Academic literature on the topic 'Migratory imagination'

Anna Rose Holmer’s 2015 feature film debut, The Fits, advances the stakes of black performance, particularly in relation to the critical interrogation of the loss of gesture in the history of cinema. Thinking about migration in close association with the gestural, the continued migration of gesture is endemic to black social dance forms, and this fundamentally migratory quality is central to the film’s political and aesthetic imagination.

The article argues that the post-Soviet youth construct their migratory projects as an effort towards social distinction vis-a-vis post-socialist imaginary. We argue that their migration can be understood as a search for distinctiveness and for what is perceived as a ‘better’, that is, more western, lifestyle. Analysing their narratives through the prism of imagination, we demonstrate how young Russian-speakers vision the position of the post-socialist condition within the global coloniality of power and claim their belonging to the western project as educated young people with global cultural capitals. The article brings the case of Russian-speakers’ migration within debates on global coloniality and offers a contribution to the theorising of post-socialist imaginaries in the context of global coloniality and sociological imagination. The analysis is based on a multi-sited ethnographic fieldwork in 2014–2016 in Helsinki, Finland.

Leaving China is, in part, a study of the televisual and filmic representation of Chinese emigration. The book is partly autobiographical, since it draws on the author's own lived experience as a China-born scholar established abroad. The author, born in the PRC, is now based in Australia, but as the list of acknowledgements indicates, she is imbricated in a global network of China-related academics. The other strand of Wanning Sun's research is imaginary travel and virtual migration: the Chinese spectator's consumption of a filmed elsewhere – especially the elsewhere inhabited by émigré Chinese.This is a book about recent migration from the PRC and Chinese perceptions of emigration. Leaving China does not attempt to address the history of the older diaspora of the 19th and 20th centuries, for instance, the now forgotten communities whose story is told in the Chinese-Australian writer Brian Castro's book Birds of Passage (Allen & Unwin, 1983). In the parts of the book that focus on lived migratory experience, Sun is concerned more with people like herself, her generation, and her class.

Le présent article analyseLa Dot de SaraetLe Livre d’Emma, de l’écrivaine haïtienne-québécoise Marie-Célie Agnant, sous l’angle du transnationalisme, notion empruntée aux sciences sociales. Il s’agit de démontrer que le paradigme transnational y est plus qu’un simple enjeu thématique et diégétique, car il se manifeste dans la structure, la narration et la langue des deux romans. La tension entre pays d’origine et pays d’accueil, fiction et monde référentiel, expérience individuelle et collective, hors-texte et texte façonne une poétique portée par la géographie migratoire dont sont marqués les personnages et l’auteure.

Research background: Starting from the concept of "post-colonial cultural dependence" and its significance for the contemporary Ukrainian society, imaginary geography is analyzed by describing the representations of the characteristics of countries, regions, places, and people living in these territories. Imaginary geography as a cultural structure implies material consequences. In the context of this paper, it is necessary to provide representations of potential migrants about the characteristics of the host countries, including details about population and the real economic, social and political opportunities after migration. The association between imaginary geography and migration in the expectations of postcolonial cultural dependence has been hardly analyzed before.
 Purpose of the article: The purpose of this paper is to analyze the effect of post-Soviet cultural dependence on migration expectations of the Ukrainian population from the postcolonial study perspective.
 Methods: The methodology is composed by two elements: a synthesis of neo-institutionalism and social constructivism. The paper hypothesizes that macro and meso level discourses in the emigration environment might have an impact on aspirations through perceptions of “migratory imaginations” and “geographical imaginations”.
 Findings & Value added: Findings are based on the cross-national study on external migration conducted within the EUmagine project. The findings show a strong correlation between migration expectations and perceptions of Ukrainians and post-Soviet cultural dependencies. In addition, the country represents a “post-imperial borderland” that results in the political split of the Ukrainian society. Our results might contribute to the establishment of connections between the imaginary geography of the Central, Western, and Southeastern regions of Ukraine and their migration expectations and orientations.

