Relevant bibliographies by topics / Migritude

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Migritude'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Migritude"

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Haskell, Rosemary. "Migritude’s Progress." Minnesota review 2020, no. 94 (2020): 142–56. http://dx.doi.org/10.1215/00265667-8128477.

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Novelist Fatou Diome, Senegalese migrant to France, in 2019 reached the twenty-fifth year in her adopted country. Silver-anniversary motives encouraged the author to chart the quarter century of progress of this “megaphone of migritude,” as Lila Azam Zanganeh notably called her. Moving from the rich exegeses of the liminal, haunted, frequently abjected, migritude conditions of her fictional—and often autobiographical—heroines, Diome has now arrived inside the Hexagon, where her words harmonize with a sizable chorus of interior-left establishment voices. However, she has not abandoned her power
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Gundara, Jagdish. "Migritude." Intercultural Education 22, no. 3 (2011): 225–26. http://dx.doi.org/10.1080/14675986.2011.592038.

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Helgesson, Stefan. "Migritude." Journal of Postcolonial Writing 48, no. 3 (2012): 331–32. http://dx.doi.org/10.1080/17449855.2011.639953.

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Reddy, Vanita. "Femme Migritude." Minnesota review 2020, no. 94 (2020): 67–84. http://dx.doi.org/10.1215/00265667-8128421.

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This article examines the queer feminist Afro-Asian poetics and politics of spoken word and performance artist Shailja Patel’s 2006 onewoman show and 2010 prose poem, both titled Migritude. Patel’s migritude poetics resonates with and departs from much contemporary migritude writing, particularly with respect to the genre’s focus on a global-North-based, black Atlantic African diaspora. The article draws attention to a “brown Atlantic,” in which Africa is the site both of diaspora and of homeland. More important, it shows that Patel’s queer femininity unsettles a diasporic logic of racial exce
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Malonga, Alpha Noël. "« Migritude », amour et identité." Cahiers d’études africaines 46, no. 181 (2006): 169–78. http://dx.doi.org/10.4000/etudesafricaines.5869.

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Mehta, Brinda J. "Migritude and Kala Pani Routes in Shumona Sinha’s Assommons les pauvres (Let Us Strike Down the Poor)." Minnesota review 2020, no. 94 (2020): 85–103. http://dx.doi.org/10.1215/00265667-8128435.

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The term migritude was first coined by French theorist Jacques Chevrier to characterize “extracontinental” francophone sub-Saharan literatures that have their roots in negritude and immigration. Kenyan cultural artist Shailja Patel later expanded the term to include South Asian “migrants with attitude.” This article further expands the current framings of migritude by linking it to the historical movement of kala pani, or nineteenth-century Indian indenture. The idea of kala pani migritude reveals an engagement with clandestine migration, identity, language, translation, and geography, both ro
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Ali, Ashna, Christopher Ian Foster, and Supriya M. Nair. "Introduction." Minnesota review 2020, no. 94 (2020): 54–66. http://dx.doi.org/10.1215/00265667-8128407.

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The first of its kind, this special focus section examines a relatively understudied concept and brings together new literary works and scholarship across continents and languages. Contemporary authors and activists like Fatou Diome, Shailja Patel, Abdourahman Waberi, and Igiaba Scego contribute to a new literary, cultural, and political genre called migritude. Migritude initially indicated a group of younger African authors in Paris but has since expanded to include Europe beyond France, such as Britain and Italy, as well as South Asian and Caribbean diasporas. This body of work reveals inter
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Assani, Akimou. "La migritude ou l’alchimie d’une altérité onirique : espace et identité dans le roman africain francophone." Caietele Echinox 38 (June 30, 2020): 309–18. http://dx.doi.org/10.24193/cechinox.2020.38.24.

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The publication of the Senegalese writer Fatou Diome’s Le Ventre de l’Atlantique (The Belly of the Atlantic) in 2003 revealed to the general public a new theme of predilection among African writers of the “new generation:” the writing of immigration and the claim of a global identity. In analogy to the movement of Negritude that fought for the affirmation and recognition of the black man and his culture, Jacques Chevrier called it “migritude.” While negritude is meant to be the affirmation of an existing identity, “migritude” instead claims the integration of that identity into the universal c
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Paynter, Eleanor. "The Transits and Transactions of Migritude in Bay Mademba’s Il mio viaggio della speranza (My Voyage of Hope)." Minnesota review 2020, no. 94 (2020): 104–23. http://dx.doi.org/10.1215/00265667-8128449.

