Relevant bibliographies by topics / Milligan, Spike

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Milligan, Spike'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Milligan, Spike"

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Brophy, Justin. "The Spike Milligan Public Speaking Competition." Psychiatric Bulletin 27, no. 07 (July 2003): 273. http://dx.doi.org/10.1017/s0955603600002580.

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The Spike Milligan Public Speaking Competition is a series of events conducted by the Irish Division of The Royal College of Psychiatrists' Public Education Committee. The initiative began as a local project, as part of the Changing Minds campaign. It is aimed at developing lifelong positive attitudes towards mental illness by doctors in training, and at redressing some of the stigma and negativity towards mental illness prevalent among trained doctors. It also aims to provide them with a positive experience of public speaking, in particular on mental health topics, and to enhance skills in communication with the public.
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Brophy, Justin. "The Spike Milligan Public Speaking Competition." Psychiatric Bulletin 27, no. 7 (June 2003): 273. http://dx.doi.org/10.1192/pb.27.7.273.

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The Spike Milligan Public Speaking Competition is a series of events conducted by the Irish Division of The Royal College of Psychiatrists' Public Education Committee. The initiative began as a local project, as part of the Changing Minds campaign. It is aimed at developing lifelong positive attitudes towards mental illness by doctors in training, and at redressing some of the stigma and negativity towards mental illness prevalent among trained doctors. It also aims to provide them with a positive experience of public speaking, in particular on mental health topics, and to enhance skills in communication with the public.
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Barnes, Peter. "‘An Uncooked Army Boot’: Spike Milligan, 1918–2002." New Theatre Quarterly 18, no. 3 (August 2002): 205–10. http://dx.doi.org/10.1017/s0266464x02000295.

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Allen, David, and Fanny Hercouet. "La Bile noire et son humour : fin du monde, l’être déchet et la ligue de domination mondiale." psychologie clinique, no. 45 (2018): 7–19. http://dx.doi.org/10.1051/psyc/201845007.

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L’étude pose la question de l’humour noir et son rapport à la mélancolie clinique. Les witz d’Hamlet sont étudiés comme une possible date de naissance de l’humour noir. Les écrits de Spike Milligan et Peter Cook concernant la fin du monde sont étudiés en tant qu’expression de l’humour mélancolique. Ainsi l’humour noir semble être le terrain sur lequel le mélancolique peut faire le procès de l’homme post Auschwitz, post Hiroshima, une forme de critique encore disponible au sujet moderne.
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Graham, Philip. "Peter Wilson." Child Psychology and Psychiatry Review 4, no. 4 (November 1999): 183–84. http://dx.doi.org/10.1017/s1360641799002075.

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For a relatively new organisation (it was founded only 10 years ago), Young Minds has already made a major impact on the CAMHS field. Its magazine contains lively articles by writers such as Susie Orbach and Adam Phillips and is widely read. It runs a well-used information service for parents concerned about the mental health of their children, and a consultancy service for professionals. High profile personalities such as Spike Milligan, John Bird, John Fortune and Nick Hornby have given their services to its fund-raising events. Who can take the major credit for the success of Young Minds? Stand up, Peter Wilson, the subject of this profile. He was initially Chair of the organisation and has been Director since April 1992.
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Pavía Cogollos, José. "Capítulo 5. «And now for something completely different». A propósito de Monty Python’s Flying Circus." Espejo de Monografías de Comunicación Social, no. 1 (November 19, 2018): 93–112. http://dx.doi.org/10.52495/c5.emcs.1.c37.

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El cinco de octubre de 1969, los cimientos de la BBC se tambalearon con la explosión de una forma radicalmente nueva de hacer comedia: Monty Python Flying Circus. La serie que iba a estar en antena durante cinco años ininterrumpidos, el último episodio se emitió el 5 de diciembre de 1974, se convirtió con gran rapidez en un éxito clamoroso. Los Python recogieron el legado del mítico The Goon Show o las comedias de la Ealing, así como de figuras tan relevantes con Spike Milligan, Peter Sellers o Richard Lester que cristaliza en un irreverente programa dispuesto a cuestionar inmisericordemente las formas televisivas y las convenciones culturales. La serie resultó ser un espacio abonado a la experimentación estilística y temática mediante la utilización de una compleja forma de comedia que hizo estragos no sólo con el aparato cinematográfico sino también con la cultura contemporánea.Palabras clave: Comedia, Monty Python, Flying Circus, Televisión Británica.
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Bebber, Brett. "The Short Life ofCurry and Chips: Racial Comedy on British Television in the 1960s." Journal of British Cinema and Television 11, no. 2-3 (July 2014): 213–35. http://dx.doi.org/10.3366/jbctv.2014.0204.

