Academic literature on the topic 'Middle Eastern Music'

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Journal articles on the topic "Middle Eastern Music"

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Dawe, Kevin. "Minotaurs or musonauts? ‘World Music’ and Cretan Music." Popular Music 18, no. 2 (1999): 209–25. http://dx.doi.org/10.1017/s0261143000009053.

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In a recent issue of Popular Music devoted to the music of the Middle East, Martin Stokes and Ruth Davis note that ‘the movement of Middle Eastern sounds into Western cultural spaces … has largely been ignored’ (1996, p. 255) and that ‘Middle Eastern popular musics will probably continue to mark an unassimilable and unwelcome “otherness” for most Europeans and Americans’ (ibid, p. 257). In this paper, written partly in response to these remarks, I examine the movement of contemporary Middle Eastern sounds into Greek cultural space and Greek musical culture, a musical culture that has an affini
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Stokes, Martin, and Ruth Davis. "Introduction." Popular Music 15, no. 3 (1996): 255–57. http://dx.doi.org/10.1017/s0261143000008254.

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This special issue is the first collection of articles specifically devoted to Middle Eastern popular musics to be published anywhere. When we began work on this issue, we were not operating in a void, however. Popular Music has already published a number of articles on Middle Eastern topics and the ‘great names’ associated with mass distributed musics and films in the earlier part of this century – in particular the Egyptian stars Umm Kulthūm and Muhammed 'Abd al-Wahhāb – have already been the subject of excellent studies published elsewhere. This issue has, however, provided us with an oppor
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Wright, O. "Middle Eastern song-text collections." Early Music 24, no. 3 (1996): 454–69. http://dx.doi.org/10.1093/em/24.3.454.

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Rasmussen, Anne K. "Made in America: Historical and Contemporary Recordings of Middle Eastern Music in the United States." Middle East Studies Association Bulletin 31, no. 2 (1997): 158–62. http://dx.doi.org/10.1017/s002631840003563x.

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Although Americans of Middle Eastern origin—be they of Arab, Turkish, Armenian, Sephardic Jewish, Assyrian, Greek, or Central Asian heritage—comprise one of the fastest growing groups in the United States, their music may seem invisible to the American musical connoisseur. Many of the recordings of Middle Eastern American musicians are produced and distributed within community networks. Walk into an Armenian grocer in Watertown, Massachusetts or into a Lebanese audio-video store in Dearborn, Michigan, and you will find hundreds of hours of music by Middle Eastern Americans for your listening p
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AKBAŞ, Arif. "A Sociological Look at Middle Eastern Music." Turkish Academic Research Review - Türk Akademik Araştırmalar Dergisi [TARR] 8, no. 3 (2023): 1092–113. http://dx.doi.org/10.30622/tarr.1298509.

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Müzik, Orta Doğu toplumlarını kuşatmıştır. Afrika ve Asya arasında, üç tek tanrılı dinin beşiği olan Yakın ve Orta Doğu, sözlü gelenekten beslenerek geniş bir yelpazede müzik türleri sunar. Bu makalede Sosyomüzikoloji bağlamında Orta Doğu musikisi incelenecektir. “Sociomusicology” ya da genel tabirle bilindiği şekliyle “sociology of music” (müzik sosyolojisi); müzikal davranışın sosyal yönlerine ve müziğin toplumdaki rolüne odaklanan bir müzikoloji alt alanını ifade etmektedir. Müzikoloji alanındaki araştırmalar sosyolojik yaklaşımlardan ziyade tarih yazımsal ve analitik, eleştirel yaklaşımlar
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Nadjimova, Nigora Abdusolih qizi. "MUSICAL ATTITUDES IN THE HERITAGE OF MIDDLE EASTERN ARTISTS." MODELS AND METHODS IN MODERN SCIENCE 1, no. 14 (2022): 23–25. https://doi.org/10.5281/zenodo.7111435.

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The future of independent Uzbekistan cannot be imagined without young people. The art of music has a direct and strong influence on a person from his youth and occupies a great place in his general cultural development. It is no exaggeration to say that music is spiritual food that penetrates deeply into the human heart. Music is a person's whole life, his constant companion. Undoubtedly, it is true that music has a great role in raising a generation worthy of our ancestors. Education is a set of measures taken to ensure that a person has the necessary characteristics to live in society.
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Gumilar, Teguh, and Rendi Alhusaini. "Kajian Musikologis Terhadap Komposisi Musik Angklung Toel dan Maqam Hijaz." PROMUSIKA 11, no. 1 (2023): 19–29. http://dx.doi.org/10.24821/promusika.v11i1.9202.

