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Journal articles on the topic 'MIES'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Hartoonian, Gevork. "Mies." Fabrications 18, no. 2 (2008): 26–49. http://dx.doi.org/10.1080/10331867.2008.10539633.

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2

Preciado, Beatriz. "Mies-conception." Multitudes 20, no. 1 (2005): 47. http://dx.doi.org/10.3917/mult.020.0047.

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3

Darnell, Helena, and Joni Skiftesvik. "Kotikoivuinen mies." World Literature Today 74, no. 3 (2000): 610. http://dx.doi.org/10.2307/40155910.

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4

Shanks, David R. "Who, Mies?" Journal of Architectural Education 73, no. 1 (2019): 20–31. http://dx.doi.org/10.1080/10464883.2019.1560795.

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5

Ruotsala, Helena. "Kolmen kotimaan mies." Sananjalka 61, no. 61 (2019): 272–80. http://dx.doi.org/10.30673/sja.84303.

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6

Rehm, Robin. "Japan – Wright – Mies." Figurationen 5, no. 2 (2004): 67–82. http://dx.doi.org/10.7788/figurationen.2004.5.2.67.

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7

Hietala, Veijo. "Mies ja masokismi." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 6, no. 2 (1993): 6–16. http://dx.doi.org/10.23994/lk.116690.

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8

González Presencio, Mariano. "Mies the Dandy." Ra. Revista de Arquitectura 17 (December 22, 2015): 19–26. http://dx.doi.org/10.15581/014.17.19-26.

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9

Lizárraga Sánchez, Salvador. "Mies en Tultitlán." Bitácora arquitectura, no. 26 (September 21, 2016): 83. http://dx.doi.org/10.22201/fa.14058901p.2014.26.57142.

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Mies van der Rohe proyectó un conjunto para Bacardí y Cía. México del cual sólo se construyó el edificio para las oficinas centrales de la multinacional en este país. La historia de la única intervención del arquitecto alemán en América Latina coincidió con uno de los momentos más complejos de la Guerra Fría: la Revolución cubana y la crisis de los misiles. A pesar de la enorme influencia que Mies ejerció en la arquitectura mexicana del siglo xx, la historia y la crítica de este país han guardado un silencio casi absoluto al respecto de su proyecto en Tultitlán.

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10

Woolner-Pratt. "Mies à jour." Future Anterior: Journal of Historic Preservation, History, Theory, and Criticism 18, no. 1 (2021): 74. http://dx.doi.org/10.2307/48770645.

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11

O'Rourke, Kathryn E. "Mies and Bacardi." Journal of Architectural Education 66, no. 1 (2012): 57–71. http://dx.doi.org/10.1080/10464883.2012.715573.

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12

Paddon, Seija, and Juha Seppälä. "jumala oli mies." World Literature Today 71, no. 3 (1997): 621. http://dx.doi.org/10.2307/40152956.

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13

Hekanaho, Pia Livia. "Mies joka eksyy aina." AVAIN - Kirjallisuudentutkimuksen aikakauslehti, no. 4 (December 1, 2010): 24–44. http://dx.doi.org/10.30665/av.74818.

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14

Hanenberg, Norbert, Daniel Lohmann, and Christian Raabe. "The Heritage of Mies." Heritage of Mies, no. 56 (2017): 4–5. http://dx.doi.org/10.52200/56.a.kb7t9i2r.

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Mies van der Rohe’s built work covers a timeframe of over 60 years, including two world wars and several revolutionary events in the history of architecture. The extraordinary architect has influenced 20th century architecture worldwide like few others have. In the context of several restoration projects, the time has come to review the condition of his buildings: Is their materiality as timeless as their appearance? Did his constructions, which are of sometimes an experimental nature, prove to be sustainable, or did they fall into disrepair? How can Mies van der Rohe buildings be documented,

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15

Alanen, Aulis. "Järjestyksen mies – ennakkoluuloton uudistaja." Aikuiskasvatus 15, no. 4 (1995): 326–29. http://dx.doi.org/10.33336/aik.92363.