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This article analyses Curry and Chips (ITV, 1969), a situation comedy that relied heavily on racial humour to satisfy its audiences. Like other sitcoms during this era in British television, it capitalised on extant anxieties about the increasing migration of formerly colonised subjects to Britain. Johnny Speight and Spike Milligan, the programme's creators, believed that forwarding vulgar racial epithets and bigoted humour put English attitudes to immigration under examination. But the programme proved popular because of its appeal to white workers, who viewed depictions of the challenges of integrating non-white workers in a comedic context with some pleasure. Under the thin guise of political satire, the programme recirculated ethnic stereotypes and racist discourses to make its humour apparent. Audience research and letters of complaint also reveal that Curry and Chips appealed to audiences sympathetic to the racist attitudes forwarded by the programme's characters and failed to change white Britons’ perspectives on migration and integration. Because of the debate it caused about the appropriateness of its humour, Curry and Chips lasted only a single series before being banned by the Independent Television Authority. Like other forms of racial humour, the comedy resonated with working-class anxieties but negated the programme's utility as progressive parody.
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Jacobs, Donna. "Me depressed? Don't make me laugh! A guide to overcoming depressionNick Torrens (Researcher, Writer, Director) & Spike Milligan (Presenter). (1996). [Video]. Sydney: Monkey See Productions. 45 minutes; $95 + $5 p&h." Behaviour Change 15, no. 1 (March 1998): 63. http://dx.doi.org/10.1017/s0813483900005921.

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Hewitt, G. F. "John Gordon Collier, F.R.Eng. 22 January 1935 — 18 November 1995." Biographical Memoirs of Fellows of the Royal Society 45 (January 1999): 67–75. http://dx.doi.org/10.1098/rsbm.1999.0006.

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John Collier was a chemical engineer who, in his earlier career, was a specialist in two–phase flow and heat transfer. He was formerly Chairman of the UK Atomic Energy Authority (UKAEA) and was Chairman of Nuclear Electric plc when he died on 18 November 1995. John Collier was born in London on 22 January 1935. His father, Jack Collier, was a musician who was one of the country's leading double–bass players. Jack had turned down the job of lead bass with the Hallé Orchestra at the age of 20 and set out to see the world. While playing in the ship's band on a transatlantic trip he met John's mother (Edith Georgina de Ville, a passenger on the same ship) and married her soon afterwards, in 1925. John was their only child and his infant years were spent in prewar London, his father making a name for himself playing music of a wide variety. During the war, Jack Collier became a member of ENSA, the Forces' entertainment service. His attempts to protect his wife and child against the bombing seemed to be relatively unsuccessful; he moved them to Southampton, Coventry and Manchester in turn! The young John Collier, at the age of six, was actually machinegunned by a German fighter plane flying down a Southampton street. John and his mother finally returned to London just in time for the start of the V1 (flying bomb) raids. All these moves meant that John attended nine different schools during the war years–a very disruptive experience. The family was reunited again after the war but their happiness was short–lived; John's mother (Edith) had a recurrence of the cancer she had suffered towards the end of the war and died in 1948. In 1951, Jack Collier married Guinevere (Jean) Olga Northcote. By this time, he was working freelance, playing with the major London orchestras; he was much in demand. He still did some work with lighter music, particularly on the radio where he played in such programmes as ITMA (Tommy Handley) and The Goon Show (Spike Milligan, Harry Secombe and Peter Sellers), and he later played on television shows such as The Morecombe and Wise Show.
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Hadjizacharia, Pantelis, Peter Rhee, Viraj Pandit, Hassan Aziz, Donald Green, and Bellal Joseph. "Blunt Assault: ‘Million Dollar Baby’." American Surgeon 80, no. 1 (January 2014): 72–75. http://dx.doi.org/10.1177/000313481408000127.

