Academic literature on the topic 'Mikhail M. Bakhtin'

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Journal articles on the topic "Mikhail M. Bakhtin"

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Dolgorukova, Natalia M. "On Early Russian Reception of Mikhail Bakhtin’s Work." Dostoevsky Journal 16, no. 1 (April 25, 2015): 79–91. http://dx.doi.org/10.1163/23752122-01601010.

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“The whole history of Russian thought during the Soviet period was a history with missing chapters”.1 One of such missing chapters is a history of the Soviet reception of the corpus of work created by Mikhail M. Bakhtin, Soviet thinker and literary critic (1895—1975). The history of the Soviet reception of Bakhtin’s ideas has not been written yet and there are no works on the subject. There is Zbinden’s book,2 which deals with research about some particular cases of Bakhtin studies in Canada and in French translations. Despite the fact that in the 1960–1980s the «theory of carnival» became, in
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Voronina, Natalia, Svetlana Dubrovskaya, Irina Klyueva, and Andrey Sychev. "Musical world of Mikhail Bakhtin as objectivation of the idea of cultural synthesis." SHS Web of Conferences 72 (2019): 03037. http://dx.doi.org/10.1051/shsconf/20197203037.

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Researchers repeatedly noted that M.M. Bakhtin’s works are characterized by integration of musical culture into theoretical discourse, which is expressed in his appeal to the conceptual sphere of musical art and use of musical terminology as an instrument of literary, aesthetic, and cultural analysis. However, when examining Bakhtin’s connection with music, researchers, as a rule, discuss “music in general”, without specifying which music Bakhtin used to listen. The paper discusses the phenomenon of “the musical world of Bakhtin”, including his music experience, personal and creative contacts
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Bazerman, Charles. "An Essay on Pedagogy by Mikhail M. Bakhtin." Written Communication 22, no. 3 (July 2005): 333–38. http://dx.doi.org/10.1177/0741088305278028.

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Osovsky, O. "THE KNOW-HOW OF THE BIOGRAPHICAL GENRE." Voprosy literatury, no. 3 (October 1, 2018): 62–83. http://dx.doi.org/10.31425/0042-8795-2018-3-62-83.

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The article offers a detailed examination of Mikhail Bakhtin’s biography by A. Korovashko, which came out in The Lives of Remarkable People series [Zhizn’ zamechatelnykh lyudey, ZhZL] in 2017.M. Bakhtin’s life and legacy have always sparked keen interest among Russian and foreign scholars alike, but his biography still holds its secrets and, despite the efforts of M. Holquist and K. Clark, of S. and L. Konkin, N. Nikolaev, N. Pankov, I. Popova, and others, a comprehensive scholarly version is missing to this day.With his ideas permeating the global intellectual environment and his theories inf
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Pape, Carina. "HUSSERL, BAKHTIN, AND THE OTHER I. OR: MIKHAIL M. BAKHTIN – A HUSSERLIAN?" Horizon. Studies in Phenomenology 5, no. 2 (2016): 271–89. http://dx.doi.org/10.18199/2226-5260-2016-5-2-271-289.

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Осовский, О. Е., and В. П. Киржаева. "Mikhail Mikhaylovich Bakhtin: Reconstructing a Scholarly Biography ( Part 1)." Вестник Рязанского государственного университета имени С.А. Есенина, no. 4(69) (February 16, 2021): 90–102. http://dx.doi.org/10.37724/rsu.2020.69.4.011.

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В статье представлена реконструкция научной биографии выдающегося мыслителя ХХ века М. М. Бахтина, влияние которого на развитие гуманитарных наук в России и за ее пределами не просто сохраняется в XXI веке, но становится более заметным. Понимание того, как формируется и эволюционирует мысль М. М. Бахтина на протяжении 1910–1970-х годов, какие влияния она испытывает и в диалоге с какими школами и течениями получает завершение, — одна из важнейших целей бахтиноведения как междисциплинарного направления гуманитаристики последних десятилетий. Особое значение в этом контексте приобретают Собрание с
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Carvalho, Tânia Maria Gebin, and Elvira Cristina Martins Tassoni. "Mikhail M. Bakhtin e a mudança na forma de pensar." CADERNOS DE PESQUISA: PENSAMENTO EDUCACIONAL 14, no. 39 (March 5, 2020): 69–88. http://dx.doi.org/10.35168/2175-2613.utp.pens_ed.2020.vol14.n39.pp69-88.

