Academic literature on the topic 'Midrash Midrash'

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Journal articles on the topic "Midrash Midrash"

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Bar-Asher Siegal, Michal, and Avi Shmidman. "Reconstruction of the Mekhilta Deuteronomy Using Philological and Computational Tools." Journal of Ancient Judaism 9, no. 1 (2018): 2–25. http://dx.doi.org/10.30965/21967954-00901002.

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The tannaitic legal Midrashim did not all survive and are not all known to us in a complete independent form. David Zvi Hoffman was one of the first scholars to recognize the 13th century Yemenite Midrash, Midrash haGadol, written by R. David of Aden, as a major source of the lost legal Midarshim. He published the Midrash Tannaim, containing all of the tannaitic looking paragraphs from Midrash haGadol on the book of Deuteronomy. However, the author of Midrash haGadol often introduced changes into the material he borrowed from rabbinic and medieval sources. The resulting passages often seem to
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Schlossberg, Eliezer. "Between Old and New in Yemenite Midrashic Literature." Review of Rabbinic Judaism 23, no. 1 (2020): 75–88. http://dx.doi.org/10.1163/15700704-12341364.

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Abstract The Midrashim mentioned and described briefly in this article—R. Avraham ben Shlomo’s commentary on the early and later prophets, the Midrash Shoʿel U-Meshiv, and the anonymous Midrash on the Torah written at the beginning of the sixteenth century—represent the transitional stage between the classic and the later Yemenite Midrash. The former are written in a mixture of Hebrew and Arabic, based on rabbinic writings and on the teachings of great medieval scholars such as R. Saadia Gaon and Maimonides, while the latter are written almost solely in Hebrew and based mainly on esoteric, sym
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Atzmon, Arnon. "Midrashic Traditions, Literary Editing, and Polemics in Midrash Tehillim 22: Between Judaism and Christianity." Journal for the Study of Judaism 51, no. 1 (2020): 97–124. http://dx.doi.org/10.1163/15700631-12511288.

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Abstract In this article I demonstrate how a careful reading of the text of Midrash Tehillim 22 reveals a clear distinction between its different developmental layers. While we do find the identification of particular verses with Esther in the early stages of the midrash’s development, there is no reason to assume that this identification was rooted in an anti-Christian polemic. On the other hand, in the later layers of the midrash, we find clear echoes of the systematic creation of a continuous exegesis that focuses on identifying the entire Psalm with Esther. The background for this trend wa
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Nikolsky, Ronit. "De functie van parabels (mesjalim) in de Tanchuma." NTT Journal for Theology and the Study of Religion 71, no. 2 (2017): 151–68. http://dx.doi.org/10.5117/ntt2017.71.151.niko.

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Abstract This article takes the narrative nature of parables seriously and looks at their role from this perspective. After theorizing the cognition- and cultural role of stories, four meshalim from the Tanhuma Midrashim are studied: ‘Grasshoppers in a jar’ (about the Tower of Babel), ‘Abraham’s circumcision’, ‘The baby on the table’ (about the sacrifice of Isaac), and ‘The calf and its mother’ (about Joseph and the Egyptian exile). The conclusion of this case study is that the role of meshalim is not to interpret the biblical text as such, but to change the audience’s attitude toward the bibl
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Abramson, Glenda. "Modern Midrash." Journal of Jewish Studies 39, no. 2 (1988): 291–92. http://dx.doi.org/10.18647/1427/jjs-1988.

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Schleicher, Marianne. "Mystical Midrash." Nordisk Judaistik/Scandinavian Jewish Studies 24, no. 1-2 (2003): 149–66. http://dx.doi.org/10.30752/nj.69604.

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This article conceives of mystical midrash as the act of interpreting the details of a Torah verse with the purpose of entering a meditative or ecstatic state of union with God, in which the mystic by drawing down God’s insights can explain how the Torah verse mediates the micro-macrocosmic relation between God’s will and the course of history. However, since mystical midrash is such a rare phenomenon in Judaism, I have chosen to highlight the various approaches to the Torah in Jewish mysticism as a background for understanding why only one of these approaches qualifies for the epithet ‘mystic
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Moore, Zoe Bennett, Steven Shakespeare, William Gulliford, and Ross K. Bell. "A Midrash." Feminist Theology 6, no. 18 (1998): 29–40. http://dx.doi.org/10.1177/096673509800001803.

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Van der Heide, Albert. "Midrash and exegesis – distant neighbours?" Nordisk Judaistik/Scandinavian Jewish Studies 20, no. 1-2 (1999): 7–18. http://dx.doi.org/10.30752/nj.69555.

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The term Midrash should be reserved for the specific quotation literature of the rabbinic sources of classical Judaism. Decisive is its literary form: the combination of rabbinic statement and biblical quotation. All other rabbinic and non-rabbinic texts should better not be called Midrash. Great caution is needed in the use of the term exegesis in relation to Midrash. For the modern mind exegesis is something connected with critical philology and history. In principle Midrash is something completely different and could more aptly be called ‘a kind of theology’ than the usual designation as ‘a
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Koplowitz-Breier, Anat. "‘Turn it Over and Over’ (Avot 5:22): American Jewish Women’s Poetry on Lot’s Wife." Literature and Theology 34, no. 2 (2020): 206–27. http://dx.doi.org/10.1093/litthe/fraa004.

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Abstract Although mentioned only twice in Genesis (19:17, 26), Lot’s wife has been a topic of much discussion amongst both traditional and modern commentators and exegetes. However, as opposed to the androcentric traditional midrash, the Jewish American women poets, who write midrashic-poetry, re-read the biblical story with a feminine/feminist lens, making what Alicia Ostriker calls ‘revisionist mythmaking.’ In this article, I shall focus on seven poems written from the 1980s through to 2014. I shall endeavor to evince the way(s) in which they make use of the biblical text, dealing with theme
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Aschkenasy, Nehama. "Introduction: Recreating the Canon." AJS Review 28, no. 1 (2004): 3–9. http://dx.doi.org/10.1017/s0364009404000029.

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In the articles gathered here, scholars of Hebrew revisit modern literary works and cultural documents through the prism of their continuing discourse with the Hebraic master narrative, the Bible. These scholars identify twin patterns in modern Hebrew texts: one is of embedding biblical prototypes, dramatic or semantic, in modern writings, while often questioning, challenging, and reversing the ancient models; the other is recreating and foregrounding specific biblical characters, scenes, or images, yet endowing them with a contemporary consciousness or placing them within the current cultural
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