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Contrasting reports exist in the literature regarding the management of patients with blunt assault to the head, neck, and face and more importantly for clearing the cervical spine. The purpose of our study was to determine the risk of cervical spine injuries after blunt assault to the head, neck, and face and its association with other injuries. We performed a retrospective case review of all blunt assault trauma admissions to the head, neck, and face at our Level I trauma center. We identified all patients who were assaulted with hands and feet and blunt instruments. A total of 3286 patients with blunt assault to the head, neck, and face were identified of whom 11 (0.003%) were found to have a cervical spine fracture or cervical spine subluxation. None of the patients had a cervical spinal cord injury. The 11 patients composed our study population with a mean age of 39 ± 7.8 years, 100 per cent were male, and the mean Injury Severity Score was 12 ± 7.9. Five (45%) patients required surgery for stabilization of the cervical spine. Mortality was reported in only one patient who had a C7 transverse process fracture. Cervical spine injury after blunt assault is rare but does occur and encompasses significant injuries requiring surgical intervention. However, these injuries are the result of direct blows to the cervical spine and we suggest that assaulted patients with no direct trauma to the neck do not require an exhaustive evaluation of the cervical spine.
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Dissertations / Theses on the topic "Milligan, Spike"

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Cousins, Richard J. "Milligan's Accordion: The Distortion of Time and Space in 'The Goon Show'." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/22931.

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Spike Milligan has had an undisputable influence on English-language comedy in the past half-century. Monty Python’s Terry Jones cites the “free-wheeling fantasy world” Milligan created for the surreal radio series The Goon Show as the chief inspiration for his own group’s more internationally-famous work. However, Milligan’s writing for The Goon Show, which first aired between 1951 and 1960 displays a depth beyond “the confidence to be silly” noted by Python’s Michael Palin. Milligan’s scripts reveal a deliberate, if not wholly conscious, rejection of the laws of causality and probability, through frequent and systematic distortions of time and space. The fictional world revealed in The Goon Show’s corpus of half-hour stories is one in which concepts relating to time and space lack the fixed meanings that we attach to them in everyday life. Temporal and spatial relationships are fluid and indeterminate: boundaries between different times and different spaces can dissolve, allowing mutually inconsistent chronologies and scales of size and distance to coexist. The world-view underlying this is governed by an inversion of the generally-agreed-upon relationship between observable phenomena and individual perception. Rather than using the outside world as a source of data from which to construct models of ‘objective’ reality, Milligan allows his characters’ own words to modify the given conditions of any situation. This quasi-magical principle of storytelling mirrors cognitive strategies used by children in their primary-school years to grasp and describe the complexities of time and space. Childlike and lighthearted as it often is, The Goon Show’s twisting of time and space has a parallel to some highly complex ‘grown-up’ thinking. Its implicit rejection of the self-evidence of the fundamental laws of Newtonian physics recalls more than just the challenge to these laws provided by relativity and quantum mechanics. It also anticipates, by a full generation, the skeptical stance towards the self-evidence of immutable laws which forms the cornerstone of postmodern critiques of all fields of endeavour. The Goon Show reveals Spike Milligan to be an unsung visionary: always striding into unknown conceptual territory, he let his scripts, rather than a body of theoretical work, articulate his vision. Milligan’s comedic touch and his inimitable strangeness have led him to be appreciated, rather than studied. The ways in which The Goon Show turns time and space inward on themselves demonstrate, however, that the First Mover Unmoved in the mad universe of Goonery was an artistic and intellectual force to be reckoned with. Further study of Spike Milligan can only to lead to a greater appreciation of how far ahead of his time he truly was.
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Books on the topic "Milligan, Spike"

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Carpenter, Humphrey. Spike Milligan: The biography. London: Hodder & Stoughton, 2003.

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Spike Milligan: A biography. London: Grafton, 1987.

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Norma, Farnes, ed. More Spike Milligan letters. Harmondsworth: Penguin, 1985.

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Spike Milligan: A biography. London: Granada, 1985.

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Behan, Dominic. Milligan: The life and times of Spike Milligan. London: Methuen, 1988.

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Behan, Dominic. Milligan: The life and times of Spike Milligan. Bath: Chivers, 1989.

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Roger, Sawyer, ed. Spike Milligan, a celebration: The best of Milligan. London: Virgin, 1995.

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Frankenstein according to Spike Milligan. London: Ted Smart, 1998.

