Relevant bibliographies by topics / Mies van der Rohe Archive

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Mies van der Rohe Archive'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Mies van der Rohe Archive"

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Hanenberg, Norbert, and Daniel Lohmann. "The Verseidag Silk Factory in Krefeld. Architectural History and Restoration of a much-neglected Mies van der Rohe Project." Heritage of Mies, no. 56 (2017): 16–25. http://dx.doi.org/10.52200/56.a.3f4yitqa.

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Although the buildings for the Verseidag silk factory, in Krefeld, Germany, are the only factory buildings that Mies van der Rohe ever planned and built (1931-38), many open questions remain about the history and development of the site. The paper presents new research results on the architectural history and materiality of the site that are derived from detailed documentation on site and analysis of newly available archive material. The scientific results and the acquired knowledge directly influence the current restoration of the buildings, in which the key characteristics designed by Mies v
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Rocah, Louis. "Review: Mies van der Rohe: A Critical Biography by Franz Schulze, The Mies van der Rohe Archive of the Museum of Modern Art." Journal of the Society of Architectural Historians 46, no. 1 (1987): 87–88. http://dx.doi.org/10.2307/990152.

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Moreno, Catalina Mejía. "There was once an empty site." Architectural Research Quarterly 24, no. 2 (2020): 129–40. http://dx.doi.org/10.1017/s1359135520000214.

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This article unveils and discusses a series of unknown photographs of the empty site in which Mies and Lilly Reich's 1929 German Pavilion in Barcelona had been built and dismantled, and shot by Ludwig Glaeser, curator of the Mies van der Rohe Archive at MoMA in 1979. It suggests that more than the manifestation of a desire to rematerialise the building through the agency of photography, Glaeser's photographs are, photographs of dust, but more importantly, a manifestation of the possibility of re-enacting the widely known 1929 Berliner Bild-Bericht photographs.
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Lizondo Sevilla, Laura, José Santatecla Fayos, and Nuria Salvador Luján. "Mies en Bruselas 1934. Síntesis de una arquitectura expositiva no construida." VLC arquitectura. Research Journal 3, no. 1 (2016): 29. http://dx.doi.org/10.4995/vlc.2016.4142.

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<p>The article delves into the complex world of exhibition architectures, those whose destiny is reduced to be mounted, exposed and dismantled in a short period of time. A process that allows a quick experience of architecture, bounded in time, and whose experimentation gives rise to the birth of new concepts. The text focuses on the German Pavilion designed by Mies van der Rohe for the Brussels World’s Fair of 1934, his only unbuilt ephemeral architecture due to the political uniqueness of the moment. Now, criticism and the archive allow us to reinterpret its contribution to the history
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Saia, Luís. "Mies van der Rohe." Risco: Revista de Pesquisa em Arquitetura e Urbanismo (Online), no. 18-19 (December 30, 2014): 187. http://dx.doi.org/10.11606/issn.1984-4506.v0i18-19p187-188.

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Montes Serrano, Carlos, and Marta Alonso Rodríguez. "Las diez maquetas de la Modern Architecture Exhibition, 1932." EGA Revista de expresión gráfica arquitectónica 23, no. 32 (2018): 36. http://dx.doi.org/10.4995/ega.2018.8994.

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<p>Es posible que la exposición de arquitectura más relevante para la difusión del Movimiento Moderno fuera la organizada por Philip Johnson y Henry-Russell Hitchcock en el <em>Museum of Modern Art </em>de Nueva York, en 1932. Inicialmente se había pensado en ofrecer al público una muestra de diez maquetas de los diez arquitectos europeos y estadounidenses más implicados con las vanguardias, encargándoles a cada uno la maqueta de un proyecto diseñado ex profeso para la exposición. Finalmente se les concedió mayor libertad, ampliando la exposición con una selección fotográfica
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Tostões, Ana. "Fritz Neumeyer." Heritage of Mies, no. 56 (2017): 86–87. http://dx.doi.org/10.52200/56.a.nom7mep8.

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In June 2017, Ana Tostões interviewed Fritz Neumeyer, reference expert on Mies van der Rohe, in order to discuss the importance of Mies’s legacy. Neumeyer conducted a deep research on Mies's writings and intellectual activity that has resulted in the worldwide renowned publication Mies van der Rohe. Das kunstlose Wort. Gedanken zur Baukunst [The Artless Word: Mies Van der Rohe on the Building Art] (Berlin, 1986; Cambridge/London, 1991; Madrid/Paris/Milan, 1996; Seoul 2007 — see p. 93) offering a precursor critical anthology of Mies theoretical corpus.
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Cervilla, Alejandro. "La evolución de la imagen de la estructura en las viviendas de Mies van der Rohe." ZARCH, no. 11 (December 4, 2018): 122–37. http://dx.doi.org/10.26754/ojs_zarch/zarch.2018113211.

