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Relevant bibliographies by topics / Midsummer marriage (Tippett, Michael)

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Academic literature on the topic 'Midsummer marriage (Tippett, Michael)'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Midsummer marriage (Tippett, Michael)"

1

Savage, R. "On Truth and Semblance in an Operatic and Extra-operatic Sense: Michael Tippett's The Midsummer Marriage." Opera Quarterly 25, no. 3-4 (2009): 270–83. http://dx.doi.org/10.1093/oq/kbp044.

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Hyde, Thomas. "Oliver Soden, Michael Tippett: The Biography (London: Weidenfeld & Nicolson, 2019), ISBN 978-1-474-60602-8 (hb). - Roger Savage, The Pre-History of ‘The Midsummer Marriage’, RMA Monographs 34 (Abingdon and New York: Routledge, 2020), ISBN 978-0-367-24316-6 (hb)." Twentieth-Century Music 17, no. 2 (2020): 269–76. http://dx.doi.org/10.1017/s1478572220000055.

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Lavers, Katie. "Cirque du Soleil and Its Roots in Illegitimate Circus." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.882.

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IntroductionCirque du Soleil, the largest live entertainment company in the world, has eight standing shows in Las Vegas alone, KÀ, Love, Mystère, Zumanity, Believe, Michael Jackson ONE, Zarkana and O. Close to 150 million spectators have seen Cirque du Soleil shows since the company’s beginnings in 1984 and it is estimated that over 15 million spectators will see a Cirque du Soleil show in 2014 (Cirque du Soleil). The Cirque du Soleil concept of circus as a form of theatre, with simple, often archetypal, narrative arcs conveyed without words, virtuoso physicality with the circus artists prese

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Books on the topic "Midsummer marriage (Tippett, Michael)"

1

Savage, Roger. Pre-History of 'the Midsummer Marriage': Narratives and Speculations. Taylor & Francis Group, 2019.

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Pre-History of 'the Midsummer Marriage': Narratives and Speculations. Taylor & Francis Group, 2019.

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Pre-History of 'the Midsummer Marriage': Narratives and Speculations. Taylor & Francis Group, 2019.

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Pre-History of 'the Midsummer Marriage': Narratives and Speculations. Taylor & Francis Group, 2019.

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The early operas of Michael Tippett: A study of The midsummer marriage, King Priam, and The knot garden. E. Mellen Press, 1996.

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Book chapters on the topic "Midsummer marriage (Tippett, Michael)"

1

Savage, Roger. "Michael Tippett and Douglas Newton to 1943." In The Pre-history of ‘The Midsummer Marriage’. Routledge, 2019. http://dx.doi.org/10.4324/9780429281662-1.

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2

"Back to Nietzsche? Transformations of the Dionysiac in The Midsummer Marriage and King Priam." In The Music and Thought of Michael Tippett. Cambridge University Press, 2001. http://dx.doi.org/10.1017/cbo9780511549670.004.

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Bowen, Meirio. "The Midsummer Marriage." In Tippett on Music. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198165415.003.0016.

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Abstract I picked up once off a book barrow in Berne a mid-nineteenth-century brochure, which was a set of lectures given by a von Stein about the theatrical relations of Schiller to Goethe. I have an idea that the lecturer was the son (or grandson?) of Goethe’s Frau von Stein, but I have lost the brochure and cannot be certain. In any case the tone of voice was of someone very close to the Weimar circle. As I have not read Schiller properly or seen his plays, I found all von Stein had to say about him interesting and new. Von Stein examined Schiller’s idea that one of the roles in a drama mig

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4

"“Was it a Vision? Was it a dream?”: The Idea behind the Dream in Michael Tippett’s Opera The Midsummer Marriage." In Träumen mit allen Sinnen. Brill | Fink, 2021. http://dx.doi.org/10.30965/9783846765920_007.

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5

Gloag, Kenneth. "Tippett’s operatic world: fromThe Midsummer MarriagetoNew Year." In The Cambridge Companion to Michael Tippett. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cco9781139135122.017.

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Savage, Roger. "Fresh beginnings and continuities (Tippett solus)." In The Pre-history of ‘The Midsummer Marriage’. Routledge, 2019. http://dx.doi.org/10.4324/9780429281662-7.

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7

Soden, Oliver. "Tippett, Eliot and Madame Sosostris 1." In The Edinburgh Companion to Literature and Music. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9780748693122.003.0067.

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The origins of Sosostris in Tippett’s opera The Midsummer Marriage (1946–52) are traced back to a passage in Aldous Huxley’s Crome Yellow (1921) in which a character disguised himself as ‘Madame Sesostris, Sorceress of Ecabatana’. In between is Madame Sosostris, the ‘famous clairvoyante’ of T. S. Eliot’s The Waste Land (1922). Tippett, on Eliot’s advice, had written his own libretti for The Midsummer Marriage and all his subsequent operas, later writing that ‘echoes of [Eliot’s] prosody sound in everything I have written for myself to set to music’. In a parallel to Eliot’s harnessing of the p

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8

Bowen, Meirio. "The Stage." In Tippett on Music. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198165415.003.0023.

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Abstract My first direct experience of professional opera was when I was a student in the 1920s and took part as an extra in a performance of Die Meist.ersinger at Covent Garden. Standing there amongst an immense chorus, I was impressed first of all by the sheer size and depth of the stage. What also became imprinted on my memory was the image of the man in the prompt—box-only visible to us performers—continuously conducting and mouthing words. The dimensions of the Covent Garden stage affected my thinking when, decades later, I embarked on The Midsummer Marriage. Maybe I tended too much then

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