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16

Kiviranta, Kai. "Mies – aikuisopiskelun menetetty sukupuoli?" Aikuiskasvatus 26, no. 1 (2006): 69–71. http://dx.doi.org/10.33336/aik.93672.

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Median hellimä klisee yhdestä ja yhtäläisestä ’suomalaisesta miehestä’ on ikävä yleistys, jolla on valitettavan negatiivinen kaiku. Suomalainen mies käsitetään liian usein olutta kittaavaksi ja makkaraa syöväksi sohvaperunaksi. Muuttuva yhteiskunta tuottaa onneksi erilaisia miehenä olemisen malleja. Pyrin tarkastelemaan tässä suomalaista miestä aikuisopiskelun näkökulmasta. Juttu perustuu lisensiaatintutkimukseeni ja työn alla olevan väitöskirjani alustaviin tuloksiin.

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17

Prado, Serafín. "¡Ya Blanquea la Mies!" Mayéutica 14, no. 37 (1988): 267–68. http://dx.doi.org/10.5840/mayeutica19881437-3833.

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18

Schwartz, Frederic J. "Review: Mies in Berlin." Journal of the Society of Architectural Historians 61, no. 2 (2002): 217–19. http://dx.doi.org/10.2307/991843.

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19

Saia, Luís. "Mies van der Rohe." Risco: Revista de Pesquisa em Arquitetura e Urbanismo (Online), no. 18-19 (December 30, 2014): 187. http://dx.doi.org/10.11606/issn.1984-4506.v0i18-19p187-188.

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20

Välimäki, Jukka. "VYÖTÄ KUPEESI KUIN MIES." Scandinavian Psychoanalytic Review 22, no. 2 (1999): 287–90. http://dx.doi.org/10.1080/01062301.1999.10592712.

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21

Kähkönen, Lotta. ""Tiedän millainen värillinen mies on"." AVAIN - Kirjallisuudentutkimuksen aikakauslehti, no. 3 (September 1, 2006): 4–21. http://dx.doi.org/10.30665/av.74664.

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22

Aitchison, Mathew. "Finding the Context in Mies." Fabrications 22, no. 2 (2012): 186–207. http://dx.doi.org/10.1080/10331867.2012.734434.

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23

Robbers, Lutz. "Mies: A Fighter for Film." Bitácora Arquitectura, no. 40 (May 8, 2019): 48. http://dx.doi.org/10.22201/fa.14058901p.2019.40.69445.

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<p>At the beginning of 1931, a short article entitled “Film fighter from the outside” appeared in the industry magazine Film-Kurier. In the introductory sentence, the author, who remains anonymous, asks: “How does Mies van der Rohe come to film? - Not a difficult question to answer: As a person who takes a stand on the spiritual things of the time, he naturally also addresses questions of film.” But the article neither explains what Mies’s involvement with film was, nor how the architect and then Bauhaus director became interested in film. And even today the assumption of an affinity bet

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24

Nestor, J. A., B. Soudan, and Z. Mayet. "MIES: a microarchitecture design tool." ACM SIGMICRO Newsletter 20, no. 3 (1989): 217–22. http://dx.doi.org/10.1145/75395.75422.

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25

Gastón Girao, Cristina. "MIES: CONCURSOS EN LA FRIEDRICHSTRASSE." Proyecto, Progreso, Arquitectura, no. 7 (2012): 54–67. http://dx.doi.org/10.12795/ppa.2012.i7.04.

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26

Laborda Yneva, José. "Las fuentes de Mies: reseña." Astrágalo. Cultura de la arquitectura y la ciudad 10 (1998): 75–76. http://dx.doi.org/10.12795/astragalo.1998.i10.10.

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27

Colomina, Beatriz. "La casa de Mies: exhibicionismo y coleccionismo." Bitácora arquitectura, no. 27 (June 9, 2016): 4. http://dx.doi.org/10.22201/fa.14058901p.2014.27.56065.