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Studi ini bertujuan untuk menunjukan komposisi musik yang menggunakan konsep musik islam dengan kaya fungky. Maqam hijaz merupakah salah satu dari tujuh irama seni membaca Al-Qur’an yang terdapat pada sumber yang dikaji. Hijaz dalam irama memiliki makna doa, panggilan, dan mengingat-ingat sesuatu. Metode yang digunakan dalam penciptaan karya ini adalah pengembangan dasar dari tangga nada maqam hijaz ke dalam bentuk karya musik dengan penggabungan antara dua jenis musik, yaitu musik Timur Tengah, dan musik gaya funky. Karya angklung toel dan maqam hijaz, diketahui bahwa karya musik ini dapat me
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Davis, Ruth. "The art/popular music paradigm and the Tunisian Ma'lūf." Popular Music 15, no. 3 (1996): 313–23. http://dx.doi.org/10.1017/s0261143000008308.

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This article was triggered by a conversation with Jan Fairley, some years back, when she first put to me her idea for a special Middle East issue of Popular Music. My natural enthusiasm was tempered with some quite fundamental reservations. Was there such a phenomenon as ‘popular music’, in any generally accepted sense of the word, in Middle Eastern society? And if so, how were we to identify its repertoires, musicians and contexts? Could a useful distinction be made between ‘popular’ and ‘non-popular’ (or specifically, ‘art’ music) genres? And who, among my Middle Eastern music colleagues, wo
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Li, Marjorie G., Kirk N. Olsen, Jane W. Davidson, and William Forde Thompson. "Rich Intercultural Music Engagement Enhances Cultural Understanding: The Impact of Learning a Musical Instrument Outside of One’s Lived Experience." International Journal of Environmental Research and Public Health 20, no. 3 (2023): 1919. http://dx.doi.org/10.3390/ijerph20031919.

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Rich intercultural music engagement (RIME) is an embodied form of engagement whereby individuals immerse themselves in foreign musical practice, for example, by learning a traditional instrument from that culture. The present investigation evaluated whether RIME with Chinese or Middle Eastern music can nurture intercultural understanding. White Australian participants were randomly assigned to one of two plucked-string groups: Chinese pipa (n = 29) or Middle Eastern oud (n = 29). Before and after the RIME intervention, participants completed measures of ethnocultural empathy, tolerance, social
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Hughes, Andrew. "Centre For Medieval Studies Middle Eastern and Islamic Influence on Western Art & Liturgy." American Journal of Islam and Society 21, no. 2 (2004): 149–52. http://dx.doi.org/10.35632/ajis.v21i2.1811.

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Central to the conference, held during March 5-6, 2004, at Trinity College,University of Toronto (Canada), was the desire of its organizer, AndrewHughes, to find analogies in other disciplines to his speculation that theEuropean plainsong (liturgical chant) of the Middle Ages was performed in a manner similar to that of Middle Eastern music (“Continuous Music:Natural or Eastern? The Origins of Modern Performance Style”). His speculationstemmed from decades of discussions with his colleague TimothyMcGee about the nature of musical sound. Oral transmission, its replacementby various difficult-to
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Dissertations / Theses on the topic "Middle Eastern Music"

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Majeed, Alan. "Middle Eastern Violin Method : A Method for Teaching and Transcribing Middle Eastern Music." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3055.

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My project is first and foremost about developing a pedagogical method for teaching Middle Eastern folk and classical music on the violin. As a secondary goal, I want to know if my own playing could benefit from applying such a method and become more skilled in expressing myself artistically on my instrument.  In order to achieve this, first, I have transcribed and notated music from different music styles of the Middle East, including Kurdish, Persian, Arabic and Turkish music and described the specific traits of these different styles. Then, I have created a method of how to represent differ
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Niousha, Eslahchi. "BEYOND THE WATER: HOW PRONUNCIATION AFFECTS MELODY IN THE ZOROASTRIAN HYMN " THE WATER'S BIRTHDAY" IN AHMAD-ABAD, IRAN." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1595845477078896.

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Han, Yungkyung. "Middle Eastern Style Influences in Shulamit Ran’s Flute Compositions." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396533444.