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A organização deste artigo tem como objetivo colaborar com os leitores iniciantes, interessados nos estudos sobre a abordagem dialógica de linguagem na perspectiva de Bakhtin e do Círculo. Para tanto, apresenta colaborações de outros estudiosos sobre o tema e, ainda, traz as ações responsivas que se apresentavam para as autoras no decorrer das leituras de Bakhtin. Apresenta os conceitos: dialogismo, enunciado concreto e gênero do discurso, que estão discutidos separadamente apenas pelo caráter didático que se intenciona dar ao artigo, mas que são explorados de maneira inter-relacionada nos tex
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Осовский, О. Е., and В. П. Киржаева. "Mikhail Mikhaylovich Bakhtin: an Attempt to Reconstruct a Scholar’s Biography (Part 2)." Вестник Рязанского государственного университета имени С.А. Есенина, no. 1(70) (March 17, 2021): 90–102. http://dx.doi.org/10.37724/rsu.2021.70.1.010.

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В статье представлена реконструкция научной биографии выдающегося мыслителя ХХ века М. М. Бахтина, влияние которого на развитие гуманитарных наук в России и за ее пределами не просто сохраняется в XXI веке, но становится более заметным. Понимание того, как формируется и эволюционирует мысль М. М. Бахтина на протяжении 1910–1970-х годов, какие влияния она испытывает и в диалоге с какими школами и течениями получает завершение, — одна из важнейших целей бахтиноведения как междисциплинарного направления гуманитаристики последних десятилетий. Особое значение в этом контексте приобретают Собрание с
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Deusdará, Bruno. "Enunciação e produção de subjetividade: contribuições de É. Benveniste e M. Bakhtin (La énonciation et production de subjectivité: les contributions de É. Benveniste et M. Bakhtin)." Estudos da Língua(gem) 11, no. 2 (December 30, 2013): 211. http://dx.doi.org/10.22481/el.v11i2.5494.

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Neste texto, discutimos os rearranjos provocados no campo dos estudos da linguagem, quando a subjetividade passa a constituir-se como tema de investigação do linguista. Para isso, retomamos aspectos importantes das obras de Émile Benveniste e Mikhail Bakhtin como contribuições para problematizar a subjetividade como produção social. Ao final, explicitamos as discussões propostas em análise de paródias em anúncios publicitários, destacando os efeitos da espetacularização do contemporâneo.PALAVRAS-CHAVE: análise do discurso; subjetividade; enunciação; gêneros do discurso.
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Ponzio, Augusto. "Communication with the Other and Moral Answerability in Mikhail M. Bakhtin." Russian Journal of Communication 1, no. 3 (June 2008): 291–306. http://dx.doi.org/10.1080/19409419.2008.10756718.

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Dissertations / Theses on the topic "Mikhail M. Bakhtin"

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Andrade, Ecchio Claudia. "Mikhail Bakhtin e Iuri Lotman: dos pensadores de la posmodernidad." Tesis, Universidad de Chile, 2006. http://www.repositorio.uchile.cl/handle/2250/108896.

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Dentro del contexto de los estudios literarios actuales, las figuras más reconocidas de la eslavística rusa son Mikhail Mijáilovich Bakhtin (1895–1975) e Iuri Mijáilovich Lotman (1922–1993). Por una parte, ambos han sido gestores de críticas profundas a los llamados “grandes metarrelatos modernos”, entre ellos el formalismo ruso, el marxismo, la lingüística tradicional, etc.; y, por otra, han elaborado nuevas concepciones teóricas que han sido capaces de transformar, de manera radical y definitiva, la forma de ver y estudiar tanto la literatura como el arte. En este estudio, por tanto, se rede
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Bittenbender, J. Christopher. "Beyond the antisyzygy : Bakhtin and some modern Scottish writers." Thesis, University of St Andrews, 1997. http://hdl.handle.net/10023/15186.