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<p>La arquitectura de Mies está dominada por la idea de la casa, al grado que sus edificios públicos pueden entenderse como extensiones de una continua investigación sobre ella. De hecho, Mies desarrolló un concepto de casa tan radical que desplazó los supuestos que regían todos los tipos de edificios. Mirar las casas de Mies es mirar un cambio radical en arquitectura.<br />Este poderoso desplazamiento de las tradiciones, cuyos efectos todavía pueden sentirse hoy en una serie de réplicas sísmicas continuadas, fue lanzado con los más delicados materiales e insinuaciones. Mies utiliz

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28

Tostões, Ana. "Fritz Neumeyer." Heritage of Mies, no. 56 (2017): 86–87. http://dx.doi.org/10.52200/56.a.nom7mep8.

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In June 2017, Ana Tostões interviewed Fritz Neumeyer, reference expert on Mies van der Rohe, in order to discuss the importance of Mies’s legacy. Neumeyer conducted a deep research on Mies's writings and intellectual activity that has resulted in the worldwide renowned publication Mies van der Rohe. Das kunstlose Wort. Gedanken zur Baukunst [The Artless Word: Mies Van der Rohe on the Building Art] (Berlin, 1986; Cambridge/London, 1991; Madrid/Paris/Milan, 1996; Seoul 2007 — see p. 93) offering a precursor critical anthology of Mies theoretical corpus.

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29

Pan, Ying, Mengfan Wu, Mingjiao Shi, et al. "An Overview to Molecularly Imprinted Electrochemical Sensors for the Detection of Bisphenol A." Sensors 23, no. 20 (2023): 8656. http://dx.doi.org/10.3390/s23208656.

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Bisphenol A (BPA) is an industrial chemical used extensively in plastics and resins. However, its endocrine-disrupting properties pose risks to human health and the environment. Thus, accurate and rapid detection of BPA is crucial for exposure monitoring and risk mitigation. Molecularly imprinted electrochemical sensors (MIES) have emerged as a promising tool for BPA detection due to their high selectivity, sensitivity, affordability, and portability. This review provides a comprehensive overview of recent advances in MIES for BPA detection. We discuss the operating principles, fabrication str

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30

Debanne, Janine. "Moving into Mies: la vie dans le vide//Moving into Mies: life in open space." Annales de Géographie 110, no. 620 (2001): 425–53. http://dx.doi.org/10.3406/geo.2001.1733.

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31

Wu, Huaren. "Coordinated Control of an Islanded Microintegrated Energy System with an Electrolyzer and Micro-Gas Turbine." International Journal of Photoenergy 2022 (October 26, 2022): 1–10. http://dx.doi.org/10.1155/2022/6195807.

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Microintegrated energy systems (MIESs) can be disconnected from power distribution systems during power system faults. This paper develops a control scheme for an islanded MIES. The VSC inverter controls the AC bus voltage and frequency using a modified AC voltage regulator and a modified frequency regulator. The control structures of the power-to-gas and PMSG-based microturbine generator (MTG) systems are improved. Renewable generation always runs at the maximum power point. The surplus renewable energy in the MIES can be converted into natural gas using power-to-gas, and the MIES can make fu

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32

Santatecla Fayos, José, Laura Lizondo Sevilla, and Zaida García Requejo. "Relaciones entre Arquitectura y Estructura. Arquitectura estructural en Mies van der Rohe." ZARCH, no. 11 (December 4, 2018): 78–93. http://dx.doi.org/10.26754/ojs_zarch/zarch.2018113208.

