Academic literature on the topic 'Middle East film'

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Journal articles on the topic "Middle East film"

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Akser, Murat. "New Media and Film Festivals in the Middle East." CINEJ Cinema Journal 4, no. 1 (2015): 110–21. http://dx.doi.org/10.5195/cinej.2014.120.

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This paper is about two things. On the one hand it tries to observe some of the changes after the digital revolution, changes that had an impact on film festivals. The digital projection and acceptance of digital films to film festivals have been achieved. Yet an aspect of this digitization is under attack. The film submissions through digital portals. The second aspect is often neglected and an under the other topic: short film festivals, especially for and by the young.
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Saglier, Viviane. "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation." Review of Middle East Studies 54, no. 2 (2020): 328–35. http://dx.doi.org/10.1017/rms.2021.7.

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What can film studies bring to the study of Arab culture, politics, and history? The past ten years have seen an increase in historical, theoretical, and methodological exchanges between Middle East studies and film and media studies. The sub-field of “Arab film studies” (Ginsberg and Lippard 2020, viii) has emerged as one possible intersection of these two fields of inquiry. This is illustrated by two recent book series, the Cinema and Media Cultures in the Middle East series at Peter Lang Publishing (edited by Terri Ginsberg and Chris Lippard) and the Palgrave Studies in Arab Cinema series a
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Shemer, Yaron. "Thematics and Hermeneutics in Four Recently Published Books on Middle Eastern/Arab Cinema." Review of Middle East Studies 50, no. 1 (2016): 58–66. http://dx.doi.org/10.1017/rms.2016.68.

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Along with the periodic irreverence towards Area Studies by its disciplinary counterparts, there has also been some discomfort within the narrow confines of Film Studies for scholarship that focuses on individual national or regional cinemas. And yet, the growing interest in the cinema of the Middle East (North Africa included) is unquestionable. The four books reviewed here are part of this trend; dozens of other publications on Middle Eastern cinema have been authored in English alone in the new millennium. Explanations for this (re)ignited interest go beyond the obvious political currents i
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Wessels, Josepha Ivanka. "Cosmopolitanism, Activism and Arab Documentary Film." Middle East Journal of Culture and Communication 13, no. 2 (2020): 210–31. http://dx.doi.org/10.1163/18739865-01302003.

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Abstract Since the 1970s, Arab documentary filmmakers have highlighted struggles for personal freedom, dignity and democracy by those restricted by oppressive systems of colonialism, occupation and authoritarianism. In this article I study four contemporary Arab documentary films to identify a path vital for the rethinking of cosmopolitanism and global citizenship in Middle East studies. After the 2011 global interest in the Arab uprisings, Syrian and Palestinian documentaries rose to acclaim at international film festivals, and won Emmys and Oscar nominations. The often character-led stories
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Kiasatpour, Soleiman M. "The Internet and Film: Teaching Middle East Politics Interactively." PS: Political Science and Politics 32, no. 1 (1999): 83. http://dx.doi.org/10.2307/420755.

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Kiasatpour, Soleiman M. "The Internet and Film: Teaching Middle East Politics Interactively." PS: Political Science & Politics 32, no. 01 (1999): 83–89. http://dx.doi.org/10.1017/s1049096500048903.

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Almughni, Opel, Edward Edward, and Mohammad Fauzi. "Breadwinner’s Propaganda within the English Foreign Movie’s Depiction of Middle-East." Elsya : Journal of English Language Studies 2, no. 2 (2020): 30–34. http://dx.doi.org/10.31849/elsya.v2i2.4929.

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Film is one of media products whose development as art product that have free-expression, it is also one of the mainstream media. The presence of a film provides its own color in other media mass competition to benefit for many people. This study deals with an analysis of propaganda by film techniques used in The Breadwinner film. The purpose of this study is to find out the types, the meanings and the functions of Propaganda used in The Breadwinner film. The data are taken from the script of The Breadwinner, Angelina Jolie as A Producer released on 8th September 2017 and directed by Nora Twom
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Hertzog, Esther. "Anthropological Perspectives on Two Documentary Films on Women in the Middle East." Anthropology of the Middle East 14, no. 1 (2019): 142–50. http://dx.doi.org/10.3167/ame.2019.140109.