In Vietnam, international remittances from the diaspora are a significant input into the national economy. Yet beyond capital transfer, remittance economies are also key social nodes offering insight into the extension of imaginations, expectations, and desires that accompany them. This article examines the role of gifting remittances in reestablishing, maintaining, and straining kinship networks disrupted by refugee exile, and catalyzing shifting aspirations and mobile horizons. Drawing on fieldwork from Vietnam's southern and central coast regions, this essay interrogates the anthropological question of the mediatory role of gifts in social exchange relations. It argues that the long-distance nature of remittance exchanges in the contemporary global political economy juxtaposes the mobility and exchangeable value of money and its senders against the experiences of local bodies confined within the nation state. This contradiction reveals a liminal space for emergent social imaginaries in which the characteristics of the gifting medium itself come to partially affect and embody the relationships between and identities among givers and receivers. Such imaginaries draw awareness to spatial and ontological margins, borders, and horizons associated with migratory and financial flows and opportunities and are displaced into diverse sociocultural forms reflecting phenomenological degrees of aspiration, realization, and frustration.

This article reviews biological and anthropological literatute on wild and tame Rangifer to demonstrate the powerful effect that this species has had on the imaginations of biologists, social scientists and local hunters. Through identifying a general 'human interest' in Rangifer, the author argues that there is great potential for these three communities to work together. To demonstrate this idea, the paper reviews several examples of successful and unsuccessful 'alliances' between local peoples and both natural and social scientists which have had a fundamental impact upon the history of these sciences. The paper examines recent theorerical models which suggest that human action is a major factor in the behaviour and ecology of the animals. The paper also analyses the ideas of many indigenous people for whom there is no categorical difference between semi-domesticated, semi-sedentary and migratory Rangifer through comparison with many 'anomalous' texts in English and Russian language wildlife biology. By reviewing the history of scholarly interest in Rangifer, the author argues that contemporary models of Rangifer behaviour and identity could be 'revitalised' and 'recalibrated' through the establishment of that dialogue between scientists and local peoples which so characterised the 19th century. Such a dialogue, it is argued, would help mediate many of the political conflicts now appearing in those districts where Rangifer migrate.

Relevance of the study. The revealing of methodological effectiveness of integration interaction of different methods of analysis and scientific reflections for analytical procedures is relevant in the context of the intersection of interests of studies of harmony and musical semantic. Main objective of the study – to designate semantic aspects of harmony in conditions of unlocked structures on material of romances of the nineteenth century. Methodology. An integrative methodological projection of algorithms of study tonally-harmonic and compositional processes on the procedure of musical semantic analysis is proposed. General outline of the analytical operations deployed in several discourses: • functional-harmonic and compositional analysis of the piece in its entirety, taking into account the poetic framework; examine the nature of the interaction of harmonic and compositional logic; • the isolation of the verbal text of the key signs of poetry - semantic words; determination of their compositional arrangement in musical form; • segmentation of musical intonation tokens, their selection from the text of the work, revealing the breadth of contextual coverage of meanings and semantic potential; correlation with the semantics of «migratory genre and intonation formulas»; • detection of specificity of implement semantic elements within the analyzed text or composing style, revealing of aspects of particular musical semantics; detection meaning of harmonic connection tokens, wich unlock structure, with the word and the melodic intonation; definition of internal, external and immanent, extramusical nature of the phenomenon; establishing its degree of semantic activity. Results. Varieties of unlocked structures are systematized: with system-logical parameters – functionally, subsystemically and modulation unlocked structures; with phonic parameters – dissonance and consonance unlocked structures; with causal parameters – potentially and principally unlocked structures. External or extramusical and internal, immanent-harmonic motivations of their forming are identified. Among the external factors of unlocking are articulated: the impact of the poetic word as the source of empathy; irreversible course of imaginative mutations; retention of states innuendo, incompleteness, undecidability, anxiety, confusion, fear; semantic marks of question, surprise, regret. The gap of functional balance in the phase of clotting of harmonic integrity is seen as a reaction to the motion of meaning. Among the internal factors the unlocking are highlighted: density and irreversibility of modulation streams; phenomena of modal variability; the impact of modal experience of regulation of harmonic processes; the power of cyclic unity; inner aspiration to an open form as allusion of infinity. Functional inversion, and the special status of the tonal system with reduced centripetal potential (Y. Holopov) are listed as an important incentive of the unlocking. The phenomenon of the unlocking as a principle (the mechanism) the organization of text units of harmony is investigated in conjunction with the semantic field of piece, music tokens, artistic word and meaning. Factors of the displacement of semantic connotations fixing of keywords, semantics of "migratory genre and intonation formulas" (L. Shaimukhametova) during the formation of the vertical layers of music are considered. Three positions based on analysis of the works of R. Schumann, F. Liszt, G. Mahler, P. Tchaikovsky, M. Mussorgsky, illustrating the semantic nature of the harmonic disjunction are allocated. Position 1: harmony as meaning generator. It acts at the level of the formation of intonation and harmonic tokens – pitch compacted units of musical sense, elements of particular musical semantics. It forms a zone of high concentration of semantic elements in a vertical cut of music. It is fixed in vocal miniatures: R. Schumann’s «Im wunderschonen Monat Mai», F. Liszt’s «Verlassen», M. Mussorgsky‘s «Orphan». Position 2: harmony as a regulator of meaning. It acts at the level of the changes of emotional amplitudes. It provides strength and depth of emotional impulse. It revealed in F. Liszt’s romances and songs: «J’ai perdu ma force et ma vie», «Sonetto XC», «La?t mich ruhen», «Was Liebe sei?», «Einst». Position 3: harmony as a modulator of meaning. It affects to the level of tonal drama, transformation of semantic field of piece. It transforms the track of pitch content irreversibly. It appears in the case of a harmonic unlocking of the modulating type, wich running contrary to the idea of rounding tone frame. It shifts whole pitch platform of musical piece under the combined influence of intonation, word, number of plot and drama of movement of meanings. It forms in vocal works: F. Liszt’s «Gebet», P. Tchaikovsky’s «We were sitting with you», M. Mussorgsky’s «General», G. Mahler «Erinnerung».