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Son muchos los críticos e historiadores que han hablado sobre la estructura en la obra de Mies van der Rohe, también los que han clasificado los diversos modos de sustentar sus edificios. Sin embargo, son pocos los que han estudiado la estructura desde un punto de vista conceptual y en comparativa con las diferentes facetas desarrolladas por Mies a lo largo de su carrera profesional. Por ello, lo que este artículo quiere exponer, no tiene que ver con describir o clasificar las soluciones estructurales de su obra, sino profundizar en el pensamiento de Mies en torno al concepto de estructura y c

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33

Robbers, Lutz. "Mies: A Fighter for Film [Seconda Part]." Bitácora Arquitectura, no. 41 (September 13, 2019): 114. http://dx.doi.org/10.22201/fa.14058901p.2019.41.70666.

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34

Venkatesh., SrikanthSakleshpur. "MIES AND MINIMALISM: A PERFECT COALESCENCE." International Journal of Advanced Research 5, no. 6 (2017): 1236–39. http://dx.doi.org/10.21474/ijar01/4529.

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35

Thayer, Preston. "The Presence of Mies Detlef Mertins." Journal of the Society of Architectural Historians 55, no. 3 (1996): 338–39. http://dx.doi.org/10.2307/991157.

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36

Guyer, Paul, and Laure Van Heijenoort. "Growing Up with Mies and Saarinen." Aesthetic Investigations 6, no. 1 (2023): 69–79. http://dx.doi.org/10.58519/aesthinv.v6i1.13758.

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Paul Guyer interviews his cousin Laure van Heijenoort, who as a teenager lived for several years with her parents in one of Mies van der Rohe's Lafayette Park townhouses in Detroit and attended school at Eliel Saarinen's Cranbrook campus. She reports on her experiences of living and study in both, experiences still vivid to her and now to a broader audience.

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37

Matar, Roula. "Mies van der Rohe et l’exposition." Les Cahiers du Musée national d’art moderne 169, no. 4 (2025): 12–43. https://doi.org/10.3917/mnam.169.0012.

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38

Scholz, Maike, and Daniel Lohmann. "“Zur Neuen Welt” — Towards the New World. Ludwig Mies and his Architectural Youth in Aachen." Heritage of Mies, no. 56 (2017): 6–15. http://dx.doi.org/10.52200/56.a.agqzyxus.

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Ludwig Mies van der Rohe's personal and professional connections to his hometown Aachen in Germany are mostly unknown today. Through the analysis of both old and new written and graphic sources, the authors give an insight into Mies van der Rohe's lifelong bond to his hometown. In the personal friendships, his friends Ferdinand Goebbels and Franz Dominick play a key role. Furthermore, the paper presents previously unknown buildings that young Mies was working on in the office of Albert Schneiders around 1905. One of the buildings, the house “Zur Neuen Welt” for client Joseph Oeben, is still st

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39

Fauzi, Fauzi. "Maria Mies' Ecofeminist Thoughts on the Mandalika Project and Sasak Women." Journal of Kuasa 2, no. 1 (2025): 1–11. https://doi.org/10.22437/kuasa.v2i1.17.

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This study discusses Maria Mies' ecofeminist perspective on the Mandalika project and its impact on the viability of Sasak women as entities living in the area. Ecofeminism in Mies' perspective is seen as an approach that connects women's equality and freedom with the phenomenon of exploitation of nature by capitalist companies. Maria Mies' ecofeminism gives rise to a subsistence perspective approach. The impact of this exploitation of nature affects women’s lives socially, economically, and health-wise. This study uses a qualitative approach with a library research data collection method. Thi

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40

Kim, Ransoo. "The tectonically defining space of Mies van der Rohe." Architectural Research Quarterly 13, no. 3-4 (2009): 251–60. http://dx.doi.org/10.1017/s1359135510000102.