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In this essay, I refer to two documentaries demonstrating some common features of male violence against women in the Jewish and Palestinian societies in Israel. Abeer Zaibak Haddad’s film about ‘honor killing’ illustrates the profound threat on girls’ and women’s physical safety. Yael Katzir’s film is about Jewish women’s struggle for religious rights. It is argued that being subjugated to patriarchal control, both Arab and Jewish women are denied fundamental rights. This understanding implies that, despite basic differences in socio-economic conditions and civil rights, women’s oppression is
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Yaqub, Nadia. "Teaching with Film and Photography in Introductory Middle East Courses." Review of Middle East Studies 51, no. 1 (2017): 50–54. http://dx.doi.org/10.1017/rms.2017.53.

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Some years ago, a colleague from another institution told me how much she was looking forward to screening Nasser 56 in her introductory Middle East history course. Students had just finished reading about the Nasser era, and the screening of Muhamad Fadel's stylish biopic starring the charismatic film star Ahmed Zaki would serve as an enjoyable way to round out the unit. I was surprised, not at my colleague's use of the film in her class, but at her timing. Released in 1996, Nasser 56 is very much the product of the Mubarak era. It offers rich opportunities to discuss the particular challenge
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Dadar, Taraneh. "Film in the Middle East and North Africa: Creative Dissidence." British Journal of Middle Eastern Studies 41, no. 4 (2014): 526–27. http://dx.doi.org/10.1080/13530194.2014.957478.

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Dissertations / Theses on the topic "Middle East film"

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Mokdad, Linda Y. "Imaginary geography: mapping the history of the Middle East in post-9/11 American cinema." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/1702.

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This dissertation examines a cycle of Hollywood films that spans over a decade, and which engages with and privileges a historical and geopolitical framework to address America's encounters and confrontations with the Middle East. At one level, these films map the 9/11 terrorist attacks onto various sites and histories that signify a contentious relationship between the Middle East and the United States (including Islamic fundamentalism, the invasions of Afghanistan and Iraq, the Arab-Israeli conflict, or the struggle over oil). In doing so they incorporate and absorb elements from other media
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Lindkvist, Erik. "Nobody likes the Middle East. There is nothing there to like. : En postkolonial studie av hur Hollywoodfilmer framställer människor från Mellanöstern före och efter 9/11." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-33684.

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This study is a comparative analysis of how Hollywood portrays people from the Middle East before and after 9/11. The films used to conduct this study are True Lies (1994), The Siege (1998), The Kingdom (2007) and Body of Lies (2008). With a qualitative methodology, discourse analysis and postcolonial theory this study analysed not only how people from the Middle East is portrayed, but also how the Americans in the films are presented and how the characters in the films changed in the movies produced after 9/11.      The results show that people from the Middle East are portrayed in a negative
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Srour, Nemesis. "Bollywood Film Traffic. Circulations des films hindis au Moyen-Orient (1954-2014)." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH185.

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En 1965, la présence de films indiens dans la région arabe fait débat. La popularité des films indiens est perçue comme une « invasion » par certains, tandis que les raisons de ce succès sont formulées en termes essentialistes, comme « une sorte de spontanéité innée » par l’historien du cinéma Georges Sadoul (Centre interarabe du cinéma et de la télévision 1965). Pour restituer ces ambivalences, l’objet de ce travail n’a pas été d’offrir les arguments d’une connivence culturelle entre les films indiens et les pays arabes, mais de documenter les circulations des films, participant d’une histoir
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Amanat, Shayda. "Iran and the Arab World Through A Female Lens: Deconstructing Western Phantasms and Terrors." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/428.