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Mies van der Rohe es considerado uno de los grandes maestros del siglo XX, tanto por la coherencia de su obra, como por su capacidad de hacer una arquitectura moderna basada en la importancia de la estructura. Así lo reconoce Peter Blake, arquitecto y crítico de Arquitectura, en “El magisterio de la Estructura” capítulo que dedica a Mies van der Rohe dentro de su serie de Maestros de la Arquitectura. En este artículo querríamos analizar la evolución de la imagen de la estructura en las viviendas de Mies van der Rohe, desde su primera casa, la Casa Riehl, construida en Berlín en 1907, hasta su
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Kim, Ransoo. "The tectonically defining space of Mies van der Rohe." Architectural Research Quarterly 13, no. 3-4 (2009): 251–60. http://dx.doi.org/10.1017/s1359135510000102.

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In a unique architectural style of the twentieth century, Ludwig Mies van der Rohe (1886–1969) realised a new type of modern space defined by an unobstructed clear volume enclosed by framed glass skin. This is generally referred to as Mies's universal space and this paper will attempt to interpret Miesian universal space in terms of the idea of tectonically defining space. Mies referred to the term ‘tectonic’, or ‘architectonic’, as constructive appearance exposing the skeleton structure. For Mies, the concept of tectonic was connected to a glassy materiality that permitted the unambiguously c
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Weston, Richard. "Utzon." Architectural Research Quarterly 7, no. 2 (2003): 183–86. http://dx.doi.org/10.1017/s1359135503212136.

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It has taken a long time to be able to assess Jørn Utzon's importance. Until the end of the twentieth century, the architect described by Sigfried Giedion as the most important of the ‘third generation’ hardly appeared in its literature. By contrast we had no such problem with Le Corbusier: there were the Oeuvres Complètes. It was easy to consult any building, indeed sketch, and along the way to be thoroughly coerced into his theoretical position. His massive and megalomaniac contribution to the last century could be studied first through L'Esprit Nouveau, the avant-garde magazine which promul
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Dissertations / Theses on the topic "Mies van der Rohe Archive"

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Moliner, Xavier. "El Fotomuntatge arquitectònic. El cas de Mies Van der Rohe." Doctoral thesis, Universitat de Girona, 2010. http://hdl.handle.net/10803/7858.

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ATENCIÓ: el pes del fitxer txmm3de3.pdf és de 70 MB<br/>RESUM:<br/>El treball realitzat vol ser un anàlisi exhaustiu de l'efecte causat per l'aparició de la fotografia en la representació de l'arquitectura, la seva introducció en les presentacions dels projectes i l'ús del fotomuntatge. Amb el canvi de segle, del dinou al vint, la fotografia ja va començar a entrar en les diferents disciplines artístiques inclosa l'arquitectura, de tal manera que amb l'aparició de les avantguardes artístiques els moviments arquitectònics<br/>moderns també es van mostrar reaccionaris i van incloure, a part de n
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Kim, Ransoo. "The "art of building" (BAUKUNST) of Mies van der Rohe." Diss., Available online, Georgia Institute of Technology, 2006, 2006. http://etd.gatech.edu/theses/available/etd-05042006-143310/.

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Thesis (Ph. D.)--Architecture, Georgia Institute of Technology, 2007.<br>Lewcock, Ronald B., Committee Chair ; Gamble, Michael E., Committee Member ; Bafna, Sonit, Committee Member ; Trubiano, Franca, Committee Member ; Mical, Thomas, Committee Member.
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Sales, Emanuel Belisário da Cunha. "Estrutura e espacialidade na obra de Mies van der Rohe." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/24765.

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O presente trabalho trata da análise da estrutura e da espacialidade na obra de Mies van der Rohe. O objetivo é identificar sistemas e estratégias estruturais diversas ao longo do seu trabalho e entender sua relação com a evolução da concepção espacial de suas obras. Adotou-se como referência para esta análise dois períodos da carreira de Mies: o Período Europeu, de 1906 a 1938, e o Período Americano de 1938 a 1968, nos quais foram identificadas respectivamente quatro fases estruturais, conforme os sistemas estruturais e espaciais utilizados. A investigação centrou-se em quatro obras de referê
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Jiménez, Gómez Eva Maria. "El pilar en Mies van der Rohe: el lèxic de l'acer." Doctoral thesis, Universitat Politècnica de Catalunya, 2012. http://hdl.handle.net/10803/85418.