Différentes réalités et contextes actuels mondiaux font en sorte que de plus en plus de gens envisagent la migration comme projet de vie. La présente recherche s’intéresse à l’imaginaire migratoire comme facteur de mobilité, mais également comme facteur de modulation des réactions et du regard qu’entretiendra le migrant en rapport avec son vécu migratoire. Ainsi, la réflexion s’amorce en Afrique de l’Ouest, tandis que de jeunes Africains instruits et qualifiés élaborent un projet de migration volontaire vers le Canada, plus précisément dans la région du Québec. C’est investi de leur désir de l’Ailleurs, des représentations de l’Occident, de leur besoin de se réaliser et de l’impossibilité qu’ils rencontrent à accéder à la vie professionnelle souhaitée en Afrique qu’ils migrent vers le Canada. Quoiqu’ils soient dotés d’une détermination et d’un optimisme considérable, la rencontre entre l’imaginé et le quotidien de la vie au Québec comme immigrant et comme émigrant n’est pas toujours facile. Elle viendra révéler la profondeur du rêve, des mythes et des ambitions; les failles intérieures individuelles, les valeurs et les ambivalences de chacun, mais surtout la capacité qu’aura l’individu à revoir son imaginaire, à effectuer la réappropriation de son expérience migratoire et à élaborer de nouveaux projets. L’écart vécu par le sujet entre l’imaginé et le rencontré nous questionnera sur ce que véhiculent les messages et les images en circulation sur le Canada et l’Occident. Aussi, il témoignera de la prédominance de la préparation factuelle et psychologique de l’individu pour anticiper et mieux accueillir les réalités du parcours migratoire.<br>Different realities and contexts in today’s world are causing more and more people to consider migration as a life plan. This study is interested in their imagined migration as a mobility factor, but also as a modulation factor in the reactions and views of migrants in relation to their migration experience. Thus, this study begins in West Africa, where young educated and qualified Africans eagerly plan their migration to Canada, and Quebec in particular. Their migration to Canada is fuelled by a longing to go abroad, representations of the West, their quest for self-fulfillment and the impossibility of achieving their desired career plans in Africa. Although they are filled with a great deal of determination and optimism, the clash between what they imagined and the reality of daily life in Quebec as immigrants and emigrants is not always easy. This study will not only reveal the depth of their dreams, myths and ambitions, but their individual flaws, values and uncertainties, and above all, their ability to re-examine their imagined migration, reclaim the migration experience and make new plans. The difference between the imagined experience and the actual experience will lead us to question what conveys the messages and images that circulate about Canada and the West. Moreover, it will demonstrate the predominance of the factual and psychological preparation undertaken by individuals to anticipate and more readily accept the realities of the migration experience.