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In a unique architectural style of the twentieth century, Ludwig Mies van der Rohe (1886–1969) realised a new type of modern space defined by an unobstructed clear volume enclosed by framed glass skin. This is generally referred to as Mies's universal space and this paper will attempt to interpret Miesian universal space in terms of the idea of tectonically defining space. Mies referred to the term ‘tectonic’, or ‘architectonic’, as constructive appearance exposing the skeleton structure. For Mies, the concept of tectonic was connected to a glassy materiality that permitted the unambiguously c

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41

Frenkel, Alexander, Boris Tikhomirov, and Anton Surkov. "Outcomes of Russia’s Strategic Development in January-April 2023 are Better than Pessimistic Forecasts." Economic Strategies 25, no. 4 (2023): 86–91. http://dx.doi.org/10.33917/es-4.190.2023.86-91.

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The author dwells on the change in the market index of “Economic Strategies” (MIES) for the first four months of 2023. Contribution of supply and demand indicators to the MIES is assessed. Analysis of industrial production is carried out.

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42

Feng, Wei, Keyuan Zhang, Jing Zhang, et al. "Integrating Fractional-Order Hopfield Neural Network with Differentiated Encryption: Achieving High-Performance Privacy Protection for Medical Images." Fractal and Fractional 9, no. 7 (2025): 426. https://doi.org/10.3390/fractalfract9070426.

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Medical images demand robust privacy protection, driving research into advanced image encryption (IE) schemes. However, current IE schemes still encounter certain challenges in both security and efficiency. Fractional-order Hopfield neural networks (HNNs) demonstrate unique advantages in IE. The introduction of fractional-order calculus operators enables them to possess more complex dynamical behaviors, creating more random and unpredictable keystreams. To enhance privacy protection, this paper introduces a high-performance medical IE scheme that integrates a novel 4D fractional-order HNN with

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43

Santatecla Fayos, José, Zaida García-Requejo, and Laura Lizondo Sevilla. "David Haid y el Teatro de Mannheim de Mies van der Rohe." VLC arquitectura. Research Journal 9, no. 2 (2022): 99–121. http://dx.doi.org/10.4995/vlc.2022.15747.

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Este artículo investiga el papel que David N. Haid –estudiante de posgrado del IIT y ayudante en la oficina de Mies van der Rohe– desempeñó en el proyecto del Teatro Nacional, presentado al concurso convocado por la ciudad de Mannheim en 1952 y resuelto en la primavera de 1953. El trabajo de archivo y el método de análisis comparativo ponen de manifiesto dos aspectos importantes. En primer lugar, que el proyecto realizado por Mies van der Rohe para el concurso bajo invitación es coetáneo con el proyecto final de máster, titulado An Arts Center y defendido por Haid en junio de 1953; una tesina

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44

Garcia-Requejo, Zaida, Pablo Rodríguez Rodríguez, and María Del Pilar Salazar Lozano. "El Convention Hall de Mies: confluencias entre docencia y arquitectura = Mies’s Convention Hall: Convergence of Teaching and Architecture." Cuadernos de Proyectos Arquitectónicos, no. 9 (December 30, 2019): 18–27. http://dx.doi.org/10.20868/cpa.2019.9.4539.

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ResumenA mediados de noviembre de 1953 el Chicago Tribune publicó un artículo que daba a conocer la propuesta de Mies para el nuevo centro de convenciones de la ciudad. Al mes siguiente, la revista Engineering News-Record ampliaba los detalles del proyecto, puntualizando además que, para su desarrollo, Mies contaba con Frank Kornacker como ingeniero estructural. Como señala su alumno Peter Carter en su libro Mies van der Rohe Trabajando, Mies trabajó en el proyecto tanto en su oficina como con un grupo de estudiantes de posgrado en sus clases de máster en el IIT, y a continuación se hace eco d

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45

Kimm, Jong Soung. "The Legacy of Mies van der Rohe in Modern Movement and the Modern Architecture in Korea." Reuse, Renovation and Restoration, no. 52 (2015): 4–9. http://dx.doi.org/10.52200/52.a.rwd0uw0t.