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The thesis focuses on the columns in Mies, as architectural element through which we can explain all his work. The development of a chronological table that organizes the work of Mies according to the shape of the column reveals us the existence of three distinct periods, each of which corresponds to the development of a different column. FIRST PERIOD: This period corresponds to the study of the star column of small riveting profiles, where a parallelism between the work of Mies, the Alfred Grenander¿s, architect of Siemens, and Peter Behrens¿, architect of AEG, is set up. Mies builds the same
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Jaua, María Fernanda. "El neoplasticismo formativo de Mies van der Rohe : el Federal Center." Doctoral thesis, Universitat Politècnica de Catalunya, 2013. http://hdl.handle.net/10803/666599.

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The thesis examines the architecture of Mies van der Rohe through the observation of a work projected since 1959: the Chicago Federal Center. From here it attempts to reveal the formal sense of his architecture inquiring about how the visual criteria with which he constructs objects relate to the way Neoplasticism conceives. The purpose has been to verify if, and to what extent, the idea of form as relation present throughout his ouvre is a consequence of the adoption and development of the system of relations proposed by Mondrian in his painting. On many occasions certain works of Mies have b
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Traversa, Edoardo. "Fotocollage di Mies van der Rohe: storia, analisi critica, applicazione compositiva, progetto." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/15343/.

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La forma e la ricerca di nuove soluzioni per la sua conformazione e rappresentazione sono una delle cause del deragliamento dell'architettura contemporanea. L'unico fine è quello di alimentare l'apatico interesse consumistico delle masse, ed i social network aumentano esponenzialmente il fenomeno di speculazione visiva, sovraccaricandoci di immagini in cui l'apparenza prevale sulla sostanza. Dalla lezione dei grandi maestri del passato si può recuperare un ordine che metta al centro del progetto l'uomo. Lo scopo è quello di capire i mezzi della composizione architettonica, attualmente infiniti
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Lanuza, Jarquín Carlos. "Las flexiones del arquetipo en la obra de Mies van der Rohe." Doctoral thesis, Universitat Politècnica de Catalunya, 2015. http://hdl.handle.net/10803/288219.

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From the projects developed by Mies in 1929 - the Tugendhat house and the German Pavilion for the Universal Exposition in Barcelona - we could say that it is showed in a more evident way a phase of experimentation, in which he stands apart from his contemporaries. For example, in these projects he uses materials never used before that became recurrent such as marble, onyx and glass. This way of doing architecture that was being forged through years kept as main goal its own refinement using limited and self-imposed means that let him create a particular universe. In addition, it must be said
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Noack, Wita. "Konzentrat der Moderne : das Landhaus Lemke von Ludwig Mies van der Rohe /." München ; Berlin : Dt. Kunstverl, 2008. http://d-nb.info/988193078/04.

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Noack, Wita. "Konzentrat der Moderne das Landhaus Lemke von Ludwig Mies van der Rohe." München Berlin Dt. Kunstverl, 2007. http://d-nb.info/988193078/04.

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Lizondo, Sevilla Laura. "¿Arquitectura o exposición? Fundamentos de la arquitectura de Mies Van Der Rohe." Doctoral thesis, Editorial Universitat Politècnica de València, 2012. http://hdl.handle.net/10251/17941.

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"Cualquiera que esté familiarizado con la arquitectura de Mies van der Rohe asociará su obra alemana al mundo de las exposiciones..." Así empieza uno de los pocos ensayos que tratan la obra expositiva de Mies. Aunque las exposiciones fueron una parte extremadamente importante en su etapa europea, pocos son los textos que centran su discurso en este tema en particular y lo estudian en su globalidad. Durante su etapa europea Mies realizó una larga lista de arquitecturas expositivas que comenzaron con la Colonia de viviendas Weissenhof y continuaron con otros montajes tan significativos como el
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Books on the topic "Mies van der Rohe Archive"

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Arthur, Drexler, Schulze Franz 1927-, and Mies van der Rohe Archive., eds. The Mies van der Rohe Archive. Garland Pub., 1986.