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El-Turk, Bushra. "Bleeding through… : compositional processes in the integration of Middle Eastern and Western art music." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7900/.

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This thesis consists of a portfolio of 10 compositions accompanied by a written commentary with audio and video recordings of my works. These compositions span a wide variety of instrumentations from large orchestral works to solo instrumental works, of both Western and Eastern traditions, as well as vocal and live art installation pieces. Throughout the commentary I explore the continuum of how Eastern traditional idioms and Western art music play a role in the creation of my musical language. This includes an overview of the history of bi-cultural integration and an exploration of the motiva
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Namazi, Behzad K. "The Radif as Musical Syntax: Instrument Revival in Persian Traditional Music." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou158592049352558.

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Wulfsberg, Joanna Christine. "Singing turkish, performing Turkishness| Message and audience in the song competition of the international Turkish olympiad." Thesis, The University of Arizona, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1589575.

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<p> Turkey's most controversial religious figure is the Muslim cleric and author Fethullah G&uuml;len, whose followers have established around one thousand schools in 135 countries. Since 2003, the G&uuml;len-affiliated educational non-profit T&Uuml;RK&Ccedil;EDER has organized the International Turkish Olympiad, a competition for children enrolled in the G&uuml;len schools. The showpiece of this event is its song contest, in which students perform well-known Turkish songs before live audiences of thousands in cities all over Turkey and reach millions more via television broadcasts and the Int
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Colwell, Rachel R. "An Anxiety of Authenticity? Fusion Musics and Tunisian Identity." Oberlin College Honors Theses / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1274068924.

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Khodier, Nesma Magdy VCUQ. "The Future of Arabic Music: No sound without silence." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4170.

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For centuries, Arabic music has been intrinsically linked to Arab culture and by extension bonded to the environmental landscape of the region, reflecting their emotions, moods, and behaviors. Numerous technological advancements in the latter half of the twentieth century, have greatly affected the rich legacy of Arabic music, significantly impacting the natural progression of traditional Arabic musical genres, scales, and instrumentation. This thesis serves as an introduction to generative methods of music production, specifically music generated through gestures. Through generative music, an
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Karim, Armin. ""My People, What Have I Done to You?": The Good Friday Popule meus Verses in Chant and Exegesis, c. 380–880." Case Western Reserve University School of Graduate Studies / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=case1396645278.

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Beardslee, Thomas Barone. "Questioning Safeguarding: Heritage and Capabilities at the Jemaa el Fnaa." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397570320.

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Books on the topic "Middle Eastern Music"

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Norborg, Åke. Ancient Middle Eastern lyres. Musikmuseets, 1995.

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Talajooy, Saeed. Resistance in contemporary Middle Eastern cultures: Literature, cinema and music. Routledge, 2012.

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Detlef, Gojowy, ed. Studien zur Musik des XX. Jahrhunderts in Ost- und Ostmitteleuropa =: Studies on 20th century music in East and Eastern Middle Europe. A. Spitz, 1990.

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North African and Middle Eastern Music. Taylor & Francis, 1987.

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Darwish, Samir, and Sawsan Fakih. In the Embrace of Music & the Mirrors of New York. Austin Macauley Publishers Ltd., 2019.

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Talajooy, Saeed. Resistance in Contemporary Middle Eastern Cultures: Literature, Cinema and Music. Taylor & Francis Group, 2012.

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Talajooy, Saeed. Resistance in Contemporary Middle Eastern Cultures: Literature, Cinema and Music. Taylor & Francis Group, 2017.

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Talajooy, Saeed. Resistance in Contemporary Middle Eastern Cultures: Literature, Cinema and Music. Taylor & Francis Group, 2012.

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Talajooy, Saeed. Resistance in Contemporary Middle Eastern Cultures: Literature, Cinema and Music. Routledge, 2012.

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Lord, Suzanne. Music in the Middle Ages. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798400688621.

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Music both influences and reflects the times in which it was created. In the Middle Ages, the previous Dark Ages, the Crusades, and the feudal system all impacted the types and forms of music in the period. Charlemagne standardized the church mass and promoted the Gregorian chant, to the point of threatening excommunication if any other were performed. Musical notation — the staff line — was developed during the period. The troubadours of France, Meistersingers of Germany, the Cantus Firmus of Italy, and the instruments that played the music are all included in this thorough guide to music of
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Book chapters on the topic "Middle Eastern Music"

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Schaefer, John Philip Rode. "Middle Eastern Music and Popular Culture." In A Companion to the Anthropology of the Middle East. John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781118475683.ch25.