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This thesis explores how today’s Sheherazades, in this case women photographers from the Middle East, create alternative representations that constitute new meanings and understandings of life, gender, and politics in Iran and the Arab world.
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Fritsch-El, Alaoui Lalla Khadija. "Arab, Arab-American, American: Hegemonic and Contrapuntal Representations." Doctoral thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2005. http://nbn-resolving.de/urn:nbn:de:swb:14-1127973189644-22995.

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Arab, Arab-American, American: Hegemonic and Contrapuntal Representations, explores the US mainstream discourse on the Arabs in the 1990s in different cultural texts: academic, popular and media, including Hollywood. The project investigates how these representational practices participate in the reconfiguration of American public opinion vis-à-vis the Arabs. It also focuses on the ways in which the various discourses that produce or even invent the "Other" are undeniably linked to the local and global power relations associated with their specific locations. Inspired by Edwa
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Shavit, Avner. "Occupy Hollywood : la nouvelle subversivité du Cinéma américain." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA042/document.

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Cette thèse s'intéresse aux films américains réalisés en réponse à l'implication de l'armée nationale au Moyen-Orient depuis le début des années 2000. Elle cherchera à prouver que ces films sont intrinsèquement différents de ceux réalisés aux États-Unis en réponse à des conflits antérieurs.L'étude historique du cinéma de guerre américain montre qu'il a traversé un processus qui l'a conduit à partir d'un cinéma qui considère les guerres américaines comme des guerres obligatoires vers un cinéma qui considère les guerres américaines comme des guerres de choix, provoquées par une addiction : l'add
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Sellers, Catherine Clabby. "Botanical gardens the influence of Islam, arid lands, and water in the Middle East /." Thesis, The University of Arizona, 1988. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu_e9791_1988_201_sip1_w.pdf&type=application/pdf.

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McKahan, Jason Grant. "Hollywood counterterrorism: violence, protest and the Middle East in U.S. action feature films /." Tallahassee, Florida : Florida State University, 2009. http://etd.lib.fsu.edu/theses/available/etd-11162009-124125/.

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Thesis (Ph. D.)--Florida State University, 2009.<br>Advisor: Andrew Opel, Florida State University, College of Communication and Information, School of Communication. Title and description from dissertation home page (viewed on May 26, 2010). Document formatted into pages; contains x, 370 pages. Includes bibliographical references.
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Siddiqui, Daniyal. "COVID-19 Impact on the Logistics Industry : A case study developed with a scoial and economic sustainability perspective on a firm operating in the Middle East." Thesis, Jönköping University, JTH, Logistik och verksamhetsledning, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-51915.

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The purpose of this research study is to explore the impacts of COVID-19 on the demands, lead times and work conditions of an aviation firm which offers parts and maintenance services to both the commercial and military sectors. To achieve this, two research questions were answered; The first one dealt with the impact of COVD-19 on the demand and leads times of an aviation company while the second questions assess the work conditions and the steps and measures taken for these pandemic related improvements. To answer these questions, a case study was conducted on an aviation firm located in Dub
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Stubbs, Evelyn. "Speaking back : expanding paradigms in Middle East film." Thesis, 2017. http://hdl.handle.net/10500/23474.

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This thesis undertakes a study of four films, directed by Arab directors from Palestine, Lebanon, America and the United Arab Emirates, and argues that these works speak back to the negative representation of Arabs in mainstream Hollywood films. It examines the methods these directors have deployed to contribute to a consciousness on a cultural level. These include the films Amreeka (dir. Dabis, 2009: USA, National Geographic Entertainment), Paradise Now (dir. Abu-Assad, 2005: USA, Warner Bros), West Beirut (dir. Doueiri, 1998: Belgium, France, Norway, Lebanon: 38 Production) and City of Life
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Books on the topic "Middle East film"

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Film in the Middle East and North Africa: Creative dissidence. University of Texas Press, 2010.