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This dissertation shows how beneficial the ideas of the Russian literary theorist Mikhail Bakhtin are when used to investigate both classical and more recent Scottish writing. An exploration of how a desire for a Scottish literary identity early in this century became inextricably bound up with a sense of historical necessity and psychological division, known as the Caledonian Antisyzygy, forms the basis for the first section of this work. The limitations of this mode of thinking and its failure as a 'theory' are then exposed and compared with the greater benefits of Bakhtinian thought. Succee
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Shires, Victor Jeffrey. "Medium, message and ideology : Mikhail Bakhtin's architectonic and contemporary media criticism /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9904868.

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Leone, Matthew J. (Matthew Joseph). "The shape of openness : Bakhtin, Lawrence, laughter." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39750.

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How is Bakhtin's conception of novelistic openness distinct from modernist-dialectical irresolution or open-endedness? Is Women in Love a Bakhtinian "open totality"? How is dialogic openness (as opposed to modernist indeterminacy) a "form-shaping ideology" of comic interrogation?<br>This study tests whether dialogism illuminates the shape of openness in Lawrence. As philosophers of potentiality, both Bakhtin and Lawrence explore the dialogic "between" as a state of being and a condition of meaningful fiction. Dialogism informs Women in Love. It achieves a polyphonic openness which Lawrence in
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Touchette, Martine. "Analyse dialogique de l'activité interprétative chez Freud et Bakhtine." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22631.

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Even if they rely on apparently quite different investigation domains and ideologies, both Freud and Bakhtin participate to that current which in the XXth century would upset the foundation of the positivist thought and would modify profoundly the traditional conception of science, language and the cartesian vision of the conscience and of the human subject. The thought of one as of the other, therefore, surpasses largely the principal reason of their research: If Freud applies the principles of the interpretation of dreams to the study of literary works, Bakhtin expands on the novel theory an
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Sullivan, Lindsay M. "'The ethics of art' : incarnation, revelation and transcendence in the aesthetics and ethics of George Eliot and M.M. Bakhtin." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14748.

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This thesis offers an analysis of George Eliot's aesthetics and ethics from the interdisciplinary perspective of literature and theology. I examine the role that religious motifs play in Eliot's "ethics of art," and argue that the motifs of incarnation, revelation, and transcendence are central to Eliot's aesthetic aim of extending her reader's sympathies. Eliot's ethics of art is designed to help her reader transcend his or her inherent egoism, and to improve the way her reader understands his or her own self in relation to the world and to others. An exploration of the religious motifs of in
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Costa, Claudiana Nair Pothin Narzetti [UNESP]. "O percurso das ideias do círculo de Bakhtin na análise do discurso francesa." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/100085.

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Made available in DSpace on 2014-06-11T19:30:27Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-03-02Bitstream added on 2014-06-13T19:40:08Z : No. of bitstreams: 1 narzetti_cnp_dr_arafcl.pdf: 1168238 bytes, checksum: aea8bd6c8360884aafbb7f53945c7594 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Fundação de Amparo à Pesquisa do Estado do Amazonas (FAPEAM)<br>Ce travail aborde le parcours des idées du Cercle de Bakhtine dans le champ de l’Analyse du discours française dans la période de son émergence et expansion, les années 1970-80. C’est, ainsi, un tr
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Siqueira, Sena Aparecida de. "Representações sociais da literatura e a confluência de ideias entre Moscovici e Bakhtin : um estudo com professores alfabetizadores no Distrito Federal." reponame:Repositório Institucional da UnB, 2013. http://repositorio.unb.br/handle/10482/14269.

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Tese (doutorado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2013.<br>Submitted by Alaíde Gonçalves dos Santos (alaide@unb.br) on 2013-10-07T11:20:41Z No. of bitstreams: 1 2013_SenaAparecidadeSiqueira.pdf: 2038257 bytes, checksum: 5a7ac7e1173e7ebce7739d70ad37fb7c (MD5)<br>Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2013-10-07T12:03:30Z (GMT) No. of bitstreams: 1 2013_SenaAparecidadeSiqueira.pdf: 2038257 bytes, checksum: 5a7ac7e1173e7ebce7739d70ad37fb7c (MD
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Marques, Maria Celeste Said Silva. "Entre a origem e a maquina estrutural : o sujeito constitutivo e inventivo nos caminhos de Mikhail Bakhtin e de Michael de Certeaul." [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/268908.