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Norma, Farnes, ed. Box 18: The unpublished Spike Milligan. London: Fourth Estate, 2006.

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Milligan, Spike. Robin Hood according to Spike Milligan. London: Virgin, 1999.

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Book chapters on the topic "Milligan, Spike"

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Evans, Barbara. "Job in a Million: Evelyn Spice at the GPO." In The Projection of Britain, 80–88. London: British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-349-92496-7_10.

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Hancock, James F. "End of the spice era." In Spices, scents and silk: catalysts of world trade, 289–99. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789249743.0022.

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Abstract As the Dutch and English battled at home and abroad, the major trade commodities also underwent a dramatic shift. Changes in tastes and political climates in Europe caused the profitability of the spices to fall precipitously. This led the VOC and the EIC to seek new markets including cotton, coffee, opium and tea. It was in the middle of the seventeenth century that European interest in spices began to wane. In fact, there was an oversupply of pepper by mid-century, which dropped prices by about 40% compared with that which the Portuguese and then the VOC had long been able to maintain (Lunde, 2005). After a peak of seven million kilograms of pepper imported in 1670, levels fell to about three-and-a-half million kilograms in 1688 (Krondle, 2007). Pepper had lost its status as an exotic luxury in Europe and was now more or less a mundane commodity. The other spices held their high status longer, but they too began to lose their glow by the end of the seventeenth century.
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Schaefer-Wuensche, Elisabeth. "Masculine Atonement at the Century’s End: The Million Man March and Spike Lee’s Narrative." In Masculinities — Maskulinitäten, 106–25. Stuttgart: J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02875-4_8.

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Hancock, James F. "The Portuguese build an empire." In Spices, scents and silk: catalysts of world trade, 222–34. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789249743.0017.

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Abstract Albuquerque's victory in Malacca gave Portugal a major foothold in the Far Eastern pepper trade, but the Portuguese were never able to fully dominate it. The chapter summarizes the struggles of Portugal's building of its empire. It also discusses the cartaz system, where the Portuguese claimed suzerainty over the Indian Ocean and no one else was allowed to sail unless they purchased a safe conduct pass. The cartaz obliged Asian ships to call at a Portuguese-controlled port and pay customs duties before proceeding on their voyage. Ships without this document were considered fair game and their goods could be confiscated. It was, pure and simple, a protection racket. The cartaz system, plus customs duties and outright piracy, provided most of the funds defraying the costs of the Portuguese navy and its garrisons. The chapter also outlines the importance of Indian cotton in the Spice Trade and the routes of spices into Europe. Further, the chapter provides highlights of the Portuguese profits on spices. Portuguese imports of pepper held strong over most the sixteenth century. The total weight of the spice cargoes averaged 40,000 to 50,000 quintals (1 quintal = 130 pounds or 59 kilograms) annually in the first half of the century and 60,000 to 70,000 quintals later on. Records have been left of one cargo in 1518 that totalled almost 5 million pounds (2.27 million kilograms), of which 4.7 million pounds (2.13 million kilograms) was pepper, 12,000 pounds (5443 kilograms) cloves, 3000 pounds (1360 kilograms) cinnamon and 2000 pounds (907 kilograms) mace (Krondl, 2007). Most of the pepper and other spices were purchased in Malabar on the open market. Portuguese profits on the pepper trade could run as high as 500%. Lastly, the chapter briefly discusses how other European countries looked for alternative routes to the spices.
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Erdoğan, Armağan, and M. Murat Erdoğan. "Syrian University Students in Turkish Higher Education: Immediate Vulnerabilities, Future Challenges for the European Higher Education Area." In European Higher Education Area: Challenges for a New Decade, 229–52. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56316-5_16.