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The following article is an edited version of the keynote presented at the 13th International docomomo Conference that took place in Seoul, Korea, on September 2014. The paper discusses how “Western” architecture was first introduced to Korean soil: a French Catholic missionary-architect built the Seoul Cathedral at the end of the 19th century. American and Canadian architects built educational buildings for the Protestant missionary-founded colleges in Korea. Japanese civil servant architects built some public buildings during the colonial rule. The work of two prominent Korean architects, Ki

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46

Lizondo Sevilla, Laura, José Santatecla Fayos, and Zaida García-Requejo. "El museo en la arquitectura docente de Mies van der Rohe." BAc Boletín Académico. Revista de investigación y arquitectura contemporánea 9 (November 4, 2019): 69–92. http://dx.doi.org/10.17979/bac.2019.9.0.4636.

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Mies van der Rohe exploró el proyecto de museo como arquitecto y como docente, y confirió un nuevo entendimiento acerca del significado del mismo: un espacio destinado al disfrute del arte. Si bien los museos que Mies realizó en su estudio han sido publicados y analizados por la crítica, se desconoce la investigación académica que desarrolló en torno a esta tipología. Por ello, el presente artículo tiene por objeto: dar a conocer los proyectos-museo que Mies supervisó en el programa de postgrado del IIT -en concreto las tesis fin de máster de Daniel Brenner, Jean Lippert y Peter Carter; realiz

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47

Dempsey, Jessica, and Rosemary-Claire Collard. "If biodiversity offsets are a dead end for conservation, what is the live wire? A response to Apostolopoulou & Adams." Oryx 51, no. 1 (2016): 35–39. http://dx.doi.org/10.1017/s0030605316000752.

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Ecofeminist Maria Mies describes capitalist social relations as an iceberg. The visible tip represents the formal economy, where capitalist value emerges from exploited waged labourers and the circulation of monetized goods and assets. Underneath the waterline lurks the rest of the iceberg, and its size dwarfs the tip. Here, Mies points to a much larger world of exploitation on which commodity production and profit-making depend: women, colonies and, at the very base, nature. The bodies, places and materials of the submerged, invisible iceberg supply unwaged labour and unpriced inputs and ener

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48

Valencia Granda, Juan Fernando. "El secreto del Cantero -Hüttengeheimnis. Del orden medieval al orden moderno en Mies van der Rohe." EGA Revista de Expresión Gráfica Arquitectónica 30, no. 53 (2025): 200–215. https://doi.org/10.4995/ega.2025.19938.

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Este artículo se adentra en la resolución de los fundamentos del orden práctico con los que Mies van der Rohe proyectó su obra. La investigación contrasta los principios derivados del estudio de su biblioteca privada, y el análisis grafico a los esquemas proyectuales y planos finales de hitos de su obra para resolver la hipótesis. La civilización medieval define un canon sobre el concepto de orden práctico para Mies, ya que amalgama a un nivel espiritual la estructura de su tiempo y la arquitectura que produce. Al igual que los maestros constructores medievales, quienes resguardaban sus conoci

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49

Lange, Christiane. "Mies van der Rohe meets Robbrecht en Daem architecten. History of a 1:1 Model based on the Design of Mies van der Rohe." Heritage of Mies, no. 56 (2017): 34–43. http://dx.doi.org/10.52200/56.a.bsaxiw9p.

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Mies 1:1 The Golf Club Project (Krefeld, Germany, May-October 2013) was an exhibition consisting of an architectural model on a 1:1 scale which could be viewed and accessed physically. Christiane Lange and the initiative Projekt MIK e.V. built the model together with Ghent-based architects Robbrecht en Daem according to the plans for the clubhouse at Krefeld Golf Club. These were drawn up by Mies van der Rohe in 1930, but never implemented. This article depicts the development and the course of the project as well as the conceptional involvement of the participants within the context of Mies v

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50

Molyneux, Maxine, Deborah Lynn Steinberg, Maria Mies, and Vandana Shiva. "Mies and Shiva's "Ecofeminism": A New Testament?" Feminist Review, no. 49 (1995): 86. http://dx.doi.org/10.2307/1395330.

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