.The portrait of Michotte shows a bridging-figure between different psychological paradigms, science and religion, filmology and experimental phenomenology, performing science diplomacy to navigate two wars, religious politics and institutional change. Studying the paradoxes he embodied is developed into a historiographical tool. The portrait of the discs, contextualised in terms of 'action contexts', shows how they related to experimental practice, cinema, art and the material culture of the laboratory. This dynamic double portrait shows how Michotte and the discs together create moving images for the study of dynamic perceptions, such as the perception of causality. Motion is central to this thesis, not only for explaining the dynamic perception of movements, but especially for understanding how such perceptions are generated and transported. Studying these 'movement-perceptions' makes it possible to grasp how perception is context dependent, how it is shaped through inter-actions, and how it changes – giving it a history
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Romestant, Michel. "Activité rythmique de l'Aspartate aminotransférase chez Leptosphaeria michotii (west) sacc : approche moléculaire." Toulouse 3, 1990. http://www.theses.fr/1990TOU30040.

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Le modele periodique simplifie employe est constitue essentiellement par la voie de degradation de l'asparagine ou tous les enzymes presentent la meme periodicite, voisine de 24 h. Le rythme de l'asparaginase depend d'un processus de phosphorylation reversible. Le second enzyme de la voie, l'aspartate aminotransferase ec 2. 6. 1. 1 est etudie. Les 2 isoformes purifiees a homogeneite apparente different par leurs proprietes cinetiques, leur affinite pour des substrats et leur capacite a former des complexes in vitro. Les anticorps obtenus sont specifriques de chaque forme. Leur localisation par immunocytochimie montre que la forme a est cytolosique, la forme b mitochondriale. La regulation du rythme d'activite transaminase est recherchee par determination du niveau des isozymes (test elisa), des arnm specifiques (traduction heterologue) et des activites enzymatiques. Le niveau de l'isozyme a reste uniforme. Le rythme d'activite transaminase resulte de la seule variation d'activite de la forme b, due a l'oscillation de la quantite de celle-ci. Les niveaux d'arnm des 2 formes sont inchanges au cours du cycle. De plus, les rythmes d'activite et de quantite de la forme b presentent une meme reponse aux inhibiteurs de la synthese proteique. Il s'ensuit que le rythme d'activite transaminase serait controle au niveau de la traduction de l'arnm de l'isoforme mitochondriale. En outre, l'activite rythmique d'une voie metabolique maitresse peut resulter du fonctionnement synchrone de processus oscillants distincts
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Tozo, Sodoké Koffi. "Caractérisation et rythme d'activité de la pyruvate carboxylase chez Leptosphaeria michotii (west) sacc." Toulouse 3, 1992. http://www.theses.fr/1992TOU30112.

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Le systeme oscillant du champignon leptosphaeria michotii comprend la voie asparaginepyruvate controlant le rythme de sporulation, ou 3 enzymes ont la meme periode, proche de 24 h. Le rythme de l'asparaginase, cytosolique, est regule par phosphorylation reversible, celui de l'aspartate aminotransferase mitochondriale l'est au niveau de la traduction de son arnm. Celui de l'alanine aminotransferase, cytosolique, est correle avec les oscillations du taux du polypeptide. La 4eme enzyme de la voie, la pyruvate carboxylase ec 6. 4. 1. 1 fait l'objet de ce travail. Elle comprend 4 sous-unites m#r 60000 a biotine et 4 sous-unites m#r 50000. Les anticorps contre l'enzyme de levure reconnaissent specifiquement la sous-unite m#r 60000. L'enzyme est localisee in situ dans le cytosol par immunocytochimie et la streptavidine marquee a l'or. Elle presente in vitro un rythme d'activite a l'obscurite et temperature constante, supprime par le cycloheximide et l'avidine. Le taux du polypeptide est mesure au moyen de #3#5s-streptavidine et du test elisa: les oscillations de l'activite pyruvate carboxylase sont correlees avec celles du taux du polypeptide. En outre, l'acetyl coa carboxylase ec 6. 4. 1. 2 presente un rythme d'activite synchrone de celui de la pyruvate carboxylase, supprime par le cycloheximide et l'avidine. L'inhibition des 2 carboxylases par l'avidine influe peu sur les rythmes des transaminases et de sporulation. Ces donnees suggerent une regulation du rythme d'activite de la pyruvate carboxylase au niveau de la traduction de son arnm. Elles confirment que l'activite rythmique d'une voie maitresse peut resulter du fonctionnement de processus oscillants distincts, avec participation de differents compartiments cellulaires
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Books on the topic "Michotte"

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général, French Guiana Conseil, ed. Jean-Marie Michotte: Un guyanais hors du commun. [French Guiana: Conseil général de la Guyane, 1995.

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Brock, Marleen. Verlengstukken van het bewustzijn: Psychologische onderzoeksapparatuur uit de 'Collectie Michotte'. Leuven: Leuven University Press, 2010.

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Michotte, Albert. Michotte's experimental phenomenology of perception. Hillsdale, N.J: L. Erlbaum Associates, 1991.

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Christine, Pagnoulle, ed. Writing (on) short stories: A tribute to Paulette Michel-Michot. Liège, Belgium: L3- Liège Language and Literature, English Dept., Univ. of Liège, 1997.