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Orientador : Sirio Possenti<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudo da Linguagem<br>Made available in DSpace on 2018-07-27T16:17:49Z (GMT). No. of bitstreams: 1 Marques_MariaCelesteSaidSilva_D.pdf: 10314647 bytes, checksum: 460fd68bb33f2e311ea59f4224b4faa3 (MD5) Previous issue date: 2001<br>Resumo: Esta tese é uma investigação sobre o trabalho inventivo do sujeito. A autora analisa panfletos políticos produzidos pelas duas principais frentes político-ideológicas, que disputaram as eleições no Brasil em 1998, centrando o enfoque no processo discursivo para
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Nunes, Aline 1980. "A palavra-corpo : um estudo das vozes que compõem a discursividade do ator." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284991.

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Orientador: Mario Alberto de Santana<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-26T18:42:54Z (GMT). No. of bitstreams: 1 Nunes_Aline_M.pdf: 7800220 bytes, checksum: 1060c0c513828e6e0a06e16da0104e2a (MD5) Previous issue date: 2015<br>Resumo: Esta investigação quer refletir a respeito da discursividade do ator em cena partindo do conceito de Dialogismo. Consideramos discurso como o resultado da interação dialógica de "vozes" e, para compreender tal interação, pedimos o auxílio dos filósofos do chamado "Círculo de Bak
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Books on the topic "Mikhail M. Bakhtin"

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Introducing Bakhtin. Manchester: Manchester University Press, Distributed exclusively in the USA by St. Martin's Press, 1997.

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Caryl, Emerson, ed. Mikhail Bakhtin: Creation of a prosaics. Stanford, Calif: Stanford Univ. Press, 1990.

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Hirschkop, Ken. Mikhail Bakhtin: An aesthetic for democracy. Oxford: Oxford University Press, 1999.

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Mikhail Bakhtin: The word in the world. New York: Routledge, 2007.

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Bernard-Donals, Michael F. Mikhail Bakhtin: Between phenomenology and Marxism. Cambridge: Cambridge University Press, 1994.

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Mikhail Bakhtin: Between phenomenology and marxism. Cambridge [England]: Cambridge University Pres, 1995.

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The first hundred years of Mikhail Bakhtin. Princeton, NJ: Princeton University Press, 1997.

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Dialogism: Bakhtin and his world. 2nd ed. London: Routledge, 2002.

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Dialogism: Bakhtin and his world. London: Routledge, 1990.

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Brandist, Craig. The Bakhtin circle: Philosophy, culture and politics. London: Pluto, 2002.

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Book chapters on the topic "Mikhail M. Bakhtin"

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Matusov, Eugene. "The Possible in the Work of Mikhail M. Bakhtin." In The Palgrave Encyclopedia of the Possible, 1–8. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-98390-5_40-1.

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Tull, Patricia K. "Mikhail M. Bakhtin and Dialogical Approaches to Biblical Interpretation." In Second Wave Intertextuality and the Hebrew Bible, 175–90. SBL Press, 2019. http://dx.doi.org/10.2307/j.ctvhn0933.13.

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Guilherme, Alexandre, and W. John Morgan. "Mikhail M. Bakhtin (1895–1975) – dialogue as the dialogic imagination." In Philosophy, Dialogue, and Education, 24–38. Routledge, 2017. http://dx.doi.org/10.4324/9781315736532-3.

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Bowe, David. "Introduction." In Poetry in Dialogue in the Duecento and Dante, 1–18. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198849575.003.0001.

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The Introduction lays out the aims and scope of the book and outlines its methodology. It triangulates the ‘dialogue’ of the title with medieval literary practices and theories of dialogue, in particular the tenzone, and with literary and linguistic theories of dialogism (Mikhail M. Bakhtin) and performative speech (John L. Austin). This Introduction provides an extensive definition of the tenzone and a summary of the critical problems surrounding this mode of writing, with particular reference to Brunetto Latini’s Rettorica. It introduces the importance of these dialogic process for our understanding of Dante and medieval Italian literature, including the works of Guittone d’Arezzo, Guido Guinizzelli, and Guido Cavalcanti.
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