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Abstract Since 2011, millions of Syrian people have had to leave their country and seek shelter in neighbouring countries and in Europe. Forced migration or displacement creates multiple vulnerabilities while trying to settle in a new environment. Socioeconomic, cultural and psychological vulnerabilities hinder them from participating actively in society. Higher education is one of the main ways that refugees and displaced people cling to hope for a better life. Their access to and participation in higher education has been a challenging route for many reasons both for themselves and also for the higher education systems and universities in their host countries. Turkey has a unique place in regard to Syrian refugees. It hosts the largest refugee population in the world with 3.6 million Syrians and 500,000 asylum seekers from other countries, such as Iraq, Iran, Afghanistan and Pakistan. Turkey has a young population with the 5–17 age group comprising 21% of the population, but the Syrian population is much younger as its rate is 30%. Turkey is also the country with the largest student population in the European Higher Education Area. The incomparable magnitude of the situation, among others, plays a crucial role in developing new integration policies. In spite of the ongoing difficulties and challenges, the past nine years proved a success story in protection, social cohesion and integration of these newcomers. Turkey has been suffering from some challenges, such as a supply and demand imbalance in higher education. Demographic factors, shortcomings of the higher education system and the unemployment rate among university graduates have been some long-term challenges for Turkish higher education. Moreover, a common misconception in public opinion, that Syrian refugees are admitted to Turkish universities without fulfilling the requirements, adds new challenges for future policies. Both the sheer number of migrants and also the emergency of the situation during this migration flow necessitated some action to be taken in the area of higher education. In a country like Turkey, where there is high competition between students to pass the nationwide university selection exam each year, encouraging Syrian students to access higher education seems to be an area for discussion. This paper is based on the fieldwork of research conducted in the context of the Hopes-MADAD project entitled “Elite Dialogue II- Dialogue with Syrian Refugees in Turkey through Syrian Academics and Students” in 2019. The main research subject is which types of vulnerabilities Syrian university students face, and how they can integrate into society in Turkey. New approaches and definitions are needed to touch the actual needs of the refugees to be actively involved into society. Nevertheless, research on the higher education practices of vulnerable groups in general, and of Syrian students in particular, is largely missing.
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"Preliminary Material." In Spike Milligan's Accordion, i—xiv. Brill | Rodopi, 2017. http://dx.doi.org/10.1163/9789004310704_001.

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"Introduction." In Spike Milligan's Accordion, 1–9. Brill | Rodopi, 2017. http://dx.doi.org/10.1163/9789004310704_002.

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"The Accordion under Construction: The Origins of Spike Milligan’s Comedic Style, and of The Goon Show." In Spike Milligan's Accordion, 10–50. Brill | Rodopi, 2017. http://dx.doi.org/10.1163/9789004310704_003.

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"The Accordion Beating Time: Temporal Distortions in The Goon Show." In Spike Milligan's Accordion, 51–83. Brill | Rodopi, 2017. http://dx.doi.org/10.1163/9789004310704_004.

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"The Accordion Stretching in All Directions: Spatial Distortions in The Goon Show." In Spike Milligan's Accordion, 84–112. Brill | Rodopi, 2017. http://dx.doi.org/10.1163/9789004310704_005.

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Conference papers on the topic "Milligan, Spike"

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Ditto, Thomas D., and Joseph M. Ritter. "Million object spectrograph." In SPIE Astronomical Telescopes + Instrumentation, edited by Eli Atad-Ettedgui and Dietrich Lemke. SPIE, 2008. http://dx.doi.org/10.1117/12.790244.

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Vijay, P. V., GangaRao V. S. Hota, Aneesh Bethi, Venugopal Chada, and Muhammad A. M. Qureshi. "Development and Implementation of Recycled Thermoplastic RR Ties." In 2010 Joint Rail Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/jrc2010-36121.

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About a billion wood cross-ties are in service in North America for safe and effective transfer of heavy freight or high-speed passenger train loads. These wood ties are facing long-term safety and serviceability issues related to ever increasing intensities and frequencies, and harsh field conditions. In addition to other applications, the Constructed Facilities Center, West Virginia University (CFC-WVU) has been investigating the use of recycled polymer composite railroad (RR) ties with discarded wood or rubber core to safely alleviate many of the problems posed by creosote treated timber ties. In this research, mechanical property characterization of recycled thermoplastics was carried out prior to manufacturing RR ties with continuous glass fiber reinforced (GFRP) polymer composite shell with recycled polymer, and wood/FRP (fiber reinforced polymer) core. GFRP Composite ties manufactured with thermoplastics and continuous glass fiber/fabric have exhibited high strength/stiffness unlike plastic ties with chopped fibers. Local cracking from spikes was found to be negligible. Half- and full-scale RR ties were subjected to static loads of 80 kips and fatigue loads up to 12.5 million cycles with a strain range of 750 micro strains (με, i.e., 750×10−6) in FRP composite shell. Spike pull-out tests were conducted on full-scale RR tie specimens. Results showed high strength/stiffness of these ties under static loads and also excellent strength retention under millions of fatigue cycles. Field installed ties exhibited maximum strain of 1070 micro-strains under actual locomotive loads moving at 15 mph.
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de Bruijne, Jos, Ralf Kohley, and Timo Prusti. "Gaia: 1,000 million stars with 100 CCD detectors." In SPIE Astronomical Telescopes + Instrumentation, edited by Jacobus M. Oschmann, Jr., Mark C. Clampin, and Howard A. MacEwen. SPIE, 2010. http://dx.doi.org/10.1117/12.862062.