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Daniel, Ondrej. ""Vodka, Beer, Papirosy"." In Music and Democracy. mdwPress / transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456576-007.

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In this chapter, Ondřej Daniel discusses the contemporary developments of hardbass, a predominantly Eastern European electronic dance music style that emerged at the turn of the first decade of the twenty-first century in Russia and spread to different countries of the region and beyond. Specifically, the author focuses on de-politicized and commodified hardbass in relation to social class and the mutations it underwent in late postsocialism in Eastern Europe, while paying particular attention to contexts of the Czech Republic and Russia. In terms of transnational circulation, Daniel approache
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Ghobrial, John-Paul. "Epilogue: The Maestro and his Music." In Middle Eastern and European Christianity. Edinburgh University Press, 2023. http://dx.doi.org/10.1515/9781399503556-019.

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Ghobrial, John-Paul. "The Maestro and his Music." In Middle Eastern and European Christianity, 16th-20th Century. Edinburgh University Press, 2023. https://doi.org/10.3366/edinburgh/9781399503532.003.0012.

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In the Epilogue, John-Paul Ghobrial surveys the themes that run across the chapters of the book, and he identifies in them several aspects of the distinctive way in which Bernard Heyberger has given shape to the lived experiences of Eastern Christians across a range of local, national, and international contexts. The Epilogue also pays special attention to the central position Heyberger occupies within several communities of scholarship, whilst recognizing the enduring contributions he has made through his roles as a teacher, mentor, collaborator, and friend to colleagues and students alike.
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Marcus, Scott. "Creating a Community, Negotiating Among CommunitiesPerforming Middle Eastern Music for a Diverse Middle Eastern and American Public." In Performing EthnomusicologyTeaching and Representation in World Music Ensembles. University of California Press, 2004. http://dx.doi.org/10.1525/california/9780520238749.003.0012.

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"Singing the Unspeakable, Resisting Power: Nazan öncel, Popular Music and Women’s Rights in Modern Turkey." In Resistance in Contemporary Middle Eastern Cultures. Routledge, 2012. http://dx.doi.org/10.4324/9780203084915-21.

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"A Guide to Publications on Middle Eastern Music Alexander J. Fisher." In The Garland Encyclopedia of World Music. Routledge, 2017. http://dx.doi.org/10.4324/9781315086460-32.

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"A Guide to Recordings of Middle Eastern Music Alexander J. Fisher." In The Garland Encyclopedia of World Music. Routledge, 2017. http://dx.doi.org/10.4324/9781315086460-33.

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Xepapadako, Avra. "European Itinerant Opera and Operetta Companies Touring in the Near and Middle East." In The Music Road. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266564.003.0016.

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Τ‎his chapter focuses on the activity of musical theatre companies touring in south-eastern Europe, the Near East, the Caucasus and Central Asia during the 19th and early 20th centuries. It investigates cultural transfer and amalgamation between the metropolitan culture of the West and the Orient in the domain of opera and operetta. Greece, in particular, functioned as a cultural crossroads between East and West. From 1840 onwards, Italian opera companies began to tour in Greece and its new theatres, and even further towards the Near East; they were followed, from 1870 onwards, by French opere
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"“An Eastern Child of a Western Invasion”: Questions of Identity, Socio-Political Commentaries and Innovation in Tehran’s Unoffi Cial Rock Music Scene." In Resistance in Contemporary Middle Eastern Cultures. Routledge, 2012. http://dx.doi.org/10.4324/9780203084915-22.

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Conference papers on the topic "Middle Eastern Music"

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Abitov, Baybolot. ""BABUR-NAME" AS A COMPREHENSIVE SOURCE ON THE HISTORY OF THE EAST: ADVANTAGES AND PROBLEMS." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/dhed2277.

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“Babur-nama” is considered by us as a very important and wide-profile source on history, ethnography, culture, geography, oriental studies, toponymy, jurisprudence of peoples and states of the vast territories, a number of regions of the East, in the Middle Ages and the beginning of modern times. “Babur’s Zapiski” informs in detail about the deeds of the people of state administration -rulers, commanders, no less skillfully tells about poets, people of art, music, as well as scientists, whose successes have opened up new achievements of science. It is noted that “Babur-nama” acts as a very val
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