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Dönmez-Colin, Gönül. Cinemas of the other: A personal journey with film-makers from the Middle East and Central Asia. Intellect, 2006.

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Dönmez-Colin, Gönül. Cinemas of the other: A personal journey with film-makers from the Middle East and Central Asia. Intellect, 2006.

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Shi'i Islam in Iranian cinema: Religion and spirituality in film. I.B. Tauris, 2011.

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Palestinian literature and film in postcolonial feminist perspective. Routledge, 2012.

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East/West, an ambiguous state of being: The construction and representation of Egyptian cultural identity in Egyptian film. P. Lang, 1995.

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Abbas Kiarostami. University of Illinois Press, 2002.

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A 'toxic genre': The Iraq war films. Pluto Press, 2011.

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The reel Middle Ages: American, western and eastern European, Middle Eastern, and Asian films about medieval Europe. McFarland, 1999.

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Ginger east to west: The classic collection of recipes, techniques, and lore. Addison-Wesley, 1989.

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Book chapters on the topic "Middle East film"

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Tascón, Sonia M. "The Festival: Presences: Eastern Europe, the Middle East, and the United States." In Human Rights Film Festivals. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137454249_8.

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Basson, Anton, Keyan Tomaselli, and Gerda Dullaart. "Audience Response in Film Education." In The Education of the Filmmaker in Africa, the Middle East, and the Americas. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137032690_2.

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Hjort, Mette. "Art and Networks: The National Film School of Denmark’s “Middle East Project”." In The Education of the Filmmaker in Africa, the Middle East, and the Americas. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137032690_7.

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Hjort, Mette. "Introduction: More than Film School—Why the Full Spectrum of Practice-Based Film Education Warrants Attention." In The Education of the Filmmaker in Africa, the Middle East, and the Americas. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137032690_1.

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Meir, Christopher. "Building Film Culture in the Anglophone Caribbean: Film Education at the University of the West Indies." In The Education of the Filmmaker in Africa, the Middle East, and the Americas. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137032690_11.

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Khannous, Touria. "Theoretical Introduction: The evolution of the idea of race in the Middle East and North Africa." In Black-Arab Encounters in Literature and Film. Routledge, 2021. http://dx.doi.org/10.4324/9780429462979-101.

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Ibrahim, Nihad. "Nelly: The Eternal Pyramid of Acting, Film, Theater and Television Musicals in Egypt and the Middle East." In Female Pioneers from Ancient Egypt and the Middle East. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-1413-2_6.

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Arasoughly, Alia. "Film Education in Palestine Post-Oslo: The Experience of Shashat." In The Education of the Filmmaker in Africa, the Middle East, and the Americas. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137032690_6.

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Miller, Toby. "Goodbye to Film School: Please Close the Door on Your Way Out." In The Education of the Filmmaker in Africa, the Middle East, and the Americas. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137032690_8.

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de la Garza, Armida. "Practice-Based Film Education for Children: Teaching and Learning for Creativity, Citizenship, and Participation." In The Education of the Filmmaker in Africa, the Middle East, and the Americas. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137032690_12.

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Conference papers on the topic "Middle East film"

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Oliemans, R. V. A., G. Ooms, H. L. Wu, and A. Duijvestijn. "Core-Annular Oil/Water Flow: The Turbulent-Lubricating-Film Model and Measurements in a 2-in. Pipe Loop." In Middle East Oil Technical Conference and Exhibition. Society of Petroleum Engineers, 1985. http://dx.doi.org/10.2118/13725-ms.

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Alotaibi, M. B., D. K. Cha, S. H. AlSaleh, and A. A. Yousef. "Novel Characterization of Thin Film at Reservoir Fluids Interfaces in Carbonates." In SPE Middle East Oil and Gas Show and Conference. Society of Petroleum Engineers, 2019. http://dx.doi.org/10.2118/194757-ms.