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Migritude literature, or the literature of postcolonial migration, is often autobiographical and thus productively read through the lens of life writing. How authors position the immigrant self as subject sheds light on narrative possibilities and their potential impact on readers in contexts where racist, anti-immigrant discourses dominate. This article explores the scope and stakes of migritude life writing through the example of Il mio viaggio della speranza (My Voyage of Hope), a 2011 memoir by Bay Mademba, who recounts his journey from Senegal to Italy and bears witness to the discriminat
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Adesanmi, Pius. "Redefining Paris: Trans-Modernity and Francophone African Migritude Fiction." MFS Modern Fiction Studies 51, no. 4 (2005): 958–75. http://dx.doi.org/10.1353/mfs.2006.0002.

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Dissertations / Theses on the topic "Migritude"

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Bignoumba, Enyengue Prisca. "Migritude et Afropéanité dans les textes de Léonora Miano." Thesis, Limoges, 2019. http://www.theses.fr/2019LIMO0091.

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L’écriture migrante caractérise depuis plusieurs décennies maintenant le paysage littéraire francophone. Notre lecture de cette nouvelle forme d’écriture s’est axée sur les textes de l’écrivaine franco-camerounaise Léonora Miano, que l’on compte au nombre des écrivains diasporiques contemporains africains. À travers cette étude, notre objectif était de montrer comment les notions d’espaces et d’identités se donnaient à repenser, ce à travers de nouvelles figurations. En premier abord, nous avons analyser les représentations spatiales par le biais de deux topographies symboliques de la littérat
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Liambou, Ghislain Nickaise. "Énonciation et transtextualité dans le roman africain francophone de la migritude." Thesis, Nice, 2015. http://www.theses.fr/2015NICE2011/document.

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Le thème de l’immigration a inspiré une floraison d’œuvres littéraires francophones. Celles-ci prennent appui sur les grandes mobilités humaines et technologiques inhérentes au XXIesiècle et figurent les défis propres à la société de globalisation, principalement les problèmes de cohabitation interculturelle. La réception de ce corpus, dans le cas du roman africain subsaharien, parle de l’émergence d’une "nouvelle génération" de romanciers africains; thèse par ailleurs accréditée par la démarche institutionnelle des écrivains migrants eux-mêmes, comme en témoigne l’affiliation de certains au m
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Abdi, Farah Omar. "Le rêve européen dans la littérature négro-africaine d'expression française." Thesis, Dijon, 2015. http://www.theses.fr/2015DIJOL003/document.

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Les épigones de la Négritude nous ont habitués, dans la confrontation de l’Afrique et l’Europe, à la mise en scène d’un personnage qui, après avoir rêvé d’Europe avec des stéréotypes de l’image de la France véhiculées par l’école coloniale, est confronté, lors de son séjour en Europe, aux conditions de l’exil avec l’éloignement de la terre maternelle à laquelle porte toutes ses aspirations. Mais avec les écrivains de la Migritude, l’émigration vers l’Europe prend un contour différent, elle n’est plus motivée par une volonté de découverte mais une fuite de la terre maternelle devenue répulsive
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Lavigne, Sophie. "De la négritude à la migritude : une analyse sociologique de la littérature de l'Afrique francophone." Thèse, 2011. http://www.archipel.uqam.ca/4622/1/D2143.pdf.

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La transformation de l'imaginaire dans les sociétés d'Afrique francophone noire est indéniable. Le mouvement de la négritude, qui prônait une Afrique unifiée dans les années 50-60, a laissé place à une grande déception suite aux Indépendances. Les dictatures qui ont suivi, la fin du communisme et les guerres ont fini par mettre fin au rêve d'une Afrique unifiée et par pousser une bonne partie de la jeunesse africaine à l'extérieur du continent. De plus, l'impact de la colonisation sur l'imaginaire africain est toujours prégnant, mais ses modalités se sont transformées avec la migration massive
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Books on the topic "Migritude"

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Patel, Shailja. Migritude. Kaya Press, 2010.

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Migritude. Kaya Press, 2010.

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Foster, Christopher Ian. Conscripts of Migration. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496824219.001.0001.

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Global migration is more pronounced than it has ever been while issues concerning immigration are constantly in the news. Yet answers as to why remain few and far between. Conscripts of Migration: Neoliberal Globalization, Nationalism, and theLiterature of New African Diasporas intersects black Atlantic, postcolonial, and queer diaspora studies to answer these increasingly crucial questions regarding crises of immigration by rethinking migration historically and globally. From histories of racial capitalism, the trans-Atlantic slave trade, and imperialism to contemporary neoliberal globalizati
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Book chapters on the topic "Migritude"

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Kabwe, Mwenya B. "Mobility, Migration and ‘Migritude’ in Afrocartography: Traces of Places and all points in between." In Performing Migrancy and Mobility in Africa. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137379344_8.