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Wu, Chen, Zhaolong Han, Manmohan Singh, Chih-Hao Liu, Jiasong Li, Alexander Schill, Raksha Raghunathan, and Kirill V. Larin. "Magnetic force Optical Coherence Elastography at 1.5 million a-lines per second." In SPIE BiOS, edited by Joseph A. Izatt, James G. Fujimoto, and Valery V. Tuchin. SPIE, 2016. http://dx.doi.org/10.1117/12.2214692.

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Damon, Stephen M., Brian D. Boyd, Andrew J. Plassard, Warren Taylor, and Bennett A. Landman. "DAX - the next generation: towards one million processes on commodity hardware." In SPIE Medical Imaging, edited by Tessa S. Cook and Jianguo Zhang. SPIE, 2017. http://dx.doi.org/10.1117/12.2254371.

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de Anda-Rodriguez, Guillermo, Eduardo Castillo-Castaneda, and Salvador Guel-Sandoval. "Tool breakage detection in millin operations using a fiber optic sensor." In SPIE Proceedings, edited by Jose F. Lopez, Chenggen Quan, Fook Siong Chau, Francisco V. Fernandez, Jose Maria Lopez-Villegas, Anand Asundi, Brian Stephen Wong, Jose M. de la Rosa, and Chwee Teck Lim. SPIE, 2005. http://dx.doi.org/10.1117/12.621420.

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Klein, Thomas, Wolfgang Wieser, Raphael André, Tom Pfeiffer, Christoph M. Eigenwillig, and Robert Huber. "Multi-MHz FDML OCT: snapshot retinal imaging at 6.7 million axial-scans per second." In SPIE BiOS, edited by Joseph A. Izatt, James G. Fujimoto, and Valery V. Tuchin. SPIE, 2012. http://dx.doi.org/10.1117/12.908798.

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Chen, Xing, Fow-Sen Choa, Ellen Holthoff, Paul Pellegrino, and Jenyu Fan. "Standoff chemical detection with parts per million level calibrated detection sensitivity." In SPIE Defense, Security, and Sensing, edited by Augustus W. Fountain. SPIE, 2013. http://dx.doi.org/10.1117/12.2016282.

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Paris, Anthony, Alex Bergeron, Matthew Cullin, and Andres Munk. "Fatigue Behavior of Stainless Steel, Titanium, and Cobalt Chromium Molybdenum Spinal Rods." In ASME 2010 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2010. http://dx.doi.org/10.1115/sbc2010-19720.

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The objective of this study was to measure and compare the fatigue behavior of 316L stainless steel, titanium (Ti-6Al-4V), and cobalt chromium molybdenum (CoCrMo) spinal rods in vitro. Spinal rods are used to immobilize the spine while fusion of the vertebrae occurs (spinal arthrodesis). Implanted spinal rods are subjected to cyclic loading and are therefore susceptible to fatigue failure if fusion does not occur sufficiently quickly. A significant number of spinal rod fatigue failures have been observed between six months to one year following surgical implantation. On average, the spine will experience about 3 million cycles per year. Stress overloads can result in permanent deformation or immediate failure of the rod, however these overloads are seldom the root cause of failure—rods typically fail by fatigue [1].
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Arai, T., T. Hayashida, K. Kitamura, J. Yonai, H. Maruyama, H. Ootake, T. Goji Etoh, and H. van Kuijk. "Development of ultrahigh-speed CCD with maximum frame rate of 2 million frames per second." In SPIE OPTO, edited by Michel J. F. Digonnet, Shibin Jiang, John W. Glesener, and J. Christopher Dries. SPIE, 2011. http://dx.doi.org/10.1117/12.873680.

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