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Thabet, A., M. Samir, and Mountasser M. M. Mahmoud. "New Design for Polypropylene Thin Film of HV Metallized Power Capacitor Using Multiple Nanoparticles Technique." In 2018 Twentieth International Middle East Power Systems Conference (MEPCON). IEEE, 2018. http://dx.doi.org/10.1109/mepcon.2018.8635178.

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Baumgardner, Lonny, Jamal Ahamiri, Chris Kuyken, Mohamed Farouk, Kamel Jammeli, and Ylmer Merchan. "Lean Rig-Less and Explosiveness Abandoning in Morocco." In SPE/IADC Middle East Drilling Technology Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/202076-ms.

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Abstract A 5-well rig-less &amp; explosiveness abandonment campaign by 2 project partners operator and service provider was made a reality in Morocco whereby a novel method of cementing squeeze of perforations and an annular fill-up were established in one single operation. This is called LEAN abandonment and the method was masterminded as a result of intense collaboration between both partners. The method is scale-able and has full merit to target existing legacy wells for abandonment in Morocco and world-wide where appropriate. In this LEAN approach the tubing and annulus were communicating
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Md Noor, Mohd Nazri, Javier Abreu, Alexandr Demyanov, and Nabil Batita. "Packer-Setting Methodology with Auto-Fill Capability and Interventionless Valve Reduces Completion Cost." In SPE/IADC Middle East Drilling Technology Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/202175-ms.

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Abstract A new valve has been designed and qualified to reduce interventions during packer-setting operations. In a typical well, completion with a hydraulic-production packer, the tubing string must be plugged to create the required pressure differential for packer actuation. At desired depth, delivering a preselected circulation rate actuates the tool and converts the string to a closed system, enabling the packer to be set hydraulically. Before designing the valve, an operator's engineering and operational requirements were collected and understood. Then a conceptual design was evaluated, a
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Looten, Kristopher A., and Mustansar Raza. "Temporary Isolation of a Prolific Open Hole Gas Zone using a Non-Damaging Methodology - A Multi-Well Case Study in a Field of Kurdistan N. Iraq." In SPE/IADC Middle East Drilling Technology Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/202074-ms.

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Abstract Objectives/Scope A case study is presented detailing the methodology used to place a non-damaging temporary isolation barrier in a group of naturally fractured, prolific gas wells in a field in Kurdistan. The temporary isolation facilitated removal of the original completion string and installation of the redesign. Wells were returned to production with-out the need to stimulate proving success of the non-damaging methodology employed. Methods, Procedures, Process The operator had 4 wells with OH sections ranging from 33-181m which were completed in the 1980’s - 1990's with no product
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Salimov, Rail, Javier Torres, Yousif Al Katheeri, Yousef Alhammadi, and Ahmed Abdelrahman. "Automation of Formation Tops Estimation Dramatically Reduces Well Planning Process Duration." In SPE/IADC Middle East Drilling Technology Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/202139-ms.

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Abstract Aiming to make the well planning process leaner and agile focusing on duration reduction without compromising quality of deliverables, automation opportunities have been identified within the multi-discipline iterations. The two key criteria considered for the selection of the automation project were: Minimum deployment effort and Maximum value added in efficiency. The initial project objective was to calculate formation tops for a well engineer without requiring the intervention of a geoscientist using commercial software. The methodology utilized is the following: 1. Inputs: Well tr
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Koç, Murat, and Hakkı Çiftçi. "World Investments, Global Terrorism and the New Perception of Politic Risk." In International Conference on Eurasian Economies. Eurasian Economists Association, 2014. http://dx.doi.org/10.36880/c05.01108.

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Based on economic power struggle, the economic strength began to take the place of military power and economic security has been considered as important as military security in this new world order. Multinational companies and their feasibility studies constitute the agenda of politic risks before entering these markets. Political risk faced by firms can be defined as “the risk of a strategic, financial, or personnel loss for a firm because of such nonmarket factors as macroeconomic and social policies, or events related to political instability”. However, terrorism should be considered as a m
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