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Ludwig Mies van der Rohe. Ludwig Mies van der Rohe. Gustavo Gili, 1994.

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Mies van der Rohe, Ludwig, 1886-1969., ed. Mies van der Rohe. Hazan, 1994.

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Spaeth, David A. Mies van der Rohe. Architectural Press, 1985.

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Mies van der Rohe, Ludwig, 1886-1969, ed. Mies van der Rohe. Hazan, 2007.

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Spaeth, David A. Mies van der Rohe. Architectural Press, 1985.

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Mies van der Rohe. Spon, 1996.

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Aurora, Cuito, and Sousa Rui Morais de, eds. Mies van der Rohe. te Neues, 2002.

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Mies van der Rohe. 6th ed. Birkhauser Verlag, 1997.

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Luiz, Trigueiros, Barata Paulo Martins 1965-, and Safran Yehuda, eds. Mies van der Rohe. Blau, 2000.

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Book chapters on the topic "Mies van der Rohe Archive"

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Conrads, Ulrich. "Ludwig Mies van der Rohe Arbeitsthesen." In Programme und Manifeste zur Architektur des 20. Jahrhunderts. Vieweg+Teubner Verlag, 2001. http://dx.doi.org/10.1007/978-3-663-13972-0_28.

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Callender, Jassen. "Mies van der Rohe in Chicago." In Architecture History and Theory in Reverse. Routledge, 2017. http://dx.doi.org/10.4324/9781315661315-9.

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Conrads, Ulrich. "Ludwig Mies van der Rohe Industrielles Bauen." In Programme und Manifeste zur Architektur des 20. Jahrhunderts. Vieweg+Teubner Verlag, 2001. http://dx.doi.org/10.1007/978-3-663-13972-0_31.

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Schulze, Franz. "Mies van der Rohe—A Short Biography." In Illinois Institute of Technology. Princeton Archit.Press, 2005. http://dx.doi.org/10.1007/1-56898-650-5_5.

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Hawkes, Dean. "Le Corbusier and Mies van der Rohe." In The Environmental Imagination. Taylor & Francis, 2019. http://dx.doi.org/10.4324/9781315210575-2.

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"Mies van der Rohe." In Zufall und Vision. Birkhäuser, 2020. http://dx.doi.org/10.1515/9783035619959-004.

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"Mies van der Rohe." In An Accidental Masterpiece. Birkhäuser, 2020. http://dx.doi.org/10.1515/9783035619973-004.

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"Filmkämpfer Mies." In Mies van der Rohe im Diskurs. transcript-Verlag, 2013. http://dx.doi.org/10.14361/transcript.9783839423059.63.

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"Mies van der Rohe, Ludwig." In The Visual Dictionary of Architecture. AVA Publishing SA Bloomsbury Publishing Plc, 2008. http://dx.doi.org/10.5040/9781350096462.0154.

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Hernández León, Juan Miguel. "Mies van der Rohe: ‘loinhabitable." In LA HERIDA DEL CONCEPTO. ESTUDIOS EN HOMENAJE A FÉLIX DUQUE. UAM Ediciones, 2016. http://dx.doi.org/10.15366/hc.duque2016.018.

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Conference papers on the topic "Mies van der Rohe Archive"

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Gleeson, Andrew Ryan. "The Crisis of Monumentality: Mies van der Rohe and the Nazi Competitions." In 106th ACSA Annual Meeting. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.am.106.42.

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COLOMBO, Luciana Fornari. "PROJETAR PARA QUEM? O SER HUMANO NA ARQUITETURA DE MIES VAN DER ROHE." In VI SIMPOSIO BRASILEIRO DE QUALIDADE DO PROJETO NO AMBIENTE CONSTRUIDO. PPGAU/FAUeD/UFU, 2019. http://dx.doi.org/10.14393/sbqp19047.

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Lucius, Christophera, Imam Santosa, and Setiawan Sabana. "Study of the Bauhaus Ideas “bauen” in Periods of Walter Gropius, Hannes Meyer, and Mies van der Rohe." In International Conference on Aesthetics and the Sciences of Art. Bandung Institute of Technology, 2020. http://dx.doi.org/10.51555/338644.

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Schmidt, Laila Rotter. "LESS IS MORE: INTERSEÇÕES ENTRE O SURGIMENTO DO DESIGN GRÁFICO MODERNO E O MINIMALISMO DE MIES VAN DER ROHE." In 11º Congresso Brasileiro de Pesquisa e Desenvolvimento em Design. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-ped-00872.

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