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Assemboni, Amatso Obikoli. "« Négritude », « migritude », « mortocratie » : Réflexions sur l’identité francophone postcoloniale à l’exemple de L’œil du marigot d’Alexis Allah (2005) et Le sanglot de l’homme noir d’Alain Mabanckou (2012)." In Pluraler Humanismus. Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-20079-4_13.

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"5. Créolisation und Migritude." In Ästhetik des Chaos in der Karibik. transcript-Verlag, 2014. http://dx.doi.org/10.14361/transcript.9783839425084.451.

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"De la migritude à la ‘dé-migritude’: — L’exemple de Véronique Tadjo." In The Changing Face of African Literature / Les nouveaux visages de la littérature africaine. Brill | Rodopi, 2009. http://dx.doi.org/10.1163/9789042028852_006.

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Vadde, Aarthi. "Migritude—The Re-Mediated Work of Art and art’s Mediating Work." In Chimeras of Form. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231180245.003.0007.

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The epilogue examines Kenyan writer Shailja Patel’s Migritude (2010) within the context of the global migrant crises of 2014-2016. It shows how this experimental work of art transforms the figure of the migrant from an object of knowledge into a subject of it. Migritude is a one-woman theatrical show, which Patel remediated into a book that combined the script of the show with a poetic account of the show’s and the book’s production. The book version is the epilogue’s focus and the final chimera of form from which to reflect on the major principles of modernist internationalism as outlined in my study. I argue that the remediated work does more than simply give voice to an oppressed and precarious collective; from within its conjuncture of performance and print, it contemplates the medium dependency of voice, the indirect political agency of art, and the always incomplete nature of cosmopolitical knowledge. The eponymous migritude emerges as a powerfully contemporary “public feeling” for modernist internationalism – one that is conducive to analyzing and surviving the violence of forced displacement.
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Merchant, Hoshang. "Migritude of Migrating Swans: Yeats and Tagore." In Secret Writings of Hoshang Merchant. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780199465965.003.0002.

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Foster, Christopher Ian. "Immigration and the Phenomenology of Movement from Négritude to Shailja Patel’s Migritude." In Conscripts of Migration. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496824219.003.0002.

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This chapter introduces the concept of migritude and its literary genealogies that connect back to Négritude as a way to make the claim that this particular group of diasporic African authors not only gets to the heart of immigration but urge us to rethink immigration as we know it. It argues that early European management of movement was integral to the development of the nation-state, its imperial projects, and its processes of racialization in the nineteenth century and its afterlives in the twentieth and twenty-first. The chapter also introduces the importance of the phenomenological method regarding the study of migration—that it is always ontological as such—reading Shailja Patel’s 2010 Migritude as a radically feminist, anti-imperialist, and phenomenological treatise on migration connecting black and South Asian diasporas.
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Foster, Christopher Ian. "The “Condition D’immigrés” in Fatou Diome’s the Belly of the Atlantic and the Aesthetics of Migration in the Francophone African Literary Tradition." In Conscripts of Migration. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496824219.003.0003.

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Through an analysis of Fatou Diome’s 2010 novel The Belly of the Atlantic, this chapter rethinks Jacques Chevrier’s definition of migritude, which he describes as a recent cohort of African writers in France who narrate existence between Africa and France and for whom immigration and exile are central themes. The chapter argues more narrowly that migritude writers disclose what Diome terms the “condition d’immigres”; that is, they image the conditions and structures of immigration as a national and international network of systems expropriating the means of movement from formerly colonized peoples and that these systems have a colonial past. In addition, it unpacks Diome’s conversations with the Négritude tradition, noting that, at the same time she borrows from her authors, she refashions aspects of Négritude in terms of migration. She reappropriates, for example, Léopold Sédar Senghor’s black humanism, and mobilizes it into her global twenty-first century as a migrant humanism challenging immigration under neoliberal globalization.
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"Histories of the Cloth and Sartorial Sentiment in Shailja Patel’s Migritude." In Fashioning Diaspora. Temple University Press, 2016. http://dx.doi.org/10.2307/j.ctvrf88w6.9.

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"Epilogue: Migritude —The Re-Mediated Work of Art and Art’s Mediating Work." In Chimeras of Form. Columbia University Press, 2016. http://dx.doi.org/10.7312/vadd18024-008.

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