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Michonze, Grégoire. Michonze, 1902-1982: [exposition] Musée d'art moderne, Troyes, 22 mars-6 mai 1985. [Troyes, France]: Le Musée, 1985.

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J, Michot, Demaiffe Daniel, and Université libre de Bruxelles. Laboratoires associés de géologie, petrologie, et géochronologie., eds. Petrology and geochemistry of magmatic suites of rocks in the continental and oceanic crusts: A volume dedicated to Professor Jean Michot. Bruxelles: ULB, 1996.

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Thinés, Georges, Alan Costall, and George Butterworth, eds. Michotte's Experimental Phenomenology of Perception. Routledge, 2013. http://dx.doi.org/10.4324/9781315889979.

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Michotte's Experimental Phenomenology of Perception. Taylor & Francis Group, 2015.

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Michotte's Experimental Phenomenology of Perception. Routledge, 2013.

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Butterworth, George, Alan Costall, and Georges Thinés. Michotte's Experimental Phenomenology of Perception. Taylor & Francis Group, 2013.

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Book chapters on the topic "Michotte"

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Calabi, Clotilde. "Cats! Michotte’s New Enigma of Perception." In Perceptual Illusions, 124–41. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230365292_8.

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Abdurraqib, Samaa. "“Just Another Monster”: Michonne and the Trope of the Angry Black Woman." In Bad Girls and Transgressive Women in Popular Television, Fiction, and Film, 227–51. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47259-1_12.

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Yanuar, Naldo. "Narration Effectivity with Artificial One Shot Cinema Using Michotte’s Focal Point Framework in “Dungeons & Dragons: Honour Among Thieves”." In Atlantis Highlights in Social Sciences, Education and Humanities, 174–82. Dordrecht: Atlantis Press International BV, 2024. http://dx.doi.org/10.2991/978-94-6463-390-0_17.

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Gershman, Samuel. "Structure and origins of inductive bias." In What Makes Us Smart, 25–37. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691205717.003.0003.

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This chapter discusses what kinds of inductive biases people have and how general are they. It examines some inductive biases that are sufficiently pervasive and can be considered domain-general, such as causality in which people perceive events as contingent on other events, not merely correlated with them. For example, when a moving object touches a stationary object and the stationary object then begins to move, people perceive the moving object as causing the movement of the stationary object. The chapter mentions psychologist Albert Michotte, who showed that the impression of causality can be generated by very sparse visual information. Michotte's findings demonstrate that causality can be apprehended from extremely sparse information; the observers know virtually nothing about the structure of the environment in which these perceptual events are occurring.
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"Albert Michotte: A Psychologist for All Sites and Seasons." In Portraits of Pioneers in Psychology, 174–90. Psychology Press, 2003. http://dx.doi.org/10.4324/9781410607638-16.

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van Eck, Caroline. "Movement, Animation, and Intentionality." In Piranesi's Candelabra and the Presence of the Past, 149—C6.F8. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192845665.003.0007.

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Abstract Chapter 6 returns to the issue of lifelikeness and animation, to untangle a few strands in the varieties of human-thing entanglement discussed here in the light of recent research inspired by the Uncanny. Drawing on the research into perceptual attribution mechanisms by Albert Michotte, Fritz Heider, and Marianne Simmel, and Gabriela Airenti, this chapter develops an analysis of such emotional or even bodily investment in art and of such excessive varieties of human–thing entanglement, that lifts them out of the realm of art historical anecdote, and provides at least the rudiments for not only an artistic but also a psychological account of these emotional and physical investments in art.
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D’Aloia, Adriano. "Acrobatics." In Neurofilmology of the Moving Image. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725255_ch02.

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The chapter ‘Acrobatics. On the wires of empathy’ takes as a starting point Edith Stein’s critique of psychologist Theodor Lipps’ notion of empathy (Einfühlung) and her original proposal for a phenomenology of intersubjectivity. Since this debate revolves around the example of an observer watching an acrobat walking on a wire in mid air, the chapter offers an analysis of acrobatic actions in contemporary cinema (such as in Zemeckis’ The Walk) and reflects on both disembodied and embodied accounts of empathy in film studies. Recovering the filmological meaning of this term (introduced into film studies by psychologist Albert Michotte) and developing a model of cinematic empathy along the lines of Stein’s theory, the chapter illuminates the importance of the unbalancing/rebalancing dynamic in creating the spectator’s proprioceptive experience of disequilibrium.
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"Die Dissoziierung der Welten (Michotte van den Berck, Christian Metz, Robert Musil)." In Der Leihkörper, 171–92. Wilhelm Fink Verlag, 2013. http://dx.doi.org/10.30965/9783846754948_008.

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"Albert Michotte’s »artificial animals«." In Bilder animierter Bewegung/Images of Animate Movement, 135–57. Wilhelm Fink Verlag, 2013. http://dx.doi.org/10.30965/9783846756249_007.

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"Phenomenal Causality." In Michotte's Experimental Phenomenology of Perception, 65–130. Routledge, 2013. http://dx.doi.org/10.4324/9781315889979-10.

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